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The Inglorious Bastards
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
The South According to Quentin Tarantino
MONDO TARANTINO MONDO TARANTINO COLEÇÃO CINUSP – Volume 4 Coordenação Geral Tradução Esther Hamburger E Patricia Moran David Donato
Proquest Dissertations
On Tarantino's Inglourious Basterds
Inglourious Basterds AUDIENCE (2009) 87 Liked It Average Rating: 3.9/5 User Ratings: 761,324
166-90-06 Tel: +38(063)804-46-48 E-Mail:
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German Actresses of the 2000S – a Study of Female Representation, Acting and Stardom
The Matrix of Transmedia Creative Production: Multi-Platform Production and the Fragmentation of the 'Auteur' Model
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Projeto Imprensa Oficial Do Estado
Porzucone Znaczenia
Return to the Grindhouse: Tarantino and the Modernization of 1970S Exploitation
William Gibson Shockumentary Enzo Castellari Film Reclame Van Houten Powell in Avening in MEMORIAM
Ethiek: Parodie, Ironie En Cinefilie in Inglourious Basterds
Filmkritiek: Professionele- Amateurcritici VS
BLAXPLOITATION FILMS “Understanding Movies” South Carolina State University Sources: Wikipedia, Youtube, Others WHAT WERE “BLAXPLOITATION” MOVIES?
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