Selling Out” Was the Worst Thing an Artist Could Do? If You Licensed Your Song to an Ad, You Were a Sellout
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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Short Review: the “Austin Powers” Films by Dr. John L. Flynn Austin Powers: International Man of Mystery (1997), New Line Ci
Short Review: The “Austin Powers” films by Dr. John L. Flynn Austin Powers: International Man of Mystery (1997), New Line Cinema, color, 94 min. Director: Jay Roach. Writer: Mike Myers. Producers: Demi Moore, Mike Myers, etc. Cast: Mike Myers, Elizabeth Hurley, Michael York, and Mimi Rogers. Someone just had to do another spoof series of James Bond movies (the Flint series with James Coburn, the Matt Helm series with Dean Martin, notwithstanding), and Mike Myers also camped up the whole 60’s decade—London’s Carnaby Street fashions, psychedelic art. .Yeah, baby! With Mrs. Kensington (Rogers) in tow, much like The Avengers British TV series, espionage agent Powers (Myers) pursues the loathsome Dr. Evil (Powers too) through the 60’s. Both make the jump to the 1990’s (thanks to the convenience of cryonic sleep), and Dr. Evil sets out to dominate the world, while Powers has plans to shag his former partner’s daughter Vanessa Kensington (the sensuous Hurley). The comedy ranges from satire to bathroom humor, but the babes look great in their tight, leather outfits or short, short skirts and go-go-boots! Who cares if it doesn’t make much sense! Have fun. Austin Powers: The Spy Who Shagged Me (1999). (aka Austin Powers 2). New Line Cinema, Color, 95 min. Director: Jay Roach. Writers: Mike Myers and Michael McCullers. Producers: Demi Moore, Mike Myers, etc. Cast: Mike Myers, Heather Graham, Michael York, and Robert Wagner. Less spoofing and more bathroom humor in this Powers sequel! Dr. Evil (Myers) uses a “Time- Tunnel”- like time machine to travel back to the late 60’s, and steal Powers’ (Myers too) mojo, but sexy, go-go girl Felicity Shagwell (Graham) puts him at his ease with some tender-loving shagging of her own. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
If You're Happy and You Know It...Pizza By
Sunday Monday Tuesday Wednesday Thursday Friday Saturday 1 2 3 4 5 6 Rent is Due STOP IN THE Rent Is LATE~ add National Donut Day OFFICE TO COUNT $50 late fee THE GUMBALLS IN THE JAR! IF YOU'RE HAPPY AND YOU KNOW IT..... Tell others about your great experience living here! We just love when people come in to inquire Permakil Your Community Team about our apartments and tell us they know someone who lives here! It's the best compliment we can get! Resident referrals are $200 of your referral moves in!! 7 8 9 10 11 12 13 Nicole Kidd Newport National Best Friend Additional $25 late Evictions are filed Property Manager PIZZA BY THE POOL.... ITALIANFEST Day fee if rent is not paid for non payment of Megan Ruberg rent FREE PIZZA.....Our annual pizza by the pool will be held on Thursday June 18th from Leasing Consultant Taste of Newport 5:00pm-6:30pm. Aspen Pines will provide the pizza, desserts and non- alcoholic beverages. We (Monmouth St.) Jeff Dotson hope to see everyone there! This is also a great way to meet other residents that live in the Maintenance complex! Pizza won't last, make sure you get there as early as you can! 14 15 16 17 18 19 20 Mike Dunaway Permakil Maintenance ASPEN PINES NEWS: **Thank you to all residents for following the pool rules so far! 1 guest per resident, NO GLASS Pizza by the pool Office Hours 5:00pm-6:30pm CONTAINERS, pool hours are 9am-9pm!! Monday Thru Friday **Picking up after pets....Dog do do can really smell in the summertime, remember we provide Jeff's Birthday! 10:00 am-6:00 pm trash receptacles with bags throughout the property to clean up after your pet. -
John Caglione, Jr
JOHN CAGLIONE, JR. Make-Up Designer IATSE 798 and 706 FILM BROKEN CITY Personal Make-Up Artist to Russell Crowe Director: Allen Hughes PHIL SPECTOR Personal Make-Up Artist to Al Pacino Director: David Mamet TOWER HEIST Department Head Director: Brett Ratner ON THE ROAD Special Make-Up Effects Director: Walter Salles Cast: Viggo Mortensen THE SMURFS Department Head Director: Raja Gosnell YOU DON’T KNOW JACK Personal Make-Up Artist to Al Pacino Director: Barry Levinson Nominee: Emmy Award for Outstanding Make-Up for a Miniseries or Movie SALT Department Head Director: Philip Noyce STATE OF PLAY Personal Make-Up Artist to Russell Crowe Director: Kevin Macdonald THE DARK KNIGHT Personal Make-Up Artist to Heath Ledger Director: Christopher Nolan Nominee: Academy Award for Best Achievement in Make-Up Nominee: Saturn Award for Best Make-Up 3:10 TO YUMA Personal Make-Up Artist to Russell Crowe Director: James Mangold AMERICAN GANGSTER Personal Make-Up Artist to Russell Crowe Director: Ridley Scott THE DEPARTED Department Head Make-Up and Department Head Effects Make-Up Director: Martin Scorsese Cast: Vera Farmiga, Ray Winstone, Kristen Dalton TENDERNESS Department Head Director: John Polson Cast: Russell Crowe, Laura Dern, Jon Foster, Tonya Clarke THE MILTON AGENCY John Caglione, Jr. 