DOCSLIB.ORG

Consciousness and Contact –The Awakening– 136

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Consciousness and Contact –The Awakening– 136 136 CONTRIBUTORS: Joan Bird Laura Bruno Peter Champoux Tobin Eckian Mia Feroleto Richard Fox Elana Freeland Ray Grasse Joe Krawcsk Jeffrey Mishlove Lucinda Laughing Eagle Morel Michele Rinne Leah Poller Rachel Portesi Lucio Pozzi Daniel Rothbart Norman Anton Sollie Rudolf Steiner Alan Steinfeld Sev Tok James Tunney Alfred Lambremont Webre Annie Wenger-Nabigon Consciousness and Contact –The Awakening– 136 Copyright 2020, Andrew Boardman Grazia Marchiano To pre-order or support New Observations Ltd. and Mark Bobrow Bunita Marcus please send check or the authors. All rights reserved. Brian Boigon Carol Martin money order to: ISSN #0737-5387. Bruce Brand Joseph Masheck New Observations Ginevra Bompiani Harry Mathews P.O. Box 335 Consciousness and Contact Front Cover: Bruce Breland Carlo McCormick Chester, VT 05143 James Tunney, “Motto” Martin Bresnick Justin Melkmann Eva Buchmuller Alan Moore For additional information –The Awakening– Publisher & Editor Ana Busto Robert Morgan and to contact the publisher, Mia Feroleto Michele C. Cone Joseph Nechvatal please email: David Carrier Shirin Neshat [email protected] PUBLISHER & EDITOR: Mia Feroleto Graphic Design James Cathcart Bob Nickas Mafe Izaguirre Theresa Chong Mignon Nixon No part of this publication may be Erika Knerr Andrew R. Christy Valery Oisteanu reproduced, stored Eduardo López Nhi Chung Wyatt Osato in a retrieval system Diana Roberts Charlie Citron Saul Ostrow or transmitted in any form or by Ronny Cohen Stephen Paul Miller any means, electronic, mechanical, Copy Editors Collins & Milazzo Pedro A.H. Paixão photocopying, recording or otherwise Leah Poller Paolo Colombo Gilberto Perez without the prior written permission Diana Roberts David A. Cook Stephen Perkins of the authors and publisher. Regina Cornwell Bruno Pinto Board of Directors Michael Corris Adrian Piper New Observations Andrew R. Christy Lynn Crawford Leah Poller is a non-profit, contemporary arts Mia Feroleto – Chair Dorothy Cross Lucio Pozzi journal written, edited, and published Karen Gunderson Peggy Cyphers Bradley Rubenstein by the arts community. Diane R. Karp Nina Czegledy Stephen Prina Leah Poller Mona Da Vinci Lise Prown Opinions expressed herein Lucio Pozzi – Founder 1984 Mark Daley Sylvia Reed and the validity of the information Annie Wenger-Nabigon Ana de Portela Roger Riggins presented are the responsibility of the Ken Deifik Kevin Riordan authors and not of the publishers. Editorial Consultants Paul Dickerson Michael Robbins Susan Bee Sarah Drury Tim Rollins & K.O.S. For more about us: Martin Bresnick Holger Drees John Roloff https://www.newobservations.org Tricia Collins Lloyd Dunn Michael Roscher Paolo Colombo Phillip Evans-Clark Grace Roselli The following institutions Jim Feast FaGaGaGa: Mark & Frank Rubino have full or partial sets of New Observations Magazine: Jeremy Gilbert-Rolfe Mel Corroto Babs Reingold Peter Halley Frank Fantauzzi Steven Schiff Harvard University George Herms Robert Felix Mira Schor Rhode Island School of Designs Diane R. Karp Jim Feast Joshua Selman MOMA Erika Knerr Mia Feroleto David Shapiro The New York Public Library The New School for Social Research Joseph Masheck Elizabeth Ferrer John Shaw Columbia University Carlo McCormick Jane Fire Berta Sichel NYU Tisch School of the Arts Richard Milazzo Steve Flanagan Duncan Smith Tyler School of Art Joseph Nechvatal Roland Flexner Tracy Smith Carnegie Mellon Saul Ostrow Stjepan G. Mestrovic Alan Sondheim Williams College Tufts University Joan Pierpoline Serge Gavronsky Susan Springfield Dartmouth College Lucio Pozzi Jeremy Gilbert-Rolfe Alan Steinfeld Hunter College Mira Schor Guerrilla Girls Suzy Sureck City College David Shapiro Jennifer Golub Frederieke Taylor Hartford College of Art Lynne Tillman Peter Halley Lynne Tillman Brandeis University Brown University Frederic Tuten Selma Holo Mike Topp Pratt