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Walter Spies
Interpreting Balinese Culture
THE BALINESE COSMOS M a R G a R Et M E a D ' S B a L in E S E : T H E F Itting S Y M B O Ls O F T H E a M E R Ic a N D R E a M 1
Walter Spies, Tourist Art and Balinese Art in Jnter-War .Colonial Bali
Lost Paradise
Packaged for Export 21 February 1984 R Peter Bird Martin Institute of Current World Affairs Whee Lock House 4 West Wheelock Street Hanover NH 08755
"Well, I'll Be Off Now"
Kriya and Crafts in Indonesia
Pita Maha Social-Institutional Capital
Word and Image in Miguel Covarrubias's Island of Bali
A House in Bali Based on the Memoir by Colin Mcphee (American Premiere)
For Immediate Release WALTER SPIES to LEAD THE
I Gusti Nyoman Lempad
The JOURNAL of the RUTGERS UNIVERSITY LIBRARIES
The Cinematographic Works of an Artist Walter Spies About Balinese Culture: Ethnographic Spectacles in the Social-Cultural Context of 1930-S
Creating Heritage in Ubud, Bali 251
The Association of Balinese Artists Pita Maha (Bali, Indonesia) in the 1930-S :Between East and West
Difference in the Imaginations of Colin Mcphee, Henry Cowell, and Lou Harrison
Shaping Barong Dance Drama in Paradise Bali: Oriental Discourse by Miguel Covarrubias and His Networks
Top View
A House in Bali
The Association of Balinese Artists Pita Maha (Bali, Indonesia) in the 1930-S :Between East and West
A Short History of Bali Past and Its Future in the New Indonesian Democracy
The Role of Pitamaha in Balinese Artistic Transformation: a Comparison Between Kamasan and Gusti Nyoman Lempad Artistic Style
Kamasan Art in Museum Collections ‘Entangled’ Histories of Art Collecting in Bali