DOCSLIB.ORG

Last Name First Name Title Company City State/Country

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Last Name First Name Title Company City State/Country Last Name First Name Title Company City State/Country Acocella Anthony Dorn Music New York NY Adams Scott Editor International Music Company New York NY Alcala Francisco Esteban Drummer William Cepeda's Afro‐Rican Jazz Ensemble Ponce Puerto Rico Alexander Susan Board of Directors Maverick Concerts Woodstock NY Alpert Mark Senior Vice President Judson Management Group, Inc. New York NY Anastasio Daniel Pianist New York NY Anderson Amy President & Artistic Director Chamber Music Monterey Bay Carmel CA Andrews Deborah‐Rose Manager, Program & Travel Opus 3 Artists New York NY Andrews Michael Executive Artistic Director South Beach Chamber Ensemble Miami Beach FL Aslan Pablo Musician/Producer Avantango Records Brooklyn NY Backus Katie Booking Agent/Artist Manager MKI Artists Burlington VT Baldwin David Executive & Artistic Director Fontana Chamber Arts Kalamazoo MI Bannister Tanya President Concert Artists Guild Barnes Kate Booking Agent/Artist Manager MKI Artists Burlington VT Barnwell Andrew New England Conservatory Boston MA Baron Dave Musician/Performer DaveBaronMusic Brooklyn NY Barrett Oliver Trombonist The Brass Project New York NY Barry Nancy Board Member Cape Cod Chamber Music Festival New York NY Bartolani Paolo Presenter/Artistic Director Rites of Spring Music Festival Southold NY Bartram Amy Soprano/Educator Brooklyn NY Bartucca Scott Director BMI New York NY Basescu Maria Managing Director Yellow Barn Putney VT Bates Kathryn Cellist Del Sol String Quartet San Francisco CA Baxtresser Bill Trumpeter Gaudete Brass Quintet Chicago IL Beard Christine Professor of Flute & Music Entrepreneurship University of Nebraska at Omaha Omaha NE Beeching Angela Principal Beyond Talent Consulting Jamaica Plain MA Beilman Elizabeth Executive Director NC Chamber Music Institute Raleigh NC Bell Brandon Artistic Administrator/Director of Education DACAMERA Houston TX Belt Cole Alto Saxophonist Singularity Brooklyn NY Belz Jason Executive Vice President Kirshbaum Associates Inc. New York NY Benalcazar Gina Trombonist/Composer/Bandleader The Bounce New York NY Bencid Pablo Drummer Venezuelan Jazz Collective New York NY Bernstein Sue Renee President Bernstein Artists, Inc. Brooklyn NY Berry Hamilton Cellist PUBLIQuartet Brooklyn NY Berthet Marine Manager Debussy Quartet Lyon France Besen Robert Managing Director BesenArts LLC Tenafly NJ Last Name First Name Title Company City State/Country Beyer Misty Executive Program Director Music For Youth Fairfield CT Bise Alan Producer Azica Records East Cleveland OH Bisha Raymond Senior VP, Marketing Naxos of America Franklin TN Blaufox Elizabeth Director of Promotion Boosey & Hawkes Music Publishers, Inc. New York NY Boegehold Stephen Organizer Polyfold Musical Arts Collective Brooklyn NY Bohl Melissa J. Artistic Director Princeton University Summer Chamber Concerts Princeton NJ Böhme Ludwig Singer Calmus Ensemble Leipzig Germany Bonta Martha Vice President & Artist Manager Colbert Artists Management, Inc. New York NY Bosch Santiago Pianist Venezuelan Jazz Collective Boston MA Boyd Gail President Gail Boyd Artist Management New York NY Brachfeld Andrea Musician/Composer/Educator Phoenix Rising Music, LLC Jersey City NJ Bracken Cory Promotion and Production Associate Schott Music Corporation/EAMDC New York NY Brazelton Kitty Composer The Planes of Your Location New York NY Brenzel Seth Executive Director The Walden School San Francisco CA Brier Christina Harpist Lilac 94 Wilmington NC Brophy Morgan Assistant Director, Artistic Administration Wolf Trap Foundation for the Performing Arts Vienna VA Brown Angela Founder/Director Hill and Hollow Music, Inc. Saranac NY Brown Gregory