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Thema (Omaggio a Joyce)
Musical and Literary Quotations in the Third Movement of Luciano Berio's
Luciano Berio's Sequenza V Analyzed Along the Lines of Four Analytical
El Lenguaje Musical De Luciano Berio Por Juan María Solare
Vestiges of Twelve-Tone Practice As Compositional Process in Berio's Sequenza I for Solo Flute
Luciano Berio's Sequenza
Form and Virtuosity in Luciano Berio's Sequenza I
Deleuze, Guattari and Berio on Visage by STEFANO OLIVA
Berio's Words on Music Technology
Thema Omaggio a Joyce – Expression As a Meaning
From Myth to Music: Levi-Strauss's "Mythologiques" and Berio's "Sinfonia" Author(S): David Osmond-Smith Source: the Musical Quarterly, Vol
Not Just a Pretty Voice: Cathy Berberian As Collaborator, Composer and Creator Kate Meehan Washington University in St
Shadows on the Wall Memory and Premonition in Berioʼs Cronaca
Boston Symphony Orchestra Concert Programs, Summer, 1959-1960
Luciano Berio's Sequenza VII: Temporal Multiplicity and Alternative Conceptions of Form
Thema (Omaggio a Joyce)
The Singing Self: an Exploration of Vocality and Selfhood in Contemporary Vocal Practice
Towards a Fluent Electronic Counterpart of the Voice Identity, Opportunities and Challenges
Folk Songs" (1964)
Top View
Luciano Berio Study
Teachers' Resource Pack
C:\Users\Hhowe\Dropbox\Courses
Sequenza III: from Electronic Modulation to Extended Vocal Technique
"Sequenza VII" by Luciano Berio: Background, Analysis and Performance Suggestions