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Travesti (theatre)

  • The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

    The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M

  • Der Rosenkavalier by Richard Strauss

    Der Rosenkavalier by Richard Strauss

  • A Countertenor's Reference Guide to Operatic Repertoire

    A Countertenor's Reference Guide to Operatic Repertoire

  • Travestis and Caractères in the Early Modern French Theatre

    Travestis and Caractères in the Early Modern French Theatre

  • Background to Voice Types and Opera Genres

    Background to Voice Types and Opera Genres

  • En Travesti: the Operatic Mezzo-Soprano As Leading Man Andrea Fuss, Angela Nieman, and Dr

    En Travesti: the Operatic Mezzo-Soprano As Leading Man Andrea Fuss, Angela Nieman, and Dr

  • UC Berkeley UC Berkeley Electronic Theses and Dissertations

    UC Berkeley UC Berkeley Electronic Theses and Dissertations

  • The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)

    The Mezzo-Soprano Onstage and Offstage: a Cultural History of the Voice-Type, Singers and Roles in the French Third Republic (1870–1918)

  • Le Comique À L'académie Royale De Musique

    Le Comique À L'académie Royale De Musique

  • Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara

    Le Haute-Contre En Question : Significations Socioculturelles D’Une Crise Vocale En France Autour De 1830 Olivier Bara

  • Opera Today : Ariane Et Barbe-Bleue on Blu-Ray

    Opera Today : Ariane Et Barbe-Bleue on Blu-Ray

  • Analyzing Gender Inequality in Contemporary Opera

    Analyzing Gender Inequality in Contemporary Opera

  • Mozart's

    Mozart's "Mezzos": a Comparative Study Between Castrato and Female Roles in Mozart's Operas

  • Opera Helps Opera Menu 2

    Opera Helps Opera Menu 2

  • Cherubino) and Madeleine Ulrici Jostedt (Countess Almaviva), Folkoperan, Stockholm, 2011

    Cherubino) and Madeleine Ulrici Jostedt (Countess Almaviva), Folkoperan, Stockholm, 2011

  • Introduction: Cross-Dressing and Cross-Casting 1

    Introduction: Cross-Dressing and Cross-Casting 1

  • Performing Masculinity in Johann Strauss's Die

    Performing Masculinity in Johann Strauss's Die

  • Unknown Senesino: Francesco Bernardi's Vocal Profile and Dramatic Portrayal, 1700-1740 Randall Scotting Submitted in Fulfilmen

Top View
  • Vivica Genaux Doppia Energia
  • Trouser Roles - the Development of the Role in Opera from the Seventeenth to Twentieth Century
  • Naples and the Emergence of the Tenor As Hero in Italian Serious Opera
  • Donizetti Forever
  • Diva Performativity: Female Body and Voice Through
  • Regendering Theater After the English Restoration Laura Larson [email protected]
  • The Travesty Dancer in Nineteenth-Century Ballet
  • The Evolution of Madness: the Portrayal of Insanity in Opera
  • A Countertenor Aria Collection Continuum for Studio Training And
  • Fondamenti Di Storia Della Vocalità(2 °Annualità Triennio Di Canto-10
  • Pauline Viardot and Rewriting the Image of Women in Nineteenth-Century French Opera Culture
  • Le Vassal Du Grand Opéra J
  • English Translation by Christopher Cowell
  • Voicing Challenge: Trans* Singers and the Performance of Vocal Gender
  • Moby Dick! the Musical: a Travesty in Travesti
  • Confronting the Baroque Body of the Castrato Author(S): Roger Freitas Freitas Source: the Journal of Musicology, Vol
  • Reverberating Voices and Spaces: Overtones of Opera from Whitman
  • La Clemenza Di Tito


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