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Schott Music

  • Let Me Be Your Guide: 21St Century Choir Music in Flanders

    Let Me Be Your Guide: 21St Century Choir Music in Flanders

  • Accordion 4

    Accordion 4

  • 2015-2016 Lynn University Wind Ensemble-Wind Works Wit'wit

    2015-2016 Lynn University Wind Ensemble-Wind Works Wit'wit

  • DANSES CQNCERTANTES by IGOR STRAVINSKY: an ARRANGEMENT for TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M

    DANSES CQNCERTANTES by IGOR STRAVINSKY: an ARRANGEMENT for TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M

  • STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm

    STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm

  • The Critical Reception of Tippett's Operas

    The Critical Reception of Tippett's Operas

  • Zombie Parsifal Kagen, Melissa the Opera Quarterly

    Zombie Parsifal Kagen, Melissa the Opera Quarterly

  • LEI LIANG: a THOUSAND MOUNTAINS, a MILLION STREAMS LEI LIANG B

    LEI LIANG: a THOUSAND MOUNTAINS, a MILLION STREAMS LEI LIANG B

  • Classifying Leitmotifs in Recordings of Operas by Richard Wagner

    Classifying Leitmotifs in Recordings of Operas by Richard Wagner

  • Hans Werner Henze 1

    Hans Werner Henze 1

  • Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood

    Erich Korngold's Discursive Practices: Musical Values in the Salon Community from Vienna to Hollywood

  • The World's Largest Source for Piano Music

    The World's Largest Source for Piano Music

  • A Countertenor Songbook Andrew Watts Countertenor · Iain Burnside Piano

    A Countertenor Songbook Andrew Watts Countertenor · Iain Burnside Piano

  • Eva Rieger. 2011. Richard Wagner's Women. Translated By

    Eva Rieger. 2011. Richard Wagner's Women. Translated By

  • A Conductor's Compendium of Black American Orchestral Composers

    A Conductor's Compendium of Black American Orchestral Composers

  • The Critical Reception of Beethoven's Compositions by His German

    The Critical Reception of Beethoven's Compositions by His German

  • News 2011/12 Boosey & Hawkes · Schott Music Autumn · Winter

    News 2011/12 Boosey & Hawkes · Schott Music Autumn · Winter

  • Music Publishing Copyright Demystified

    Music Publishing Copyright Demystified

Top View
  • Schott Music Since 1770 240Years
  • Instrumental and Vocal Teacher Education: European Perspectives Polifonia Working Group for Instrumental and Vocal Music Teacher Training
  • The Meaning and Purpose of Quotation And
  • The Critical Reception of Beethoven's Compositions by His German Contemporaries, Op
  • Last Name First Name Title Company City State/Country
  • Tackitt DMA Dissertation Final Document
  • New Products Autumn / Winter 2015/16 CONTENT
  • The Trouble with the Beekeeper. Hans Werner Henze's Aristaeus (2003
  • Polish Cultural Institute New York Presents Krzysztof Penderecki in Memoriam
  • Catalogue Orchestral Music by Historical Women Composers
  • News 2013 Boosey & Hawkes · Schott Music Spring · Summer
  • The Cambridge Companion to Michael Tippett Edited by Kenneth Gloag and Nicholas Jones Frontmatter More Information
  • The Body in the Library Jeremy Coleman Takes on the Herculean Task of Reviewing the Collected Edition of Wagner’S Musical Works
  • Complexity and Duality in the Hero of Wagner's "Ring"
  • New Products 2014 Spring/Summer Dear Music Lovers
  • Hans Werner Henze's Early Political Thought
  • New Products 2015 Spring/Summer Content
  • 2008 Fall Classical Update


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