Booking Representative Kirshbaum Associates Inc. New York NY Browne Matthew Administrative/Project Coordinator PRISM Quartet, Inc. Philadelphia PA Brubaker Rogers Professor Clark Library, UCLA Los Angeles CA Bruckmann Kyle Musician Quinteto Latino Menlo Park CA Buchanan Oni Founder & Director Ariel Artists LLC Boston MA Burger Andrea Notos Quartett Berlin Germany Burns Court Music Specialist National Endowment for the Arts Washington DC Manager, Cultural Partnerships & Artist Burrell Rosalie Services Steinway & Sons New York NY Burton Abraham Donald Edwards Quintet Morristown NJ Bury David Consultant David Bury & Associates Catskill NY The Peabody Institute of Johns Hopkins Bush Abra Senior Associate Dean of Institute Studies University Baltimore MD Buxton Donald Executive Director Chesapeake Music Easton MD Canales Alexa PhD Candidate in Music Composition Rutgers University Kearny NJ Caplan Oliver Artistic Director Juventas New Music Ensemble Medford MA Capone William Managing Director Arts Management Group New York NY Carson‐Dwyer Amy Western States Representative Colbert Artists Management, Inc. New York NY Casarrubios Andrea Cellist Manhattan Chamber Players New York NY Castellano Armando Director/French Horn Player Quinteto Latino Menlo Park CA Last Name First Name Title Company City State/Country Castle Green Hilary Co‐Founder Mozart for Munchkins New York NY Cepeda William Trombonist/Composer Afro‐Rican Jazz Ensemble San Juan Puerto Rico Chadwell Alex Academic Affairs Coordinator The New School New York NY Chadwick Deirdre Executive Director BMI New York NY Chan Trudy Teamaster Black Tea Music New York NY Chan Dorothy Chromic New York NY Cheng Silvie Pianist Cheng² Duo New York NY Cheng Bryan Cellist Cheng² Duo New York NY Childs Billy President Chamber Music America New York NY Chiu Constance Assistant Opus 3 Artists New York NY Director, Cultural Partnerships & Artist Chiu Vivianne Services Steinway & Sons Astoria NY Cho Jane Director of Administration Aaron Copland School of Music Flushing NY Choi Sandy Violinist Balance Campaign Washington DC Christensen Nancy Founder and President Christensen Arts, LLC Teaneck NJ Chubin Linden Director of Concerts, Education & Programs Morgan Library & Museum New York NY Clarenson Tom Project Director Performing Arts Readiness Atlanta GA Associated Chamber Music Players/ACMP Clarke Jennifer Executive Director Foundation New York NY Clemens Rachel Digital Strategist Whole Whale Brooklyn NY Clement Sheree Composer New York New Music Ensemble Jackson Heights NY Clerc Francoise Director, Classical and Jazz Le Bureau Export Paris France Clifford Lee Director of Marketing American Pianists Awards Carmel IN Cline Noah Student Northwestern University Chicago IL Cochran Catherine Executive Director Shriver Hall Concert Series Baltimore MD Cohen Gerald Composer Yonkers NY Coleridge Brigid Violinist Merz Trio Jamaica Plain MA Colgate Laura Chamber Music/Recital Curator Clarice Performing Arts Center Takoma Park MD Colón Gisela N. Rosa Cellist/Composer Caguas Puerto Rico Cultural Architect/Independent Arts Colón‐Vázquez Hazel Consultant Carolina Puerto Rico Coninx Stef International Relations & Classical Music Flanders Arts Institute Brussels Belgium Teacher, Virginia School for the Deaf and the Cooper Kittie Blind Student, George Mason University Charlottesville VA Coss Roxy Musician Roxy Coss Quintet New York NY Cox Alex Cellist Omer Quartet New Haven CT Last Name First Name Title Company City State/Country MaiSong Music & Entertainment/Shirley Crabbe Crabbe Shirley Jazz Vocalist Group Q4 Orangeburg NY Crampton Dan Programming Committee Chair Coastal Concerts, Inc. Lewes DE Cresswell Chris Board Member/Composer Society for New Music/315 Ensemble Syracuse NY Crone Willem Hornist Catharsis Winds Cleveland OH Teacher/Teaching