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Thomas de Keyser
During the Seventeenth Century, Dutch Portraits Were Actively Commissioned by Corporate Groups and by Individuals from a Range of Economic and Social Classes
Evolution and Ambition in the Career of Jan Lievens (1607-1674)
EEN BRIEF VAN THOMAS DE KEYSER, DOOR A. W. WEISSMAN. NDER De Papieren Van Den Beeldhouwer NICHOLAS STONE, Den Schoonzoon Van
Keyser, Thomas De Dutch, 1596 - 1667
Country House in a Park Informal, Almost Wilderness Garden in This Painting Contains Architectural Elements Characteristic of C
Country House in a Park C
Diplomarbeit
The Amsterdam Civic Guard Pieces Within and Outside the New Rijksmuseum Pt. IV
Acquisitions Paintings
7.5 X 11 Threelines.P65
DIRCK DIRCKSZ. SANTVOORT (1609 – Amsterdam - 1680)
Hendrick De Keyser
Ann Jensen Adams, Phd EDUCATION ACADEMIC POSITIONS
Swijgt, Schilderij" : Some Thoughts on Thomas De Keyser's 1627 Portrait of Constantijn Huygens and His Clerk
Printed in Munchen, 1925), 195–96
By Jana Finkel a Thesis Submitted to the Department of Art in Conformity
The Three-Quarter Length Life-Sized Portrait in 17Th-Century Holland
Aspects of Artistic Life in St Petersburg During the First Half of the Nineteenth Century
Top View
Govert Flinck
HET GESLACHT DE KEYSER DOOR A. W. WEISSMAN. DEN, in 1886, Mr
Rembrandt: Turn of the Key
Selection of Texts from the Catalogue
Midwestern Arcadia: Essays in Honor of Alison Mcneil Kettering
The Rijksbureau Voor Kunsthistorische Documentatie and the Subject of Dutch Art History: the Market, the Scholar, and National Identity
Keyser, Thomas De Dutch, 1596/1597 - 1667
Prints and Drawings Primarily Depict the Meeting of the Two Men, Not the Final Transaction of the Letter
Connoisseurship
These People Are So Diverse, and Many of Them Out
Pieter Lastman (Amsterdam 1583 – 1633 Amsterdam)