Selling out
Top View
- Inside Story
- What Do I Get? Punk Rock, Authenticity, and Cultural Capital Brian Cogan Ph.D
- SURFING for PUNKS: the INTERNET and the PUNK SUBCULTURE in NEW JERSEY by AARON ROBERT FURGASON a Dissertation Submitted To
- The Relationship Between Bands and the Commercials They Soundtrack
- Why Collect Heavy Metal?
- More Than Music: American Punk Rock, 1980-1985
- Reclaiming the Right to Rock
- The Hermeneutics of Kurt Cobain
- Selling out 1 Selling Out: Producer Motives in Markets for Art AMIT BHATTACHARJEE JONATHAN Z. BERMAN JASON DANA BARBARA MELL
- Hair Metal, Conservatism, and the End of the Cold War in the 1980S Chelsea Anne Watts University of South Florida, [email protected]
- A Virtual and Actual Subculture: the Independent Music Scene in the Digital Age Patrick Dylan Jensen Advisor: Professor Michael Reay 3 May 2013 Table of Contents
- Protest and Survive: a Brief History and Analysis of the Politics of Punk
- THE LEGACY and IMPACT of NEW YORK CITY HARDCORE PUNK and STRAIGHT EDGE in the 1980S by Alan Parkes
- Printable .PDF Version
- The Political and Cultural Economy of Live Rock Performance a DISSERTATION SUBMITTED to the FACULTY of the GRADUATE
- A Detailed Journey Into the Punk Subculture: Punk Outreach in Public Libraries
- African-American Ownership of Record Labels in the Twentieth Century Stuart Lucas Tully Louisiana State University and Agricultural and Mechanical College
- Monday December 14, 2020