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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
A Dark New World : Anatomy of Australian Horror Films
A dark new world: Anatomy of Australian horror films Mark David Ryan Faculty of Creative Industries, Queensland University of Technology A thesis submitted in fulfillment of the degree Doctor of Philosophy (PhD), December 2008 The Films (from top left to right): Undead (2003); Cut (2000); Wolf Creek (2005); Rogue (2007); Storm Warning (2006); Black Water (2007); Demons Among Us (2006); Gabriel (2007); Feed (2005). ii KEY WORDS Australian horror films; horror films; horror genre; movie genres; globalisation of film production; internationalisation; Australian film industry; independent film; fan culture iii ABSTRACT After experimental beginnings in the 1970s, a commercial push in the 1980s, and an underground existence in the 1990s, from 2000 to 2007 contemporary Australian horror production has experienced a period of strong growth and relative commercial success unequalled throughout the past three decades of Australian film history. This study explores the rise of contemporary Australian horror production: emerging production and distribution models; the films produced; and the industrial, market and technological forces driving production. Australian horror production is a vibrant production sector comprising mainstream and underground spheres of production. Mainstream horror production is an independent, internationally oriented production sector on the margins of the Australian film industry producing titles such as Wolf Creek (2005) and Rogue (2007), while underground production is a fan-based, indie filmmaking subculture, producing credit-card films such as I know How Many Runs You Scored Last Summer (2006) and The Killbillies (2002). Overlap between these spheres of production, results in ‘high-end indie’ films such as Undead (2003) and Gabriel (2007) emerging from the underground but crossing over into the mainstream. -
Ice Fishing
JANUARY, 1972 *EM$YLVANIA the^ Keystone State's Official 2^ nglerFfSHiNG BOATiNC Single Copy Ice Fisi pne's flere Again page 6 VIEWPOINT 7* by ROBERT J. BIELO Executive Director FAREWELL In past years 1 have used the January "Viewpoint" to present a few New Year's Resolutions. This year when the January ANGLER goes to press 1 will no longer be the Executive Director of the Pennsylvania Fish Com mission, thus this will be my last "Viewpoint" column. Looking back briefly I recall that my early days at the Linesville Hatchery convinced me that the work of the Fish Culturist is a combination of hard physical labor, the endurance of extremes of heat and cold and a "Mother's" constant concern over the complex needs of the delicate stock being nurtured. Service as a Waterways Patrolman opened my eyes to pollution and the terrible toll untreated wastes of all kinds were taking of our price less water resources. During this period 1 also had a chance to discover that while a few folks deliberately violated the laws established to protect our fisheries resources, most people willingly observed the laws and were genuinely interested in our fish and wildlife. Later as a Fishery Biologist this interest of growing numbers of Pennsylvanians in the sound management of our natural resources became much more evident, although just ten years ago public concern of outdoors affairs was but a fraction of what it is today. Items of prime concern then involved the many actions of man leading to siltation of our streams and to the seemingly endless schemes to channel all waterways, obliterating most na tural habitat for fish and other aquatic organisms. -
View Centro's Film List
About the Centro Film Collection The Centro Library and Archives houses one of the most extensive collections of films documenting the Puerto Rican experience. The collection includes documentaries, public service news programs; Hollywood produced feature films, as well as cinema films produced by the film industry in Puerto Rico. Presently we house over 500 titles, both in DVD and VHS format. Films from the collection may be borrowed, and are available for teaching, study, as well as for entertainment purposes with due consideration for copyright and intellectual property laws. Film Lending Policy Our policy requires that films be picked-up at our facility, we do not mail out. Films maybe borrowed by college professors, as well as public school teachers for classroom presentations during the school year. We also lend to student clubs and community-based organizations. For individuals conducting personal research, or for students who need to view films for class assignments, we ask that they call and make an appointment for viewing the film(s) at our facilities. Overview of collections: 366 documentary/special programs 67 feature films 11 Banco Popular programs on Puerto Rican Music 2 films (rough-cut copies) Roz Payne Archives 95 copies of WNBC Visiones programs 20 titles of WNET Realidades programs Total # of titles=559 (As of 9/2019) 1 Procedures for Borrowing Films 1. Reserve films one week in advance. 2. A maximum of 2 FILMS may be borrowed at a time. 3. Pick-up film(s) at the Centro Library and Archives with proper ID, and sign contract which specifies obligations and responsibilities while the film(s) is in your possession. -
