Doctoral Dissertation Template
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Magnificat in D Major, BWV
Johann Sebastian Bach Magnificat in D Major, BWV 243 Magnificat Quia respexit Quia fecit mihi magna Et misericordia eius Fecit potentiam Deposuit potentes Suscepit Israel Gloria patri Sicut erat in principio *** Chorus: S-S-A-T-B Soloists: Soprano 1, soprano 2, alto, tenor, bass Orchestra: 2 flutes, 2 oboes, 2 oboes d'amore, 3 trumpets, timpani, strings, continuo ************************* Program notes by Martin Pearlman Bach, Magnificat, BWV 243 In 1723, for his first Christmas as cantor of the St. Thomas Church in Leipzig, Bach presented a newly composed setting of the Magnificat. It was a grand, celebratory work with a five-voice chorus and a colorful variety of instruments, and Bach expanded the Magnificat text itself by interpolating settings of several traditional Christmas songs between movements. This was the original Eb-major version of his Magnificat, and it was Bach's largest such work up to that point. About a decade later, he reworked the piece, lowering the key from Eb to the more conventional trumpet key of D major, altering some of the orchestration, and, perhaps most importantly, removing the Christmas inserts, so that the work could be performed at a variety of festivals during the liturgical year. It is this later D major version of the Magnificat that is normally heard today. Despite its brilliance and grandeur, Bach's Magnificat is a relatively short work. Nonetheless, it is filled with countless fascinating details. The tenor opens his aria Deposuit with a violent descending F# minor scale to depict the text "He hath put down [the mighty]". At the end of the alto aria Esurientes, Bach illustrates the words "He hath sent the rich away empty" by having the solo flutes omit their final note. -
Magnificat: Vocal Score Free
FREE MAGNIFICAT: VOCAL SCORE PDF John Rutter | 88 pages | 01 Aug 1991 | Oxford University Press | 9780193380370 | English, Latin | Oxford, United Kingdom Vocal Score for Rutter Magnificat : Choraline For soprano or mezzo-soprano Magnificat: Vocal Score, SATB chorus and either full orchestra or chamber orchestra. Minimum recommended string forces for the chamber ensemble are 2. This edition is a publication of Oxford University Press. Full scores, vocal scores, and instrumental parts are available on hire through Oxford University Press. Home Music scores and recordings. John Rutter Magnificat. Add to wishlist. Feedback Be the first to give feedback on this product. Proceed to purchase. Additional product information. He first came to notice as a composer during his student years; much of his early work consisted of church music and other choral pieces including Christmas carols. From —79 he was Director of Music at his alma mater, Clare College, and directed the college chapel choir in various recordings and broadcasts. Since he has divided his time between composition and conducting. Today his compositions, including such concert-length works as RequiemMagnificat Magnificat: Vocal Score, Mass of the ChildrenThe Gift of Lifeand Visions are performed around the world. His music has featured in a number of British royal Magnificat: Vocal Score, including the two most recent royal weddings. In he formed his Magnificat: Vocal Score choir the Cambridge Singers, with whom he has made numerous Magnificat: Vocal Score, and he appears regularly in several countries as guest conductor and choral ambassador. Personal details. You have to be logged in to write a feedback. Magnificat: Vocal Score questions about this work There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services! Related products. -
A Meditative and Musical Guide to by John Rutter
A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song. -
USCCB Committee on Clergy, Consecrated Life and Vocations