Institute Marina Urbach Stuart Horodner Cindy Tower Oberlin College George Waterman Gary Indiana Bernard Trevisano Cornell University Ciri Johnson Frederic Tuten Connecticut College Legal Advisors John Johnston David L. Ulin Maine College of Art SUNY Purchase Paul Hastings, LLP Muffet Jones Marina Urbach Bennington College Gerald Just Terence Van Elslander The Cooper Union Past Guest Editors Shoshana Kalisch Stephen Westfall School of the Art Institute of Chicago Photo by Ray Grasse | Jupiter and Venus Keith Adams Susan Kandel Christopher Williams Princeton University Richard Armijo Steven Kane Martha Wilson The University of Vermont Yale University Christine Armstrong Diane Karp Elemire Zolla School of Visual Arts Stafford Ashani Alain Kirili Jody Zellen Bard College Karen Atkinson Hilary Kliros Lisa Zwerling Boston Museum of Fine Arts Todd Ayoung Erika Knerr California Institute of the Arts Stephan Balint Sabu Kohso Back issues may be Stanford University Savannah College of Art and Design Mark Bartlett KK Kozik purchased at: Northwestern University Susan Bee Gene Kraig Printed Matter Inc. Smith College Tiffany Bell Kim Larsen 195 Tenth Avenue New Walker Art Museum Curt Belshe Linda Levit York, NY 10011 MIT List Visual Arts Center Maurice Berger Daniel Libeskind Collezione Maramotti Elena Berriolo Dacia Maraini 2 CONSCIOUSNESS AND CONTACT: Consciousness and Contact –The Awakening– PUBLISHER & EDITOR: Mia Feroleto Mia Feroleto 4 The Making of a Chief Lucio Pozzi 6 Solitary Float The Slippage Between Present and Past (Jed Perl) Elana Freeland 9 The Age of the Machine Has Arrived Too Soon: Through a Rudolf Steiner Lens Peter Champoux 12 Mending the Hoop of Life Laura Bruno 17 Signs of Life Tobin Eckian 21 Paintings Alan Steinfeld 24 Consciousness and Contact and Challenges Art History James Tunney 31 A Mystic Vision of the Future: Common Cause Jeffrey Mishlove 44 Jeffrey Mishlove interview with James Tunney Nº2 Leah Poller 50 The Portrait: Mirror of the Soul Alfred Lambremont Webre 54 Universe-Multiverse-Omniverse Leading Discoveries from the Omniverse Daniel Rothbart 58 Flotilla - A Floating Installation in Oakdale Lake Sev Tok 62 What´s it Gonna Take? Michele Rinne 64 Early Efforts at Space Travel and Contact Ray Grasse 67 A Mystic Looks at the Astral and the Afterlife: Conversations whit Shelly Trimmer Joan Bird 71 How Tepees Returned to Pine Butte: Lessons in Cultural Diversity Norman Anton Sollie 76 Half Here, Half There Richard Fox 79 The Origin of GOD: Digging in the Roots of the Tree of Life Annie Wenger-Nabigon 82 Expanded Consciousness through Immersion in Indigenous Knowledges Joe Krawczk 84 The Tower Lucinda Laughing Eagle Morel 88 Consciousness and Contact on Pine Ridge Rachel Portesi 90 Hair Portraits Mia Feroleto 92 2020 Consciousness in the Black Hills: The Heart of the World Lucio Pozzi | Portrait 2 CONSCIOUSNESS AND CONTACT: THE AWAKENING 3 Mia Feroleto The Making of a un day, September 20th, 2020 opened as a day of crystal, clear The day before, Lula Red Cloud, the matriarch of the family, told me that blue sky. Saturday in Rapid City had been gray, not from a lack of I was now a family member and gave me the task of bringing the buf- sunshine, but from the smoke that had drifted to South DakotaChief falo berries to the traditional celebratory feast planned for the following from the California fires that are currently destroying millions of day. After Henry was made chief, a give-away was orchestrated by Lula acres of land, countless homes and wildlife beyond measure. and several other family members who assist her in her many roles as matriarch. My name was called—I thought as a sign to give out copies Sunday was the day that Henry Red Cloud was made a chief of the S of the New Observations magazine issue on the Pine Ridge Reservation, Oglala Sioux Tribe. Henry is a fifth-generation direct descendant of Issue #135. Instead, Gloria Red Cloud wrapped me in a star quilt of tra- Mahpiya Luta (Chief Red Cloud), one of the last Lakota war chiefs, and