The Public–Private Dichotomy in Fascist Corporativism: Discursive Strategies and Models of Legitimization
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QUALESTORIA. Rivista Di Storia Contemporanea. L'italia E La
«Qualestoria» n.1, giugno 2021, pp. 163-186 DOI: 10.13137/0393-6082/32191 https://www.openstarts.units.it/handle/10077/21200 163 Culture, arts, politics. Italy in Ivan Meštrović’s and Bogdan Radica’s discourses between the two World Wars di Maciej Czerwiński In this article the activity and discourses of two Dalmatian public figures are taken into consideration: the sculptor Ivan Meštrović and the journalist Bogdan Radica. They both had an enormous influence on how the image of Italy was created and disseminated in Yugoslavia, in particular in the 1920s and 1930s. The analysis of their discourses is interpreted in terms of the concept of Dalmatia within a wider Mediterranean basin which also refers to two diverse conceptualizations of Yugoslavism, cultural and politi- cal. Meštrović’s vision of Dalmatia/Croatia/Yugoslavia was based on his rural hinterland idiom enabling him to embrace racial and cultural Yugoslavism. In contrast, Radica, in spite of having a pro-Yugoslav orientation during the same period, did not believe in race, so for him the idea of Croat-Serb unity was more a political issue (to a lesser extent a cultural one). Keywords: Dalmatia, Yugoslav-Italian relationships, Croatianness, Yugoslavism, Bor- derlands Parole chiave: Dalmazia, Relazioni Jugoslavia-Italia, Croaticità, Jugoslavismo, Aree di confine Introduction This article takes into consideration the activity and discourses of the sculptor Ivan Meštrović and the journalist Bogdan Radica1. The choice of these two figures from Dalmatia, though very different in terms of their profession and political status in the interwar Yugoslav state (1918-41), has an important justification. Not only they both were influenced by Italian culture and heritage (displaying the typical Dalmatian ambivalence towards politics), but they also evaluated Italian heritage and politics in the Croatian/Yugoslav public sphere. -
Fascist Italy's Illiberal Cultural Networks Culture, Corporatism And
Genealogie e geografie dell’anti-democrazia nella crisi europea degli anni Trenta Fascismi, corporativismi, laburismi a cura di Laura Cerasi Fascist Italy’s Illiberal Cultural Networks Culture, Corporatism and International Relations Benjamin G. Martin Uppsala University, Sweden Abstract Italian fascists presented corporatism, a system of sector-wide unions bring- ing together workers and employers under firm state control, as a new way to resolve tensions between labour and capital, and to reincorporate the working classes in na- tional life. ‘Cultural corporatism’ – the fascist labour model applied to the realm of the arts – was likewise presented as a historic resolution of the problem of the artist’s role in modern society. Focusing on two art conferences in Venice in 1932 and 1934, this article explores how Italian leaders promoted cultural corporatism internationally, creating illiberal international networks designed to help promote fascist ideology and Italian soft power. Keywords Fascism. Corporatism. State control. Labour. Capital. Summary 1 Introduction. – 2 Broadcasting Cultural Corporatism. – 3 Venice 1932: Better Art Through Organisation. – 4 Italy’s International Cultural Outreach: Strategies and Themes. – 5 Venice 1934: Art and the State, Italy and the League. – 6 Conclusion. 1 Introduction The great ideological conflict of the interwar decades was a clash of world- views and visions of society, but it also had a quite practical component: which ideology could best respond to the concrete problems of the age? Problems like economic breakdown, mass unemployment, and labour unrest were not only practical, of course: they seemed linked to a broader breakdown of so- Studi di storia 8 e-ISSN 2610-9107 | ISSN 2610-9883 ISBN [ebook] 978-88-6969-317-5 | ISBN [print] 978-88-6969-318-2 Open access 137 Published 2019-05-31 © 2019 | cb Creative Commons Attribution 4.0 International Public License DOI 10.30687/978-88-6969-317-5/007 Martin Fascist Italy’s Illiberal Cultural Networks. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
12 the Return of the Ukrainian Far Right the Case of VO Svoboda