NRVC chose to take a closer look at our future, challenges, and hopes... Dear Friend of NRVC, In preparation for the 2008 presidential election, Americans around the country examined their values and priorities, and compared them with those of our two presidential candidates, so that they would be well-informed about the country’s present challenges and their own hopes for the country’s future. In a similar fashion, last year NRVC chose to take a closer look at our future, our challenges and our hopes so that we can be well- informed about what lies ahead. Our first priority was to launch a major study on vocations to religious life, in collaboration with the Center for Applied Research in the Apostolate (CARA), which we did in the fall. When the results are finally released later this year, the “best practices” gleaned from this study will serve as a guide for religious insti- tutes to develop their future, vocation strategies. Complementing this project, the annual VISION survey from VocationMatch.com in- dicates a rise in the number of inquiries to religious life for the third year in a row—another hopeful sign for our future! Our Executive Board is also looking to secure the future of NRVC by identifying our major priorities for the coming three years as our previous strategic plan will be completed in 2010. The need, the energy, and the passion to promote new membership in religious life are there. I felt it in Louisville, KY, where approximately 450 vocation ministers processed through the downtown streets raising vocation awareness. -
Vespers 2020 Music Guide
MILLIKIN UNIVERSITY® 2 0 2 0 ALL IS BRIGHT MUSIC GUIDE VESPERS MEANS ‘EVENING’ AND IS ONE OF THE SEVEN CANONICAL HOURS OF PRAYER. MILLIKIN UNIVERSITY | SCHOOL OF MUSIC BELL CAROL (2017 All Choirs) William Mathias “AlltheBellsonEarthShallRing”wastheVespersthemeinMathias’compositionwastheperfect openingTheprocessionendeavorstorevealtoaudiencemembersthatbellsaregiftssounds(musicifyou will)oeredtothemangerIndeedtheremainderoftheprogramdisplayedbellsinbothcelebratoryand reflectivemomentsThepiecewascomposedforSirDavidWillcocksthechoirmasterwhobroughtsomuch attentiontotheLessonsandCarolsofKing’sCollegeCambridge ALLELUIA(2018 University Choir) Fredrik Sixten “SingAlleluia”wasthethemeofVespersinandSixten’sreflectivesettingcameearlyintheprogram givingthiswordusuallyconsideredfestiveinmoodasenseofadventhope LAUDATE DOMINUM (2015 Millikin Women) Gyöngyösi Levente LaudateDominumhasservedmanycomposersinincludingMozartwhouseditinhiswellknownSolemn VespersContemporaryHungariancomposerGyöngyösicombinesanincessantmantraonasinglenotewith complexrhythmsforthissettingofPs(“OPraisetheLordallyenations”)Harmonicdensityincreasesand joinstherhythmicdrivetothefinalAlleluiawheretheadditionofatambourineaddsafinalcelebratorynote MAGNIFICAT(2017 Collegiate Chorale) Bryan Kelly EvensongtheAnglicanversionofVespersalwaysincludesasettingoftheMagnificatEventhough thisiscomposedforEnglishearsBryanKelly’senthusiasmforLatinAmericanmusicisclearlyevident inthissettingfromthes GLORIA PATRIMAGNIFICAT (2019 All Choirs) John Rutter ThefinalmovementofRutter’sMagnificatgathersmanyofthework’sthemesintoatriumphantfinale -
Magnificat JS Bach
Whitehall Choir London Baroque Sinfonia Magnificat JS Bach Conductor Paul Spicer SOPRANO Alice Privett MEZZO-SOPRANO Olivia Warburton TENOR Bradley Smith BASS Sam Queen 24 November 2014, 7. 30pm St John’s Smith Square, London SW1P 3HA In accordance with the requirements of Westminster City Council persons shall not be permitted to sit or stand in any gangway. The taking of photographs and use of recording equipment is strictly forbidden without formal consent from St John’s. Smoking is not permitted anywhere in St John’s. Refreshments are permitted only in the restaurant in the Crypt. Please ensure that all digital watch alarms, pagers and mobile phones are switched off. During the interval and after the concert the restaurant is open for licensed refreshments. Box Office Tel: 020 7222 1061 www.sjss.org.uk/ St John’s Smith Square Charitable Trust, registered charity no: 1045390. Registered in England. Company no: 3028678. ACKNOWLEDGEMENTS The Choir is very grateful for the support it continues to receive from the Department for Business, Innovation and Skills (BIS). The Choir would like to thank Philip Pratley, the Concert Manager, and all tonight’s volunteer helpers. We are grateful to Hertfordshire Libraries’ Performing Arts service for the supply of hire music used in this concert. The image on the front of the programme is from a photograph taken by choir member Ruth Eastman of the Madonna fresco in the Papal Palace in Avignon. WHITEHALL CHOIR - FORTHCOMING EVENTS (For further details visit www.whitehallchoir.org.uk.) Tuesday, 16 -
Magnificat Trombone Duet Sheet Music