ditional colors of red, black, white and yellow that represent the colors of a signer of the 1868 Fort Laramie Treaty. Henry has been a protector of the people of planet Earth. I was given the opportunity to say a few words, the Lakota Oyate for decades and a teacher of renewable energy and thanking Lula and the Red Cloud family for this honor and for their extraor- sustainable building for almost twenty years. He teaches a “New Way dinary contribution to protecting and sustaining Mother Earth. to Honor the Old Ways” to students from more than 50 tribes across the Northern Plains and far beyond. The expansion of consciousness that Henry Red Cloud experienced to assume his new role as a chief and role model for his people cannot Over the last two years, he readied himself through four phases of prepa- be understated. The extraordinary legacy of his family and his leader- ration to take on greater responsibilities; his efforts culminated this last ship in stewarding to fruition the prediction of Chief Red Cloud and the weekend when more than 100 people gathered at Bear Butte, South 7th Generation prophecy in our present times is the task that Henry has Dakota, the sacred vision quest area, and participated in his “Making of taken on. All colors of people, just as in my star quilt, are now called to a Chief Ceremony.” come together to protect the Earth and our environment, as old ways col- The Ceremony was organized by Lula Red Cloud, the Matriarch and lapse and new sustainable ways are created in their place. oldest woman of the Red Cloud family, together with other members of I would like to thank all of the contributors to New Observations the Red Cloud family. Leonard Crow Dog, the great spiritual leader of magazine, Issue #136, Consciousness and Contact: The Awakening. American Indian Movement (AIM) and the Lakota people led the cer- Our contributors include James Tunney, Jeffrey Mishlove, Ray Grasse, emony. Chief John Spotted Tail, Chief of the Sicangu Lakota Oyate, the Lucinda Morel, Michele Rhinne, Richard Fox, Alan Steinfeld, Tobin direct descendant of the legendary Chief Spotted Tail, placed the bonnet Eckian, Laura Bruno, Elana Freeland, Annie Wenger-Nabigon, Alfred upon Henry’s head.
Load more

Recommended publications
  • Alternative Digital Movies As Malaysian National Cinema A
    Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema A dissertation presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Doctor of Philosophy Hsin-ning Chang April 2017 © 2017 Hsin-ning Chang. All Rights Reserved. 2 This dissertation titled Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema by HSIN-NING CHANG has been approved for Interdisciplinary Arts and the College of Fine Arts by Erin Schlumpf Visiting Assistant Professor of Film Studies Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT CHANG, HSIN-NING, Ph.D., April 2017, Interdisciplinary Arts Unfolding Time to Configure a Collective Entity: Alternative Digital Movies as Malaysian National Cinema Director of dissertation: Erin Schlumpf This dissertation argues that the alternative digital movies that emerged in the early 21st century Malaysia have become a part of the Malaysian national cinema. This group of movies includes independent feature-length films, documentaries, short and experimental films and videos. They closely engage with the unique conditions of Malaysia’s economic development, ethnic relationships, and cultural practices, which together comprise significant understandings of the nationhood of Malaysia. The analyses and discussions of the content and practices of these films allow us not only to recognize the economic, social, and historical circumstances of Malaysia, but we also find how these movies reread and rework the existed imagination of the nation, and then actively contribute in configuring the collective entity of Malaysia. 4 DEDICATION To parents, family, friends, and cats in my life 5 ACKNOWLEDGMENTS I would like to express my sincere gratitude to my advisor, Prof.
