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Teo Macero
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
The “Second Quintet”: Miles Davis, the Jazz Avant-Garde, and Change, 1959-68
Dominican Republic Jazz Festival @ 20
From Birth to Death of Cool
Imaginings of Africa in the Music of Miles Davis by Ryan
JACK Dejohnette NEA Jazz Master (2112)
A B C D E F Principle Performerrecording
The Complete on the Corner Sessions
Iii E. the Jazz Component: the Fantasy Collection
Electronics and the Music of Miles Davis
Introduction
Master of Music Thesis
FUN HOUSE in Response to the Doors’ “Touch Me” Only and Masculine Adrenaline of “T.V
Miles Davis and the Evolution of Modern Jazz in Post World War II Society
Miles Davis (1926-91) Was One of the Great Jazz Musicians, Bandleaders and Composers
Mingus Ah Um”—Charles Mingus (1959) Added to the National Registry: 2003 Essay by John F
For Additional Information Contact the Archives Center at 202.633.3270 Or
[email protected]
Rudy Van Gelder in Hackensack: Defining the Jazz Sound in the 1950S
Top View
The Musical Life of Bob Cranshaw
Blue Monk Transcription Piano Pdf
Divergent Interactional Strategies in the Miles Davis Quintet’S the Complete Live at the Plugged Nickel 1965
We Want Miles Miles Davis : Jazz Face to Face with Its Legend October 16, 2009 - Janvier 17, 2010 Musée De La Musique
Download English-US Transcript (PDF)
The Real Ambassadors Record Cover, Back and Inside
Technology and Culture
Early Jazz–Rock
The Electric Jungle Grooves of Miles Davis Lars Mjøset a Cultural Revolution Swept Across the Western World in the Second Half