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210 • SAVInG LIVes Notes 1. TAN, “Ms. Goldberg Needs Some Helpers” (June 16, 2009), http://tinyurl.com/ jwaf3hs. 2. The Women’s Museum, Dallas, exhibit audio (visited April 2011). 3. Leslie Wagner, “Find Heroines in Texas History Thanks to Ruthe Winegarten and Ann Richards,” Dallas History Examiner (March 16, 2013), http://tinyurl.com/ muhprqp. 4. National Women’s History Museum, “About Us,” accessed March 26, 2014, http:// www.nwhm.org/about-nwhm/. 5. International Council of Nurses, “Position Statement: Socio-Economic Welfare of Nurses” (2009), http://tinyurl.com/kvl2dkp. 6. Mireille Kingma, “Nurses on the Move,” in Nurses—Past, Present, and Future: The Making of Modern Nursing, ed. Kate Trant and Susan Usher (London: Black Dog Publishing, 2010), 61. 7. Union Aid Abroad—APHEDA, “Global Nursing Industry Comparative,” accessed March 26, 2014, http://tinyurl.com/mbe8lp7. 6 Who Wants Yesterday’s Girl? • 211 8. Mireille Kingma, “Nurses on the Move,” in Nurses—Past, Present, and Future: The Making of Modern Nursing, ed. Kate Trant and Susan Usher (London: Black Dog Publishing, 2010), 81. 9. TAN, “Just How Undervalued and Underfunded Is Nursing?,” accessed March 26, 2014, http://tinyurl.com/k7m4wep. 10. Anne Busch and Elke Holst, “Gender-Specific Occupational Segregation, Glass Ceiling Effects, and Earnings in Managerial Positions,” Deutsches Institut für Wirtschaftsforschung (January 2011),http://tinyurl.com/kax6ek6 ; Paula England, Comparable Worth: Theories and Evidence (Aldine Transaction, 1992), http:// tinyurl.com/mlcaas5; Ronnie Steinberg, “Social Construction of Skill: Gender, Power and Comparable Worth,” Work and Occupations 17, no. 4 (1990): 449–482, http://tinyurl.com/m4al298; Liebeskind, U., “Arbeitsmarktsegregation und Einkommen: Vom Wert “weiblicher” Arbeit,” Kölner Zeitschrift für Soziologie und Sozialpsychologie 56, no. 4 (2004): 630–652. 11. Trond Peterson and Ishak Saporta, “The Opportunity Structure for Discrimination,” American Journal of Sociology 13 (2004): 852–901, http://tinyurl. com/nqvrjb3; Juliane Achatz, Hermann Gartner, and Timea Glück, “Bonus oder Bias? Mechanismen Geschlechtsspezifischer Entlohnung,”Kölner Zeitschrift für Soziologie und Sozialpsychologie 57, no. 3 (2005): 466–493, http://tinyurl.com/ lzph7e6. 12. Karen A. Hart, “Study: Who Are the Men in Nursing?” Imprint (November/ December 2005): 32–34, http://tinyurl.com/ygua27x. 13. JWT Communications, “Memo to Nurses for a Healthier Tomorrow Coalition Members on Focus Group Studies of 1,800 School Children in 10 U.S. Cities” (2000), http://tinyurl.com/l2q5mma. 14. Robert Zavuga, “Uganda: Check Bias Against Male Nurses,” New Vision (November 25, 2008), http://tinyurl.com/ktz56zs. 15. Roslyn Weaver and Ian Wilson, “Australian Medical Students’ Perceptions of Professionalism and Ethics in Medical Television Programs,” BMC Medical Education 11 (2011): 50, http://tinyurl.com/l3z8ss2. 16. TAN, “Private Practice Episode Analyses” (2013), http://tinyurl.com/lecehka. 17. CBS News, “Heroic Nurse, Shot 27 Times, Saved Lives” (March 30, 2009), http:// tinyurl.com/kqv2bs6. 