Artist/Freelance Cubillas Kenneth Percussionist Montclair State University Jersey City NJ Cuffari Gina Bassoonist Sylvan Winds New York NY Curtis Luques Musician TRRC Ridgefield Park NJ Danielson Nick Violinist Emilio Solla Music New York NY Darmanie Mikael Warp Trio New York NY Dautermann Jennifer Director Classical:NEXT Berlin Germany Davidson Tina Composer Lancaster PA Deckoff Jane President Quogue Chamber Music New York NY President and Executive Director/Presidenta Del Carmen Gil Maria y Directora Ejecutiva Fundacion Musica y Pais San Juan Puerto Rico Delaney Derek Artistic Director Capital Region Classical Albany NY DelGrosso Peter Founder Metropolitan Horn Authority Astoria NY Demeulenaere Benedicte Tour Manager Trio SR9 Paris France Demuyt Bart Director Alamire Foundation Heverlee Belgium Dickey David Concordian Dawn New York NY Dieffenbach Keats Cramer Quartet New York NY DiGiacomo Michael Phoenix Chamber Music Society Phoenix AZ Dilla William Treasurer Ames Town & Gown Chamber Music Association Ames IA Dinin Sarah Director Dinin Arts Management & Consulting Milwaukee WI Dionne Eric Pianist Merz Trio Boston MA Doan Sandra Director of Artistic Planning The Cliburn Fort Worth TX Dobel Mikaela Student Grand Valley State University Allendale MI Dona Daniel Violist Arneis Quartet Boston MA Dover Mark Clarinetist Manhattan Chamber Players Astoria NY Driscoll Drake The Juilliard School New York NY Dunaway Laura Director of Artist Touring Park Avenue Artists New York NY Dworkin Elizabeth Owner Dworkin & Company Bedford Hills NY Dworkin Aaron Social Entrepreneur & Professor University of Michigan/Sphinx Organization Ann Arbor MI Dybiec Danielle Founder & President Nine Muses Travel Brooklyn NY Edwards Donald Donald Edwards Quintet Brooklyn NY Elder Anna Vocalist/Development Coordinator Kamratōn Pittsburgh PA Last Name First Name Title Company City State/Country Elias‐Reyes Rohana Director, New School Concerts The New School New York NY Eliseeva Maria President Sound Ways Newton MA Emmerich Connie Pianist An die Musik New York NY Enger Carolyn Pianist Englewood NJ Estep
Load more

Recommended publications
  • Let Me Be Your Guide: 21St Century Choir Music in Flanders
    Let me be your guide: 21st century choir music in Flanders Flanders has a rich tradition of choir music. But what about the 21st century? Meet the composers in this who's who. Alain De Ley Alain De Ley (° 1961) gained his first musical experience as a singer of the Antwerp Cathedral Choir, while he was still behind the school desks in the Sint-Jan Berchmans College in Antwerp. He got a taste for it and a few years later studied flute with Remy De Roeck and piano with Patrick De Hooghe, Freddy Van der Koelen, Hedwig Vanvaerenbergh and Urbain Boodts). In 1979 he continued his studies at the Royal Music Conservatory in Antwerp. Only later did he take private composition lessons with Alain Craens. Alain De Ley prefers to write music for choir and smaller ensembles. As the artistic director of the Flemish Radio Choir, he is familiar with the possibilities and limitations of a singing voice. Since 2003 Alain De Ley is composer in residence for Ensemble Polyfoon that premiered a great number of his compositions and recorded a CD dedicated to his music, conducted by Lieven Deroo He also received various commissions from choirs like Musa Horti and Amarylca, Kalliope and from the Flanders Festival. Alain De Ley’s music is mostly melodic, narrative, descriptive and reflective. Occasionally Alain De Ley combines the classical writing style with pop music. This is how the song Liquid Waltz was created in 2003 for choir, solo voice and pop group, sung by K’s Choice lead singer Sarah Bettens. He also regularly writes music for projects in which various art forms form a whole.
    [Show full text]
  • What Is Conductorcise® ?