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 & 706 [email protected] www.miltonagency.com Page 1 of 4 MY SUPER EX-GIRLFRIEND Department Head Director: Ivan Reitman Cast: Luke Wilson, Anna -
'Duncanville' Is A
Visit Our Showroom To Find The Perfect Lift Bed For You! February 14 - 20, 2020 2 x 2" ad 300 N Beaton St | Corsicana | 903-874-82852 x 2" ad M-F 9am-5:30pm | Sat 9am-4pm milesfurniturecompany.com FREE DELIVERY IN LOCAL AREA WA-00114341 The animated, Amy Poehler- T M O T H U Q Z A T T A C K P Your Key produced 2 x 3" ad P U B E N C Y V E L L V R N E comedy R S Q Y H A G S X F I V W K P To Buying Z T Y M R T D U I V B E C A N and Selling! “Duncanville” C A T H U N W R T T A U N O F premieres 2 x 3.5" ad S F Y E T S E V U M J R C S N Sunday on Fox. G A C L L H K I Y C L O F K U B W K E C D R V M V K P Y M Q S A E N B K U A E U R E U C V R A E L M V C L Z B S Q R G K W B R U L I T T L E I V A O T L E J A V S O P E A G L I V D K C L I H H D X K Y K E L E H B H M C A T H E R I N E M R I V A H K J X S C F V G R E N C “War of the Worlds” on Epix Bargain Box (Words in parentheses not in puzzle) Bill (Ward) (Gabriel) Byrne Aliens Place your classified Classified Merchandise Specials Solution on page 13 Helen (Brown) (Elizabeth) McGovern (Savage) Attack ad in the Waxahachie Daily Light, Merchandise High-End 2 x 3" ad Catherine (Durand) (Léa) Drucker Europe Midlothian Mirror and Ellis Mustafa (Mokrani) (Adel) Bencherif (Fight for) Survival County Trading1 Post! x 4" ad Deal Merchandise Word Search Sarah (Gresham) (Natasha) Little (H.G.) Wells Call (972) 937-3310 Run a single item Run a single item priced at $50-$300 priced at $301-$600 for only $7.50 per week for only $15 per week 6 lines runs in The Waxahachie Daily Light, ‘Duncanville’ is a new Midlothian Mirror and Ellis County Trading2 x 3.5" Post ad and online at waxahachietx.com All specials are pre-paid. -
T H E P Ro G
Friday, February 1, 2019 at 8:30 pm m a r Jose Llana g Kimberly Grigsby , Music Director and Piano o Aaron Heick , Reeds r Pete Donovan , Bass P Jon Epcar , Drums e Sean Driscoll , Guitar h Randy Andos , Trombone T Matt Owens , Trumpet Entcho Todorov and Hiroko Taguchi , Violin Chris Cardona , Viola Clarice Jensen , Cello Jaygee Macapugay , Jeigh Madjus , Billy Bustamante , Renée Albulario , Vocals John Clancy , Orchestrator Michael Starobin , Orchestrator Matt Stine, Music Track Editor This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Lead support provided by PGIM, the global investment management businesses of Prudential Financial, Inc. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano The Appel Room Jazz at Lincoln Center’s Frederick P. Rose Hall American Songbook Additional support for Lincoln Center’s American Songbook is provided by Rita J. and Stanley H. Kaplan Family Foundation, The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Great Performers Circle, Lincoln Center Spotlight, Chairman’s Council, and Friends of Lincoln Center Public support is made possible by the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature Nespresso is the Official Coffee of Lincoln Center NewYork-Presbyterian is the Official Hospital of Lincoln Center Artist catering provided by Zabar’s and Zabars.com UPCOMING AMERICAN SONGBOOK EVENTS IN THE APPEL ROOM: Saturday, February 2 at 8:30 pm Rachael & Vilray Wednesday, February 13 at 8:30 pm Nancy And Beth Thursday, February 14 at 8:30 pm St. -
The Forgotten Revolution of Female Punk Musicians in the 1970S
