ANNEX: ATTRIBUTION CHART

Nr. Marx, 2005 Hübner, 1876 Morelli, 1880 Woermann, 1887 Morelli, 1891 Woermann, 1908 1 (school of), Fra Angelico (school of), cat. Benozzo Gozzoli [p. 244] Fra Angelico (school of) Benozzo Gozzoli [p. 337] Fra Angelico (school of) , gall. no. 7 no. 17 2 , Virgin and Child Sandro Botticelli, cat. no. 2409 Sandro Botticelli [p. 234] Sandro Botticelli Sandro Botticelli [p. 336] Sandro Botticelli with the Infant Saint , gall. no. 8 3 Sandro Botticelli, From the Life and Sandro Botticelli, cat. no. 26 A Sandro Botticelli [p. 233–234] Sandro Botticelli Sandro Botticelli [p. 336] Sandro Botticelli Work of St. Zenobius, gall. no. 9 4 Sandro Botticelli (school of), Virgin Sandro Botticelli ?, cat. no. 27 Sandro Botticelli (school of) [p. Sandro Botticelli (school of) Sandro Botticelli (school of) [p. Sandro Botticelli (school of) and Child with Angels, gall. no. 10 235] 336] 5 — [Location unknown, Saint John the Sandro Botticelli, cat. no. 25 Sandro Botticelli (school of) [p. Sandro Botticelli (school of) Sandro Botticelli (school of) [p. Sandro Botticelli (school of) Evangelist, formerly gall. no. 11]a 233] 336] 6 — [Location unknown, Saint John the Sandro Botticelli, cat. no. 26 Sandro Botticelli (school of) [p. Sandro Botticelli (school of) Sandro Botticelli (school of) Sandro Botticelli (school of) Baptist, formerly gall. no. 12]b 233] [p. 336] 7 Lorenzo di Credi, Virgin and Child , Lorenzo di Credi (Dutch copy) Lorenzo di Credi Nordic painter [p. 341 ff.] Lorenzo di Credi with Saint John the Baptist, cat. no. 30 [p. 239–243, 248] gall. no. 13 8 Lorenzo di Credi, Virgin and Child Lorenzo di Credi, cat. no. 2386 Lorenzo di Credi [p. 245] Lorenzo di Credi Lorenzo di Credi [p. 362] Lorenzo di Credi with and Saint John the Evangelist, gall. no. 15 9 (school of), Virgin and Filippino Lippi, cat. no. 35 Filippino Lippi (school of) [p. Filippino Lippi (school of) Filippino Lippi (school of) [p. Filippino Lippi (school of) Child, gall. no. 19 245–246] 337] 10 , The , , cat. no. 21 Piero di Cosimo [p. 232–233] Piero di Cosimo Piero di Cosimo [p. 338] Piero di Cosimo gall. no. 20

a In 1927 director Hans Posse (1879–1942) estimated this and other two others (gall. nos 12 and 22) at 40,000 reichsmarks and sold them to a Dr. Wendland in

Basle via the auction house Fischer in Lucerne, Switzerland. In exchange for these works, the Gemäldegalerie Alte Meister bought the gall. no. 1888 B (Hans

Baldung, Mucius Scaevola, wood, 98 x 68 cm): Staatliche Kunstsammlungen Dresden (SKD), archive, documents (‘Akte’) no. 6, vol. 16, Abgang und Verleihung von

Gemälden, 1927/28, folio 106.

b See Locatelli 2009/II, as note 1.

