Magnificat, for Mezzo-Soprano and Chamber Ensemble

Home , Magnificat (Rutter), Magnificat (Schubert)

MAGNIFICAT, FOR MEZZO-SOPRANO AND CHAMBER ENSEMBLE

Bryan Scott Stanbridge

A Thesis

Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of

MASTER OF MUSIC

August 2006

Committee:

Elainie Lillios, Advisor

Bryan Scott Stanbridge

Abstract

Elainie Lillios, Advisor

Magnificat for mezzo-soprano and chamber ensemble is a setting of the Canticle of Mary lasting approximately twelve minutes. It contains three main sections, surrounded by instrumental interludes, an introduction and coda. The work is scored for flute, B-flat clarinet, bassoon, C trumpet, trombone, two percussionists, violin, viola, violoncello, double bass and mezzo-soprano.

Formally, the three main sections contain text taken from Luke 1:46-9, 50-3 and 54-5. An instrumental introduction and small instrumental coda surround the sung components. All sections are to be performed without pause. The work's material emulates periods of music history from Gregorian chant through the contemporary time. This was accomplished through methods of texture, rhythm and orchestration rather than any reliance on harmonic or melodic style.

Magnificat 's melodic lines are based on pitch- class sets ranging from three to eight notes each. While the sets may combine to form scales, they were not used in ways implying functional harmony. The harmonic iv language of the piece includes extended quartal harmony and harmonies based from the aforementioned pitch-class sets. The harmonies are mostly a byproduct of the linear aspects of the piece.

The rhythmic structure of the piece is complex, with interior rhythms reflecting on the work's larger- scale formal structure. Mixed meter sections, macro-rhythmic techniques and rhythmic modulation govern large scale temporal unfoldings. Micro-rhythmic techniques include hyper- and hypo-rhythms, as well as hemiola.

Magnificat was influenced by the work of composers Igor Stravinsky, Olivier Messiaen, Arvo Pärt,

Frank Martin and Marjan Helms, among others. Specifically, Igor Stravinsky's L'Histoire du Soldat ensemble forms the foundation to which was added a flute, viola, cello, additional percussionist, and a mezzo-soprano in place of the actors. v

For Judy vi

Acknowledgments

First, and foremost, I want to thank my family for all the help and support they've given throughout the years. From car rides, to rehearsals and practices, to honest words and advice, my family has been my biggest fan and I owe them my greatest thanks.

For her incredible patience throughout my lessons and the thesis process, I want to thank Elainie

Lillios, my advisor. She has shown strong guidance while giving me freedom to explore, experiment and grow.

Burton Beerman was my first composition teacher at Bowling Green State University and served on my thesis committee. I am especially thankful for his encouragement and insights.

Finally, I want to thank Judy Kniss for never giving up on me and helping me find the courage to succeed.

Magnificat was typeset in LilyPond, an open-source music engraving program available for free from http://www.lilypond.org/ vii

Performance Instructions

All sections are to be played without pause.

In the mezzo-soprano part, at measures 211 and 219, there are optional breath marks that can be taken should the soloist need a breath. Optimally, the two phrases will be sung using one breath each.

Instrumentation: Flute Percussion II: Clarinet in B-flat Vibraphone (shared with Percussion I) Bassoon Two octaves of crotales (shared with Trumpet in C Percussion I) Trombone Medium- sized concert bass drum (shared Percussion I: with Percussion I) Vibraphone (shared with Percussion II) Implements: Bow, hard plastic mallets, Two octaves of crotales (shared with four medium yarn mallets, bass Percussion II) drum beater Large suspended cymbal on a medium Mezzo-soprano concert bass drum Violin Medium- sized concert bass drum (shared Viola with Percussion II) Violoncello Medium suspended cymbal Double Bass Snare drum Implements: Bow; plastic, medium yarn and soft yarn mallets viii

Magnificat Luke 1:46-55 1

Magnificat anima mea Dominum . My soul doth magnify the Lord. And my spirit hath rejoiced in God my Savior. Because he hath regarded the humility of his handmaid: for behold from henceforth all generations shall call me blessed. Because he that is mighty hath done great things to me: and holy is His name.