    [Show full text]
  • Fact-Checking Fiction
    PAGE 52 / JANUARY 25, 2007 SCRIPTDOCTOR: MEDICINE IN THE MEDIA Fact-checking Fiction By Andrew Holtz, MPH tice medicine. But then he became a Andrew Holtz, MPH, is a former CNN Medical Correspondent full-time writer on the staff of House. young doctor and an older and the author of “The Medical Science of House, M.D.” This He also sits in on the filming of many of man step through the buzzing column examines mass media programs, particularly the medical scenes, but it is a nurse activity of a hospital emer- entertainment TV, for insight into popular perceptions, so that who has the lead role in monitoring A gency department. The older rather than merely wincing at distortions or accuracy on the House set. man sits on the edge of an empty bed oversimplifications in the portrayals of medicine on these “She is the one who is there for all and the doctor pulls up a chair. The shows, health care professionals can learn something from the medical scenes. She makes sure doctor quizzes his patient, trying to media professionals about the way that medical and health they are holding the scalpel correctly, figure out why he had a bad reaction topics are presented. or a patient is draped correctly, or peo- to his medication. It turns out the man Send questions to him about how the media treat ple are wearing gowns when they had switched drugs on his own, using medical topics or suggestions for future columns about a should be wearing gowns, or that when some leftover pills from a friend.
    [Show full text]
  • Schor Moma Moma
    12/12/2016 M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking­3 H O M E A B O U T L I N K S Browse: Home / 2016 / December / 09 / M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking­ CONNE CT 3 Mira's Facebook Page DE CE MBE R 9 , 2 0 1 6 Subscribe in a Reader Subscribe by email M/E/A/N/I/N/G: The Final Issue on A Year of Positive Thinking­3 miraschor.com The first issue of M/E/A/N/I/N/G: A Journal of Contemporary Art Issues, was published in December 1986. M/E/A/N/I/N/G is a collaboration between two artists, TAGS Susan Bee and Mira Schor, both painters with expanded interests in writing and 2016 election Abstract politics, and an extended community of artists, art critics, historians, theorists, and Expressionism ACT­UAW poets, whom we sought to engage in discourse and to give a voice to. Activism Ana Mendieta Andrea For our 30th anniversary and final issue, we have asked some long­time contributors Geyer Andrea Mantegna Anselm and some new friends to create images and write about where they place meaning Kiefer Barack Obama CalArts craft today. As ever, we have encouraged artists and writers to feel free to speak to the Cubism DAvid Salle documentary concerns that have the most meaning to them right now. film drawing Edwin Denby Facebook feminism Every other day from December 5 until we are done, a grouping of contributions will Feminist art appear on A Year of Positive Thinking.