11 Raffaellino del Garbo and workshop, Raffaellino del Garbo, cat. no. Filippino Lippi (school of) [p. Raffaellino del Garbo Raffaellino del Garbo (school Raffaellino del Garbo Virgin and Child with Saints, gall. no. 36 246] of) [p. 338] 21 12 — [Location unknown, Virgin Lorenzo di Credi, cat. no. 34 Sandro Botticelli (school of) [p. Florentine, end of the 15th / Lorenzo di Credi Florentine, end of the 15th / Enthroned with Child and Saint John, 245] beginning of the 16th century (contemporary imitator) [p. beginning of the 16th century formerly gall. no. 22]c 361] 13 Sienese, 15th century, The Holy Andrea del Castagno, cat. no. Sienese, second half oft he 15th Sienese, 15th century Sienese, possibly Pietro di Sienese, 15th century Family, gall. no. 33 2381 century [p. 238] Domenico [p. 338] 14 Luca Signorelli (workshop), Painted Luca Signorelli, cat. no. 2384 — Luca Signorelli Luca Signorelli (workshop of) Luca Signorelli (workshop of) Pillar, gall. no. 36 [p. 338] 15 Luca Signorelli (workshop), Painted Luca Signorelli, cat. no. 2384 — Luca Signorelli Luca Signorelli (workshop of) Luca Signorelli (workshop of) Pillar, gall. no. 37 [p. 338] 16 Perugino (school of), Saint Crispin, Perugino ?, cat. no. 22 Perugino (school of) [p. 245] Perugino (school of) Perugino (school of) [p. 362] Perugino (school of) gall. no. 38 17 Bernardino , Portrait of a Bernardino Pinturicchio, cat. Bernardino Pinturicchio [p. Bernardino Pinturicchio Bernardino Pinturicchio [p. Bernardino Pinturicchio Boy, gall. no. 41 no. 24 245] 361] 18 Umbrian, 15th century, Adoration of Niccolò dell’ Abbate, cat. no. — Peruginische Schule (copy) [p. Marco Palmezzano the Magi, gall. no. 42 169 (supposedly) 362] (supposedly) 19 Francesco del Cossa, Annunciation, Pollaiolo ?, cat. no. 18 Francesco del Cossa [p. 129, Francesco del Cossa Francesco del Cossa [p. 166, Francesco del Cossa gall. no. 43 243–244] 172] 20 Francesco del Cossa, Nativity, gall. no. Florentine school, cat. no. 19 Unknown, second half of the Francesco del Cossa, (school Francesco del Cossa [p. 166] Francesco del Cossa (school 44 15th cenrtury [p. 244] of) of) 21 Ercole de’ Roberti, Christ on the way Ercole de’ Roberti, cat. no. 148 Ercole de’ Roberti [p. 131] Ercole de’ Roberti Ercole de’ Roberti [p. 177] Ercole de’ Roberti to Golgotha, gall. no. 45 22 Ercole de’ Roberti, The Taking of Ercole de’ Roberti, cat. no. 149 Ercole de’ Roberti [p. 131] Ercole de’ Roberti Ercole de’ Roberti [p. 177] Ercole de’ Roberti Christ, gall. no. 46 23 Ercole de’ Roberti (copy), The Florentine school, cat. no. 20 Ercole de’ Roberti (copy) [p. Ercole de’ Roberti (copy) Ercole de’ Roberti (copy) [p. Ercole de’ Roberti (copy) Israelites Gathering Manna, gall. no. 133] 181] 47 24 Francesco Francia, Baptism of , Francesco Francia, cat. no. 437 Francesco Francia [p. 161] Francesco Francia, Francesco Francia [p. 217] Francesco Francia gall. no. 48 25 Francesco Francia, Adoration of the Francesco Francia, cat. no. 435 Francesco Francia [p. 161] Francesco Francia Francesco Francia [p. 217] Francesco Francia Magi, gall. no. 49 26 Giacomo Francia, Virgin with Child Francesco Francia, cat. no. 436 Francesco Francia (workshop) Giacomo Francia Francesco Francia (workshop) Giacomo Francia and John the Baptist, gall. no. 50 [p. 161] [p. 217] 27 , The Holy Family, — Andrea Mantegna [p. 166] Andrea Mantegna Andrea Mantegna [p. 225, 229] Andrea Mantegna gall. no. 51

c See Locatelli 2009/II, as note 1.