Magnificat Trombone Duet Sheet Music Download magnificat trombone duet sheet music pdf now available in our library. We give you 6 pages partial preview of magnificat trombone duet sheet music that you can try for free. This music notes has been read 2498 times and last read at 2021-10-01 11:00:12. In order to continue read the entire sheet music of magnificat trombone duet you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Trombone, Piano Accompaniment Ensemble: Brass Duet, Trombone Duet Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Magnificat Fugue No 11 For Trombone Or Low Brass Quartet Magnificat Fugue No 11 For Trombone Or Low Brass Quartet sheet music has been read 3158 times. Magnificat fugue no 11 for trombone or low brass quartet arrangement is for Advanced level. The music notes has 3 preview and last read at 2021-09-29 05:03:30. [ Read More ] Magnificat Fugue No 7 For Trombone Or Low Brass Quartet Magnificat Fugue No 7 For Trombone Or Low Brass Quartet sheet music has been read 3004 times. Magnificat fugue no 7 for trombone or low brass quartet arrangement is for Intermediate level. The music notes has 3 preview and last read at 2021-10-01 00:05:11. [ Read More ] Magnificat Fugue No 18 For Trombone Or Low Brass Quartet Magnificat Fugue No 18 For Trombone Or Low Brass Quartet sheet music has been read 2905 times. Magnificat fugue no 18 for trombone or low brass quartet arrangement is for Intermediate level. -
Lay Ecclesial Ministry Summit Transcripts
Transcribed Talks and Resources For The USCCB Sunday Evening to Monday Afternoon, June 7 to 8, 2015 Hyatt Regency St. Louis at the Arch – St. Louis, Missouri On the occasion of the tenth anniversary of the bishops' pastoral statement Co-Workers in the Vineyard of the Lord Hosted by the Committee on Laity, Marriage, Family Life and Youth; the Committee on Cultural Diversity in the Church; and the Subcommittee on Certification for Ecclesial Ministry and Service; in partnership with the Committee on Doctrine; with special thanks to the Catholic Apostolate Center and the Raskob Foundation for Catholic Activities for their generous support. 1 TABLE OF CONTENTS TITLE PAGE Table of Contents ...................................................................................................... 2 Agenda …… ............................................................................................................ 4 Acknowledgements ................................................................................................... 7 About the Summit ..................................................................................................... 8 Report of Bishop Malone to General Assembly on Summit June 2015 .........10 Some Prayers and Quotes from the Summit Program ......................................12 Lay Ecclesial Ministry Summit Transcripts .........................................................13 Sunday June 7, 2015: Origins and Background to Lay Ecclesial Ministry and Co-Workers in the Vineyard of the Lord Most Rev. John Wester -
The Rebirth of Music
The Rebirth of Music LaMar Boschman © Copyright 1980 — LaMar Boschman All rights reserved. This book is protected under the copy- right laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless otherwise identified, Scripture quotations are from the King James Version of the Bible. Scriptures marked NKJ, NIV, NAS, and RSV are taken from the New King James Ver- sion, the New International Version, the New American Standard, and the Revised Standard Version, respectively. Please note that Destiny Image’s publishing style capitalizes certain pronouns in Scripture that refer to the Father, Son, and Holy Spirit, and may differ from some Bible publishers’ styles. Take note that the name satan and related names are not cap- italized. We choose not to acknowledge him, even to the point of violating grammatical rules. Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 ISBN 0-914903-80-2 For Worldwide Distribution Printed in the U.S.A. Revised edition: 2000 This book and all other Destiny Image, Revival Press, MercyPlace, Fresh Bread, and Treasure House books are available at Christian bookstores and distributors worldwide. For a U.S. bookstore nearest you, call 1-800-722-6774. For more information on foreign distributors, call 717-532-3040. Or reach us on the Internet: http://www.reapernet.com ii Dedication This book is dedicated to my partner in life and ministry, my wife, Teresa. -
Installation Mass Worship