    [Show full text]
  • Barbara-Zucker-CV-1.Pdf
    Barbara Zucker Born, Philadelphia, PA. Lives and works in Burlington,Vermont, and New York, New York. Studio: 444 S. Union St. Burlington, Vermont 05401 802 863 8513 Fax: 802 864 5841 email: [email protected] Education University of Michigan, BS in Design Hunter College, MA Cranbrook Academy of Art Selected One Person Exhibitions Barbara Zucker: Time Signatures, The Gershman Y, Phila., Pa. 2007 Time Signatures: Tufts University, Mass., 2005 Universal Lines: Homage to Lilian Baker Carlisle and Other Women of Distinction”; Amy Tarrant Gallery, The Flynn Center for the Performing Arts, Burlington, Vt., 2001 Robert Hull Fleming Museum, Burlington, VT, 1998, 1980 One Great Jones Gallery, NYC, 1997 Paley Gallery, Moore College of Art, Phila., PA, 1996 (catalog) “For Beauty’s Sake,” Artists’ Space, NYC, 1994 Haeneh Kent Gallery, NYC, 1990 Webb and Parsons, Burlington, VT, 1989, 1991 Benjamin Mangel Gallery, Phila., PA, 1989 The Sculpture Center, NYC, April, 1989 Pam Adler Gallery, NYC, 1983, 1885 Swarthmore College, PA, 1983 Fine Arts Center, University of Massachusetts, Amherst, 1982 Joselyn Art Museum, Omaha, Nebraska, 1981 Robert Hull Fleming Museum, Burlington, VT, 1981 Robert Miller Gallery, NYC, 1978, 1980 Pennsylvania Academy of Fine Art, 1980 Marion Deson Gallery, Chicago, 1979, 1985 112 Greene Street Gallery, NYC, 1976 A.I.R. Gallery, NYC, 1972, 1974 Rutgers University, Douglass College, New Brunswick, NJ, 1973 Selected Group Exhibitions ‘Radical Lace and Subversive Knitting”, The Museum of Arts and Design, New York, 2007 “From the Inside Out: Feminist Art Then and Now”, New York, 2007 Winter Salon , Lesley Heller Gallery, December, New York, 2006 “Selfish“, curated by Lori Waxman, 128 Rivington, New York, 2004 Reading Between the Lines”, curated by Joyce Kozloff; Wooster Arts Space, New York, 2003 “Drawing Conclusions: Work by Artists Critics”, curated by Judith Collishan, New York Arts, New York, 2003 “The Art of Aging”, Hebrew Union College Museum, New York, 2003-2004; traveling exhibition, through 2006.
    [Show full text]
  • The Mormon As Vampire: a Comparative Study of Winifred Graham's the Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula
    BYU Studies Quarterly Volume 46 Issue 2 Article 8 4-1-2007 The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula James V. D'Arc Follow this and additional works at: https://scholarsarchive.byu.edu/byusq Recommended Citation D'Arc, James V. (2007) "The Mormon as Vampire: A Comparative Study of Winifred Graham's The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker's Dracula," BYU Studies Quarterly: Vol. 46 : Iss. 2 , Article 8. Available at: https://scholarsarchive.byu.edu/byusq/vol46/iss2/8 This Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in BYU Studies Quarterly by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. D'Arc: The Mormon as Vampire: A Comparative Study of Winifred Graham's < Mormon missionary Isoldi Keene (Louis Willoughby) demonstrates his hypnotic power to the audience in the opening frames of Trapped by the Mormons (1922). The intertitle reads, “Isoldi Keene . Latter-day Saint . and by means of his mesmeric powers, one of the clever- est recruiters in the Mormon ranks.” Frame enlargement. Collection of James D’Arc. Published by BYU ScholarsArchive, 2007 1 BYU Studies Quarterly, Vol. 46, Iss. 2 [2007], Art. 8 The Mormon as Vampire A Comparative Study of Winifred Graham’s The Love Story of a Mormon, the Film Trapped by the Mormons, and Bram Stoker’s Dracula James V.
    [Show full text]
  • Copyright Acknowledgement Booklet
    Copyright Acknowledgement Booklet For the January 2013 exam series This booklet contains the acknowledgements for third-party copyright material used in OCR assessment materials for 14 – 19 Qualifications. www.ocr.org.uk About the Copyright Acknowledgement Booklet Prior to the June 2009 examination series, acknowledgements for third-party copyright material were printed on the back page of the relevant exam papers and associated assessment materials. For security purposes, from that series onwards, OCR has created this separate booklet to put all of the acknowledgements, rather than including them in the exam papers or associated assessment materials. The booklet is published after each examination series, as soon as the assessment materials become available to the public. It is available online from the OCR website at: http://www.ocr.org.uk/i-want-to/prepare-and-practise/past-papers-finder/ The OCR Copyright Team can be contacted by post at 1 Hills Road, Cambridge, CB1 2EU, or by email at [email protected]. Where possible, OCR has sought and cleared permission to reproduce items of third-party owned copyright material. Every reasonable effort has been made by OCR to trace copyright holders, but if any items requiring clearance have unwittingly been included, please contact the Copyright Team at the addresses above and OCR will be pleased to make amends at the earliest possible opportunity. How to find an acknowledgement Each acknowledgement is filed firstly by subject and then under the unit number of the exam paper in which the copyright material appears. Where an exam paper has more than one document associated with it, each document is identified with its separate acknowledgements.
