Accuracy, Shmaccuracy”

Total Page:16

File Type:pdf, Size:1020Kb

Accuracy, Shmaccuracy” PAGE 23 / JANUARY 10, 2007 SCRIPTDOCTOR: MEDICINE IN THE MEDIA “Accuracy, Shmaccuracy” By Andrew Holtz, MPH rior was completely re-painted before Andrew Holtz, MPH, is a former CNN Medical Correspondent filming began, but then the crew went s any fiction writer will tell and the author of “The Medical Science of House, M.D.” This through all the rooms and corridors you, the story comes first. column examines mass media programs, particularly kicking and scuffing, so that the set And so it is with TV shows entertainment TV, for insight into popular perceptions, so that would have the look of a worn and A that use medical backdrops for rather than merely wincing at distortions or struggling community hospital. their teleplays. When writers meet to oversimplifications in the portrayals of medicine on these At least one network executive had begin sketching out a new plot, the shows, health care professionals can learn something from a very different vision for the series: a first order of business is determining media professionals about the way that medical and health standard sitcom four-camera studio fundamental mileposts of the story. topics are presented. shot in front of a live audience, with a What is the theme: loss, discovery, Send questions to him about how the media treat medical laugh track added in post-production. attachment? What do the key charac- “My boss was like, ‘No way, I topics or suggestions for future columns about a particular ters experience: career advancement, a don’t want it to be a silly medical show show or topic to discuss to [email protected] new love, a death? What are the emo- where they are in the OR and some- tional notes of dramatic score: joy, sor- thing drops on the floor and they pick it row, anger? up and put it back in.’ That’s the kind Then, as ER writer Lisa Zwerling are going to do that.” sugar-coat reality. That’s one reason the of wacky humor you would have in a notes, “We will brainstorm to come up Defending himself against cranky show has real doctors on the writing sitcom,” says Scrubs Supervising Pro- with a good medical story that meets clinicians isn’t the only reason Kaplow staff,” Dr. Zwerling says. “Sometimes ducer Janae Bakken. our dramatic needs.” Yet she and other keeps a case report or two in his back the non-doctor writers will say, ‘Gosh, So although the show is definitely writers at medical shows are emphatic pocket to prove that the weird things would you really say that to a patient? funny, the shooting style is much like that they care about the accuracy of he writes about do happen. Having to Would you really say, ‘If this isn’t treat- that of medical dramas, with a single their scripts. write his way around rocks of reality ed, you will die?’’ And the answer is yes. camera following the actors, allowing Why? These shows are fiction, not sharpen the storytelling and distinguish “We try to have the doctors on the for close-ups and editing that let the documentaries or news reports. But many medical shows from sci-fi or show relate to patients the way we visual pacing support the emotional part of the contract with viewers is that other fantasy genres. would relate to patients if we were trajectory of the story. there will be enough realism to make “Yes, we have to be much more working in the hospital. You want to be the story believable. Maybe it’s ex- rigorous,” Kaplow says. “It’s easy to as compassionate and caring and sup- tremely unlikely, but perhaps, just cheat and say, ‘Oh, yeah, this could portive, and be as hopeful as you can in maybe, the key events could happen. happen,’ and just make it up.” a realistic way.” “We try to be real when we Of course, characters are often Physician-writers naturally want to think about how doctors composites, time is compressed, and be true to the craft they worked so hard really talk about this to “We try to have the doctors many medical details are left out. to master—and they have to face the Otherwise, plots would be cluttered critiques of their colleagues. In addi- patients, which is: you on the show relate to and confusing; and their pace would tion, all the writers see letters from slow to a mind-numbing crawl. viewers who are personally affected by don’t try to sugar-coat patients the way we Still, writers see limits to dramatic what they wrote. reality. That’s one reason would relate to patients license. Kaplow recalls one episode that “There are a lot of people who have referred to a real side effect of a real these actual illnesses. When they watch the show has real doctors if we were working in the