SERVANTS of the MAGNIFICAT 210Th OSM General Chapter 1996
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Karl Rahner's Work on the Assumption of Mary Into Heaven
Karl Rahner’s Work on the Assumption of Mary into Heaven By Mark F. Fischer, St. John’s Seminary, Camarillo [Mark F. Fischer is Professor of Theology at St. John’s Seminary, the seminary of the Archdiocese of Los Angeles. He wrote his doctoral dissertation on Hans-Georg Gadamer and the Catholic Theology of Tradition (Berkeley: Graduate Theological Union, 1985). In 2005 he published The Foundations of Karl Rahner, a paraphrase of Rahner’s Foundations of Catholic Faith.] Abstract Karl Rahner completed his Assumptio Beatae Mariae Virginis in 1951 but did not receive permission to publish it from his Jesuit superiors. The work was only published in 2004, twenty years after Rahner’s death. This essay examines his treatise on the Assumption of Mary and the objections of the censors. The relation between the treatise and Rahner’s publication of 1947, “On the Theology of Death,” receives special attention. The shorter work was appended to the Marian treatise as an “excursus” but laid the foundation for the later work. Rahner reinterpreted the dogma of the Assumption in light of the resurrection of the dead, which the assumption of Mary’s body and soul into heaven anticipates. Among Rahner’s many speculative comments, this essay focuses on three. First, at the final resurrection, the soul (separated at death from the body) re-creates a new and glorified body as its fulfillment and perfection. Second, the glorified body expresses a metaphysical holiness that matures between the moment of death and the final judgment. And third, the resurrection of the body completes the transformation of the world as a new heaven and a new earth that began with the Incarnation. -
Magnificat in D Major, BWV
Johann Sebastian Bach Magnificat in D Major, BWV 243 Magnificat Quia respexit Quia fecit mihi magna Et misericordia eius Fecit potentiam Deposuit potentes Suscepit Israel Gloria patri Sicut erat in principio *** Chorus: S-S-A-T-B Soloists: Soprano 1, soprano 2, alto, tenor, bass Orchestra: 2 flutes, 2 oboes, 2 oboes d'amore, 3 trumpets, timpani, strings, continuo ************************* Program notes by Martin Pearlman Bach, Magnificat, BWV 243 In 1723, for his first Christmas as cantor of the St. Thomas Church in Leipzig, Bach presented a newly composed setting of the Magnificat. It was a grand, celebratory work with a five-voice chorus and a colorful variety of instruments, and Bach expanded the Magnificat text itself by interpolating settings of several traditional Christmas songs between movements. This was the original Eb-major version of his Magnificat, and it was Bach's largest such work up to that point. About a decade later, he reworked the piece, lowering the key from Eb to the more conventional trumpet key of D major, altering some of the orchestration, and, perhaps most importantly, removing the Christmas inserts, so that the work could be performed at a variety of festivals during the liturgical year. It is this later D major version of the Magnificat that is normally heard today. Despite its brilliance and grandeur, Bach's Magnificat is a relatively short work. Nonetheless, it is filled with countless fascinating details. The tenor opens his aria Deposuit with a violent descending F# minor scale to depict the text "He hath put down [the mighty]". At the end of the alto aria Esurientes, Bach illustrates the words "He hath sent the rich away empty" by having the solo flutes omit their final note. -
54 Day Rosary Novena in Honor of Our Lady of Pompeii
54 Day Rosary Novena in Honor of Our Lady of Pompeii The most powerful prayer offered to Our Lady, Mediatrix of All Graces, to obtain extraordinary graces. As promoted by Blessed Barto Longo 1841-1926 (former satanic priest who converted to the Roman Catholic Church became a Third Order Dominican, dedicating his life to the Blessed Virgin Mary and the Rosary) Pray this first part in petition for 27 days Make a list of petitions (graces) you are asking Our Lady’s intercession for and present them to her with confidence! Put the image of the Virgin of Pompeii on display and, if possible, light a candle as a symbol of the faith which burns in your heart. Then take the Rosary beads in your hands. Before beginning the Novena, pray to St. Catherine of Siena that she may graciously deign to join you in prayer. O Saint Catherine of Siena, my Protectress and Teacher, who from Heaven assists your devotees when they recite the Rosary of Mary, come to my aid in this moment and deign to recite with me the Novena to the Queen of the Rosary, who has established the throne of her graces in the Valley of Pompeii, that through your intercession, I may obtain the grace I desire. Amen. O God, come to my assistance. O Lord, make haste to help me. Glory be to the Father... I. – O Immaculate Virgin and Queen of the Holy Rosary, in these times of dead faith and triumphant impiety you wished to establish your throne as Queen and Mother in the ancient land of Pompeii, the resting place of dead pagans. -
