1 What Animal?: Darwin's Displacement Of
Notes 1 What Animal?: Darwin’s Displacement of Man 1. Jacques Derrida, ‘The Animal That Therefore I Am (More to Follow)’, Critical Inquiry 28/2 (2002): 369–418. 2. W.H. Auden, ‘Address to the Beasts’. The Faber Book of Beasts. Ed. Paul Muldoon. London: Faber & Faber, 1997. 1–3. 3. Natural History Museum London, 2008, http://www.nhm.ac.uk/visit-us/ whats-on/darwin/index.html, accessed 10.11.2009. 4. The Beagle Project, http://www.thebeagleproject.com/voyages.html, accessed 10.11.2009. 5. See Diana Donald and Jane Munroe, Endless Forms: Charles Darwin, Natural Science, and the Visual Arts (New Haven, Conn. and London: Yale University Press, 2009). 6. University of Cambridge, 2009, http://www.darwin2009.cam.ac.uk/, accessed 10.11.2009. 7. A recent literary example is Will Self’s satire on primatologist discourse, in particular the work of Dian Fossey and Jane Goodall – and the sentimental idolisation of the same – in Great Apes. See Dian Fossey, Gorillas in the Mist (London: Phoenix, 2001), Jane Goodall, My Friends the Wild Chimpanzees (Washington, DC: National Geographic Society, 1967) and Will Self, Great Apes (1997, Harmondsworth: Penguin, 1998). 8. Gillian Beer, Darwin’s Plots. Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century-Fiction (Cambridge: Cambridge University Press, 1983, repr. 2000, 2009) and George Levine, Darwin and the Novelists. Patterns of Science in Victorian Fiction (Harvard University Press, 1988). 9. George Levine, ‘Reflections on Darwin and Darwinizing’, Victorian Studies 51.2 (2009): 223–45, 231–2. 10. Redmond O’Hanlon, Joseph Conrad and Charles Darwin: the Influence of Scientific Thought on Conrad’s Fiction (Edinburgh: Salamander, 1984), Michael Wainwright, Darwin and Faulkner’s Novels: Evolution and Southern Fiction (Basingstoke: Palgrave Macmillan, 2008).
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