drug. He says they were asked whether the show and they hear about these ill- they could substitute a made-up drug nesses, they are grateful, because they on the writing staff. hospital. You want to be name. After all, who would know the understand and they can identify with Sometimes the non-doctor as compassionate and difference? But Kaplow says making up the symptoms. They say, ‘That hap- a fake drug would corrode the viewers’ pened to me,’” says House’s Kaplow. writers will say, ‘Gosh, caring and supportive, trust. “When I wrote a [childhood] can- “Then the show’s a joke. Then we cer episode, I got a number of letters would you really say that and be as hopeful as you have no credibility. Forget about the from people who had buried grandchil- doctors who work on the show, there’s dren, just horrible, horrible stuff; but to a patient? Would you can in a realistic way.” the concept of the show: this is a med- they were thanking us for portraying it ical show. Might as well be a space in a realistic way, that what the girl had really say, ‘If this isn’t travel show, set in outer space where I gone through, not physically, but emo- treated, you will die? “Absolutely. Otherwise you be- just take a zap gun and fix your liver. tionally, was accurate.” come a fantasy. Sure, we take liberties, The drama goes away,” Kaplow says. And the answer is yes.” but those liberties are still factually As he notes, doctors not only Comedy Shows? based,” says House writer Lawrence advise writers of medical shows, they Kaplow. often are the writers. ER writer Lisa OK, so TV dramas benefit from a mea- Like her counterparts at medical “This show lives in the world of the Zwerling is also pediatrician Lisa sure of realism, but surely this concern dramas, Bakken says the comedy writ- weird,” he admits. “Our show is about Zwerling, MD. In her fourth year with about accuracy doesn’t extend to come- ers and producers at Scrubs want to be the one-in-a-million. Frequently, when ER, she now practices part time. Her dy shows. realistic, to an extent, out of respect for doctors push back and say, ‘This would clinical work is both a source of inspira- Well, don’t tell that to the staff at their audience, including doctors who never happen.’ I say, ‘Well, this would tion and a reality check for her writing. Scrubs. Now in it’s sixth season, the provide inspiration for storylines. never happen in your clinical practice, For example, the choice of words a show centers on the trials and tribula- “We talk to these doctors and we because you are dealing with the 99 physician will use to deliver bad news tions of young doctors. Scrubs episodes want to be true to them and the stories percent of people. House deals with the to a patient. are shot in a real hospital building that they’ve told us and let us use. And why one percent, the abnormal presenta- “We try to be real when we think once housed the North Hollywood not be real?” Bakken says. “We’re not tions of abnormal illnesses. And any- about how doctors really talk about this Medical Center. As part of the real-but- going to say that someone has liver dis- time we can take a unique direction we to patients, which is: you don’t try to not-real world of TV, the hospital inte- (continued on page 24) PAGE 24 / JANUARY 10, 2007 Technology to Improve Colonoscopy Recognized by American College of Gastroenterology Award By Paul Watson during a colonoscopy “Basically we wrote a whole series study that facilitated the cre- “There are some people who may be afraid of such a of algorithms that look at different ation of new software that can tool. They worry about having somebody continuously aspects of what happens during a automatically and objectively colonoscopy,” Dr. de Groen said. A analyze the efficacy of a colon- watching over their shoulder. For the people who More specifically, the software oscopy was one of five abstracts select- automatically extracts five objective ed for the American College of Gastro- do a poor job this may not be a nice tool to have, quality-control algorithms, or metrics, enterology (ACG) Governor’s Award because it’s going to document just that. However, from colonoscopy video files. Each met- for Excellence in Clinical Research. ric analyzes a specific part of the The principal investigator, Piet C. for people who do a good job, this will be a beneficial colonoscopy procedure: de Groen, MD, Professor of Medicine at I Metric 1 measures the overall the Mayo Clinic, presented his findings tool to have access to; they will be able to document duration of the insertion phase, termed during the President’s Plenary Session the quality of their work.” the insertion time.