The Role of Mary in the Work of Redemption: Seven Key Moments
The Role of Mary in the Work of Redemption: Seven Key Moments R O B E R T F ASTIGGI , P H .D. Professor of Systematic Theology , Sacred Heart Major Seminary Introduction The role of the Blessed Virgin Mary in the economy of salvation is rooted in the mystery of the Incarnation. God chose to unite creation to himself by becom- ing incarnate ex Maria virgine.1 The eternal plan for the created cosmos, therefore, includes the Blessed Mother. The role of Mary in the economy of salvation is, therefore, not something marginal but central. In fact, the Blessed Virgin Mary is part of God’s plan from all eternity. The theology of Marian co-redemption un- folds in seven key moments: 1) Mary’s predestination as the Co-redemptrix; 2) Mary’s Immaculate Conception; 3) Mary’s free consent to be the Mother of the Word Incarnate at the Annunciation; 4) Mary’s union with her Son “in the work of salvation” from “the time of Christ’s virginal conception up to His death”;2 5) Mary’s union with Christ’s passion and her offering of her crucified Son to the Fa- ther; 6) Mary’s glorious assumption body and soul into heaven; 7) Mary’s ongoing maternal mediation of the grace with and under Christ, the one Mediator. Each of these moments deserves individual attention, but all of them combine to illuminate Mary’s essential role in the work of redemption. 1. Mary’s predestination as Mother of the Redeemer and Co- redemptrix Mary was predestined to be the Mother of the Incarnate Word. -
Magnificat: Vocal Score Free
FREE MAGNIFICAT: VOCAL SCORE PDF John Rutter | 88 pages | 01 Aug 1991 | Oxford University Press | 9780193380370 | English, Latin | Oxford, United Kingdom Vocal Score for Rutter Magnificat : Choraline For soprano or mezzo-soprano Magnificat: Vocal Score, SATB chorus and either full orchestra or chamber orchestra. Minimum recommended string forces for the chamber ensemble are 2. This edition is a publication of Oxford University Press. Full scores, vocal scores, and instrumental parts are available on hire through Oxford University Press. Home Music scores and recordings. John Rutter Magnificat. Add to wishlist. Feedback Be the first to give feedback on this product. Proceed to purchase. Additional product information. He first came to notice as a composer during his student years; much of his early work consisted of church music and other choral pieces including Christmas carols. From —79 he was Director of Music at his alma mater, Clare College, and directed the college chapel choir in various recordings and broadcasts. Since he has divided his time between composition and conducting. Today his compositions, including such concert-length works as RequiemMagnificat Magnificat: Vocal Score, Mass of the ChildrenThe Gift of Lifeand Visions are performed around the world. His music has featured in a number of British royal Magnificat: Vocal Score, including the two most recent royal weddings. In he formed his Magnificat: Vocal Score choir the Cambridge Singers, with whom he has made numerous Magnificat: Vocal Score, and he appears regularly in several countries as guest conductor and choral ambassador. Personal details. You have to be logged in to write a feedback. Magnificat: Vocal Score questions about this work There are no questions and answers available so far or you were unable to find an answer to your specific question about this work? Then click here and send your specific questions to our Customer Services! Related products. -
2018 Bibliography
University of Dayton eCommons Marian Bibliographies Research and Resources 2018 2018 Bibliography Sebastien B. Abalodo University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/imri_bibliographies eCommons Citation Abalodo, Sebastien B., "2018 Bibliography" (2018). Marian Bibliographies. 17. https://ecommons.udayton.edu/imri_bibliographies/17 This Bibliography is brought to you for free and open access by the Research and Resources at eCommons. It has been accepted for inclusion in Marian Bibliographies by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Marian Bibliography 2018 Page 1 International Marian Research Institute University of Dayton, Ohio, USA Bibliography 2018 English Anthropology Calloway, Donald H., ed. “The Virgin Mary and Theological Anthropology.” Special issue, Mater Misericordiae: An Annual Journal of Mariology 3. Stockbridge, MA: Marian Fathers of the Immaculate Conception of the B.V.M., 2018. Apparitions Caranci, Paul F. I am the Immaculate Conception: The Story of Bernadette of Lourdes. Pawtucket, RI: Stillwater River Publications, 2018. Clayton, Dorothy M. Fatima Kaleidoscope: A Play. Haymarket, AU-NSW: Little Red Apple Publishing, 2018. Klimek, Daniel Maria. Medjugorje and the Supernatural Science, Mysticism, and Extraordinary Religious Experience. New York: Oxford University Press, 2018. Maunder, Chris. Our Lady of the Nations: Apparitions of Mary in Twentieth-Century Catholic Europe. Oxford: Oxford University Press, 2018. Musso, Valeria Céspedes. Marian Apparitions in Cultural Contexts: Applying Jungian Concepts to Mass Visions of the Virgin Mary. Research in Analytical Psychology and Jungian Studies. London: Routledge, 2018. Also E-book Sønnesyn, Sigbjørn. Review of William of Malmesbury: The Miracles of the Blessed Virgin Mary. -