    WHAT IS CONDUCTORCISE® ? Place yourself in the sneakers of an orchestra conductor and raise your baton to a mighty Sousa march, an impetuous Strauss polka, or an elegant Tchaikovsky waltz as you enjoy a great musical workout. CONDUCTORCISE® is a combination aerobic workout, symphonic performance, and music history lesson that swings to the sounds of the masters. A unique program recognized internationally by health and fitness experts, CONDUCTORCISE® fosters upper body fitness that can help strengthen your heart and open your ears and mind in a natural, invigorating workout. This low-impact fitness fusion for all ages stimulates the cardio-vascular system, energizes and engages the senses and creates balance, stretching, blood circulation and brain stimulation throughout the workout. Learn basic conducting techniques, improve cognitive and listening skills, and discover the lives and work of great composers, as you keep your body and mind in tune, relieve stress and secure balance, increase circulation, manage diabetes, and build upper body strength. The brain child of clarinetist/Conductor David Dworkin, it’s an exhilarating and unique alternative to “traditional” exercise programs that has successfully traveled the globe. The only program of its kind in the world, Dworkin has brought it to pre-school children, teenagers, healthy seniors, and those in assisted- living facilities, as well as stroke, wheelchair bound, and Alzheimer’s patients and beyond, allowing participants to keep ones “body and mind in tune.” Who Leads CONDUCTORCISE®: Maestro David Dworkin Maestro David Dworkin has led orchestras across America and abroad, and served as conductor and Artistic Consultant of three PBS Television documentaries in the series Grow Old With Me, including “The Poetry of Aging,” featuring Richard Kiley, Julie Harris, and James Earl Jones.
    [Show full text]
  • 'Dream Job: Next Exit?'
    Understanding Bach, 9, 9–24 © Bach Network UK 2014 ‘Dream Job: Next Exit?’: A Comparative Examination of Selected Career Choices by J. S. Bach and J. F. Fasch BARBARA M. REUL Much has been written about J. S. Bach’s climb up the career ladder from church musician and Kapellmeister in Thuringia to securing the prestigious Thomaskantorat in Leipzig.1 Why was the latter position so attractive to Bach and ‘with him the highest-ranking German Kapellmeister of his generation (Telemann and Graupner)’? After all, had their application been successful ‘these directors of famous court orchestras [would have been required to] end their working relationships with professional musicians [take up employment] at a civic school for boys and [wear] “a dusty Cantor frock”’, as Michael Maul noted recently.2 There was another important German-born contemporary of J. S. Bach, who had made the town’s shortlist in July 1722—Johann Friedrich Fasch (1688–1758). Like Georg Philipp Telemann (1681–1767), civic music director of Hamburg, and Christoph Graupner (1683–1760), Kapellmeister at the court of Hessen-Darmstadt, Fasch eventually withdrew his application, in favour of continuing as the newly- appointed Kapellmeister of Anhalt-Zerbst. In contrast, Bach, who was based in nearby Anhalt-Köthen, had apparently shown no interest in this particular vacancy across the river Elbe. In this article I will assess the two composers’ positions at three points in their professional careers: in 1710, when Fasch left Leipzig and went in search of a career, while Bach settled down in Weimar; in 1722, when the position of Thomaskantor became vacant, and both Fasch and Bach were potential candidates to replace Johann Kuhnau; and in 1730, when they were forced to re-evaluate their respective long-term career choices.
