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The Inner Eye
POWERFUL and POWERLESS: POWER RELATIONS in SATYAJIT RAY's FILMS by DEB BANERJEE Submitted to the Graduate Degree Program in Fi
Beyond the World of Apu: the Films of Satyajit Ray'
Satyajit Ray's Documentary Film “Rabindranath”
The Cinema of Satyajit Ray Between Tradition and Modernity
February 18, 2014 (Series 28: 4) Satyajit Ray, CHARULATA (1964, 117 Minutes)
Please Turn Off Cellphones During Screening March 6, 2012 (XXIV:8) Satyajit Ray, the MUSIC ROOM (1958, 96 Min.)
Satyajit Ray Retrospective Opens Film India
1 the Discourse of Colonial Enterprise and Its Representation of the Other Through the Expanded Cultural Critique
Sikkim the Place and Sikkim the Documentary: Reading Political History Through the Life and After-Life of a Visual Representation
A Moral Attitude
In Satyajit Ray's Documentary Films
Satyajit Ray Season Reveals the Enduring Versatility and Masterly Satyajit Ray: Part Two Style of the Indian Director
Satyajit Ray's the Adventures of Feluda
A Comparative Study of Satyajit Ray's Women
The Film That Was Never Made and Other Adventures with Science Fiction
Sikkim the Place and Sikkim the Documentary: Reading Political
Bengali Art House Cinema, Women's Subjectivity, and History: Satyajit Ray's Use of Silence in <Em>Charulata</Em>
Satyajit Ray
Top View
04 Rochona Majumdar.Pmd
32 a Deconstructive Reading of Satyajit Ray's Pather Panchali
Films Division's On-Line Film Festival of Satyajit Ray Films
Indian Neo-Realist Cinema
Festival of Rare Films to Add Grandeur to Year-Long Satyajit Ray Centenary Celebrations
DIRECTED by SATYAJIT RAY PATHER PANCHALI APARAJITO APUR SANSAR Song of the Little Road the Unvanquished the World of Apu
Perspectives on Satyajit Ray's Charulata
Satyajit Ray Received an Academy Award for His Lifetime Achievement Just Satyajit Ray: Part One Before His Death in Calcutta
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The Two Voices of Satyajit
Vision of Tagore Through Applicability in the Spectrum of Ray and Ghosh: Reflection of Feminine Approach in Two Bengali Movies