And His mercy is from generation unto generations, to them that fear Him. He hath showed might in his arm: he hath scattered the proud in the conceit of their heart. He hath put down the mighty from their seat and hath exalted the humble. He hath filled the hungry with good things: and the rich He hath sent empty away.

He hath received Israel His servant, being mindful of His mercy. As He spoke to our fathers: to Abraham and to his seed for ever.

Amen.

1 Knight, K. New Advent Bible. Published Online, 2005. Some minor formatting changes have been made by B. Stanbridge for use in this piece.

Magnificat for mezzo-soprano and chamber ensemble Score in C Bryan Scott Stanbridge (2006)

Reverently M =60 ¶ 5 Flute 4 ú ú ú ú ú 6ñ Mñ É ú ú ú ú ú ú ] mf pp 5 Clarinet in B 4 ú ú ú ú 6ñ ú ú ú ú ú ú ú ú ] pp 5 M M M 6 Bassoon / 4 ú ú É ú ú ú ú ú ú ú ú Í pp ppw

Trumpet in C¶ 5 4 ú ú ú ú ú ñ É Mñ M M M M É ú ú M ú ] mp ppw pp 5 6 M M Mñ M Mñ Trombone / 4 ú ú ú ú ú ñ É ñ ú É ñ ú Í mp pp pp

Vibes arco to crotales crotales (hard mallets) ¶ 5 Percussion I 4 ú ú ú ú 6ñ M ñ ú ú ú ú ú ú ] pp mf mf ù crotales arco Vibes arco to crotales M M M M Percussion II 5 ú ú ú ú ú ú ] 4 ñ M M M M Í pp6ñ M mp ppM pp mf non vib. Reverently M =60 pp Mezzo-Soprano 5 ú ú ú ú ú ú ú ú ú ] 4 ú ú ú ñ Ma-6 ß ß ß ß ß ß ß ß M M M M Violin ¶ 5 ú ú ] 4 ú ñ É M 6 ñ 6ñ 6 pp6 ppw mf mf6 pp ß ß ß ß ß ß ß ß M M M M Viola 5 ú ú ú ú ú ú 4 6ñ ñ É M M pp pp pp w ß ß ß ß ß ß ß ß M M M M Violoncello / 5 ú ú ú ú ú ú ú 4 ñ pp6 M É pp pp ß ß ß ß ß ß ß ß 5 M M M M Double Bass / 4 ú ú ú ú ú ú ú ú Í pp pp 2 M = 100 10 14 15 Joyously 3 4 3 5 5 Fl.¶ ú MM M M M 4 ú 4 M M M M M M

7 Tpt.¶ 4 3 5 ] ú M M 4 M É ñ 4 M M M M M M M 4 pp w p M M M M M M M M M 6ñ

Trb. 4 3 M M 6 M 5 / ú ú ú 4 ú 4 M M M M M M ñ 4 Í pp 3 M 6

4 5 ¶ 4 3 3 5 P I ú ú 4 ú 4 M M M M M M M 4 ] p M M M M M M M M M M M M M M

Cl. 5 MMM 6 M 4 ñ ú ú 6ñ <6 M 6 ú 6ñ M MM ] ff M mf M M M pp p mp mf 5 6 l Bsn. 5 6 6 6 M l M / 4 M M M M ú ú ñ ñ ú ñ M M MMM

crotales (let all ring) 5 ¶ 5 M 2 P I 4 É ñ ú ú ú ú ú ú M ¼ ] ff M M 5 ¼ 5 mpM mf mf to vibes 5 M M P II 4 É ñ ú ú ú ú ú ú ú ú Í] ff w M = 60 ord. 27 Solemnly p ff p mp p mp f Mezzo 5 ú ú ú ú 6 M 6 ] 4 M É ñ 6ñ M <6 6