28 , Saint Sebastian, Antonello da Messina, cat. no. Antonello da Messina [p. 167– Antonello da Messina Antonello da Messina [p. 235, Antonello da Messina gall. no. 52 2382 168] 250] 29 , (school of), Portrait Giovanni Bellini,cat. no. 210 Giovanni Bellini (copy) [p. Giovanni Bellini (school of) Giovanni Bellini (copy)d [p. Giovanni Bellini (manner of) of the Doge Leonardo Loredan, Half 163] 220] Length Portrait, gall. no. 53 KV 30 , Adoration of Girolamo da Santacroce, cat. Girolamo da Santacroce [p. Girolamo da Santacroce Girolamo da Santacroce [p. Girolamo da Santacroce the Child, gall. no. 55 no. 213 166] 234] 31 Girolamo da Santacroce, Girolamo da Santacroce, cat. Girolamo da Santacroce [p. Girolamo da Santacroce Girolamo da Santacroce [p. Girolamo da Santacroce The Martyrdom of Saint Lawrence, no. 214 166] 234] gall. no. 56 32 Jacopo de’ Barbari, Christ Blessing, Jacopo de’ Barbari, cat. no. Jacopo de’ Barbari [p. 169, Jacopo de’ Barbari Jacopo de’ Barbari [p. 256, Jacopo de’ Barbari gall. no. 57 1802 174] 261] 33 Jacopo de’ Barbari, Saint Catherine, Jacopo de’ Barbari,cat. no. Jacopo de’ Barbari [p. 169] Jacopo de’ Barbari Jacopo de’ Barbari [p. 255– Jacopo de’ Barbari gall. no. 58 1803 256] 34 Jacopo de’ Barbari, Saint Barbara, Jacopo de’ Barbari, cat. no. Jacopo de’ Barbari [p. 169] Jacopo de’ Barbari Jacopo de’ Barbari [p. 255– Jacopo de’ Barbari gall. no. 59 1804 256] 35 Jacopo de’ Barbari (manner of), Sandro Botticelli ?, cat. no. 28 Jacopo de’ Barbari [p. 170– North Italian Master, beginning Jacopo de’ Barbari [p. 257, Jacopo de’ Barbari Galatea, gall. no. 59A 171, 235] of the 16th century, gall. no. 294 337] 36 Andrea Previtali, Virgin and Child Andrea Previtali, cat. no. 2388 Andrea Previtali [p. 208] Andrea Previtali Andrea Previtali [p. 306] Andrea Previtali with the Infant Saint John the Baptist, gall. no. 60 37 Cima da , Christ Blessing, , cat. no. Cima da Conegliano [p. 166] Cima da Conegliano Cima da Conegliano [p. 234] Cima da Conegliano gall. no. 61 215 38 Cima da Conegliano, Christ, gall. no. Cima da Conegliano ?, cat. no. Cima da Conegliano [p. 166] Cima da Conegliano Cima da Conegliano [p. 234] Cima da Conegliano 62 217 39 Cima da Conegliano, Presentation of Cima da Conegliano, cat. no. Cima da Conegliano [p. 166] Cima da Conegliano Cima da Conegliano [p. 234] Cima da Conegliano the Virgin, gall. no. 63 216 40 Pietro degli Ingannati, Virgin with Vincenzo Catena, cat. no. 211 Pier Francesco Bissolo[p. 179] Pier Francesco Bissolo Pier Francesco Bissolo [p. 266] Pier Francesco Bissolo Child and Four Saints, gall. no. 64 41 Vincenzo Catena, Virgin with Child Giovanni Bellini, cat. no. 2387 Giovanni Bellini, (imitator, Giovanni Bellini (school of), Giovanni Bellini (school of) Vincenzo Catena Between Saint Peter and Saint Helena, possibly of Bartolomeo gall. no. 54 [p. 221] gall. no. 64A ) [p. 163–164] 42 Vincenzo Catena, The Virgin and (supposedly), Vincenzo Catenae [p. 179] Vincenzo Catena Vincenzo Catena [p. 267] Vincenzo Catena

d Morelli recognized Giovanni Bellini’s Portrait of Doge Leonardo Loredan at the in (inv. NG 189) as the original of this painting.

e Joseph Archer Crowe and Giovanni Battista Cavalcaselle were the first to attribute this painting to Vincenzo Catena: Joseph Archer Crowe, Giovanni Battista

Cavalcaselle, eds, A History of Painting in North . , , , , , , Friuli, . From the Fourteenth to the Sixteenth Century

[1871], 3 vols, London: Murray, 1912, vol. 1, 261.

Child with Saint Anne, gall. no. 65 KV cat. no. 46

43 Giovanni Francesco Caroto, Virgin Unknown, cat. no. 33 Giovanni Francesco Caroto [p. Giovanni Francesco Caroto Giovanni Francesco Caroto [p. Giovanni Francesco Caroto with the Child Between Angels, gall. 167, 243] 235] no. 66 44 Giovanni Ambrogio Bevilacqua, Ambrogio Bergognone, cat. no. Giovanni Ambrogio Ambrogio Bergognone Giovanni Ambrogio Giovanni Ambrogio Virgin Adoring the Child, gall. no. 68 150 Bevilacqua [p. 230] (manner of) Bevilacqua [p. 334] Bevilacqua 45 Franciabigio, Uriah’s Letter, gall. no. Franciabigio, cat. no. 41 — Franciabigio Franciabigio [p. 338] Franciabigio 75 46 Andrea del Sarto, The Andrea del Sarto, cat. no. 43 Andrea del Sarto [p. 236] Andrea del Sarto Andrea del Sarto [p. 339] Andrea del Sarto Mystical Marriage of Saint Catherine, gall. no. 76 47 Andrea del Sarto, Binding of Isaac, Andrea del Sarto, cat. no. 44 Andrea del Sarto [p. 236] Andrea del Sarto Andrea del Sarto [p. 339] Andrea del Sarto gall. no. 77 48 Bacchiacca, The Legend of the King’s Bacchiacca, cat. no. 42 — Bacchiacca Bacchiacca [p. 338] Bacchiacca Sons, gall. no. 80 49 Maffeo Verona, Lamentation of Christ, Giuseppe Porta, cat. no. 326 Giuseppe Porta [p. 228] Giuseppe Porta Giuseppe Porta [p.330] Giuseppe Porta gall. no. 86 50 , Sistine , gall. no. 93 Raphael, cat. no. 67 Raphael [p. 122] Raphael Raphael [p. 161] Raphael 51 Sebastiano del Piombo (copy), Sebastiano del Piombo, cat. no. — Sebastiano del Piombo Sebastiano del Piombo (Dutch Sebastiano del Piombo (copy) Flagellation of Christ, gall. no. 102 2390 copy) [p. 331–332, 359] 52 Girolamo da Carpi, Virgin with Child Bartolomeo Ramenghi, cat. no. Bartolomeo Ramenghi [p. 162, Bartolomeo Ramenghi Bartolomeo Ramenghi [p. 217] Bartolomeo Ramenghi and Four Saints, gall. no. 113 KV 84 250] 53 Lodovico Mazzolino, Ecce homo, gall. — [acquired in 1876 from Cox, Francesco Mazzolino [here Lodovico Mazzolino Francesco Mazzolino [here Lodovico Mazzolino no. 123 art dealer in London] Lodovico is meant] [p. 136] Lodovico is meant] [p. 185]