    [Show full text]
  • 2015-2016 Lynn University Wind Ensemble-Wind Works Wit'wit
    Lynn Wind Ensemble Wind Works wit' Wit LYNN Conservatory of Music Wind Ensemble Roster FLUTE T' anna Tercero Jared Harrison Hugo Valverde Villalobos Scott Kemsley Robert Williams Al la Sorokoletova TRUMPET OBOE Zachary Brown Paul Chinen Kevin Karabell Walker Harnden Mark Poljak Trevor Mansell Alexander Ramazanov John Weisberg Luke Schwalbach Natalie Smith CLARINET Tsukasa Cherkaoui TROMBONE Jacqueline Gillette Mariana Cisneros Cameron Hewes Halgrimur Hauksson Christine Pascual-Fernandez Zongxi Li Shaquille Southwell Em ily Nichols Isabel Thompson Amalie Wyrick-Flax EUPHONIUM Brian Logan BASSOON Ryan Ruark Sebastian Castellanos Michael Pittman TUBA Sodienye Fi nebone ALTO SAX Joseph Guimaraes Matthew Amedio Dannel Espinoza PERCUSSION Isaac Fernandez Hernandez TENOR SAX Tyler Flynt Kyle Mechmet Juanmanuel Lopez Bernadette Manalo BARITONE SAX Michael Sawzin DOUBLE BASS August Berger FRENCH HORN Mileidy Gonzalez PIANO Shaun Murray Al fonso Hernandez Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. Unauthorized recording or photography is strictly prohibited Lynn Wind Ensemble Kenneth Amis, music director and conductor 7:30 pm, Friday, January 15, 2016 Keith C. and Elaine Johnson Wold Performing Arts Center Onze Variations sur un theme de Haydn Jean Fran c;; aix lntroduzione - Thema (1912-1997) Variation 1: Pochissimo piu vivo Variation 2: Moderato Variation 3: Allegro Variation 4: Adagio Variation 5: Mouvement de va/se viennoise Variation 6: Andante Variation 7: Vivace Variation 8: Mouvement de valse Variation 9: Moderato Variation 10: Mo/to tranquil/a Variation 11 : Allegro giocoso Circus Polka Igor Stravinsky (1882-1971) Hommage a Stravinsky Ole Schmidt I. (1928-2010) II. Ill. Spiel, Op.39 Ernst Toch /.
    [Show full text]
  • DANSES CQNCERTANTES by IGOR STRAVINSKY: an ARRANGEMENT for TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M
    DANSES CQNCERTANTES BY IGOR STRAVINSKY: AN ARRANGEMENT FOR TWO PIANOS, FOUR HANDS by KEVIN PURRONE, B.M., M.M. A DISSERTATION IN FINE ARTS Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Accepted August, 1994 t ACKNOWLEDGMENTS I would like to extend my appreciation to Dr. William Westney, not only for the excellent advice he offered during the course of this project, but also for the fine example he set as an artist, scholar and teacher during my years at Texas Tech University. The others on my dissertation committee-Dr. Wayne Hobbs, director of the School of Music, Dr. Kenneth Davis, Dr. Richard Weaver and Dr. Daniel Nathan-were all very helpful in inspiring me to complete this work. Ms. Barbi Dickensheet at the graduate school gave me much positive assistance in the final preparation and layout of the text. My father, Mr. Savino Purrone, as well as my family, were always very supportive. European American Music granted me permission to reprint my arrangement—this was essential, and I am thankful for their help and especially for Ms. Caroline Kane's assistance in this matter. Many other individuals assisted me, sometimes without knowing it. To all I express my heartfelt thanks and appreciation. 11 TABLE OF CONTENTS ACKNOWLEDGMENTS ii CHAPTER L INTRODUCTION 1 n. GENERAL PRINCIPLES 3 Doubled Notes 3 Articulations 4 Melodic Material 4 Equal Roles 4 Free Redistribution of Parts 5 Practical Considerations 5 Homogeneity of Rhythm 5 Dynamics 6 Tutti GesUires 6 Homogeneity of Texmre 6 Forte-Piano Chords 7 Movement EI: Variation I 7 Conclusion 8 BIBLIOGRAPHY 9 m APPENDIX A.