Recommended publications
  • Fact-Checking Fiction
    PAGE 52 / JANUARY 25, 2007 SCRIPTDOCTOR: MEDICINE IN THE MEDIA Fact-checking Fiction By Andrew Holtz, MPH tice medicine. But then he became a Andrew Holtz, MPH, is a former CNN Medical Correspondent full-time writer on the staff of House. young doctor and an older and the author of “The Medical Science of House, M.D.” This He also sits in on the filming of many of man step through the buzzing column examines mass media programs, particularly the medical scenes, but it is a nurse activity of a hospital emer- entertainment TV, for insight into popular perceptions, so that who has the lead role in monitoring A gency department. The older rather than merely wincing at distortions or accuracy on the House set. man sits on the edge of an empty bed oversimplifications in the portrayals of medicine on these “She is the one who is there for all and the doctor pulls up a chair. The shows, health care professionals can learn something from the medical scenes. She makes sure doctor quizzes his patient, trying to media professionals about the way that medical and health they are holding the scalpel correctly, figure out why he had a bad reaction topics are presented. or a patient is draped correctly, or peo- to his medication. It turns out the man Send questions to him about how the media treat ple are wearing gowns when they had switched drugs on his own, using medical topics or suggestions for future columns about a should be wearing gowns, or that when some leftover pills from a friend.
    [Show full text]
  • Copyright Acknowledgement Booklet
    Copyright Acknowledgement Booklet For the January 2013 exam series This booklet contains the acknowledgements for third-party copyright material used in OCR assessment materials for 14 – 19 Qualifications. www.ocr.org.uk About the Copyright Acknowledgement Booklet Prior to the June 2009 examination series, acknowledgements for third-party copyright material were printed on the back page of the relevant exam papers and associated assessment materials. For security purposes, from that series onwards, OCR has created this separate booklet to put all of the acknowledgements, rather than including them in the exam papers or associated assessment materials. The booklet is published after each examination series, as soon as the assessment materials become available to the public. It is available online from the OCR website at: http://www.ocr.org.uk/i-want-to/prepare-and-practise/past-papers-finder/ The OCR Copyright Team can be contacted by post at 1 Hills Road, Cambridge, CB1 2EU, or by email at [email protected]. Where possible, OCR has sought and cleared permission to reproduce items of third-party owned copyright material. Every reasonable effort has been made by OCR to trace copyright holders, but if any items requiring clearance have unwittingly been included, please contact the Copyright Team at the addresses above and OCR will be pleased to make amends at the earliest possible opportunity. How to find an acknowledgement Each acknowledgement is filed firstly by subject and then under the unit number of the exam paper in which the copyright material appears. Where an exam paper has more than one document associated with it, each document is identified with its separate acknowledgements.
    [Show full text]
  • 2008 Sentinel Awards Ceremony and Panel
    1 The Norman Lear Center 2008 Sentinel for Health Awards The Sentinel for Health Awards The Norman Lear Center The Sentinel for Health Awards recognize exemplary The Norman Lear Center achievements of television storylines that inform, educate is a nonpartisan research and motivate viewers to make choices for healthier and and public policy center safer lives. For many loyal viewers, television dramas and that studies the social, comedies provide both entertainment and information political, economic and about disease, injury and disability. A compelling storyline cultural impact of that demonstrates risky behavior and consequences, or entertainment on the world. The Lear Center translates shows how to avoid risk, can benefit millions of viewers its findings into action through testimony, journalism, and their loved ones. strategic research and innovative public outreach campaigns. On campus, from its base in the USC Each entry is screened by Hollywood, Health & Society Annenberg School for Communication, the Lear Center staff for eligibility. Qualifying entries are evaluated in two builds bridges between schools and disciplines whose rounds of judging. In the first round of judging, each sto- faculty study aspects of entertainment, media and ryline is reviewed for accuracy by a panel of topic experts culture. Beyond campus, it bridges the gap between who take the following into consideration: the entertainment industry and academia, and between them and the public. Through scholarship and research; * How the health problem can be prevented through its conferences, public events and publications; * How a character’s choices affect his/her health or safety and in its attempts to illuminate and repair the world, the * What causes the health problem and how it impacts the Lear Center works to be at the forefront of discussion and lives and relationships of characters practice in the field.