¶ 5 Vln. 4 M M 6ñ ú ú ú ú ú ú ú ú ] ff mf 5 Vla. 4 ú ú ú ú ú ú ú ú ff M mf M 5 Vlc. / 4 M M M M ñ ú ú ú ú ú ú ú ff mf 5 D.B. / 4 ú ú ú ú ú ú ú Í ff M mf M M M 4 33 Joyously

3 MM 6 M M M M M M M Cl. M

M 6 l Bsn. / 6 M M M 6ñ M M M 6 M ú ú ú ú p 3 Í fp p

Tpt.¶ ú ú ú ú ú ú ú ]

Trb. / ú ú ú ú ú ú ú Í

¶ P I ñ É M M M ñ É M ú ú ú ú ] 3 3 M wp mp p mp 5 P II M

$MM M M Vln.¶ M

Vlc. / ú ú ú ú ú ú ú

D.B. / ú ú ú ú ú ú ú Í 5 40 42 Humbly Fl.¶ ú ú ] É M mpM M M M Mp Mñ M Mñ

Cl. M M M6 M M M MM É ú ú ú ] mp f ' M'

Bsn. / ñ MM M M MMMM M MM 6 M M MñM Mñ M M M M É ñ ú Í Mp M mf ' ' ' M' f p w ppw

Tpt.¶ ú ú ú ú ] ú

Trb. / ú ú ú ú ú Í

P I¶ ú ú ú ú ] ú

P II ú ú ú ú ú Í] pp Humbly mp p mp p 42 3 3 3 Mezzo M ú ú ] Mñ M M Mñ M M M M M É M M M M M M M M M M M M M M M Sa- vior, myw Sav- ior. Be- cause He hath re- gard- ed the hu- mi- li- ty of His hand maid.M

Vln.¶ ú ú ú ú ú ] 3 Vla. ú ú ú l É M M É

Vlc. ' ' '

D.B. / ú ú ú ú ú Í 6 45 Proudly M

Tpt.¶ ] ú ú ú ú ú

Trb. / ú ú ú ú ú Í

P I¶ ú ú ú ú ú ]

P II ú ú ú ú ú Í] Proudly mf pp f mp f p 3 M Mezzo M M M

¶ Vln. ú ú 6 M M ú ú ] mp

Vla. ú ú ú ú mp6 M M

Vlc. / M ú 6 M M ú ú w É ñ mp

D.B. / ú ú 6 M M ú ú Í mp M M M 7 = 140 sim. = 60 = 140 50 52 3 sim. 3 3 M' M' M' M' M' ' M' ' ' ' M M M Fl.¶ M ú 2 M M M M 3 M M M M M M M' 2 ú ú ú ' M' ' 4 w 3 3 3 4 3 É 4 M M M M ] pp 3 3 3 M ' M M M M M M w p3 ' mf ' 3 sim. 3 sim. 3 3 3 3 3 Cl. ú 2 ' M' M' M' ' M' ' 3 2 ú ú ú ] ppM 4 M M' M M M' M 4 M M M M M M M M M É 4 M M M M M M mf' 3 3 3 3 M Mp' M' M'

(crotales) to BD P I¶ M M

Vln.¶ ú 2 ú 3 ú 2 ú ú ] ú 4 ú 4 ú 4 ú ú ú 2 3 2 Vla. ú ú 4 ú ú 4 ú ú 4 ú ú ú ú ú

2 3 2 Vlc. / ú ú 4 ú ú 4 ú ú 4 ú ú ú ú ú

2 3 2 D.B. / ú ú 4 ú ú 4 ú ú 4 ú ú ú ú ú Í 8 61 3 3 M 3 3 3 3 sim. 3 = 60 ¶ 3 3 ' 4