Press = Herald
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He KMBC-ÍM Radio TEAM
l\NUARY 3, 1955 35c PER COPY stu. esen 3o.loe -qv TTaMxg4i431 BItOADi S SSaeb: iiSZ£ (009'I0) 01 Ff : t?t /?I 9b£S IIJUY.a¡:, SUUl.; l: Ii-i od 301 :1 uoTloas steTaa Rae.zgtZ IS-SN AlTs.aantur: aTe AVSí1 T E IdEC. 211111 111111ip. he KMBC-ÍM Radio TEAM IN THIS ISSUE: St `7i ,ytLICOTNE OSE YN in the 'Mont Network Plans AICNISON ` MAISHAIS N CITY ive -Film Innovation .TOrEKA KANSAS Heart of Americ ENE. SEDALIA. Page 27 S CLINEON WARSAW EMROEIA RUTILE KMBC of Kansas City serves 83 coun- 'eer -Wine Air Time ties in western Missouri and eastern. Kansas. Four counties (Jackson and surveyed by NARTB Clay In Missouri, Johnson and Wyan- dotte in Kansas) comprise the greater Kansas City metropolitan trading Page 28 Half- millivolt area, ranked 15th nationally in retail sales. A bonus to KMBC, KFRM, serv- daytime ing the state of Kansas, puts your selling message into the high -income contours homes of Kansas, sixth richest agri- Jdio's Impact Cited cultural state. New Presentation Whether you judge radio effectiveness by coverage pattern, Page 30 audience rating or actual cash register results, you'll find that FREE & the Team leads the parade in every category. PETERS, ñtvC. Two Major Probes \Exclusive National It pays to go first -class when you go into the great Heart of Face New Senate Representatives America market. Get with the KMBC -KFRM Radio Team Page 44 and get real pulling power! See your Free & Peters Colonel for choice availabilities. st SATURE SECTION The KMBC - KFRM Radio TEAM -1 in the ;Begins on Page 35 of KANSAS fir the STATE CITY of KANSAS Heart of America Basic CBS Radio DON DAVIS Vice President JOHN SCHILLING Vice President and General Manager GEORGE HIGGINS Year Vice President and Sally Manager EWSWEEKLY Ir and for tels s )F RADIO AND TV KMBC -TV, the BIG TOP TV JIj,i, Station in the Heart of America sú,\.rw. -
Broadcasting Telecasting
YEAR 101RN NOSI1)6 COLLEIih 26TH LIBRARY énoux CITY IOWA BROADCASTING TELECASTING THE BUSINESSWEEKLY OF RADIO AND TELEVISION APRIL 1, 1957 350 PER COPY c < .$'- Ki Ti3dddSIA3N Military zeros in on vhf channels 2 -6 Page 31 e&ol 9 A3I3 It's time to talk money with ASCAP again Page 42 'mars :.IE.iC! I ri Government sues Loew's for block booking Page 46 a2aTioO aFiE$r:i:;ao3 NARTB previews: What's on tap in Chicago Page 79 P N PO NT POW E R GETS BEST R E SULTS Radio Station W -I -T -H "pin point power" is tailor -made to blanket Baltimore's 15 -mile radius at low, low rates -with no waste coverage. W -I -T -H reaches 74% * of all Baltimore homes every week -delivers more listeners per dollar than any competitor. That's why we have twice as many advertisers as any competitor. That's why we're sure to hit the sales "bull's -eye" for you, too. 'Cumulative Pulse Audience Survey Buy Tom Tinsley President R. C. Embry Vice Pres. C O I N I F I I D E I N I C E National Representatives: Select Station Representatives in New York, Philadelphia, Baltimore, Washington. Forloe & Co. in Chicago, Seattle, San Francisco, Los Angeles, Dallas, Atlanta. RELAX and PLAY on a Remleee4#01%,/ You fly to Bermuda In less than 4 hours! FACELIFT FOR STATION WHTN-TV rebuilding to keep pace with the increasing importance of Central Ohio Valley . expanding to serve the needs of America's fastest growing industrial area better! Draw on this Powerhouse When OPERATION 'FACELIFT is completed this Spring, Station WNTN -TV's 316,000 watts will pour out of an antenna of Facts for your Slogan: 1000 feet above the average terrain! This means . -
The Workshop Film Group – a History 1968 – 2018
The Workshop Film Group – A History 1968 – 2018 THE WORKSHOP FILM GROUP A History 1968 - 2018 By Richard Keys, John Lanser and Michael O’Rourke Dedicated to Vi & Laurie Collings and Helen Ramsay. With thanks to all of our members who have contributed so much over the journey. Clockwise from top left: Helen Ramsay, Vi Collings, Laurie Collings First published by the Workshop Film Group, 2018 Workshop Arts Centre, 33 Laurel St, Willoughby, NSW www.workshopfilmgroup.net Copyright © Richard Keys, John Lanser and Michael O’Rourke, 2018 Compiled by Ian Grey 16 July 2018 Printed and bound by Forestville Printing, E4/15 Narabang Way, Belrose, NSW 2085 Page | 1 The Workshop Film Group – A History 1968 – 2018 CONTENTS Background 3 Birth of a film society 4 Programming 5 Technical challenges and significant steps forward 6 Residential film weekends 7 Non-residential film weekends 10 The sound of silents 10 Another dollar, Another Day 12 The Group logo 13 Special guests 14 Committee and membership 19 Appendix 1. Filmography 21 Appendix 2. Milestones 22 Appendix 3. Press clippings 23 Appendix 4 Programs 29 Page | 2 The Workshop Film Group – A History 1968 – 2018 BACKGROUND The Workshop Arts Centre (WAC), established by the artist and teacher Joy Ewart, was officially opened by Australian artist Hal Missingham on August 16, 1963. Prior to this Joy had run an art studio in a two-storey building - a former stable with overhead loft - in Dalton Street, Chatswood. Classes were held there from 1955 until 1961 when the Willoughby Council declared the premises unfit for occupation. -