54 and Battista Dossi, Saint Giovanni Francesco Penni (?), Dosso Dossi [p. 138, 140] Dosso Dossi Dosso Dossi [p. 187, 190] Dosso Dossi George, gall. no. 124 cat. no. 80 55 Dosso Dossi and Battista Dossi, Giovanni Francesco Penni ?, Dosso Dossi [p. 138–140, 250] Dosso Dossi Dosso Dossi [p. 187, 189] Dosso Dossi Archangel Michael, gall. no. 125 cat. no. 79 56 Battista Dossi, Justitia, gall. no. 126 Dosso Dossi, cat. no. 131 Dosso Dossi (executed by Dosso Dossi Dosso Dossi, Dosso Dossi another artist, possibly Battista (executed by another artist, Dossi) [p. 137] possibly Battista Dossi) [p. 187] 57 Battista Dossi, Pax, gall. no. 127 Dosso Dossi, cat. no. 134 Dosso Dossi, (executed by Dosso Dossi, Dosso Dossi, (executed by Dosso Dossi another artist, possibly Battista another artist, possibly Battista Dossi or Girolamo da Carpi) Dossi or Girolamo da Carpi) [pp. 137–138] [p. 187]

58 Dosso Dossi, Disputation of the Dosso Dossi, cat. no. 135 Dosso Dossi [p. 138] Dosso Dossi Dosso Dossi [p. 187] Dosso Dossi Immaculate Conception with the Four Fathers of the Church and Saint Bernard, gall. no. 128 KV

59 Dosso Dossi, Disputation of the Dosso Dossi (school of), cat. Dosso Dossi [p. 140–141, 153] Dosso Dossi Dosso Dossi [p. 190, 208] Dosso Dossi Immaculate Conception with the Saints no. 138 Anselm, Augustine, Hieronymus and Ambrosius, gall. no. 129

60 Battista Dossi, The Morning (Aurora Dosso Dossi, cat. no. 133 Dosso Dossi (concept), Dosso Dossi (school of) Dosso Dossi (concept), disciple Dosso Dossi (school of) with Apollo’s Horses), gall. no. 130 Girolamo da Carpi (execution) of Garofalo (execution) [p. [p. 138] 188] 61 Battista Dossif, The Night (The Dosso Dossi, cat. no. 136 Dosso Dossi (concept), Battista Dosso Dossi (school of) Dosso Dossi (concept), Battista Dosso Dossi (school of) Dream), gall. no. 131 Dossi (execution) [p. 138] Dossi (execution) [p. 188]