Tpt.¶ 3 4 5 ù 2 6 M M M M M É 4 6 4 M M M 6 4 M M M 6ñ M É ñ 4 ] 3 3 3 3 mp p w w fw ñ ù Trb. 6 M M M M M 3 6 4 M M M 6 5 M M M 6 M 2 / 3 É 4 4 w 4 w w É ñ 4 Í mp3 p 3 3 f

to vibes no ped. sim. 3 3 3 ' M' ' M M P I¶ 3 ' M' ' ' M'

mp mf M = 60 3 3 3 4 5 2 Mezzo ú M M 4 ñ ñ 4 4 ú ñ 2 4 ] M M M 6 É

Vln.¶ ú ú ú 3 ú 4 ú 5 ú ú 2 ] 4 4 4 4 3 4 5 2 Vla. ú ú ú 4 ú 4 ú 4 ú ú 4

3 4 5 2 Vlc. / ú ú ú 4 ú 4 ú 4 ú ú 4

3 4 5 2 D.B. / ú ú ú 4 ú 4 ú 4 ú ú 4 Í 9 Respectfully M =60 M = 140 sim. l 68 M M ' M M M MM M M MM M M M 74 M' M' M M' M' ' M M M M M M M M M M M M M M M M M Fl.¶ 2 M 3 2 5 ú ú ú ] 4 p 3 3 4 3 3 3 3 3 3 4 3 3 3 3 4 ppw É ñ

3 3 3 3 sim.3 3 3 Cl. 2 3 M 2 Ml ú 5 ú ú ú ú ] 4 MpMM M 4 MM MM M M M MM M M M M 4 É 4 ' ' ' M' ' M' M M M M 3 ppw 3 3 3 3 3 sim.3 3 3 2 3 3 3 2 5 Bsn. / 4 M 4 M 4 M M M 4 Ml ñ ú ú 6 MM M' M' ' M M MM M M M M M M M M M M M M MMM M É 6 Í p' ' ' M M M M M M 3 3 M ppw mp

Tpt.¶ 2 3 ú ú 2 ú ú 5 ú ú ú ] 4 ú 4 4 4 ú 2 3 2 5 Trb. / 4 ú 4 ú ú 4 ú ú 4 ú ú ú ú Í

P I¶ 2 ú 3 ú ú 2 ú ú 5 ú ú ú ú ] 4 4 4 4 2 3 2 5 P II 4 ú 4 ú ú 4 ú ú 4 ú ú ú ú Í] Respectfully M =60 74 M = 140 mp p 2 3 2 5 Mezzo 4 É 4 ú ú 4 ú ú 4 É ú ú ] Mñ M M M M M M M things to me; and holy is His name.6ñ

Vln.¶ 2 3 ú ú 2 ú ú 5 ú M ú ] 4 ú 4 4 4 < M mp f

Vla. 2 3 2 5 < M 4 ú 4 ú ú 4 ú ú 4 ú M ú mp f 2 3 2 5 Vlc. / 4 ú 4 ú ú 4 ú ú 4 ú M ú mp Mf arco pizz. 2 3 2 5 M 6 <6 M M D.B. / ú ú ú ú ú ú

3 Cl. ú ñ ] mfM M <6 <6 M

Bsn. / ú ú ú ú Í f 6 6 3 3 3 3 3 3 3 3 ' Tpt.¶ ' ' lù ' l M M' ' M M' ' M' M

D.B. / ú ú ú ú ú Í 11 82 M l MM M = 60 M M M M Ml Fl.¶ ú ú ú ] ñ p 3 3 ñ

Cl. ] ú ú ú ú

Bsn. / ú ú ú ú ú Í ' ù Tpt.¶

Vlc. / ú É M M M M

Cl. 5 ú 7 8 5 ] ú 8 ú ú ú ú ú ú 8 ú 8 ú 8 ú

Bsn. / ú 5 ' ' ' ' 7 8 5 ' 8 M M É ñ M M É ñ M É ñ M 8

¶ 5 7 8 5 P I d 8 ú ú ú ú ú ú ú 8 ú 8 ú 8 ú 5 7 8 5 P II

M 5 7 8 5 Vln.¶

Vlc. 5 M 7 8 5 / ú 8 ú M M

D.B. /

Bsn. / ' ' ' '