Shore Acres Yacht Club 2021-2022 Dry Storage Form
Shore Acres Yacht Club 2021-2022 Dry Storage Form Storage Period (Please circle which ever applies) Summer 2021 Winter 2021/2022 Boat Owner: Cell Phone: Make & Type of Boat: Boat Name: Overall Length: Rental Periods: The Summer Storage May 1st - October 31st. Winter Storage November 1st - April 30th. Written Request for Extension of dry storage must be submitted to the Mooring Chair 30 days before the end of winter or summer storage. Board has the right to approve or deny any request. Boats left on the club grounds after October 31st will be charged Winter Storage. Empty Trailers and nonfunctional boats prohibited from Summer Storage. Nonfunctional Boat is defined as a boat that takes more than 2 hours to be functional determined by the Mooring Chair, William Demand. Summer Dry Storage Winter Dry Storage Opti $80, Sunfish $125, Laser $125, $10 per ft. overall footage MC/M Scow $225, Sandpiper $225, Hobie $250, E-Scow $300 All Dry Storage Rates are subject to NJ Sales Tax. Applicable Dry Storage Fee NJ Sales Tax (6.625%) Check Payable to SAYC Mail Dry Storage Form, Signed Dry Storage Agreement and Check payable to SAYC to Mooring Chair, William Demand. 29 Buena Vista Dr., Brick, NJ 08723. No spaces will be assigned without Signed Dry Storage Agreement and Payment. Spaces will be assigned first paid with agreement first served. Shore Acres Yacht Club 2021-2022 Dry Storage Agreement This agreement is a contract between the boat owner and the Shore Acres Yacht Club (hereinafter referred to as “the Club”). The terms and conditions of this contract may not be altered, or otherwise modified orally. -
List of Section 13F Securities
List of Section 13F Securities 1st Quarter FY 2004 Copyright (c) 2004 American Bankers Association. CUSIP Numbers and descriptions are used with permission by Standard & Poors CUSIP Service Bureau, a division of The McGraw-Hill Companies, Inc. All rights reserved. No redistribution without permission from Standard & Poors CUSIP Service Bureau. Standard & Poors CUSIP Service Bureau does not guarantee the accuracy or completeness of the CUSIP Numbers and standard descriptions included herein and neither the American Bankers Association nor Standard & Poor's CUSIP Service Bureau shall be responsible for any errors, omissions or damages arising out of the use of such information. U.S. Securities and Exchange Commission OFFICIAL LIST OF SECTION 13(f) SECURITIES USER INFORMATION SHEET General This list of “Section 13(f) securities” as defined by Rule 13f-1(c) [17 CFR 240.13f-1(c)] is made available to the public pursuant to Section13 (f) (3) of the Securities Exchange Act of 1934 [15 USC 78m(f) (3)]. It is made available for use in the preparation of reports filed with the Securities and Exhange Commission pursuant to Rule 13f-1 [17 CFR 240.13f-1] under Section 13(f) of the Securities Exchange Act of 1934. An updated list is published on a quarterly basis. This list is current as of March 15, 2004, and may be relied on by institutional investment managers filing Form 13F reports for the calendar quarter ending March 31, 2004. Institutional investment managers should report holdings--number of shares and fair market value--as of the last day of the calendar quarter as required by Section 13(f)(1) and Rule 13f-1 thereunder. -
The Grand Valley Ledger Wny La
€iNe w TV Magazine Hi1 n00;: In This Issue'* Hi,,, -» ^ n i • k . Complete Listings For 'the - . ai:•' Lowell Cable TV System 4 49204 0 l« Scat ri of The Grand Valley Ledger wny lA Volume 7, Issue 21 Serving Lowell Area jgf Reader* Since 1893March 30. 1983 Teachers and Board come to terms on contract After months of sometimes to them by contract paid in equal payment of from 16 to 30 percent blame already-high taxes and as- would be willing to see the bus- grams they were willing to sup- tense negotiations, the Lowell installments until the last pay of the retiree's regular teaching sessments for the March 14 mil- ing program discontinued for the port with a favorable millage MBS Hducation Association and the date of the 1982-83 school year. salary lage defeat more than anything sake of improved instructional vote. The survey listed busing, a Bill Lowell Board of Education In addition, teachers will re- In a special meeting of the else. Fifty-one percent of the re- programs This figure compares six-hour school day. extra-cur- Wednesday ratified a three-year ceive salary increases of 6 per- board held Wednesday, March spondents said that taxes were with 41 percent for non-parents ncular activities, buildings and contract agreement which gives cent for the 1983-84 school year, 23, High School Assistant Prin- the reason for the millage defeat, These results were significant grounds improvements, and in- teachers the retroactive pay in- and 6-1/2 percent for the year cipal Dick Korb explained the re- compared with 20 percent who to Korb because they seemed to structional improvements.