18. Tony Kushner, writer, Mike Nichols, director, Angels in America, HBO Films (2003); CFNA, “Angels in America,” TAN (April 4, 2004), http://tinyurl.com/ mqcbd3l. 19. TAN, “Nurse Jackie Episode Reviews,” accessed March 24, 2014, http://tinyurl. com/kqm3k6b. 20. TAN, “Commander” (September 2011), http://tinyurl.com/n8z5zum. 21. Karen A. Hart, “Breakthrough to Nursing National Survey Results,” Imprint (February / March 2006): 29–33, http://tinyurl.com/yhc3qep. 212 • SAVInG LIVes 22. CFNA, “New Zealand Herald: ‘Nursing in Terminal Decline,’ ” TAN (December 3, 2005), http://tinyurl.com/lvohzdw. 23. American Association of Colleges of Nurses, “Nursing Faculty Shortage,” accessed March 26, 2014, http://tinyurl.com/ky5qbaj. 24. Suzanne Gordon and Ruth Johnson, “How Hollywood Portrays Nurses,” Revolution: The Journal for RNs & Patient Advocacy 5, no. 2 (March–April 2004): 14–21, http://tinyurl.com/q2mwbal. 25. Ellen D. Baer, “The Feminist Disdain for Nursing,” New York Times (February 23, 1991): 25. 26. Holly Hobbie, Fanny (New York: Little, Brown and Company, 2008); TAN, “Fanny” (June 4, 2010), http://tinyurl.com/klpmcpv. 27. TAN, “Call the Midwife Episode Reviews,” accessed March 24, 2014, http://tinyurl. com/m3bf4lw. 28. Christopher Hampton, screenplay based on the novel by Ian McEwan, Joe Wright, director, Atonement, Working Title Films/Relativity Media (2007); CFNA, “Atonement” (film review), TAN (January 13, 2008), http://tinyurl.com/ ooxmyvm. 29. Kenton Allen, Dan Cheesbrough, Matthew Justice, Jon Hamm, Saskia Schuster, Lucy Lumsden, executive producers, A Young Doctor’s Notebook, Sky Arts/Ovation, accessed March 25, 2014, http://tinyurl.com/k8ghrlf. 30. Anne Perry, The Sins of the Wolf (New York: Random House Publishing Group, 1994); CFNA, “The Sins of the Wolf,” TAN (September 27, 2007),http://tinyurl. com/n5nyjmv. 31. TAN, “Grey’s Anatomy Analyses and Action,” accessed January 29, 2014, http:// tinyurl.com/pgayg7h. 32. TAN, “The Mindy Project Reviews,” accessed March 24, 2014, http://tinyurl.com/ pu8wxuv. 33. Mary Murphy, “The Women Who Revived ‘ER,’ ” TV Guide (February 14, 2004), http://tinyurl.com/lvtmaqh. 34. Lydia Woodward and Lisa Zwerling, writers, Paul McCrane, director, “Ruby Redux,” ER, NBC (April 28, 2005); CFNA, “Judas in a Lab Coat: ‘ER’ Takes on That Whole ‘Female-Physician-Mistaken-for-a-Nurse’ Thing,” TAN (April 28, 2005), http://tinyurl.com/ksyumg7. 35. Greg Daniels and Michael Schur, creators, Parks and Recreation, NBC, accessed June 24, 2014, http://tinyurl.com/pmy4zqz; Neil Drumming, “Goodbye to Ann Perkins: Can Parks and Recreation Still End on a High Note?,” Salon (January 29, 2014), http://tinyurl.com/mf4k9as. 36. TAN, “HawthoRNe Episode Reviews” (2011), http://tinyurl.com/jwd7neg. 37. TAN, “Mercy Episode Reviews” (2010), http://tinyurl.com/kj3t63s. 38. TAN, “Nurse Jackie Episode Reviews,” accessed March 25, 2014, http://tinyurl. com/kqm3k6b. 6 Who Wants Yesterday’s Girl? • 213 39. Liz Heldens, writer, Adam Bernstein, director, “Can We Get That Drink Now?,” Mercy, NBC (September 23, 2009); TAN, “Traffic Is Backed up in the Tunnel Heading into Respect” (September 23, 2009), http://tinyurl.com/kaqvmo7. 40. Carly Mensch and Heidi Schreck, writers, Seith Mann, director, “Sidecars and Spermicide,” Nurse Jackie, Showtime (June 15, 2014). 