Tpt.¶ ú 8 7 5 ] ú ú ú ú ú 8 ú 8 ú 8 ú ú ú ú 8 7 5 Trb. / ú ú ú ú ú ú 8 ú 8 ú 8 ú ú ú ú Í

¶ 8 7 5 P I ú ú ú ú ú ú 8 ú 8 ú 8 ú ú ú ú 8 7 5 P II ú ú ú ú ú ú 8 ú 8 ú 8 ú ú ú ú Í] mp mp Mezzo 8 7 5 ] ú É

Vln.¶ M M

Cl. 8 7 3 ú ú 2 ' 3 ' M' ] 8 M M M M 8 M M 4 É ú 4 M 4 M É É M M M

Bsn. / ' 8 ' 7 ú 3 ' ' ' 2 3 ú ú M 8 M É 8 4 M É

Tpt.¶ 8 7 ú 3 ú 2 3 ú ] ú 8 ú 8 4 ú ú ú 4 4 ú Mf' 8 7 3 2 ' 3 Trb. / ú 8 ú 8 ú 4 ú ú ú ú 4 M 4 ú ú Í f sus.pp cym. + BD mp 8 7 3 ù ù ù ù 2 ù 3 P I¶ ú 8 ú 8 l l l 4 4 4 É M M M M M M M M M pp mf vibes 8 7 3 2 3 P II ú 8 ú 8 ú 4 <6ñ <6ñ <6ñ <6ñ 4 M 4 <6ñ6ñ <6ñ ] < 6ñ < 6ñ < 6ñ < 6ñ MM < 6ñ < 6ñ6 Í 6pñ 6ñ 6ñ 6ñ f' 6pñ 6ñ mf 113 6ñ = 60 mf 8 7 3 2 3 Mezzo 8 M M 8 M M M M 4 ú ú ú ú 4 ú 4

Vln.¶ ú 8 M M 7 3 ú ú M

Vla. 8 7 3 M

Cl. 2 3 5 M M' É 4 Mù É É 4 M M' M' Ml É ú 8 M M Ml É ñ ú M M ' M' Ml É ñ ú ] Mù mpM M M' M M M' ' M M M w fw w w w ppM M M ' ' ' ' M' l ' M' l ' Bsn. 2 ù 3 M M M M 5 M ú M M M M ' M' M M' / ú 4 M É M É 4 ú ú M 8 w É ñ M w É ñ M M M' M M M M M MM M Í fw ù mp pp M ' 2 ù 3 5 Tpt.¶ ú 4 M 4 ' 8 ' ñ ñ ú ú ú ] M É w É É Mp' M É É M' M É M' É M' fù w w M' 2 ù ù 3 5 Trb. / ú 4 M É M É 4 É ñ É 8 É ñ É ñ ú ú ú Í fw w Mp' M' M' M' M' M' M' 2 ù ù 3 5 ù P I¶ 4 4 8 ñ ú ú M M M É M É p M M M M M M M M É mfw w mfw P II 6ñ 2 M M 3 ú ú ú 5 ú ú ú ú ú ú ú ] <6ñ 4 M É M É 4 8 Í < 6ñ

Mù Mù Vln.¶ ' 2 3 ú ú ú 5 ú ú ú ú ú ú ú ] É M 4 w É w É 4 8 w f ù Vla. 2

D.B. M

cym. (let ring) damp. Snare Drum ¶ 5 ù ù P I ú ú ú ú 4 ñ ú ñ 6 M M f fp fp to BD BD 5

Vla. '

3 ù Mñ MùM 6ñ Mù Mù 2 3 2 3

¶ ù 2 ù 3 ù 2 ù ù ù 3 ù P I M Mñ M M Mñ M M Mñ MMM M M M M M M M MM M 4 M M Mñ M M 4 M MMMM M M MñM M 4 Mñ M M Mñ MM Mñ M M Mñ M M 4 M MMMM Mñ M M M 3 3 3 5 5 3 p 5 3 3 3 3 3 5 3 fp fp mf p to vibes 2 3 2 3 P II ú 4 ú 4 4 ú ú 4 ú Í Mù Mù Mù Mù t M = 136 f f Mezzo ú 2 3 6ñ 2 6 3 ] ú 4 M M M 4 4 ú 4 M M M He hath shown might He hath shown