The Prayer of St. Francis The Mass of Installation of the Twelfth Archbishop of Santa Fe The Most Reverend Lord, make me an instrument of your peace. John C. Wester Where there is hatred, let me sow love; Where there is injury, pardon; Where there is doubt, faith; Where there is despair, hope; Where there is darkness, light; Where there is sadness, joy. O Divine Master, grant that I may not so much seek To be consoled as to console, To be understood as to understand, To be loved as to love; For it is in giving that we receive; It is in pardoning that we are pardoned; It is in dying that we are born to eternal life. Amen June The Cathedral Basilica of St. Francis of Assisi Santa Fe, New Mexico © 2015 CBSFA Publishing 28 1 The Most Reverend John C. Wester Twelfth Archbishop of Santa Fe Installed as Archbishop June , Episcopal Ordination September , Ordained a Priest May , I am the good shepherd, and I know mine and mine know me, His Holiness just as the Father knows me and I know the Father; and I will lay down my life for the sheep. Pope Francis (Jn: 10:14-15) 2 27 Installation Acknowledgements Cathedral Basilica Office of Worship Very Rev. Adam Lee Ortega y Ortiz, Rector Mr. Gabriel Gabaldón, Pastoral Associate of Liturgy Mrs. Carmen Flórez-Mansi, Pastoral Associate of Music Mr. Carlos Martinez, Pastoral Associate of Administration Cathedral Basilica Installation Pastoral Team: Mr. Guadalupe Domingues, Mrs. Liz Gallegos, Mr. Jimmy Gonzalez-Tafoya Mr. Anthony Leon, Mr. -
Bach 721 - J.S
BACH 721 - J.S. BACH: Cantatas 142 & 65, Magnificat BWV 243 Bach moved to Leipzig on May 22, 1723, where he was to live as Cantor of the Thomas Kirche for the remaining 27 years of his life. He quickly realized that the weekly Cantatas were to be his first priority, and he at once determined to fulfil an old ambition to produce a series of Cantatas as required for every Sunday or Special Occasion in the Church’s Year, composing almost one per week for the first three years of his tenure. Fortunately he was able to draw upon a basic cantata model already formulated several years earlier while he was at Weimar. Our first Cantata, BWV 142: Uns ist ein Kind geboren – For unto us a Child is born , a Cantata for the first day of the Christmas Festival, was composed at Weimar, probably in 1712 or 1713 with a text by Erdmann Neumeister. It is scored for Alto, Tenor and Bass soloists, a full Choir, two Recorders, two Oboes, first and second Violins, Viola and Continuo. This is followed by Cantata BWV 65: Sie werden aus Saba alle kommen – They shall all come out of Sheba. This Advent Cantata tells of the visit of the three Wise Men from the Orient, coming to present their gifts to the new-born Christ in the Bethlehem stable. First performed on January 6 th , 1724, the Festival of the Three Kings or Dreikönigsfest which brought to an end Bach’s first Leipzig Christmas, the Cantata is scored for Tenor and Bass soloists, full Choir, two Recorders, two Oboi da caccia, two Horns, Viola, Cello, Double bass and Continuo. -
CATHOLIC DIRECTORY 2020 Edition BAY AREA LOCATION Religous Gifts & Books, Church Goods & Candles BAY AREA LOCATION Religous Gifts & Books, Church Goods & Candles
ARCHDIOCESE OF SAN FRANCISCO CATHOLIC DIRECTORY 2020 Edition BAY AREA LOCATION Religous Gifts & Books, Church Goods & Candles BAY AREA LOCATION Religous Gifts & Books, Church Goods & Candles NowNow with with 5 5 locations locations to serveserve you: you: Northern California S.San Francisco 369 Grand Ave 650-583-5153 NortthernCentral California California S.Modesto San Francisco 2900 369 Standiford Grand Ave.Ave 209-523-2579650-583-5153 Fresno-moved! 3061 W. Bullard Ave 559-227-7373 CentralSouthern California California Now ModestoLos with Angeles 5 locations 17012900 James toStandiford Mserve Wood you: Ave. 213-385-3366 209-523-2579 Northern California LongS.San Beach Francisco 1960 369 GrandDel Amo Ave Blvd 562-424-0963650-583-5153 Central California FresnoModesto - moved! 2900 3061 Standiford W. Bullard Ave Ave. 209-523-2579559-227-7373 Fresno- moved! 3061 W. Bullard Ave 559-227-7373 SouthernSouthern California California LosLos Angeles 17011701 James James M Wood M Wood 213-385-3366213-385-3366 www.cotters.com Long Beach 800-446-3366 1960 Del Amo [email protected] Blvd 562-424-0963 Long Beach 1960 Del Amo Blvd 562-424-0963 www.cotters.com 800-446-3366 [email protected] 2020 ARCHDIOCESE OF SAN FRANCISCO DIRECTORY 1 Archdiocese ......................................... Pages 3 – Insignia and Mission . 3 – Past Archbishops and Auxiliary Bishops; Titles and Statistics . 4 – Regional Dioceses and Other Assemblies . 6 – Archbishop and Auxiliary Bishops . 8 – Archbishop’s Boards and Councils . 10 – Honorary Prelates . 11 – Pastoral Center . 12 – Youth Groups and Young Adults . 16 Clergy / Religious ........................................ 18 – Priest Information . 19 – Deacon Information . 30 – Religious Orders of Men . 34 – Religious Orders of Women .