41. Ginia Bellafante, “From Iraq Hellfire to Hospital Halls, TV Nurses Wage a Battle for Respect,” New York Times (September 23, 3009), http://www.nytimes. com/2009/09/23/arts/television/23mercy.html; TAN, “Did You Just Call Me a Nurse?” (October 21, 2009), http://tinyurl.com/kj2onpb. 42. Heather Havrilesky, “The Best and the Worst of the New TV Season,”Salon (October 21, 2009), http://tinyurl.com/lhwbtxe; TAN, “Did You Just Call Me a Nurse?” (October 21, 2009), http://tinyurl.com/k77ybxe. 43. Suzanne Gordon and Ruth Johnson, “How Hollywood Portrays Nurses,” Revolution: The Journal for RNs & Patient Advocacy 5, no. 2 (March-April 2004): 14–21, http://tinyurl.com/q2mwbal. 44. Richard LaGravenese, writer and director, Living Out Loud, Jersey Films/New Line Cinema (1998). 45. Linda Lopez McAlister, “Living Out Loud” Review (1998), http://tinyurl.com/ q22ve89. 46. Doug Atchison, writer and director, Akeelah and the Bee, 2929 Entertainment/ Lionsgate (2006); CFNA, “Akeelah and the Bee,” TAN (June 7, 2006), http:// tinyurl.com/kmhqced. 47. Lisa Marie Petersen and Karen Janszen, writers, Davis Guggenheim, director, Gracie, Picturehouse/Elevation Filmworks (2007); CFNA, “Gracie,” TAN (June 29, 2007), http://tinyurl.com/luhzk8a. 48. Cynthis Fuchs, “Gracie,” PopMatters (June 1, 2007), http://tinyurl.com/lf8jyry. 49. Carol Kleiman, “Pink-Collar Workers Have Own Barriers to Break,” Chicago Tribune (December 6, 2005), http://tinyurl.com/kwa3o5u; CFNA, “Pink Ghetto Unfabulous,” TAN (December 6, 2005), http://tinyurl.com/lja57ty. 50. Charles Dickens, “A Christmas Carol,” Literature.org (December 19, 1843), http:// tinyurl.com/yevsrpm. 51. Caitlin Flanagan, “Domestic Life: To Hell with All That,”New Yorker (July 5, 2004), http://tinyurl.com/khultv8; CFNA, “You’ve Come a Long Way, Nurse’s Baby,” TAN (July 5, 2004), http://tinyurl.com/k57b584. 52. Garrison Keillor, “Nice 67 Y.O. Male Has Brush with Mortality,” Salon (September 16, 2009), http://tinyurl.com/kmrfcn5; TAN, “Staying Awake and Alert” (September 16, 2009), http://tinyurl.com/m5mppru. 53. Sam Dillon, “Harvard Chief Defends His Talk on Women,” New York Times (January 18, 2005), http://tinyurl.com/mq6pxts. 54. CFNA, “You Want a Career in Science? Then Why Are You Applying to Nursing School?,” TAN (July 1, 2007), http://tinyurl.com/m6wa2b9. 214 • SAVInG LIVes 55. US Census Bureau, “Men in Nursing Occupations: American Community Survey Highlight Report” (February 2013), http://tinyurl.com/mjxgvue. 56. Cathryn Domrose, “Mending Our Image,” NurseWeek (June 26, 2002), http:// tinyurl.com/l6j486c. 57. US Census Bureau, “Men in Nursing Occupations: American Community Survey Highlight Report” (February 2013), http://tinyurl.com/mjxgvue. 58. Don Anderson, “Man Enough: The 20 X 20 Choose Nursing Campaign,”Minority Nurse (2011), http://tinyurl.com/k2jy8uc. 59. Roslyn Weaver, Caleb Ferguson, Mark Wilbourn, and Yenna Salamonson, “Men in Nursing on Television: Exposing and Reinforcing Stereotypes,” Journal of Advanced Nursing 70, no. 4 (April 2014): 833–842, http://tinyurl.com/mjz8qmy. 60. Joan Sosin, “Indecent Proposals: Nurses Experiencing Harassment, Discrimination in the Workplace Are Reminded That
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  • 2008 Sentinel Awards Ceremony and Panel

    2008 Sentinel Awards Ceremony and Panel