62 Garofalo, Poseidon and Athena, gall. Garofalo, cat. no. 141 Garofalo [p. 142] Garofalo Garofalo [p. 191–192] Garofalo no. 132 63 Garofalo, Maria with the Child and the Garofalo, cat. no. 146 Garofalo [p. 142] Garofalo Garofalo [p. 191–192] Garofalo Saints Peter, Bruno, and George (two fragments), gall. no. 134 64 Garofalo, Mars and in Front of Garofalo, cat. no. 140 Garofalo [p. 142] Garofalo Garofalo [p. 191–192] Garofalo the City of Troy, gall. no. 135 65 Garofalo, The Holy Family with the Garofalo, cat. no. 144 Garofalo [p. 142] Garofalo Garofalo (school of) [p. 191] Garofalo Saints Joachim, Anna, Elisabeth and John the Baptist, gall. no. 136 66 Garofalo, Virgin with the Child and the Garofalo, cat. no. 143 Garofalo [p. 142] Garofalo Garofalo (school of) [p. 191] Garofalo Saints Bernardine of , Anthony of Padua, Cecilia and Geminianus, gall. no. 137 67 Garofalo, The Triumph of Bacchus, Garofalo, cat. no. 142 Garofalo [p. 142] Garofalo Garofalo [p. 191–192] Garofalo gall. no. 138 68 Garofalo, The Evening (Diana and Dosso Dossi, cat. no. 132 Garofalo (concept), Girolamo Garofalo Garofalo (concept), Schule Garofalo Endymion), gall. no. 139 da Carpi (execution) [p. 138] (execution) [p. 187–88] 69 Garofalo, Christ at the Temple, gall. Dosso Dossi (school of), cat. Garofalo [p. 142] Garofalo (school of) Garofalo [p. 192] Garofalo no. 140 no. 139 70 Girolamo da Carpi, The Occasion and Girolamo Mazzola Bedoli, cat. Dosso Dossi (concept), Girolamo da Carpi Dosso Dossi (concept), Girolamo da Carpi the Remorse, gall. no. 142 no. 168 Girolamo da Carpi (execution) Girolamo da Carpi (execution) [p. 139, 144] [p. 188–189, 194] 71 Girolamo da Carpi, Venus in Girolamo da Carpi, cat. no. 161 Dosso Dossi (concept), Girolamo da Carpi Dosso Dossi (concept), Girolamo da Carpi Her Swan–Drawn Chariot, gall. no. Girolamo da Carpi (execution) Girolamo da Carpi (execution) 143 [p. 137] [p. 186] 72 Girolamo da Carpi, Judith, gall. no. Dosso Dossi, cat. no. 137 Dosso Dossi (concept), Girolamo da Carpi Dosso Dossi (concept), Girolamo da Carpi 144 Girolamo da Carpi (execution) Girolamo da Carpi (execution) [p. 139–140] [p. 188]

f Adolfo Venturi first attributed the painting to the youngest of the two Dossi: Adolfo Venturi, ed., La Regia galleria estense in (1882), Modena: Panini, 1989.

73 Girolamo da Carpi, Parmigianino, cat. no. 165 Dosso Dossi (concept), Girolamo da Carpi Dosso Dossi (concept), Girolamo da Carpi The Rape of Ganymede, gall. no. 145 Girolamo da Carpi (execution) Girolamo da Carpi (execution) [p. 139] [p. 188] 74 Scarsellino, Flight into Egypt, gall. no. Scarsellino, cat. no. 170 Scarsellino [p. 143] Scarsellino Scarsellino [p. 193] Scarsellino 146 KV 75 Scarsellino, Holy Family in the Scarsellino, cat. no. 171 Scarsellino [p. 143] Scarsellino Scarsellino [p. 193] Scarsellino Carpenter’s Workshop, gall. no. 147 KV 76 Scarsellino, Holy Family with Saint Scarsellino, cat. no. 172 Scarsellino [p. 143] Scarsellino Scarsellino [p. 193] Scarsellino Barbara and Saint Carlo Borromeo, gall. no. 148 77 Mastelletta, Virgin and Child with the Scarsellino, cat. no. 173 Scarsellino [p. 143] Scarsellino Scarsellino [p. 193] Scarsellino Saints Francis, Anthony, and Catherine of Siena, gall. no. 149 78 Correggio, Madonna and Child with Correggio, cat. no. 151 Correggio [p. 122] Correggio Correggio [p. 162, 207] Correggio Saint Francis, gall. no. 150 79 Correggio, Madonna and Child with Correggio, cat. no. 152 Correggio [p. 122, 145, 152] Correggio Correggio [p. 162, 207] Correggio Saint Sebastian, gall. no. 151 80 Correggio, Nativity (The Holy Night), Correggio, cat. no. 154 Correggio [p. 122, 152] Correggio Correggio [p. 162, 207] Correggio gall. no. 152 81 Correggio, Madonna with Saint Correggio, cat. no. 155 Correggio [p. 122, 152] Correggio Correggio [p. 162, 207] Correggio George, gall. no. 153 82 Correggio (copy), The Reading Correggio, cat. no. 153 Dutch, end of the 17th century. Correggio, (copy after a lost Dutsch, possibly Adrien van Correggio (supposedly) Magdalene, (close to Adrien van der Werff) original by the master) der Werff [p. 207–217, 360] gall. no. 154 KV [p. 153–161, 197] 83 North Italian, ca. 1530, Portrait of a Correggio, cat. no. 156 Dosso Dossi [p. 152–153] Correggio (supposedly), Dosso Dossi [p. 207–208] Correggio (supposedly), Scholar, gall. no. 155 possibly Dosso Dossi possibly Dosso Dossi 84 Parmigianino, Virgin and Child with Parmigianino, cat. no. 163 Parmigianino [p. 143] Parmigianino Parmigianino [p. 193] Parmigianino Saint Stephen, Saint John the Baptist and a Donor, gall. no. 160 85 Parmigianino, Madonna of the Rose, Parmigianino, cat. no. 164 Parmigianino [p. 143] Parmigianino Parmigianino [p. 193] Parmigianino gall. no. 161 86 Parmigianino, Portrait of a Young Unknown, cat. no. 369 b Parmigianino [p. 143] Parmigianino Parmigianino [p. 193] Parmigianino Man as Saint Stephan, gall. no. 162 KV 87 Niccolò dell’ Abate, The Martyrdom of Niccolò dell’Abate, cat. no. Niccolò dell’Abate [p. 144] Niccolò dell’Abate Niccolò dell’Abate [p. 194] Niccolò dell’Abate the Apostles Peter and Paul, gall. no. 169 165 KV

