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Yakov Protazanov
Sergei Eisenstein on the Visual Arts
Volodymyr Vynnychenko and the Early Ukrainian Decadent Film (1917–1918)
Art and Technology Between the Usa and the Ussr, 1926 to 1933
Print ED368613.TIF
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Portraying Religion and Peace in Russian Film
Television in the Cinema Before 1939: an International Annotated Database, with an Introduction by Richard Koszarski
Queen of Spades in Silent Russian Cinema // Liberal Arts in Russia
Konstantin Vialov and the Search for a Modern Realism” by Alla Rosenfeld, Ph
'The Imagined Sounds of Outer Space' (Wierzbicki)
Russian Cinema: a Very Short Story
Walter Benjamin and the Aesthetics of Film Walter Benjamin and the Aesthetics of Film
Aelita" (1924) Author(S): PETER G CHRISTENSEN Source: New Zealand Slavonic Journal, W Zealand Slavonic Journal (2000), Pp
Curriculum Vitae
Dottorato Di Ricerca in Arti Visive, Performative E Mediali Soviet Cinema in Italy in the Post-War Period
Philadelphia, PA
Images of the Native Peoples of Siberia and the Far East in Russian Film
Elizaveta Thiemann – Women Film Pioneers Project
Top View
MCLC 23.2.Indd
JUNE 2020. 30 NEW ACQUISITIONS: Fight Against Fascism, Health Education, Literature, Art F O R E W O R D
Russian and Soviet Cinema Russian and Soviet
Vent D'est Henry K. Miller Sergei Diaghilev Died in Venice on 19
Nasreddin Hodja's Foolish Wisdom
Curriculum Vitae
9 Silent Russian Films to Be Presented at Museum
Aelita, the Queen of Mars Essay by David Shepard
GCM2014 Catalogo Plus.Pdf
Iconic Turns Central and Eastern Europe
1:00-2:45 Pm
Western Cities in the Soviet Cinema of the 1920S and 1930S VOL
Memory of the World International Register
Portraying Religion and Peace in Russian Film
Mvimg Bentson Study Collection
Russian and Soviet Cinema in the Age of Revolution, 1917 – 1932
Soviet Silent Cinema Part Ii
Exploring Soviet Youth Culture and Escapism in Soviet Science Fiction Film and Electronic Music
Multimedia Library Feature Films: Russian, Ukrainian, Or Central Asian
Seeing Red: Navigating Sound Film Propaganda in the Interwar Years Between the USSR and the USA