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Stroke (composition)
Identifying Common Hand Position and Posture Problems with Young Musicians
Female Composer Segment Catalogue
Le Corsaire Overture, Op. 21
Joan TOWER Violin Concerto Stroke Chamber Dance
Bravo: Music with Psychology Fulbright Scholar at ISU Combines Music with Clinical Psychology CONTENTS
Audition Repertoire, Please Contact the Music Department at 812.941.2655 Or by E-Mail at AUDITION REQUIREMENTS for VARIOUS DEGREE CONCENTRATIONS
Jeremy Ruthrauff Faculty Recital
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February 2005 Information for Subscribers
Performance Practice and the Classic Period Malcom S
Joan Tower with Its Highest Honor, the Gold Baton, at 74Th National Conference in Nashville
The American School of Oboe Playing: Robert Bloom, John De Lancie, John Mack, and the Influence of Marcel Tabuteau
Faculty Review 2016
TRADITION of EXCELLENCE Excellence in Performance—Grading Guidelines
K-State Clarinet Handbook (Pdf)
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AN AMERICAN ENCOUNTER with POLYSTYLISM: SCHNITTKE's CADENZAS to BEETHOVEN Aaron Rapaport a Thesis Submitted to the Faculty Of
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Supreme Sacrifice, Extraordinary Service: Profiles of SDSU Military Alumni
The Oboe Works of Benjamin Britten Sotos G
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John Harbison's Simple Daylight
Joan TOWER Composer/Pianist and the DA CAPO CHAMBER PLAYERS from New York City
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American Composers Orchestra Presents Next Composer to Composer Talk Joan Tower and Conor Brown ACO Continues Its Online Profess
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The Changing Role of the Bass Clarinet: Support for Its Integration Into the Modern Clarinet Studio
NYSSMA 2021 Virtual Solo Evaluation Scale & Performance Requirements
A Manual for the Oboe Gouging Machine: Initial Setup, Maintenance and General Usage, Specifically for the Harvard Double Reed Gouging Machine Karen Kistler
A Performance Guide to Max Bruch's Double Concerto, Opus 88