88 Girolamo Bedoli (attributed to),g Girolamo Bedoli, cat. no. 167 Correggio (school of) [p. 143– Correggio (school of), gall. no. Correggio (school copy) [p. Girolamo Mazzola Bedoli Madonna with Saint George, gall. no. 44] 159 194] 165A 89 Girolamo Mazzola Bedoli, Virgin and Parmigianino, cat. no. 162 Girolamo Mazzola Bedoli [p. Girolamo Mazzola Bedoli Girolamo Mazzola Bedoli [p. Girolamo Mazzola Bedoli Child with Saints, gall. no. 166 143] 193] 90 Bartolomeo Schedoni, Holy Family, Bartolomeo Schedoni, cat. no. Bartolomeo Schedoni [p. 144] Bartolomeo Schedoni Bartolomeo Schedoni [p. 194] Bartolomeo Schedoni gall. no. 167 174 91 , Virgin with Child and Four Titian, cat. no. 223 Titian [p. 201] Titian Titian [p. 297] Titian Saints, gall. no. 168 92 Titian, The Tribute Money, gall. no. Titian, cat. no. 222 Titian [p. 200] Titian Titian [p. 297–298] Titian 169 93 Titian, Potrait of a Lady in White, gall. Titian, cat. no. 229 Titian [p. 203] Titian Titian [p. 299–300] Titian no. 170 94 Titian, Portrait of Lavinia, gall. no. Titian, cat. no. 230 — Titian Titian [p. 302–303] Titian 171 95 Titian, Portrait of a Man with a Palm, Titian, cat. no. 228 Titian [p. 203] Titian Titian [p. 299] Titian gall. no. 172 96 Padovanino, Portrait of a Young Titian, cat. no. 226 Ruined by restoration [p. 203] Titian Ruined by restauration [p. 299] Titian Woman with a Vase, gall. no. 173 97 Titian (school of), Holy Family and Titian, cat. no. 224 Titian [p. 202] Titian Titian [p. 299] Titian and workshoph Donors, gall. no. 175 98 Giambattista Moroni ?, Woman in a Titian ?, cat. no. 231 Titian [p. 206–207] Titian Titian [p. 303] Titian Red Dress, gall. no. 176 99 Titian (copy), Venus and the Lute Titian, cat. no. 225 Titian (copy)i [p. 197, 202] Titian (copy) Titian (copy) [p. 299] Titian (copy) Player, gall. no. 177 KV 100 and Titian, Sleeping Venus, Titian (copy), possibly Giorgione and Titian [p. 161, Giorgione and Titian Giorgione and Titian [p. 217, Giorgione and Titian gall. no. 185 Sassoferrato, cat. no. 236 191, 193–194] 284, 288, 292] 101 Giorgione (imitator), The Horoscope, Giorgione, cat. no. 2389 Giorgione (copy) [p. 183] Giorgione (imitator) Giorgione (copy) [p. 273] Giorgione (imitator)

g The traditional attribution of this work to Girolamo Bedoli was repeatedly called into question by critics. In 1996, Mauro Lucco suggested the name of Giorgio Gandini, called Giorgio del Grano (oral communication with the museum), see Marx 2005, as note 3, vol. 2, cat. no. 78, 105.

h first attributed the painting to Titian and his workshop: Bernard Berenson, ed., The Venetian Painters of the with an Index to their Works,

New York: Putnam, 1897 (3. edition), 135.

i Crowe and Cavalcaselle recognised in the painting a copy after Titian’s original work at the Prado in (inv. no. 421): Joseph Archer Crowe and Giovanni Battista