    [Show full text]
  • 13 Feminist Art Shows to See in Honor of Women's History Month
    Exhibitions 13 Feminist Art Shows to See In Honor of Women’s History Month See these shows in New York and around the country, featuring women artists and feminist icons. Sarbani Ghosh, March 6, 2017 Susan Bee, Pow! (2014). Courtesy of A.I.R. Politics got you down? Grab back! March is Women’s History Month, and what better way to pay homage to all the pioneering women who have advanced the cause for women’s equality than to go see these 12 shows and exhibitions? Currently on view in New York and around the country, these shows feature the work of pioneering feminist artists, old and new: Vadis Turner, Black Nest , 2016. Photo Courtesy Equity Gallery and © Vadis Turner 1. “FemiNest” at Equity Gallery “FemiNest” brings together the works of Natalie Frank, Karen Lee Williams, Michele Oka Doner, Barbara Segal, Page Turner, and Vadis Turner around the idea of a “nest,” in both its literal and metaphorical meanings. The show explores new spaces for women, considering spirituality, materiality, societal behaviors in the domestic and non-domestic spheres, protection, and gender-specific production, via works in sculpture, textiles, painting, and many other media. Location: Equity Gallery, 245 Broome Street, New York Price: Free Date and time: Through March 25. Wednesday to Saturday, 12 p.m.–6 p.m., and by appointment. Yayoi Kusama’s Aftermath of Obliteration of Eternity. 2. “Yayoi Kusama: Infinity Mirrors” at the Hirshhorn Yayoi Kusama has been making headlines recently with her polka dots and pumpkins at the Hirshhorn Museum. Her “Happenings” in New York in the 1960s, where she explored the naked body as a stage for performance, were just the start of her rebellion against patriarchal systems of power.
    [Show full text]
  • Paintings by Susan Bee and Miriam Laufer, AIR Gallery, NY, 2006
    SUSAN BEE E-mail: [email protected] Website: http://epc.buffalo.edu/authors/bee/ SELECTED EXHIBITIONS Solo Shows Seeing Double: Paintings by Susan Bee and Miriam Laufer, A.I.R. Gallery, NY, 2006 (catalogue with essay by Johanna Drucker) Sign Under Test: Paintings and Artist’s Books, Pacific Switchboard Art Space, Portland, Oregon, 2004 Miss Dynamite: New Paintings, A.I.R. Gallery, New York, 2003 Miss Dynamite and Other Tales, Olin Art Gallery, Kenyon College, Gambier, Ohio, 2002 Ice Cream Sunday: Paintings and Works on Paper, Ben Shahn Galleries at William Paterson University of New Jersey, 2001 (catalogue with essay by David Shapiro) New Work, Rare Books and Manuscript Library, School of International Affairs, Columbia University, New York, 2000 Beware the Lady: New Paintings and Works on Paper, A.I.R. Gallery, New York, 2000 (catalogue with essay by John Yau) Touchdown, Recent Paintings, Cornershop Gallery, Buffalo, 1999 Post-Americana: New Paintings, A.I.R. Gallery, New York, 1998 Recent Paintings and a New Artist's Book, Granary Books Gallery, New York, 1997 New Paintings, Virginia Lust Gallery, New York, 1992 Altered Photo Images, Jack Morris Gallery, New York, 1979 Solo Show, Office of the Graduate School, Columbia University, New York, 1972 Selected Group Shows One True Thing, A.I.R. Gallery, NY; Putney School, VT, 2007 Pink Kid Gloves, Chashama Gallery, NY, 2006 Complicit! Contemporary American Art and Mass Culture, University of Virginia Art Museum, Charlottesville, VA, 2006 Conceptual Comics, Banff Centre for the Arts, Alberta, Canada, 2006 Generations, A.I.R. Gallery, NY, 1997, 2002, 2004, 2006 Too Much Bliss: Twenty Years of Granary Books, Smith College Museum, MA, 2005-06 I.D.:id; Wish You Were Here IV, A.I.R.