12 The Return of the Ukrainian Far Right The Case of VO Svoboda Per Anders Rudling Ukraine, one of the youngest states in Europe, received its current borders between 1939 and 1954. The country remains divided between east and west, a division that is discernible in language, culture, religion and, not the least, historical memory. Whereas Ukrainian nationalism in the 1990s was described in terms of “a minority faith,” over the past half-decade there has been a signifi cant upswing in far-right activity (Wilson, 1997: 117–146). The far-right tradition is particularly strong in western Ukraine. Today a signifi cant ultra-nationalist party, the All-Ukrainian Association ( Vseukrains’ke Ob ’’ iednanne , VO) Svoboda, appears to be on the verge of a political breakthrough at the national level. This article is a survey, not only of its ideology and the political tradition to which it belongs but also of the political climate which facilitated its growth. It contextualizes the current turn to the right in western Ukraine against the backdrop of instrumental- ization of history and the offi cial rehabilitation of the ultra-nationalists of the 1930s and 1940s. MEMORIES OF A VIOLENT 20TH CENTURY Swept to power by the Orange Revolution, the third president of Ukraine, Viktor Yushchenko (2005–2010), put in substantial efforts into the pro- duction of historical myths. He tasked a set of nationalistically minded historians to produce and disseminate an edifying national history as well as a new set of national heroes. Given Yushchenko’s aim to unify the country around a new set of historical myths, his legitimizing historians ironically sought their heroes in the interwar period, during which the Ukrainian-speaking lands were divided, and had very different historical experiences. -
Inventing the Lesser Evil in Italy and Brazil
Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil by Giulia Riccò Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Lamonte Aidoo, Supervisor ___________________________ Roberto Dainotto ___________________________ Nicola Gavioli ___________________________ Saskia Ziolkowski Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 i v ABSTRACT Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil by Giulia Riccò Department of Romance Studies Duke University Date:_______________________ Approved: ___________________________ Lamonte Aidoo, Supervisor ___________________________ Roberto Dainotto ___________________________ Nicola Gavioli ___________________________ Saskia Ziolkowski An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Studies in the Graduate School of Duke University 2019 Copyright by Giulia Riccò 2019 Abstract My dissertation, Fascist Fiction: Inventing the Lesser Evil in Italy and Brazil, accounts for the resilience of fascism by tracing the rhetoric of the “lesser evil”—a discursive practice constitutive of fascism—through contemporary politics and literature in Italy and Brazil. By invoking the looming presence of a graver, more insidious threat the rhetoric of the lesser evil legitimizes fascist violence against dissidents and vulnerable populations. Through an analysis of texts by fascist philosopher Giovanni Gentile and his Brazilian counterpart Miguel Reale, I reveal that the rhetoric of the lesser evil is a constitutive part of fascist discourse and that in Italy and Brazil this aspect of fascist doctrine met a favorable combination of subjective and objective conditions which has allowed it to thrive within democratic structures. -
00 Vaga Corporativa Intro.Qxp Layout 1 11/04/16 12:08
00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 1 00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 2 00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 3 00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 4 00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 5 AVaga Corporativa Corporativismo e Ditaduras na Europa e na América Latina António Costa Pinto Francisco Palomanes Martinho (organizadores) 00 Vaga Corporativa Intro.qxp_Layout 1 18/04/16 10:52 Page 6 Imprensa de Ciências Sociais Instituto de Ciências Sociais da Universidade de Lisboa Av. Prof. Aníbal de Bettencourt, 9 1600-189 Lisboa - Portugal Telef. 21 780 47 00 – Fax 21 794 02 74 www.ics.ulisboa.pt/imprensa E-mail: [email protected] Instituto de Ciências Sociais — Catalogação na Publicação A vaga corporativa : corporativismo e ditaduras na Europa e na América Latina / org. António Costa Pinto, Francisco Palomanes Martinho. - Lisboa : Imprensa de Ciências Sociais, 2016. ISBN 978-972-671-368-5 CDU 32 Capa e concepção gráfica: João Segurado Revisão: Levi Condinho Impressão e acabamento: Manuel Barbosa & Filhos, Lda. Depósito legal: 408312/16 1.ª edição: Abril de 2016 00 Vaga Corporativa Intro.qxp_Layout 1 11/04/16 12:08 Page 7 Índice Os autores . 13 Apresentação . 19 Capítulo 1 Corporativismo, ditaduras e representação política autoritária . 27 António Costa Pinto Parte I As experiências europeias Capítulo 2 O corporativismo na ditadura fascista italiana . 41 Goffredo Adinolfi Capítulo 3 «Estado corporativo» e ditadura autoritária: a Áustria de Dollfuss e Schuschnigg (1933-1938) . -
Science and Fascism