    [Show full text]
  • Symphony Arlington Donors 2020-2021
    C SYMPHONY ARLINGTON BOARD OF DIRECTORS 2020-2021 Linda Gibson, President Hollis R. Lackey, Vice President Faye Reeder, Secretary Doreen Bruner, Treasurer Lisa Farrimond Marlene Hutchison Barry Johnson Virginia Lackey Valerie Landry Anne Wilson-Stanberry 2 STAFF General Manager Ann Gerrity Executive Director Mark Hughes Office Manager Brenda Hughes Education Director Robert Fishman Community Outreach Danielle Mendelson Finance Manager Brenda Resseguie Music Librarian Sarah Myers Production Manager Chris Finley Stage Crew Basil Drayton Stage Crew Michael Finley Stage Crew Randall Fuller SYMPHONY ARLINGTON DONORS 2020-2021 Presto ($5,000 and up) Anonymous • Arlington Cultural Tourism Council National Endowment for the Arts • Texas Commission on the Arts Allegro ($1,000 to $4,999) Frances Jean Browning • Lawrence Wallace Memorial Fund Moderato ($500 to $999) Joe & Doreen Bruner • Dave & Jennifer Lloyd • Fred & Lynda Weekley Andante ($250 to $499) Ed & Lonette Bebensee • Gary Bledsoe • Suzanne & Bill de Decker Charles W. Duke, Jr. • Marjorie Hammond Memorial Fund Adagio ($100 to $249) Lisa Bedwell • Jim & Jerrie Buehrig • Nigel & Theresa Crouch Priscilla Donkle • Randy Farmer • Candy Halliburton A Donation in Memory of Mary Jo Jameson • Hollis & Virginia Lackey Carolyn Morton • Bill Palmer • James & Faye Reeder Irmgard Schmidt • Darlus L. Schoonover • Ralph & Alice Sobel Jack Thornton • Richard Urso • Donald Trimble • Peggy Uribe ADOPT-A-MUSICIAN Stephen Page, Concertmaster Sponsored by Frances Jean Browning Laura Ospina, Principal Cello Sponsored by Joe & Doreen Bruner Robert Carter Austin A native of Tennessee, Robert Carter Austin is currently in his twenty-first season as Music Director of Symphony Arlington. Maestro Austin has an unusually diverse educational background for a classical musician, including a Bachelor of Science degree from the Massachusetts Institute of Technology, a Diploma (with Distinction) in Computer Science from Cambridge University, and a Master of Musical Arts degree from Stanford University.
    [Show full text]
  • STRAVINSKY's NEO-CLASSICISM and HIS WRITING for the VIOLIN in SUITE ITALIENNE and DUO CONCERTANT by ©2016 Olivia Needham Subm
    STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT By ©2016 Olivia Needham Submitted to the graduate degree program in School of Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. ________________________________________ Chairperson: Paul Laird ________________________________________ Véronique Mathieu ________________________________________ Bryan Haaheim ________________________________________ Philip Kramp ________________________________________ Jerel Hilding Date Defended: 04/15/2016 The Dissertation Committee for Olivia Needham certifies that this is the approved version of the following dissertation: STRAVINSKY’S NEO-CLASSICISM AND HIS WRITING FOR THE VIOLIN IN SUITE ITALIENNE AND DUO CONCERTANT ________________________________________ Chairperson: Paul Laird Date Approved: 04/15/2016 ii ABSTRACT This document is about Stravinsky and his violin writing during his neoclassical period, 1920-1951. Stravinsky is one of the most important neo-classical composers of the twentieth century. The purpose of this document is to examine how Stravinsky upholds his neoclassical aesthetic in his violin writing through his two pieces, Suite italienne and Duo Concertant. In these works, Stravinsky’s use of neoclassicism is revealed in two opposite ways. In Suite Italienne, Stravinsky based the composition upon actual music from the eighteenth century. In Duo Concertant, Stravinsky followed the stylistic features of the eighteenth century without parodying actual music from that era. Important types of violin writing are described in these two works by Stravinsky, which are then compared with examples of eighteenth-century violin writing. iii Igor Stravinsky (1882-1971) was born in Oranienbaum (now Lomonosov) in Russia near St.
    [Show full text]
  • The Critical Reception of Tippett's Operas
    Between Englishness and Modernism: The Critical Reception of Tippett’s Operas Ivan Hewett (Royal College of Music) [email protected] The relationship between that particular form of national identity and consciousness we term ‘Englishness’ and modernism has been much discussed1. It is my contention in this essay that the critical reception of the operas of Michael Tippett sheds an interesting and revealing light on the relationship at a moment when it was particularly fraught, in the decades following the Second World War. Before approaching that topic, one has to deal first with the thorny and many-sided question as to how and to what extent those operas really do manifest a quality of Englishness. This is more than a parochial question of whether Tippett is a composer whose special significance for listeners and opera-goers in the UK is rooted in qualities that only we on these islands can perceive. It would hardly be judged a triumph for Tippett if that question were answered in the affirmative. On the contrary, it would be perceived as a limiting factor — perhaps the very factor that prevents Tippett from exporting overseas as successfully as his great rival and antipode, Benjamin Britten. But even without that hard evidence of Tippett’s limited appeal, the very idea that his Englishness forms a major part of his significance could in itself be a disabling feature of the music. We are squeamish these days about granting a substantive aesthetic value to music on the grounds of its national qualities, if the composer in question is not safely locked away in the relatively remote past.