Peace Review 16:4, December (2004), 439-444 The Forgotten Revolution of Female Punk Musicians in the 1970s Helen Reddington Perhaps it was naive of us to expect a revolution from our subculture, but it's rare for a young person to possess knowledge before the fact. The thing about youth subcultures is that regardless how many of their elders claim that the young person's subculture is "just like the hippies" or "just like the mods," to the committed subculturee nothing before could possibly have had the same inten- sity, importance, or all-absorbing life commitment as the subculture they belong to. Punk in the late 1970s captured the essence of unemployed, bored youth; the older generation had no comprehension of our lack of job prospects and lack of hope. We were a restless generation, and the young women among us had been led to believe that a wonderful Land of Equality lay before us (the 1975 Equal Opportunities Act had raised our expectations), only to find that if we did enter the workplace, it was often to a deep-seated resentment that we were taking men's jobs and depriving them of their birthright as the family breadwinner. Few young people were unaware of the angry sound of the Sex Pistols at this time—by 1977, a rash of punk bands was spreading across the U.K., whose aspirations covered every shade of the spectrum, from commercial success to political activism. The sheer volume of bands caused a skills shortage, which led to the cooption of young women as instrumentalists into punk rock bands, even in the absence of playing experience. -
Discourse on Disco
Chapter 1: Introduction to the cultural context of electronic dance music The rhythmic structures of dance music arise primarily from the genre’s focus on moving dancers, but they reveal other influences as well. The poumtchak pattern has strong associations with both disco music and various genres of electronic dance music, and these associations affect the pattern’s presence in popular music in general. Its status and musical role there has varied according to the reputation of these genres. In the following introduction I will not present a complete history of related contributors, places, or events but rather examine those developments that shaped prevailing opinions and fields of tension within electronic dance music culture in particular. This culture in turn affects the choices that must be made in dance music production, for example involving the poumtchak pattern. My historical overview extends from the 1970s to the 1990s and covers predominantly the disco era, the Chicago house scene, the acid house/rave era, and the post-rave club-oriented house scene in England.5 The disco era of the 1970s DISCOURSE ON DISCO The image of John Travolta in his disco suit from the 1977 motion picture Saturday Night Fever has become an icon of the disco era and its popularity. Like Blackboard Jungle and Rock Around the Clock two decades earlier, this movie was an important vehicle for the distribution of a new dance music culture to America and the entire Western world, and the impact of its construction of disco was gigantic.6 It became a model for local disco cultures around the world and comprised the core of a common understanding of disco in mainstream popular music culture. -
2019 New Castle Road Race!
Translate RSS View this email in your browser Share Tweet +1 Forward 2019 New Castle Road Race! NEW: Just in Case You Missed It NEW: Chappaqua Farmers Market - Rhubarb, Radishes and Glean on Me NEW: Art Around Town NEW: CCSD School Budget Vote – Your Vote Matters NEW: Spring Awakening NEW: Seasonal Laborer Wanted NEW: Registration open for 3rd/4th/5th/6th Grade Fall 2019 Field Hockey Program NEW: The Garden Conservancy Westchester County Open Day - May 18 NEW: Welcome Bess Steiger, - New Social Worker for Newcastle Seniors TIOLI Shed - Volunteers Needed! NEW: New Castle Trivia Senior Programming! Join Us for the Annual Memorial Day Parade Thank a Volunteer First Responder Day, Tuesday May 28th 6:30-8:30 Pout Pout Fish - The Musical Production St. Mary the Virgin's Strawberry Festival - June 1st Shuttle Around Town HGHS Varsity Football Strongman Competition Team Build with Fuller Center for Housing Millwood Ladies Auxiliary Pancake Breakfast Fundraiser June 2 Spring Festival May 31 - June 2 Chappaqua-Millwood Chamber of Commerce Greeley Sports Boosters Town of New Castle Agendas School Calendars Important Links 2019 New Castle Road Race! Join us on May 19th for a fun and healthy morning! 1 mile Fun Run starts at 8:00am 5K and 10K races starting at 8:30. The race begins and ends at Chappaqua Town Hall, 200 South Greeley Ave. All runners will receive a T-Shirt. Kids who run in the 1 Mile Fun Run will receive a medal. Pre-register online from March 11th to May 15th for $20 Registration closed from May 16th to May 18th Register day of race on May 19th starting at 7:15am for $25.