    [Show full text]
  • From Marcus Welby, M.D. to the Resident: the Changing Portrayal of Physicians in Tv Medical Dramas
    RMC Original JMM ISSN electrónico: 1885-5210 DOI: http://dx.doi.org/10.14201/rmc202016287102 FROM MARCUS WELBY, M.D. TO THE RESIDENT: THE CHANGING PORTRAYAL OF PHYSICIANS IN TV MEDICAL DRAMAS Desde Marcus Welby, M.D. hasta The resident: los cambios en las representaciones de los médicos en las series de televisión Irene CAMBRA-BADII1; Elena GUARDIOLA2; Josep-E. BAÑOS2 1Cátedra de Bioética. Universitat de Vic – Universitat Central de Catalunya.2 Facultad de Medicina. Universitat de Vic – Universitat Central de Catalunya (Spain). e-mail: [email protected] Fecha de recepción: 9 July 2019 Fecha de aceptación: 5 September 2019 Fecha del Avance On-Line: Fecha de publicación: 1 June 2020 Summary Over the years, the way medical dramas represent health professionals has changed. When the first medical dramas were broadcasted, the main characters were good, peaceful, intelligent, competent, empathic, and successful physicians. One of the most famous, even outside the US, was Marcus Welby M.D. (1969-1976) of David Victor –which this year marks 50 years since its first emission. This depiction began to change in the mid-1990s. While maintaining the over positive image of medical doctors, TV series started to put more emphasis on their negative characteristics and difficulties in their interpersonal relationships, such asER (TV) by Michael Crichton (United States) and House MD (TV) by David Shore (United States). In these series, physicians were portrayed as arrogant, greedy, and adulterous, and their diagnostic and therapeutic errors were exposed. The last two series are The Good Doctor (TV) by David Shore (United States), with a resident of surgery with autism and Savant syndrome, and The Resident (TV) by Amy Holden Jones, Hayley Schore and Roshan Sethi (United States), where serious institutional problems appear.
    [Show full text]
  • Saving Lives: Why the Media's Portrayal of Nursing Puts Us All At
    SAVING LIVES SAVING LIVES Why the Media’s Portrayal of Nursing Puts Us All at Risk Sandy Summers, RN, MSN, MPH Harry Jacobs Summers UPDATED SECOND EDITION 1 1 Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trademark of Oxford University Press in the UK and certain other countries. Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016 © Sandy Summers and Harry Jacobs Summers, 2015 Lyrics from Aimee Mann’s “Invisible Ink” used by permission of Aimee Mann/SuperEgo Records All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by license, or under terms agreed with the appropriate reproduction rights organization. Inquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above. You must not circulate this work in any other form and you must impose this same condition on any acquirer. Library of Congress Cataloging-in-Publication Data Summers, Sandy, author.
    [Show full text]
  • Notes Endnotes for Chapter 1
    1 Who Are Nurses and Where Have They Gone? • 21 Notes In these endnotes, The Truth About Nursing is abbreviated “TAN” and the Center for Nursing Advocacy as “CFNA.” Please see www.truthaboutnurs ing.org/references/ for live hyperlinks providing easy online access to virtually all of the references cited below. 1. TAN, “Q: Are You Sure Nurses Are Autonomous? Based on What I’ve Seen, It Sure Looks Like Physicians Are Calling the Shots,” accessed January 28, 2014, http:// tinyurl.com/7qfa8zu. 2. Hanne Dina Bernstein, “Reflections: Two Cups: The Healing Power of Tea,” American Journal of Nursing 104, no. 4 (April 2004): 39, http://tinyurl.com/ nqjbyez. 3. Cnet.com, “Biden: ‘Doctors Allow You to Live; Nurses Make You Want to Live’ ” (June 3, 2013), http://tinyurl.com/ks6jlgm. 4. Julie Thao, “Julie Thao’s Speech in Pasadena,” California, January 28, 2010, YouTube video, http://tinyurl.com/obtuutb. 5. International Council of Nurses, “About ICN” (June 14, 2013), http://tinyurl. com/ nxubwo4. 6. US Department of Labor, Bureau of Labor Statistics, “Occupational Employment Statistics: May 2012 National Occupational Employment and Wage Estimates,” http://tinyurl.com/q2ywzuv. 7. US Department of Health and Human Services, Health Resources and Services Administration (HRSA), “The Registered Nurse Population: Findings from the 2008 National Sample Survey of Registered Nurses” (2010), http://tinyurl. com/7zgyet7. 8. US Department of Labor, Bureau of Labor Statistics, “Physicians and Surgeons,” accessed January 8, 2014, http://tinyurl.com/77ghlzk. 9. David I. Auerbach, Douglas O. Staiger, Ulrike Muench, and Peter I. Buerhaus, “The Nursing Workforce: A Comparison of Three National Surveys,” Nursing Economic$ 30, no.
