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Travesti (theatre)
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
Der Rosenkavalier by Richard Strauss
A Countertenor's Reference Guide to Operatic Repertoire
Travestis and Caractères in the Early Modern French Theatre
Background to Voice Types and Opera Genres
En Travesti: the Operatic Mezzo-Soprano As Leading Man Andrea Fuss, Angela Nieman, and Dr
UC Berkeley UC Berkeley Electronic Theses and Dissertations
The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)
Le Comique À L'académie Royale De Musique
Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara
Opera Today : Ariane Et Barbe-Bleue on Blu-Ray
Analyzing Gender Inequality in Contemporary Opera
Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas
Opera Helps Opera Menu 2
Cherubino) and Madeleine Ulrici Jostedt (Countess Almaviva), Folkoperan, Stockholm, 2011
Introduction: Cross-Dressing and Cross-Casting 1
Performing Masculinity in Johann Strauss's Die
Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen
Top View
Vivica Genaux Doppia Energia
Trouser Roles - the Development of the Role in Opera from the Seventeenth to Twentieth Century
Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
Donizetti Forever
Diva Performativity: Female Body and Voice Through
Regendering Theater After the English Restoration Laura Larson
[email protected]
The Travesty Dancer in Nineteenth-Century Ballet
The Evolution of Madness: the Portrayal of Insanity in Opera
A Countertenor Aria Collection Continuum for Studio Training And
Fondamenti Di Storia Della Vocalità(2 °Annualità Triennio Di Canto-10
Pauline Viardot and Rewriting the Image of Women in Nineteenth-Century French Opera Culture
Le Vassal Du Grand Opéra J
English Translation by Christopher Cowell
Voicing Challenge: Trans* Singers and the Performance of Vocal Gender
Moby Dick! the Musical: a Travesty in Travesti
Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
Reverberating Voices and Spaces: Overtones of Opera from Whitman
La Clemenza Di Tito