    [Show full text]
  • Of Donating Alumni by Region
    Fall 2006 investor report 2005–2006 Seeding Growth Donations flowed into Thunderbird during the past year, more than $6 million in all. They arrived in dramatic $1million gifts, in donations of computers and hotel rooms, in pesos, euros, yen and dollars, and in a steady stream from alumni around the world. How did Thunderbird invest those gifts? thunderbird : investor report : 2006 4 Agenda Homing Thunderbirds More than 360 alumni came out for Homecoming. Making history The School’s 60 years are captured in a newly released book. Soccer save Students raise funds to buy soccer equipment for Iraqi children. Faculty in Africa Thunderbird profs lead seminar for aid workers in South Africa. Alumni ambassadors Volunteers spread the word and bring in new students. Act local Students donate time and talents to metro Phoenix charities. 10 Seeding Growth During the past year, more than 4,000 alumni, along with many other friends of Thunderbird, gave the School more than $6 million, gifts that were invested in promising students, world-class faculty and innovative academic programs. Here’s a closer look at who gave what, and how Thunderbird has channeled those generous gifts. On the Cover Growth for a non- 17 Roster of donors profit institution Planned and major gifts Donations flowed in from the Council of 100 and the Legacy Society, which have directed generous, long-term gifts to the School . like Thunderbird Thunderbird Annual Fund Annual donations of $500 to more than $100,000 can only happen allow the School to allocate funds to the areas of greatest need. when it has the Consistent annual donors Hundreds of alumni, models of stewardship, have given assistance and donations annually for at least 10 years and, in many cases, a lot longer.
    [Show full text]
  • 2008 Sentinel Awards Ceremony and Panel
    1 The Norman Lear Center 2008 Sentinel for Health Awards The Sentinel for Health Awards The Norman Lear Center The Sentinel for Health Awards recognize exemplary The Norman Lear Center achievements of television storylines that inform, educate is a nonpartisan research and motivate viewers to make choices for healthier and and public policy center safer lives. For many loyal viewers, television dramas and that studies the social, comedies provide both entertainment and information political, economic and about disease, injury and disability. A compelling storyline cultural impact of that demonstrates risky behavior and consequences, or entertainment on the world. The Lear Center translates shows how to avoid risk, can benefit millions of viewers its findings into action through testimony, journalism, and their loved ones. strategic research and innovative public outreach campaigns. On campus, from its base in the USC Each entry is screened by Hollywood, Health & Society Annenberg School for Communication, the Lear Center staff for eligibility. Qualifying entries are evaluated in two builds bridges between schools and disciplines whose rounds of judging. In the first round of judging, each sto- faculty study aspects of entertainment, media and ryline is reviewed for accuracy by a panel of topic experts culture. Beyond campus, it bridges the gap between who take the following into consideration: the entertainment industry and academia, and between them and the public. Through scholarship and research; * How the health problem can be prevented through its conferences, public events and publications; * How a character’s choices affect his/her health or safety and in its attempts to illuminate and repair the world, the * What causes the health problem and how it impacts the Lear Center works to be at the forefront of discussion and lives and relationships of characters practice in the field.
