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Sound mass
Stockhausen's Cosmic Pulses
21-Asis Aktualios Muzikos Festivalis GAIDA 21Th Contemporary Music Festival
Teaching Post-Tonal Music to Twenty-First- Century Students Author(S): Miguel A
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Can Harmony Be Non-Linear? Issues in Microtonal Composition and Perception
Time and Timelessness in Electroacoustic Music
DEPARTMENTAL SYLLABUS COURSE TITLE: Music Theory IV
Perceptual and Semantic Dimensions of Sound Mass
Perspectives on Harmony and Timbre in the Music of Olivier Messiaen, Tristan Murail, and Kaija Saariaho
University of Cincinnati
Analytical Explorations of Spectral Mixed Music
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Generative Tools for Interactive Composition: Real-Time Musical
Top View
Signification in Atonal, Amotivic Music? Extending the Properties of Actoriality in Ligeti’S Second String Quartet
Century Romanticism Ca. 1800-1880 Early 20Th
Brian Eno • • • His Music and the Vertical Color of Sound
Fusion Process in the Instrumental Works by Chen Yi Xin Guo
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Harmonic Temperaments and Patterns of Interference
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Textural Composition: Aesthetics, Techniques, and Spatialization for High-Density Loudspeaker Arrays
Edgard Varese and the Electronic Medium
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The Music of John Luther Adams / Edited by Bernd Herzogenrath
Lutoslawski's Approach to Sound Masses and Form In
Awareness by Means of Aural Sonology
György Ligeti's Désordre
The Development of Extended Piano Techniques in Twentieth-Century American Music Reiko Ishii
Extended Program Notes For: Ligeti's Sonata for Solo Cello
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A New Modular Approach to the Composition of Film Music
Chapter 37 Quartet, 1936), Violin Concerto (1939), Piano Concerto Postwar Heirs to the Classical Tradition (1962) Serial + Tonal: Piano Sonata (1949) 1
Aesthetic Appropriation of Electronic Sound Transformations in Ligeti's
The Research of Gyorgy Sandor Ligeti's String
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Schnittke Studies
Chorale and Canon in Alfred Schnittke's Fourth String Quartet Aaminah Durrani Louisiana State University and Agricultural and Mechanical College
The Emergence of Timbre: Ligeti's Synthesis of Electronic And