Cavalcaselle, eds, Tiziano, la sua vita e i suoi tempi, 2 vols, : Successori Le Monnier, 1877–1878, vol. 2, 107.

gall. no. 186

102 Jacopo Palma il Vecchio, The Virgin Jacopo Palma il Vecchio, cat. Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio and Child with Saints Catherine and no. 245 213] 313] John the Baptist, gall. no. 188 103 Jacopo Palma il Vecchio, The Three Jacopo Palma il Vecchio, cat. Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Sisters, gall. no. 189 no. 243 212] 312] 104 Jacopo il Vecchio Palma, Resting Jacopo Palma il Vecchio, cat. Jacopo Palma il Vecchio and Jacopo Palma il Vecchio Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Venus, gall. no. 190 no. 244 [p. 180, 270, 289, 313] 195, 213] 105 Jacopo Palma il Vecchio, The Holy Jacopo Palma il Vecchio, cat. Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Family with Saint Catherine, gall. no. no. 242 213] 313] 191 106 Jacopo Palma il Vecchio, Jacob and Giorgione, cat. no. 218 Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Jacopo Palma il Vecchio [p. Jacopo Palma il Vecchio Rachel, gall. no. 192 180, 212–213, 222] 270, 274, 313, 323] 107 Jacopo Palma il Vecchio (school of), Jacopo Palma il Vecchio, cat. Jacopo Palma il Vecchio Jacopo Palma il Vecchio Jacopo Palma il Vecchio Jacopo Palma il Vecchio Lovers, gall. no. 194 KV no. 241 (imitator) [p. 213] (school of) (imitator) [p. 313] (school of)

108 , Virgin and Child with Vincenzo Tamagni ?, cat. no. Giacinto Gimignani [p. 250] North Italian master, mid of the Lorenzo Lottoj [p. 333] Lorenzo Lotto the Infant Saint John the Baptist, gall. 77 16th century gall. no. 295 no. 194A 109 Annibale Carracci, Saint Sebastian, Domenico Feti ?, cat. no. 105 — Lorenzo Lotto (manner of), Bolognese, second–rank artist, Lorenzo Lotto (late manner of) gall. no. 194B gall. no. 196 17th century [p. 332] 110 — [Location unknown, The Virgin and — — Lorenzo Lotto Lorenzo Lotto (Flemish copy) Lorenzo Lotto (copy) Child with Saints , Peter, [p. 332–333, 360] Francis and an Unidentified Female Saint, formerly gall. no. 195]k 111 Lorenzo Lotto (copy), Christ and the Unknown, cat. no. 434 — Lorenzo Lotto (copy) Lorenzo Lotto (Flemish copy) Lorenzo Lotto (copy) Adulteress, gall. no. 197 [p. 332, 359] 112 Jacopo Palma il Vecchio, (ambit of), Pordenone ?, cat. no. 253 — Pordenone Flemish copy [p. 332, 360] Pordenone The Calling of Saint Matthew, gall. no. 199

j Gustavo Frizzoni attributed the painting to Lorenzo Lotto: Frizzoni 1890, as note 73.

k Karl Woermann, without first having seen it, bought this work in Florence for 9,000 Reichsmarks upon suggestion of the famous English art dealer and connoisseur

Charles Fairfax Murray (1849–1919). As soon as the work arrived in Dresden it became immediately clear that it was only a copy after the original painting by Lorenzo Lotto in the Bridgewater Gallery (today in the National Gallery of Scotland, Edinburgh, inv. no. 2418). From 1920, the copy was exhibited on permanent loan in the Saxon Legation

(‘Sächsischen Gesandtschaft’) in (Voßstrasse, 19). In 1922, during the directorate of Hans Posse, the painting was estimated 8,000 Lire and sold in Venice together with five pastels by Rosalba Carriera (1673–1757). In exchange for these works, the Gemäldegalerie Alte Meister acquired the Annunciation attributed to Lorenzo Cossa which is now regarded as a work of the Ferrara school, ca. 1500–10 (gall. no. 47 A). On the disposal of the painting from the collection of the Gemäldegalerie in Dresden see

Hans Posse’s letter to the Ministry of Culture and public Education (‘Ministerium des Kultus und öffentlichen Unterrichts’), Staatliche Kunstsammlungen Dresden (SKD), archive, documents (‘Akte’), no. 4, vol. 15, Vermehrung, 1921–24, folio 293.