    [Show full text]
  • Notes Endnotes for Chapter 6 Who Wants
    210 • SAVInG LIVes Notes 1. TAN, “Ms. Goldberg Needs Some Helpers” (June 16, 2009), http://tinyurl.com/ jwaf3hs. 2. The Women’s Museum, Dallas, exhibit audio (visited April 2011). 3. Leslie Wagner, “Find Heroines in Texas History Thanks to Ruthe Winegarten and Ann Richards,” Dallas History Examiner (March 16, 2013), http://tinyurl.com/ muhprqp. 4. National Women’s History Museum, “About Us,” accessed March 26, 2014, http:// www.nwhm.org/about-nwhm/. 5. International Council of Nurses, “Position Statement: Socio-Economic Welfare of Nurses” (2009), http://tinyurl.com/kvl2dkp. 6. Mireille Kingma, “Nurses on the Move,” in Nurses—Past, Present, and Future: The Making of Modern Nursing, ed. Kate Trant and Susan Usher (London: Black Dog Publishing, 2010), 61. 7. Union Aid Abroad—APHEDA, “Global Nursing Industry Comparative,” accessed March 26, 2014, http://tinyurl.com/mbe8lp7. 6 Who Wants Yesterday’s Girl? • 211 8. Mireille Kingma, “Nurses on the Move,” in Nurses—Past, Present, and Future: The Making of Modern Nursing, ed. Kate Trant and Susan Usher (London: Black Dog Publishing, 2010), 81. 9. TAN, “Just How Undervalued and Underfunded Is Nursing?,” accessed March 26, 2014, http://tinyurl.com/k7m4wep. 10. Anne Busch and Elke Holst, “Gender-Specific Occupational Segregation, Glass Ceiling Effects, and Earnings in Managerial Positions,” Deutsches Institut für Wirtschaftsforschung (January 2011),http://tinyurl.com/kax6ek6 ; Paula England, Comparable Worth: Theories and Evidence (Aldine Transaction, 1992), http:// tinyurl.com/mlcaas5; Ronnie Steinberg, “Social Construction of Skill: Gender, Power and Comparable Worth,” Work and Occupations 17, no. 4 (1990): 449–482, http://tinyurl.com/m4al298; Liebeskind, U., “Arbeitsmarktsegregation und Einkommen: Vom Wert “weiblicher” Arbeit,” Kölner Zeitschrift für Soziologie und Sozialpsychologie 56, no.
    [Show full text]
  • A Time to Every Purpose the Four Seasons in American Culture by Michael Kammen (Chapel Hill: University of North Carolina Press, 2004
    194 INDIANA MAGAZINE OF HISTORY within today’s broader Quaker com- cusses Quaker identity, as problema- munity. These divisions represent the tized in a long history of schism char- culmination of decades of interaction acteristic of sectarians in general and between distinctive Quaker beliefs of Quakers in particular, and as and practices and the evangelical and reflected in the wide variety of Quak- liberal strains in the larger cultures of er communities which the author American Protestant Christianity. The limned in his opening survey. resultant impression is that the ami- Although the issues raised here have able gentleman on the box of oatmeal often been presented in terms of clas- is about as representative of Ameri- sic Weberian sociology, Hamm avoids can Quakers as the old image of Aunt any overt methodological constructs Jemima was reflective of African and approaches his material from a American realities. humanistic perspective. In this he is Subsequent chapters address largely successful; the result is worth Quaker practice in worship and reading by anyone seelung knowledge “benevolence”as well as issues in the of religion in the contemporary Unit- contemporary Quaker community- ed States. especially war and peace, race, gen- der, and sexuality-which the author PETERW. WILLIAMSis distinguished assesses in terms of the congruence professor of comparative religion and between current strategies and American Studies at Miami Universi- Friendly tradition. Hamm also dis- ty, Ohio. A Time to Every Purpose The Four Seasons in American Culture By Michael Kammen (Chapel Hill: University of North Carolina Press, 2004. Pp. 336. Illustrations, color plates, notes, index.