2 3 2 3 M M Vln.¶ ú ú 4 ú 4 M MM M 4 M MM M M M 4 M M M M M M M M 3 MMM M M ] p M M M mp 6 MM M ( mp ) 3 3 Vla. ú ú 2 ú 3 2 M M 3 M M M M 4 4 p MMMM 4 6 M M 4 M M M M M M ( p ) 3 3 5 2 3 2 3 M M M Vlc. / ú ú 4 ú 4 M 4 MM M MM M 4 M MM p M M M M M M MM 3 M 5 5 mf

D.B. 2 3 2 3 M M / ú ú 4 ú 4 6ñ 4 M M M M M M 4 M M Í p 3 w ( p ) 18 149 156 M = 150 M MM Mñ M M M M M M Fl.¶ M MM 2 MMM 3 MMM Mñ M 2 M MM 3 5 M 4 M 4 MM 4 5 4 ú ú 8 ú 5 M M MM ] p 5 f

3 MM ' M' 2 3 2 3 5 Cl. M M M M M 4 MMM M l 4 M 4 M l M MM 4 M ú ú 8 ú 3 M M M M M M MM É ] p M M M 5 fw

M M 2 3 M 2 M M 3 Mñ 5 Bsn. / 4 M M M M 4 M M MM 4 M MMM 4 ú ú 8 M M M M M M l 5 É M

3 Trb. 2 3 2 3 ù MM M 5 / ú 4 ú 4 ú 4 ú 4 MñMM M MMM MMñ M 8 Ml ñ Í f 3 5 Mñ MùM M ff to crotales P I¶ ù 2 3 2 3 5 ù M M M M M MMMMMMM 4 M M M MM MMM 4 M M M MMMMM 4 Mñ MM MM MMM M 4 M Mñ M M Mñ M M M M M M MMM MMMMñ M M 8 M É ñ t pp 3 3 3 5 5 3 5 3 3 5 5 3 ff f mf fw vibes ù Mñ M M ù Mùñ M M MM P II ú 2 ú 3 ú 2 ú 3 ú Mñ M M MMM

M 2 3 2 3 5 Vln.¶ 4 ú 4 ú 4 ú 4 ú ú ú 8 ú ] fw É 2 3 2 3 5 Vla. M 4 ú 4 ú 4 ú 4 ú ú ú 8 ú f 6 2 3 2 3 5 Vlc. / 4 ú 4 ú 4 ú 4 ú ú ú 8 ú f Mñ 2 3 2 3 5 D.B. / É 4 ú 4 ú 4 ú 4 ú ú ú 8 Í f

Bsn. / < É ñ ú ú ú ú ú M

Tpt.¶ ú ú ú ú ú ú ú ú ú 6 M 6 M ] É ñ w ppM M

P I¶ ] ú ú ú ú ú ú ú ú ú ú ú ú ú

3 P II ] É ñ ú É ñ ú ú É ñ ú ú Í ppM

Vln.¶ ú ú ú ú ú ú ú ú ú ú <6 M 6 M <6 M ] mf w w w

Vla.

Vlc. / ú ú ú ú ú ú ú ú < ú ú ú ú M

4 4 M 6 M 6 M M 6

4 ' Ml M'

Tpt.¶ '

¶ P I ú ú ú Mñ MMM M M M M Mñ M M M M M M M M ñ ú ú ú Mñ M M M M M M M pp 5 5 w pp 5 to BD BD P II M ¢ ú ú ú ú ñ ú ú ú ú Í] M pppMl mf ñ Mezzo ú 6ñ Mñ M M M ñ ú M M Mñ Mñ

