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Salome (Titian)

  • Descriptive Catalogue of the Bowdoin College Art Collections

    Descriptive Catalogue of the Bowdoin College Art Collections

  • Rethinking Savoldo's Magdalenes

    Rethinking Savoldo's Magdalenes

  • Historical Painting Techniques, Materials, and Studio Practice

    Historical Painting Techniques, Materials, and Studio Practice

  • Body, Identity, and Narrative in Titian's Paintings

    Body, Identity, and Narrative in Titian's Paintings

  • Salome: the Image of a Woman Who Never Was

    Salome: the Image of a Woman Who Never Was

  • Venus Blindfolding Cupid C

    Venus Blindfolding Cupid C

  • Ariadne's Transformation

    Ariadne's Transformation

  • Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images

    Heavenly Venus: Mary Magdalene in Renaissance Noli Me Tangere Images

  • Mary Magdalene in Renaissance Noli Me Tangere Images Michelle Lambert-Monteleon University of South Florida

    Mary Magdalene in Renaissance Noli Me Tangere Images Michelle Lambert-Monteleon University of South Florida

  • Veronese: Mars, Venus and Cupid

    Veronese: Mars, Venus and Cupid

  • LOCATING El GRECO in LATE SIXTEENTH-CENTURY

    LOCATING El GRECO in LATE SIXTEENTH-CENTURY

  • Titian Titian (C.488/1490 – 1576) Is Considered the Most Important Member of the 16Th-Century Venetian School. He Was One of T

    Titian Titian (C.488/1490 – 1576) Is Considered the Most Important Member of the 16Th-Century Venetian School. He Was One of T

  • Guercino: Mind to Paper/Julian Brooks with the Assistance of Nathaniel E

    Guercino: Mind to Paper/Julian Brooks with the Assistance of Nathaniel E

  • News Release

    News Release

  • Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice

    Bernardino Licinio: Portraiture, Kinship and Community in Renaissance Venice

  • Carolyn's Guide to Florence and Its

    Carolyn's Guide to Florence and Its

  • Poetry in Paint: Titian's Late Mythologies Online Conference

    Poetry in Paint: Titian's Late Mythologies Online Conference

  • Lucrezia Borgia and Ideals of Respectable Femininity

    Lucrezia Borgia and Ideals of Respectable Femininity

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  • Information to Users
  • SALOME and SELECT EARLY TWENTIETH-CENTURY INTERPRETATIONS Michael F. Vincent a Thesis Submitted To
  • A in 1927 Director Hans Posse (1879–1942) Estimated This Painting and Other Two Others (Gall
  • The Self-Portrait ‘En Décapité’ Interpreting Artistic Self-Insertion
  • Sandro Botticelli's the Return of Judith to Bethulia and The
  • Gagosian Gallery
  • Aubrey Beardsley, Oscar Wilde, and Salome As Aesthetic Parody
  • Painting Women Phillippy, Patricia
  • Titian Tiziano Vecelli Or Vecellio, Known in English As Titian (C.488/1490 – 1576), Is Considered the Most Important Member of the 16Th-Century Venetian School
  • The Pennsylvania State University the Graduate School College Of
  • Garden of Earthly Enigmas
  • A Vasari Companion
  • Tempera Painting 1800–1950 Experiment and Innovation from the Nazarene Movement to Abstract Art
  • THE SENSUOUS HALF-LENGTH IMAGES of EARLY SIXTEENTH CENTURY VENICE by Lucie Anne Herbert Wehn a Thesis Submitted
  • TITIAN: Could Not Find Myself Involved in It and Wanted to Be More Certain About the Connection Between Myself and What I the ARTIST’S Painted
  • Some Titians of the Prado


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