Science and Fascism Scientific Research Under a Totalitarian Regime Michele Benzi Department of Mathematics and Computer Science Emory University Outline 1. Timeline 2. The ascent of Italian mathematics (1860-1920) 3. The Italian Jewish community 4. The other sciences (mostly Physics) 5. Enter Mussolini 6. The Oath 7. The Godfathers of Italian science in the Thirties 8. Day of infamy 9. Fascist rethoric in science: some samples 10. The effect of Nazism on German science 11. The aftermath: amnesty or amnesia? 12. Concluding remarks Timeline • 1861 Italy achieves independence and is unified under the Savoy monarchy. Venice joins the new Kingdom in 1866, Rome in 1870. • 1863 The Politecnico di Milano is founded by a mathe- matician, Francesco Brioschi. • 1871 The capital is moved from Florence to Rome. • 1880s Colonial period begins (Somalia, Eritrea, Lybia and Dodecanese). • 1908 IV International Congress of Mathematicians held in Rome, presided by Vito Volterra. Timeline (cont.) • 1913 Emigration reaches highest point (more than 872,000 leave Italy). About 75% of the Italian popu- lation is illiterate and employed in agriculture. • 1914 Benito Mussolini is expelled from Socialist Party. • 1915 May: Italy enters WWI on the side of the Entente against the Central Powers. More than 650,000 Italian soldiers are killed (1915-1918). Economy is devastated, peace treaty disappointing. • 1921 January: Italian Communist Party founded in Livorno by Antonio Gramsci and other former Socialists. November: National Fascist Party founded in Rome by Mussolini. Strikes and social unrest lead to political in- stability. Timeline (cont.) • 1922 October: March on Rome. Mussolini named Prime Minister by the King. -
The Doctrine of Fascism
Benito Mussolini and Giovanni Gentile The Doctrine of Fascism (1932) Like all sound political conceptions, Fascism is action and it is thought; action in which doctrine is immanent, and doctrine arising from a given system of historical forces in which it is inserted, and working on them from within.1 It has therefore a form correlated to contingencies of time and space; but it has also an ideal content which makes it an expression of truth in the higher region of the history of thought.2 There is no way of exercising a spiritual influence in the world as a human will dominating the will of others, unless one has a conception both of the transient and the specific reality on which that action is to be exercised, and of the permanent and universal reality in which the transient dwells and has its being. To know men one must know man; and to know man one must be acquainted with reality and its laws. There can be no conception of the State which is not fundamentally a conception of life: philosophy or intuition, system of ideas evolving within the framework of logic or concentrated in a vision or a faith, but always, at least potentially, an organic conception of the world. Thus many of the practical expressions of Fascism such as party organization, system of education, and discipline can only be understood when considered in relation to its general attitude toward life. A spiritual attitude.3 Fascism sees in the world not only those superficial, material aspects in which man appears as an individual, standing by himself, self-centered, -
Nazi Party from Wikipedia, the Free Encyclopedia
Create account Log in Article Talk Read View source View history Nazi Party From Wikipedia, the free encyclopedia This article is about the German Nazi Party that existed from 1920–1945. For the ideology, see Nazism. For other Nazi Parties, see Nazi Navigation Party (disambiguation). Main page The National Socialist German Workers' Party (German: Contents National Socialist German Nationalsozialistische Deutsche Arbeiterpartei (help·info), abbreviated NSDAP), commonly known Featured content Workers' Party in English as the Nazi Party, was a political party in Germany between 1920 and 1945. Its Current events Nationalsozialistische Deutsche predecessor, the German Workers' Party (DAP), existed from 1919 to 1920. The term Nazi is Random article Arbeiterpartei German and stems from Nationalsozialist,[6] due to the pronunciation of Latin -tion- as -tsion- in Donate to Wikipedia German (rather than -shon- as it is in English), with German Z being pronounced as 'ts'. Interaction Help About Wikipedia Community portal Recent changes Leader Karl Harrer Contact page 1919–1920 Anton Drexler 1920–1921 Toolbox Adolf Hitler What links here 1921–1945 Related changes Martin Bormann 1945 Upload file Special pages Founded 1920 Permanent link Dissolved 1945 Page information Preceded by German Workers' Party (DAP) Data item Succeeded by None (banned) Cite this page Ideologies continued with neo-Nazism Print/export Headquarters Munich, Germany[1] Newspaper Völkischer Beobachter Create a book Youth wing Hitler Youth Download as PDF Paramilitary Sturmabteilung -
Citation.Pdf