¶ 6ñ É ú ú ú ú ú ú ú Vln. ] mp 6ñ Mp

Vla. Mñ M ú ú ú ú ú ú ú ú ú wp ' ñ Vlc. / M M M Mñ M ú ú ú ú ú ú ú ú w mp wp

/ ú ú ú ú ú ú ú ú D.B. É Í 6ñ Mp 22 191 Humbly 199 M = 60 Fl.¶ ú ú 5 ] ú ú ú ú ú ú 4 ú ú ú

Cl. ú ú 5 ] ú ú ú ú ú ú 4 ú ú ú

5 Bsn. / ú ú ú ú ú ú ú ú 4 ú ú ú Í ' Tpt.¶ M 5 6 6

to crotales crotales 5 P I¶ M M ñ ú ú ú ú ú ú 4 M ñ ú ú Mñ M M M M M M t M 5 w p BD 5 P II ú ñ ú ú ú ú ú ú 4 ñ ú ú Í Ml ppp6l Humbly mp mf p pp 199 M = 60 mp 5 Mezzo 6ñ M

5 Vln.¶ ú M M M M M M M M M M M M M M M M M M M M M M M M M ú ú 4 ú ú ú ] mp ppw É

Vla. M M M M M M M M M M M M M M M M 5 ú M ñ ú ú 4 ú ú 4 4 4 4 w 6p mp pp M 5 Vlc. / ú M M M M M M M M M M M M M ú ú 4 ú ú ú mp ppw É

pizz. D.B. / ú 5 ' ú M M M M Mñ Mñ Mñ Mñ Mñ Mñ M É ú 4 ú M É ú ú Í mpM M ppw ppw 23 202 Fl.¶ ú ú ú ú ú ú ]

Cl. ú ú ú ú ú ú ]

Bsn. / ú ú ú ú ú ú Í

3 3 3 Tpt.¶ M

P I¶ ú ú ú ú ] ú ú

P II ú ú ú ú ú ú Í mp 3 Mezzo ú M M M M M M ]

Vln.¶ ú ú ú ú ] ú ú 3 3 M M Vla. l l M M M M M M M M 6 M M M

Vlc. / ú ú ú ú ú ú

D.B. / ú ú ú ú ú ú Í Joyfully 24 208 = = 209 6ñ = 60 M M M M Fl.¶ 3 5 3 4 3 ú ] ú 4 ú 8 ú ú 4 ú ú ú 4 ú 4 ú

Cl. 3 5 3 4 3 ú ] ú 4 ú 8 ú ú 4 ú ú ú 4 ú 4 ú

3 5 3 4 3 Bsn. / ú 4 ú 8 ú ú 4 ú ú ú 4 ú 4 ú ú Í

Tpt.¶ 3 5 3 4 3 M M 6ñ 4

Vln.¶ 3 ú 5 ú 3 ú ú ú 4 3 ú ú ] ú 4 8 ú 4 4 ú 4 3 5 3 4 3 Vla.

3 5 3 4 3 D.B. / ú 4 ú 8 úú 4 ú ú ú 4 ú 4 ú ú Í 25 218 rit. 224 Reservedly M =60 5 Playfully M = 136 ¶ 5 3 Fl. ú ú ú ú ú ú 4 ú MM M 4 M ú ] MpMM pp f 3 5 3 Cl. ú ú ú ú ú ú 4 ñ ñ 4 ú ] Mù MM 6

3 5 ù 3 Trb. / ú ú ú ú ú ú 4

Vln.¶ 5 3

Vla. 5 3

arco 5 3 D.B. / ú ú ú ú ú ú 4 ú ú 4 Ml Ml Í p 26 228 Fl.¶ ú ú ú ú ú ú ú ú ú ] ú

Cl. ú ú ú ú ú ú ú ú ú ú ]