    [Show full text]
  • NEW+OBS+130+Digital !.Pdf
    130 To what in sharing remains as nothing more than the experience of it Nuri Paixão The Dip, 2014 Color print Courtesy of the author 130 New Observations is an independantindependant magazinemagazine publishedpublished byby artistsartists forfor artistsartists andand thethe greatergreater community community as as a a work work of of collaborative collaborative art. art. Copyright 2014, Diane R. Karp Dan Knerr Stephan Balint John Johnston Tracy Smith New Observations Ltd. Joseph Masheck Layman Lee Mark Bartlett Muffet Jones Alan Sondheim and the authors. All Carlo McCormick Herb Leventer Susan Bee Gerald Just Susan Springfield rights reserved. ISSN Richard Milazzo Joaquin Lowe Tiffany Bell Shoshana Kalisch Suzy Sureck #0737-5387. Joseph Nechvatal Claire McConaughy Curt Belshe Susa n Kandel Frederieke Taylor Saul Ostrow Maureen McQuillan Maurice Berger Steven Kane Lynne Tillman Printed in the US Elena Berriolo Diane Karp Mike Topp Joan Pierpoline Richard Milazzo by Tiger Press, Andrew Boardman Alain Kirili Cindy Tower Longmeadow, MA. Lucio Pozzi Saul Ostrow Mark Bobrow Hilary Kliros Bernard Trevisano Mira Schor Tom Otterness Brian Boigon Erika Knerr Frederic Tuten Cover Joshua Selman Manuel Paixão Bruce Brand Sabu Kohso David L. Ulin Pedro A.H. Paixão David Shapiro Maria Luisa Paixão Ginevra Bompiani KK Kozik Marina Urbach NEWOBSERVATIONS P.P., 2014 | from Lynne Tillman Eliza Proctor Bruce Breland Gene Kraig Terence Van Elslander Imagines maiorum Frederic Tuten Robert Parks Martin Bresnick Kim Larsen Stephen Westfall Coulored pencil on Marina Urbach Francisco Casal Eva Buchmuller Linda Levit Christopher Williams paper | 28 x 38,8 cm Ribeiro Ana Busto Daniel Libeskind Martha Wilson Legal Advisors Courtesy of the author Sangeet Michele C.
    [Show full text]
  • June 2020 June 2020 June 2020 June 2020
    JUNE 2020 JUNE 2020 JUNE 2020 JUNE 2020 field notes art books Normality is Death by Jacob Blumenfeld 6 Greta Rainbow on Joel Sternfeld’s American Prospects 88 Where Is She? by Soledad Álvarez Velasco 7 Kate Silzer on Excerpts from the1971 Journal of Prison in the Virus Time by Keith “Malik” Washington 10 Rosemary Mayer 88 Higher Education and the Remaking of the Working Class Megan N. Liberty on Dayanita Singh’s by Gary Roth 11 Zakir Hussain Maquette 89 The pandemics of interpretation by John W. W. Zeiser 15 Jennie Waldow on The Outwardness of Art: Selected Writings of Adrian Stokes 90 Propaganda and Mutual Aid in the time of COVID-19 by Andreas Petrossiants 17 Class Power on Zero-Hours by Jarrod Shanahan 19 books Weston Cutter on Emily Nemens’s The Cactus League art and Luke Geddes’s Heart of Junk 91 John Domini on Joyelle McSweeney’s Toxicon and Arachne ART IN CONVERSATION and Rachel Eliza Griffiths’s Seeing the Body: Poems 92 LYLE ASHTON HARRIS with McKenzie Wark 22 Yvonne C. Garrett on Camille A. Collins’s ART IN CONVERSATION The Exene Chronicles 93 LAUREN BON with Phong H. Bui 28 Yvonne C. Garrett on Kathy Valentine’s All I Ever Wanted 93 ART IN CONVERSATION JOHN ELDERFIELD with Terry Winters 36 IN CONVERSATION Jason Schneiderman with Tony Leuzzi 94 ART IN CONVERSATION MINJUNG KIM with Helen Lee 46 Joseph Peschel on Lily Tuck’s Heathcliff Redux: A Novella and Stories 96 june 2020 THE MUSEUM DIRECTORS PENNY ARCADE with Nick Bennett 52 IN CONVERSATION Ben Tanzer with Five Debut Authors 97 IN CONVERSATION Nick Flynn with Elizabeth Trundle 100 critics page IN CONVERSATION Clifford Thompson with David Winner 102 TOM MCGLYNN The Mirror Displaced: Artists Writing on Art 58 music David Rhodes: An Artist Writing 60 IN CONVERSATION Keith Rowe with Todd B.
    [Show full text]