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Wandjuk Marika
The Making of Indigenous Australian Contemporary Art
American Misconceptions About Australian Aboriginal Art
MS 3501 Alice Moyle Collection FINDING
The Bark Petition, Church Panels, the Gove Land Rights Case
25 Years Later a Film by Bob Weis
Charles Perkins Oration 2005
Miwatj Catalogue
The String Figures of Yirrkala: Examination of a Legacy
Negotiating Indigenous Mourning Protocols in Australian Life Writing
Moving the Body Painting Into the Art Gallery — Knowing About and Appreciating Works of Aboriginal Art
Silence As a Way of Knowing in Yolngu Indigenous Australian Storytelling
National Gallery of Australia Emerging Elders Room Sheets Malaluba GUMANA Dhalwangu/Nungburundi Peoples Born 1952, Gangan, North East Arnhem Land, Northern Territory
A Short History of the 1948 Arnhem Land Expedition
Ontologies of the Image and Economies of Exchange
Bodily Themes and Imagery in Yolngu Art Howard Morphy February 19 and 20, 2020
Artists' Biographies
Nicola St John Thesis
Master Artists of Arnhem Land Key Works
Top View
Songspirals Book Complete Chapter Notes
It's More Than
Case Studies on Intellectual Property and Traditional Cultural Expressions
Yirrkala Drawings Berndt Museum & Lawrence Wilson Art Gallery 7 February – 11 April 2015
A Dialogical Encounter with an Indigenous Jurisprudence
Stories to Live in Discursive Regimes and Indigenous Canadian and Australian Historiographyl
Homeland Students Get Secondary Ed
CHAPTER 17 ‘This Place Already Has a Name’1 MELANIE WILKINSON, DR R
Yambirrpa-Yuta: in Print a Remote Arnhem Land Community
Negotiating the Sacred II Blasphemy and Sacrilege in the Arts
10 · Aboriginal Maps and Plans
Yalangbara: Art of the Djang'kawu
Meeting Country: Deep Engagement with Place and Indigenous Culture