    [Show full text]
  • Critical Issues in Justice and Politics
    Critical Issues in Justice and Politics Volume 7 Number 1 May 2014 ISSN 1940-3186 Copyright © 2014 Critical Issues in Justice and Politics ISBN 978-1-300-96964-8 All rights reserved. No part of this publication may be reproduced, stored, transmitted, or disseminated, in any form, or by any means, without prior written permission from Critical Issues in Justice and Politics. The journal Critical Issues in Justice and Politics is an academic extension of the Department of Political Science and Criminal Justice at Southern Utah University. Editorial Contents – The contents of each article are the views, opinions, or academic inferences of the individual article author. Publication of each article may not reflect the views or positions of the journal, the department, or Southern Utah University. All material is published within the spirit of academic freedom and the concepts of free press. Editorial Office Department of Political Science and Criminal Justice Southern Utah University 351 University Blvd., GC406 Cedar City, UT 84720 Phone: 435-586-5429 Fax: 435-586-1925 University Webpage: http://www.suu.edu/ Department Webpage: http://www.suu.edu/hss/polscj/ Journal Webpage: http://www.suu.edu/hss/polscj/CIJP.htm Managing Editor Ryan Yonk Associate Editor Sandi Levy Editorial Board Members David Admire - Department Chair – Phone: 435 586-1926; Office GC406J Political Science Randy Allen – Phone: 435 586-7949; Office: GC 406E John Howell – Phone: 435 865-8093; Office: GC 406H G. Michael Stathis – Phone: 435 586-7869; Office: GC 406K Ryan Yonk
    [Show full text]
  • Risk of Bacteremia in Young Children with Pneumonia Treated As Outpatients
    ARTICLE Risk of Bacteremia in Young Children With Pneumonia Treated as Outpatients Samir S. Shah, MD; Elizabeth R. Alpern, MD; Lisa Zwerling, MD, MPH; Karin L. McGowan, PhD; Louis M. Bell, MD Background: Blood cultures are often obtained as part emia was 1.6% (95% confidence interval, 0.7%-2.9%). of the evaluation of children with pneumonia. There are Streptococcus pneumoniae was the causative organism in few data regarding the risk of bacteremia with pneumo- all 9 cases. The serotype was available for 8 of 9 cases. nia in children since introduction of the Haemophilus in- Six (75%) of 8 cases of S pneumoniae bacteremia were fluenzae type b vaccine. caused by serotypes included in the current heptavalent pneumococcal conjugate vaccine, which was not avail- Objective: To evaluate the risk of bacteremia in young able at the time of this study. The contamination rate was children with pneumonia who were treated as outpa- 1.9% (95% confidence interval, 1.0%-3.4%). The tients. mean±SD time to blood culture positive for organisms in a continuously monitored system was significantly Methods: A retrospective cohort study of 580 children shorter for pathogens (13.9±1.3 hours) than for con- aged 2 to 24 months who were evaluated by blood cul- taminants (21.2±6.1 hours; P=.01). ture in a tertiary care children’s hospital emergency de- partment between February 1, 1993, and May 31, 1996, Conclusions: Children aged 2 to 24 months with pneu- and discharged with the diagnosis of pneumonia. monia who are treated as outpatients are at low risk of bacteremia.