Pneumatology: the Spirit of Reiki by Ruth Mayeux Allen Submitted to The
Pneumatology: The Spirit of Reiki by Ruth Mayeux Allen Submitted to the Faculty of the School of Theology of the University of the South in partial fulfillment of the requirements for the degree of Master of Arts May, 2009 Sewanee, Tennessee Pneumatology: The Spirit of Reiki by Ruth Mayeux Allen Submitted to the Faculty of the School of Theology of the University of the South in partial fulfillment of the requirements for the degree of Master of Arts May, 2009 Sewanee, Tennessee Approved: Date: ________________________________ __________________________ ________________________________ __________________________ CONTENTS ACKNOWLEDGEMENTS ................................................................................. v ABSTRACT ......................................................................................................... vii Chapter ONE THE HOLY SPIRIT: WHO DO WE SAY YOU ARE? Introduction .......................................................................................... 1 Biblical Views of the Spirit .................................................................. 2 Life Breath .................................................................................... 2 Wind .............................................................................................. 3 Fire ................................................................................................ 3 Water ............................................................................................. 3 Cloud ............................................................................................ -
In Fatima on the 8Th Day of the Novena
The Message of Fatima 100th Anniversary – 2017 1914-Apparition At 7 years old I (Lucia) began tending our flock of sheep. One day as we (Lucia & some friends) saw for the 1st time a figure that had a human shape, whiter than snow and which the sun turned transparent. This apparition recurred twice again without manifesting itself and always suspended in the air, over the wood at the bottom of the “Cabezo.” When questioned by her mother, “As I did not know how to explain clearly and to free myself from questions, I replied that it looked like someone wrapped in a very white sheet.” 1st 1916 Apparition of the Angel After quickly praying the rosary Lucia dos Santos with cousins Francisco & Jacinta Marto started to play a game. “We were feeding our flocks in a property belonging to my parents called “Chousa Velha,” which lies at the bottom of a hill called “Cabezo,” on the east side. It was there that the Angel appeared to us for the 1st time in the form of a youth, as white as snow, shining more brightly then the sun and as transparent as crystal. We began to see this light coming towards us and thus we gradually distinguished the features. We were taken by surprise and being half bewildered we did not say a word. On reaching us he said, “Don’t be afraid. I am the Angel of Peace. Pray with me!” And kneeling down, he bowed his forehead to the ground and made us repeat these words three times: My God, I believe, I adore, I hope and I love Thee! I beg pardon of You for those who do not believe, do not adore, do not hope and do not love You.” “Pray thus. -
A Meditative and Musical Guide to by John Rutter
A Meditative and Musical Guide to Magnificat by John Rutter The Magnificat, the outpouring of spirit that Mary proclaimed when she visited her cousin Elizabeth and shared her news of the miraculous birth of the Messiah, is the quintessential liturgical text for the Advent Season. Mary’s words, patterned closely from those of Hannah as she gave thanks for the birth of her son Samuel (Samuel 2:1-10) and a close parallel to Psalm 113, are at once a joyous outburst of praise and thanksgiving, an expression of humility, a recognition of the glory of God and his mercy for humankind, a strong statement of God’s love for the humble and poor, and news of the fulfillment of God’s promise of a savior. John Rutter characterizes the text as “a canticle of praise, trust, and joy.” Movement 1 – Mary Sings Praises to God (Luke 1:46-48) Magnificat anima mea Dominum: My soul doth magnify the Lord: et exsultavit spiritus meus in Deo salutari meo. and my spirit hath rejoiced in God my Saviour. Quia respexit humilitatem ancillae suae: For he hath regarded the lowliness of his hand-maiden: ecce enim ex hoc beatam me dicent omnes for behold, from henceforth all generations shall call me generationis. blessed. The first movement is divided into 2 large sections that express contrasting perspectives of Mary’s joy. Rutter looked to the strong musical heritages of Spain and Mexico to derive the rhythmic motors for this joy. The first section begins with an orchestral fanfare that sets the stage for the clearly joyful, festive text of the first part of Mary’s Song. -