Table of Contents Chapter I: Introduction and the Definition of Fascism - 2 Chapter II: Rise of Fascism in Italy - 14 Chapter III: Rise of Fascism in Germany - 33 Chapter IV: Road to the Spanish Civil War - 55 Chapter V: Rise of Franco - 77 Chapter VI: Comparing Spain with Italy and Germany - 99 Bibliography - 116 ii Chapter I Introduction The interwar period between the First and Second World Wars in Europe is a fascinating period of study for a political and military historian. The period saw some of the most radical changes to the European map since the end of the Napoleonic Wars, and the peace that established this period led to a general dissatisfaction with the political status quo. It was a period that saw the old guard being swept away, with new ideologies rising to challenge the political norms of liberalism and socialism. Italy and Germany are the two major countries that spring to mind when one thinks of ideological change during this time. Both saw a rise in the far-right that ultimately allowed those fringe organizations to seize power, but they were not the only major European countries to experience social upheaval before the Second World War. Spain, while neutral during the First World War, could not escape the changes or problems sweeping across Europe. However, whereas the Italian far-right and German far-right obtained their power through the established political systems in those countries, Spain ignited into a three-year-long civil war that saw anywhere between two hundred and fifty thousand to a million people killed. -
Neo-Socialism and the Fascist Destiny of an Anti-Fascist Discourse
"Order, Authority, Nation": Neo-Socialism and the Fascist Destiny of an Anti-Fascist Discourse by Mathieu Hikaru Desan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Sociology) in the University of Michigan 2016 Doctoral Committee: Professor George Steinmetz, Chair Professor Howard Brick Assistant Professor Robert S. Jansen Emeritus Professor Howard Kimeldorf Professor Gisèle Sapiro Centre national de la recherche scientifique/École des hautes études en sciences sociales Acknowledgments Scholarly production is necessarily a collective endeavor. Even during the long isolated hours spent in dusty archives, this basic fact was never far from my mind, and this dissertation would be nothing without the community of scholars and friends that has nourished me over the past ten years. First thanks are due to George Steinmetz, my advisor and Chair. From the very beginning of my time as a graduate student, he has been my intellectual role model. He has also been my champion throughout the years, and every opportunity I have had has been in large measure thanks to him. Both his work and our conversations have been constant sources of inspiration, and the breadth of his knowledge has been a vital resource, especially to someone whose interests traverse disciplinary boundaries. George is that rare sociologist whose theoretical curiosity and sophistication is matched only by the lucidity of this thought. Nobody is more responsible for my scholarly development than George, and all my work bears his imprint. I will spend a lifetime trying to live up to his scholarly example. I owe him an enormous debt of gratitude. -
Origins of Fascism
><' -3::> " ORIGINS OF FASCISM by Sr. M. EVangeline Kodric, C.. S .. A. A Thesis submitted to the Faculty of the Graduate School, Marquette Unive,r s1ty in Partial FulfillmeIlt of the Re qUirements for the Degree of Master of Arts M1lwaukee, Wisconsin January, -1953 ',j;.",:, ':~';'~ INTRODUCTI ON When Mussolini founded the Fascist Party in 1919, he " was a political parvenu who had to create his ovm ideological pedigree. For this purpose he drew upon numerous sources of the past and cleverly adapted them to the conditions actually existing in Italy during the postwar era. The aim of this paper 1s to trace the major roots of the ideology and to in terpret some of the forces that brought about the Fascistic solution to the economic and political problems as t hey ap peared on the Italian scene. These problems, however, were not peculiar to Italy alone. Rather they were problems that cut across national lines, and yet they had to be solved within national bounda ries. Consequently, the idea that Fascism is merely an ex tension of the past is not an adequate explanation for the coming of Fascism; nor is the idea that Fascism is a mo mentary episode in history a sufficient interpr etat ion of the phenomenon .. ,As Fascism came into its own , it evolved a political philosophy, a technique of government, which in tUrn became an active force in its own right. And after securing con trol of the power of the Italian nation, Fascism, driven by its inner logic, became a prime mover in insti gating a crwin of events that precipitated the second World War.