    [Show full text]
  • Epidemias En Series Médicas: Enfermedades, Profesionales
    RMC ORIGINAL JMM ISSN electrónico: 1885-5210 DOI: https://doi.org/10.14201/rmc202016e395415 EPIDEMIAS EN SERIES MÉDICAS: ENFERMEDADES, PROFESIONALES SANITARIOS Y DILEMAS BIOÉTICOS Epidemics in Medical Dramas: Diseases, Health Professionals and Bioethical Dilemmas Irene CAMBRA-BADIIa; Josep-E BAÑOSb aCàtedra de Bioètica. Universitat de Vic – Universitat Central de Catalunya. Vic (España). bFacultat de Medicina, Universitat de Vic – Universitat Central de Catalunya. Vic (España). Correo electrónico: [email protected] Fecha de recepción: 31 de agosto de 2020 Fecha de aceptación: 2 septiembre de 2020 Fecha de publicación: 29 de enero de 2021 Resumen El año 2020 será recordado, probablemente, como “el año del coronavirus”. La pandemia SARS-CoV-2 que azota desde diciembre de 2019 a todo el mundo marcará un antes y un después en la vida cotidiana de muchas personas. Para evitar la propagación del virus, se han impuesto restricciones rigurosas de circulación, cuarentenas y confinamientos como nunca había sucedido. Frente a esta realidad inédita y disruptiva, acudimos a una fuente privilegiada para analizar y aprender sobre las epidemias: el cine y las series. En particular, las series médicas permiten que los espectadores se adentren en el mundo hospitalario y conozcan distintas representaciones de los profesionales de la salud. En este artículo presentamos la descripción y el análisis de seis episodios de series médicas donde se retrata una epidemia como tema central: Urgencias, Anatomía de Grey, Doctor House, The Good Doctor, New Amsterdam y The Resident. La representación de la enfermedad y la epidemia suele ser misteriosa y peligrosa y se representa a los profesionales como héroes dispuestos a sacrificar su propia salud en pos de sus pacientes.
    [Show full text]
  • Consciousness and Contact –The Awakening– 136
    136 CONTRIBUTORS: Joan Bird Laura Bruno Peter Champoux Tobin Eckian Mia Feroleto Richard Fox Elana Freeland Ray Grasse Joe Krawcsk Jeffrey Mishlove Lucinda Laughing Eagle Morel Michele Rinne Leah Poller Rachel Portesi Lucio Pozzi Daniel Rothbart Norman Anton Sollie Rudolf Steiner Alan Steinfeld Sev Tok James Tunney Alfred Lambremont Webre Annie Wenger-Nabigon Consciousness and Contact –The Awakening– 136 Copyright 2020, Andrew Boardman Grazia Marchiano To pre-order or support New Observations Ltd. and Mark Bobrow Bunita Marcus please send check or the authors. All rights reserved. Brian Boigon Carol Martin money order to: ISSN #0737-5387. Bruce Brand Joseph Masheck New Observations Ginevra Bompiani Harry Mathews P.O. Box 335 Consciousness and Contact Front Cover: Bruce Breland Carlo McCormick Chester, VT 05143 James Tunney, “Motto” Martin Bresnick Justin Melkmann Eva Buchmuller Alan Moore For additional information –The Awakening– Publisher & Editor Ana Busto Robert Morgan and to contact the publisher, Mia Feroleto Michele C. Cone Joseph Nechvatal please email: David Carrier Shirin Neshat [email protected] PUBLISHER & EDITOR: Mia Feroleto Graphic Design James Cathcart Bob Nickas Mafe Izaguirre Theresa Chong Mignon Nixon No part of this publication may be Erika Knerr Andrew R. Christy Valery Oisteanu reproduced, stored Eduardo López Nhi Chung Wyatt Osato in a retrieval system Diana Roberts Charlie Citron Saul Ostrow or transmitted in any form or by Ronny Cohen Stephen Paul Miller any means, electronic, mechanical, Copy Editors Collins & Milazzo Pedro A.H. Paixão photocopying, recording or otherwise Leah Poller Paolo Colombo Gilberto Perez without the prior written permission Diana Roberts David A. Cook Stephen Perkins of the authors and publisher.
    [Show full text]