Vespers 2020 Music Guide
MILLIKIN UNIVERSITY® 2 0 2 0 ALL IS BRIGHT MUSIC GUIDE VESPERS MEANS ‘EVENING’ AND IS ONE OF THE SEVEN CANONICAL HOURS OF PRAYER. MILLIKIN UNIVERSITY | SCHOOL OF MUSIC BELL CAROL (2017 All Choirs) William Mathias “AlltheBellsonEarthShallRing”wastheVespersthemeinMathias’compositionwastheperfect openingTheprocessionendeavorstorevealtoaudiencemembersthatbellsaregiftssounds(musicifyou will)oeredtothemangerIndeedtheremainderoftheprogramdisplayedbellsinbothcelebratoryand reflectivemomentsThepiecewascomposedforSirDavidWillcocksthechoirmasterwhobroughtsomuch attentiontotheLessonsandCarolsofKing’sCollegeCambridge ALLELUIA(2018 University Choir) Fredrik Sixten “SingAlleluia”wasthethemeofVespersinandSixten’sreflectivesettingcameearlyintheprogram givingthiswordusuallyconsideredfestiveinmoodasenseofadventhope LAUDATE DOMINUM (2015 Millikin Women) Gyöngyösi Levente LaudateDominumhasservedmanycomposersinincludingMozartwhouseditinhiswellknownSolemn VespersContemporaryHungariancomposerGyöngyösicombinesanincessantmantraonasinglenotewith complexrhythmsforthissettingofPs(“OPraisetheLordallyenations”)Harmonicdensityincreasesand joinstherhythmicdrivetothefinalAlleluiawheretheadditionofatambourineaddsafinalcelebratorynote MAGNIFICAT(2017 Collegiate Chorale) Bryan Kelly EvensongtheAnglicanversionofVespersalwaysincludesasettingoftheMagnificatEventhough thisiscomposedforEnglishearsBryanKelly’senthusiasmforLatinAmericanmusicisclearlyevident inthissettingfromthes GLORIA PATRIMAGNIFICAT (2019 All Choirs) John Rutter ThefinalmovementofRutter’sMagnificatgathersmanyofthework’sthemesintoatriumphantfinale -
Gifts of Healing, Working of Miracles, Prophecy
132 Spiritual Gifts Healing, Working of LESSON8Miracles, Prophecy The final three lessons of our course are on the nine gifts of the Spirit listed in 1 Corinthians 12:8-10. In the last lesson we studied the first three gifts—the word of wisdom, the word of knowledge, and faith. We saw that all of these gifts are manifestations of God’s power. We also learned that all of these gifts are supernatural. None of them are possible to obtain by human means alone. Another thing we learned was that all of the gifts of the Spirit have a common purpose. They are all to build up the body of Christ. In this lesson, we will study three more gifts of the Spirit. We are learning about them in the order they are listed in your Bible. Some scholars place them in a different order. However, since all of them come from the Holy Spirit, the order in which they are studied is not important. We will note that the operations of these gifts overlap at times. Sometimes several gifts seem to appear at once. You may have already sensed the Holy Spirit speaking to you in regard to the operation of these gifts. You will want to be obedient to His voice. Prayer will help you. When you sense the Holy Spirit moving upon you, yield to Him. It may not be easy at first, but if you desire to be used of God, you can be a blessing to His body, the church. lesson outline Gifts of Healing Gifts of Healing Defined Healing, Working of Miracles, Prophecy 133 Gifts of Healing Explained and Illustrated Purpose for the Gifts of Healing Working of Miracles Working of Miracles Defined Working of Miracles Explained and Illustrated Purpose for the Working of Miracles Prophecy Prophecy Defined Prophecy Explained and Illustrated Purpose for Gift of Prophecy lesson objectives • Explain the function and purpose of the gifts of healing. -
Gifts of the Spirit Part 3 “The Nine Gifts—Power Gifts” 1 Cor. 12
Gifts of the Spirit Part 3 “The Nine Gifts—Power Gifts” 1 Cor. 12: 1; 4-6; 8-11 “Now concerning spiritual gifts, brethren, I do not want you to be ignorant...4 There are diversities of gifts, but the same Spirit. 5 There are differences of ministries, but the same Lord. 6 And there are diversities of activities, but it is the same God who works all in all....8 for to one is given the word of wisdom through the Spirit, to another the word of knowledge through the same Spirit, 9 to another faith by the same Spirit, to another gifts of healings by the same Spirit, 10 to another the working of miracles, to another prophecy, to another discerning of spirits, to another different kinds of tongues, to another the interpretation of tongues. 11 But one and the same Spirit works all these things, distributing to each one individually as He wills.” Now we shared last time that the 9 gifts listed here can be divided into 3 categories: Revelation gifts: Wisdom, knowledge, discernment. Power gifts: Faith, healings, miracles. Utterance gifts: Prophecy, tongues, interpretation. This time we’re going to look at the 3 power gifts—faith, healings, and miracles. First—the gift of faith. Now, we all have faith. Every child of God was born again by faith and is called to walk by faith and not by sight. So what then does Paul mean by the gift of faith? • The gift of faith is the supernatural ability to believe God for the miraculous without doubt or unbelief.