Bsn. / ú ú ú ú ú ú ú ú ú ú Í

Tpt.¶ ú ú ú ] ú ú ú ú ú ú ú

Trb. / ú ú ú ú ú ú ú ú ú ú Í

P I¶ ] ú ú ú ú ú ú ú ú ú ú

P II ú ú ú ú ú ú ú ú ú ú Í] mf Mezzo ú ú 6 M <6

D.B. l l l l l l / M M M

Cl. ] ú ú ú ú ú ú ú ú ú ú ú ú ú

Bsn. / ú ú ú ú ú ú ú ú ú ú ú ú ú Í

Tpt.¶ ú ] ú ú ú ú ú ú ú ú ú ú ú ú

Trb. / ú ú ú ú ú ú ú ú ú ú ú ú ú Í

P I¶ ú ú ú ú ú ú ú ú ú ú ] ú ú ú

P II ú ú ú ú ú ú ú ú ú ú ú ú ú Í] 240 f p mp f Mezzo M M 6 M M 6 M M É M M 6 2 É 6ñ 6ñ ]

l ' ' l Vln.¶

5 3 Cl. ú ú ú 4 ú ú ú ú ú ] M Mñ M

crotales arco to cym. on BD cym. on BD ¶ 5 P I ú ú ú 4 6ñ M 6 ñ ¢ ú d {ñ ú ú ] p pp Vibes arco 5 P II ú ú ú 4 ú ú ú ú ú ú Í] p M 6ñ mp p 254 Reverently M =60 p 3 Mezzo 5 M M 4 ú ú ú ú ú M M Mñ M ] 6

M M Vln.¶ 5 Mñ

Vla. ú ú ú 5 ú ú ú ú ú 4 pp M 6ñ

pizz. arco 5 / ú ú 4 M' É ú ú ú ñ 6 M ú ú Vlc. 6ñ wp pp arco pizz. M 3 D.B. / ú ú ú 5 ' ú M M

Tpt.¶ ú ú ú ú ú ú ] p 6ñ Trb. / ú ú ú ú ú ú Í pp

cym. on BD to crotales P I¶ ú ú ú d d { ñ t ú

P II ú ú ú ú ú ú ú Í] f p mp 266p mp 3 Mezzo Mñ M 6 M ú ] M É M M M M M M 6 M M M <6 3 M M M M M M M M 6 6ñ 6 M M

Vln.¶ ú ú ú ú ñ 6 6ñ ú ] p

Vla. ú ú ú ú ú ú ú

Vlc. / ú ú 6 ú ú p ñ p p

D.B. / ú ú ú ú ú ú ú Í 30 269 3 rit. l l Fl.¶ ñ ú ú *ñ ú MMM M M MM M M M M M ñ ú ] M M M M MM MM ' ' M' 6 6ñ É p mf p p mf w 3 3 Cl. ú * ú l l ] ú ú ñ M M M M M M M M ú ú ú p M mfM ' ' M' M' 6ñp p 3 M M M M M M M M Ml M M M M Bsn. / M M M M ù l * ú MM MMMM ú M M ñ M M <6 M M 6ñ ñ ñ 7 M6 w É ñ Í p 3 M p mf p p mf Tpt.¶ ú ñ *ñ ú ú ñ ú ] 6p 6ñ pp6 Ml M M mfM M É * 6 l l Trb. / ú ú ú ñ ú ú M M ú ú ú Í pp crotales ¶ * M P I ú ú ú M ñ ú M ñ ú M ñ ú ú ú ] Mp mp p (vibes) P II * ] ú ú ú É ñ Í pp6 6ñ M M M M M M M f mp f p p prit. Mezzo M 6 * ] 6 É M M M MMM Mñ M M M 6 ñ M ñ ú ú ú 3 M M M M M 6 6ñ and to his seed forw ever. for ever. A- men. A- men. M M ß Mß 6ñß Ml Ml M M M Vln.¶ ú *ñ ú ñ ú ] p p w É pp pp mf w É ß Mß 6ß ñ Vla. ú ú ú * ú Ml Ml ú ú ú ñ t pp pp

ß ß ß Vlc. / ú ú ú * ú F ú ú ú ñ t pp M 6ñ ppMl Ml ß Mß ß Mß D.B. / ú ú ú * ú l l ú ñ pp M M M M M É ñ Í pp mf w