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Tetrachord
MTO 10.1: Wibberley, Syntonic Tuning
Construction and Verification of the Scale Detection Method for Traditional Japanese Music – a Method Based on Pitch Sequence of Musical Scales –
MTO 20.2: Wild, Vicentino's 31-Tone Compositional Theory
Major and Minor Scales Half and Whole Steps
Specifying Spectra for Musical Scales William A
View the Analyses of Webern’S Pieces
Stravinsky and the Octatonic: a Reconsideration
The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1
An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky
Divisions of the Tetrachord Are Potentially Infinite in Number
Tetrachords of Turkish Makams: How to Make Sense of Makam Theory
On Chords Generating Scales; Three Compositions for Orchestra
Voice-Leading Patterns and Interval Collections in Late Shostakovich : Symphony No
Perspectives on Order, Disorder, Combinatoriality, and Tonality in Schoenberg's Opus 33A and 33B Piano Pieces1
A Transformational Approach to Japanese Traditional Music of the Edo Period
Chapter 7: Tetrachords and Strange Circles
Twelve-Tone Organizational Strategies: an Analytical Sampler
Chapter 1 12
Top View
Dissonance Within Discordance: the Influence of Equal
Exam 3 Study Guide 2
A Discussion of Compositional Choices in Webern) S Funf Satze Fur Streichquartett, Dp
Scales, Arpeggios and Easy Pieces
The Duplicating of Solo Dissonances in Seventeenth-Century Thorough- Bass Accompaniment Roland Jackson
MTO 13.4: Reed, a Tetrahelix Animates Bach
Chapter 3 "The Foundations Scale-Steps and Scales"
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
Scale Networks and Debussy Author(S): Dmitri Tymoczko Source: Journal of Music Theory, Vol
Theory of Music-12 Tone
Isaac Newton's Microtonal Approach to Just Intonation
Beethoven's Interrupted Tetrachord and the Seventh Symphony
Chapter 8: Extended Tetrachord Classification
Modality and Chromaticism in the Madrigals of Don Carlo Gesualdo
“Musical Idea” Through Tetrachord Exchanges and Rhythmic/Metric Correspondences in the Intermezzo and Gavotte of Schoenberg’S Suite for Piano, Op
Hearing Greek Microtones
Ancient Greek Music: a Technical History by Stefan Hagel Cambridge
Scales, and Their Use in the Piano Iusic of Debussy And