Timbre
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- ROBYN CATHCART: M.A. CANDIDATE in MUSICOLOGY the UNIVERSITY of VICTORIA, VICTORIA BC -The Singing School of Manuel Garcia
- Comparative Research of the Juliet's Waltz-Aria
- Vocal Persona
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- The Value of Falsetto in the National Vocal Music Singing and Teaching
- Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
- Voice Types of Opera Villains: Collaborative Study of Vocal Tessituras of Villains and Heroes in Opera Michael Cantrell University of Nebraska at Kearney
- Vocal Registration: History, Analysis, and Modern Pedagogical Applications Patricia L
- Identification of the Adolescent Male Voice: Unchanged Vs. Falsetto By
- Springburn Academy Faculty of Performing Arts
- Vocal Imitation of Song and Speech ⇑ James T
- IDENTIFICATION of THREE NATURAL VOICE GROUPS by PHONETOGRAPHY a Data Driven Approach
- The Development and Implementation of Coloratura Technique
- A Conductor's Guide to the Incorporation of Bel Canto
- <I>Pierrot Lunaire</I>
- The Visual/Kinesthetic Effects of Melodic Contour in Musical Notation As It Affects Vocal Timbre in Singers of Classical and Music Theater Repertoire
- CONTEMPORARY VOCAL TECHNIQUE in the CHORAL REHEARSAL: EXPLORATORY STRATEGIES for LEARNING Brian J. Winnie a Dissertation Submitt
- The Musical Semiotics of Timbre in the Human Voice / Static Takes Love's