    [Show full text]
  • View Playbill
    MARCH 1–4, 2018 45TH ANNIVERSARY SEASON 2017/2018 Great Artists. Great Audiences. Hancher Performances. WORK LIGHT PRODUCTIONS PRESENTS BOOK BY BERRY GORDY MUSIC AND LYRICS FROM THE LEGENDARY MOTOWN CATALOG BASED UPON THE BOOK TO BE LOVED: MUSIC BY ARRANGEMENT WITH THE MUSIC, THE MAGIC, THE MEMORIES SONY/ATV MUSIC PUBLISHING OF MOTOWN BY BERRY GORDY MOTOWN® IS USED UNDER LICENSE FROM UMG RECORDINGS, INC. STARRING KENNETH MOSLEY TRENYCE JUSTIN REYNOLDS MATT MANUEL NICK ABBOTT TRACY BYRD KAI CALHOUN ARIELLE CROSBY ALEX HAIRSTON DEVIN HOLLOWAY QUIANA HOLMES KAYLA JENERSON MATTHEW KEATON EJ KING BRETT MICHAEL LOCKLEY JASMINE MASLANOVA-BROWN ROB MCCAFFREY TREY MCCOY ALIA MUNSCH ERICK PATRICK ERIC PETERS CHASE PHILLIPS ISAAC SAUNDERS JR. ERAN SCOGGINS AYLA STACKHOUSE NATE SUMMERS CARTREZE TUCKER DRE’ WOODS NAZARRIA WORKMAN SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN PROJECTION DESIGN DAVID KORINS EMILIO SOSA NATASHA KATZ PETER HYLENSKI DANIEL BRODIE HAIR AND WIG DESIGN COMPANY STAGE SUPERVISION GENERAL MANAGEMENT EXECUTIVE PRODUCER CHARLES G. LAPOINTE SARAH DIANE WORK LIGHT PRODUCTIONS NANSCI NEIMAN-LEGETTE CASTING PRODUCTION MANAGEMENT TOUR BOOKING AGENCY TOUR MARKETING AND PRESS WOJCIK | SEAY CASTING PORT CITY TECHNICAL THE BOOKING GROUP ALLIED TOURING RHYS WILLIAMS MOLLIE MANN ORCHESTRATIONS MUSIC DIRECTOR/CONDUCTOR DANCE MUSIC ARRANGEMENTS ADDITIONAL ARRANGEMENTS ETHAN POPP & BRYAN CROOK MATTHEW CROFT ZANE MARK BRYAN CROOK SCRIPT CONSULTANTS CREATIVE CONSULTANT DAVID GOLDSMITH & DICK SCANLAN CHRISTIE BURTON MUSIC SUPERVISION AND ARRANGEMENTS BY ETHAN POPP CHOREOGRAPHY RE-CREATED BY BRIAN HARLAN BROOKS ORIGINAL CHOREOGRAPHY BY PATRICIA WILCOX & WARREN ADAMS STAGED BY SCHELE WILLIAMS DIRECTED BY CHARLES RANDOLPH-WRIGHT ORIGNALLY PRODUCED BY KEVIN MCCOLLUM DOUG MORRIS AND BERRY GORDY The Temptations in MOTOWN THE MUSICAL.
    [Show full text]
  • Season 2016-2017
    25 Season 2016-2017 Thursday, April 6, at 8:00 Friday, April 7, at 2:00 The Philadelphia Orchestra Saturday, April 8, at 8:00 Sunday, April 9, at 2:00 Yannick Nézet-Séguin Conductor Mason Bates Electronica Daniil Trifonov Piano Beethoven Overture and Finale, from The Creatures of Prometheus, Op. 43 Bates Alternative Energy I. Ford’s Farm, 1896— II. Chicago, 2012 III. Xinjiang Province, 2112 IV. Reykjavik, 2222 First Philadelphia Orchestra performances Intermission Mozart Piano Concerto No. 9 in E-flat major, K. 271 (“Jenamy”) I. Allegro II. Andantino III. Rondeau (Presto)—Menuetto (Cantabile)— Liszt Prometheus, Symphonic Poem No. 5 This program runs approximately 2 hours, 5 minutes. LiveNote™, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 6 concert is sponsored by American Airlines. The April 7 concert is sponsored by Sarah Miller Coulson. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 27 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and impact through Research. is one of the preeminent the Orchestra continues The Orchestra’s award- orchestras in the world, to discover new and winning Collaborative renowned for its distinctive inventive ways to nurture Learning programs engage sound, desired for its its relationship with its over 50,000 students, keen ability to capture the loyal patrons at its home families, and community hearts and imaginations of in the Kimmel Center, members through programs audiences, and admired for and also with those who such as PlayINs, side-by- a legacy of imagination and enjoy the Orchestra’s area sides, PopUP concerts, innovation on and off the performances at the Mann free Neighborhood concert stage.