    1 The Norman Lear Center 2008 Sentinel for Health Awards The Sentinel for Health Awards The Norman Lear Center The Sentinel for Health Awards recognize exemplary The Norman Lear Center achievements of television storylines that inform, educate is a nonpartisan research and motivate viewers to make choices for healthier and and public policy center safer lives. For many loyal viewers, television dramas and that studies the social, comedies provide both entertainment and information political, economic and about disease, injury and disability. A compelling storyline cultural impact of that demonstrates risky behavior and consequences, or entertainment on the world. The Lear Center translates shows how to avoid risk, can benefit millions of viewers its findings into action through testimony, journalism, and their loved ones. strategic research and innovative public outreach campaigns. On campus, from its base in the USC Each entry is screened by Hollywood, Health & Society Annenberg School for Communication, the Lear Center staff for eligibility. Qualifying entries are evaluated in two builds bridges between schools and disciplines whose rounds of judging. In the first round of judging, each sto- faculty study aspects of entertainment, media and ryline is reviewed for accuracy by a panel of topic experts culture. Beyond campus, it bridges the gap between who take the following into consideration: the entertainment industry and academia, and between them and the public. Through scholarship and research; * How the health problem can be prevented through its conferences, public events and publications; * How a character’s choices affect his/her health or safety and in its attempts to illuminate and repair the world, the * What causes the health problem and how it impacts the Lear Center works to be at the forefront of discussion and lives and relationships of characters practice in the field.
  • For Programming One Hour Or More

    For Programming One Hour Or More

    Outstanding Animated Program (for How I Met Your Mother • CBS • Twentieth Century Fox Programming Less Than One Hour) Steve Olson, Production Designer Susan Eschelbach, Set Decorator Avatar: The Last Airbender • City Of Walls And Secrets • Nickelodeon • Nickelodeon Animation Studio Outstanding Art Direction For A Single-Camera Nominees TBD Series Robot Chicken • Lust For Puppets • Cartoon Network • Deadwood • HBO • Red Board Productions and Paramount ShadowMachine Films Television in association with HBO Entertainment Nominees TBD Maria Caso, Production Designer David Potts, Art Director The Simpsons • The Haw-Hawed Couple • Fox • Gracie Ernie Bishop, Set Decorator Films in association with 20th Century Fox Nominees TBD Heroes • Genesis • NBC • Tailwind Productions in association with NBC Universal Television Studio South Park • Make Love, Not Warcraft • Comedy Central • Curtis A. Schnell, Production Designer Central Productions Daniel J. Vivanco, Art Director Nominees TBD Crista Schneider, Set Decorator SpongeBob SquarePants • Bummer Vacation / Wig Struck Rome • HBO • HBO Entertainment in association with the • Nickelodeon • Nickelodeon Animation Studio in BBC association with United Plankton Pictures, Inc. Joseph Bennett, Production Designer Nominees TBD Anthony Pratt, Production Designer Outstanding Animated Program (for Carlo Serafini, Art Director Programming One Hour Or More) Cristina Onori, Set Decorator Good Wilt Hunting (Foster’s Home For Imaginary Friends) Shark • Teacher’s Pet • CBS • An Imagine Television • Cartoon Network