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Vanitas
Exhibition Brochure
Portraits As Objects Within Seventeenth-Century Dutch Vanitas Still Life
Network Notebook
Photodeath As Memento Mori- a Contemporary
Miho Watanabe
Memento Mori: a Positive and Contemporary Reflection Through Visual Art on a Life Spent Well
Journal of the Short Story in English, 51
Stations of the Cross
CHRISTIAAN LUYCKS (1623 – Antwerp – C
Evanescence and Apocalypse
Vanitas and the Dialectical Image in the Art of Otto Dix
An Enquiry Into the Expression of Grief and Mourning in Contemporary Art Practice
Proceedings of the Art of Death and Dying Symposium
The Art of Dying. Depictions of Death in the Work of Andres Serrano, Joel-Peter Witkin and David Buchler
A Mirror for Mankind: the Pose of Hamlet with the Skull of Yorick
A Musical Reading of Death in Venice
CONTEMPORARY VANITAS 26 May 2016 – 19 Jun 2016
Painting in the Dutch Golden Age: a Profile of the Seventeenth Century
Top View
Danse Macabre the Representation of Death and Its Ethicality in Contemporary Art
UC Riverside UC Riverside Previously Published Works
Archive of Darkness William Kentridge’S Black Box/Chambre Noire
Death As Social Performance in the Major Tragedies of John Webster
Braque and Picasso in the Dark Years: a Comparative Consideration of the Still-Life Paintings Completed During the Occupation of Paris, 1940-1944
Vanitas Iconography As a Dramatic Device in Hamlet and Macbeth
Musical-Rhetorical Prosopopoeia and the Animation of the Dead in Seventeenth-Century German Funeral Music Gregory S
Memento Mori: Death and Wills
The Symbolism of the Skull in Vanitas: Homo Bulla Est
Intimacy, Madness and the Music of Robert Schumann