    [Show full text]
  • Influencersnfluencers
    Professionals MA 30 The of the year IInfluencersnfluencers december 2015 1. GEOFFREY JOHN DAVIES on the cover Founder and CEO The Violin Channel 2. LEILA GETZ 4 Founder and Artistic Director 3 Vancouver Recital Society 1 5 3. JORDAN PEIMER Executive Director ArtPower!, University of CA, San Diego 2 4. MICHAEL HEASTON 10 11 Director of the Domingo-Cafritz Young 6 7 9 Artist Program & Adviser to the Artistic Director Washington National Opera Associate Artistic Director Glimmerglass Festival 15 8 5. AMIT PELED 16 Cellist and Professor Peabody Conservatory 12 6. YEHUDA GILAD 17 Music Director, The Colburn Orchestra The Colburn School 13 Professor of Clarinet 23 Colburn and USC Thornton School of Music 14 7. ROCÍO MOLINA 20 Flamenco Dance Artist 22 24 8. FRANCISCO J. NÚÑEZ 19 21 Founder and Artistic Director 18 Young People’s Chorus of New York City 26 25 9. JON LIMBACHER Managing Director and President St. Paul Chamber Orchestra 28 10. CHERYL MENDELSON Chief Operating Officer 27 Harris Theater for Music and Dance, Chicago 30 11. MEI-ANN CHEN 29 Music Director Chicago Sinfonietta and 18. UTH ELT Memphis Symphony Orchestra R F Founder and President 24. AFA SADYKHLY DWORKIN San Francisco Performances President and Artistic Director 12. DAVID KATZ Sphinx Organization Founder and Chief Judge 19. HARLOTTE EE The American Prize C L President and Founder 25. DR. TIM LAUTZENHEISER Primo Artists Vice President of Education 13. JONATHAN HERMAN Conn-Selmer Executive Director 20. OIS EITZES National Guild for Community Arts Education L R Director of Arts and Cultural Programming 26. JANET COWPERTHWAITE WABE-FM, Atlanta Managing Director 14.
    [Show full text]
  • Fulton County Cultural Summary
    Fulton County cultural summary Regional Arts and Culture Forums Research Initiative The development of ARC’s Fifty Forward Plan and Plan 2040 places emphasis on the value of arts & culture to the region. It includes a call for “systematic annual data collection and analysis regarding the development of the creative economy in Georgia” and the development of a The Creative Industries in 2011 regional cultural master plan. Fulton County, GA Fulton County Summary This Creative Industries report offers a research-based approach to understanding the scope and economic importance of the arts in Fulton County, GA. The creative industries are composed of arts Few precedents exist of comprehensivebusinesses regional that range cooperationfrom non-profit museums, to symphonies,foster arts and theaters and to culture. for-profit film, Toarchitecture, that and advertising companies. Arts businesses and the creative people they employ stimulate innovation in end, the Atlanta Regional Commissiontodays contracted global marketplace. with the Metro Atlanta Arts & Culture Coalition from July to December of 2011 to conductNationally, the there areresearch 756,007 businesses contained in the U.S. in involved this in thedocument. creation or distribution The of following the arts. They employ 2.99 million people, representing 4.14 percent of all businesses and 2.17 percent of all information is a summary of the data employees,collected respectively. on Fulton The source County. for these data is Dun & Bradstreet, the most comprehensive and trusted source for business information in the U.S. For additional information on Fulton AsCounty of January and 2011, Fultonthe restCounty, of GA the is home 10 to Metro 4,965 arts-related Atlanta businesses counties that employ see the 29,817 people.
    [Show full text]