113 Cavazzola, Portrait of a Gentleman, Cavazzola, cat. no. 2411 Cavazzola [p. 167] Cavazzola Cavazzola [p. 235] Cavazzola gall. no. 201 114 Bartolomeo Veneto, with the Leonardo da Vinci (school of), Leonardo da Vinci (school of) Leonardo da Vinci (school of), Bartolomeo Venetol [p. 224, Bartolomeo Veneto Head of Saint John the Baptist, gall. cat. no. 31 [p. 230] gall. no. 292 335] no. 201A 115 Moretto da Brescia (copy), The Moretto da Brescia, cat. no. Moretto da Brescia (copy) [p. Moretto da Brescia (copy) Moretto da Brescia (copy) [p. Moretto da Brescia (copy) Madonna of Paitone, gall. no. 202 254 a 194, 197] 288, 294, 360] 116 Bordone, The Holy Family with ?, cat. no. 258 Paris Bordone [p. 225] Paris Bordone Paris Bordone (reminiscent of Paris Bordone Saints Jerome, gall. no. 205 Polidoro da Lanciano) [p. 327] 117 Bonifazio de’ Pitati, The Finding of Bonifacio Bembo, cat. no. 261 Bonifazio de’ Pitati [p. 219] Bonifazio de’ Pitati Bonifazio de’ Pitati [p. 321] Bonifazio de’ Pitati , gall. no. 208 118 Bonifazio de’ Pitati (workshop), Giorgione, cat. no. 219 Bonifazio de’ Pitatim [p. 182, Bonifazio de’ Pitati Bonifazio de’ Pitati [p. 272, Bonifazio de’ Pitati Adoration of the Shepherds, gall. no. 186, 213, 222] 277, 314, 323] (worskshop) 210 119 Bonifazio de’ Pitati (workshop), The Jacopo Palma il Vecchio, cat. Bonifazio de’ Pitati [p. 213, Bonifazio de’ Pitati Bonifazio de’ Pitati [p. 313, Bonifazio de’ Pitati (workshop) Holy Family with Saints Elisabeth and no. 246 222] 323] Catharine, gall. no. 211 120 Bonifazio de’ Pitati (workshop), Bembo, Bonifacio ?, cat. no. Bonifazio de’ Pitati [p. 220] Bonifazio de’ Pitati Bonifazio de’ Pitati [p. 321] Bonifazio de’ Pitati (workshop) Raising of Lazarus, gall. no. 212 264 121 Bonifazio de’ Pitati (workshop), Virgin Bembo, Bonifacio, cat. no. 262 Bonifazio de’ Pitati (workshop) Bonifazio de’ Pitati Bonifazio de’ Pitati (workshop) Bonifazio Veronese with Child and Saints, gall. no. 213 [p. 207, 220] [p. 305, 321] (workshop) 122 Polidoro da Lanciano, Holy Family Polidoro da Lanciano, cat. no. Polidoro da Lanciano [p. 207] Polidoro da Lanciano Polidoro da Lanciano Polidoro da Lanciano with Saint Magdalene and a Venetian 265 [p. 305] Patrician, gall. no. 214 123 Polidoro da Lanciano, Mystic Polidoro da Lanciano, Polidoro da Lanciano Polidoro da Lanciano Polidoro da Lanciano [p. 305] Polidoro da Lanciano Marriage of Saint Catherine, gall. no. cat. no. 266 [p. 207] 215 124 Gualtiero Padovano, Allegory of Domenico Campagnola, cat. Bonifazio de’ Pitati (workshop) Venetian, mid of the 16th Bonifazio de’ Pitati (workshop) Venetian, mid and end of the Munificence, gall. no. 217 no. 260 [p. 226] century [p. 329] 16th century 125 Paris Bordon, Portrait of a Man, gall. Giorgione, cat. no. 221 Not by Giorgione, poor [p. Venetian, mid of the 16th Not by Giorgione, poor [p. 272 Venetian, mid and end of the no. 219 182] century ff.] 16th century

l Gustavo Frizzoni was the first to attribute the painting to Bartolomeo Veneto: Gustavo Frizzoni, ‘I progressi della critica artistica in proposito di due quadri del Museo

Borromeo’, Archivio storico dell’arte, 4: III, 1891, 160–171, here 171.

m Crowe and Cavalcaselle had also already attributed the painting to Bonifazio de’ Pitati: Crowe and Cavalcaselle (1871), 1912, as note e, vol. 3, 48–49.

126 Altobello Melone, Embrace of Lovers, Giorgione, cat. no. 220 Unknown master from the Brescian, mid of the 16th Unknown master from the Venetian, mid of the 16th gall. no. 221 March of territory [p. century March of Treviso territory [p. century 182] 272] 127 Girolamo ?, The Procession Rocco Marconi ?, cat. no. 251 Francesco Prato da Caravaggio Brescian, mid of the 16th Francesco Prato da Caravaggio Venetian, mid and end of the to Calvary, gall. no. 222 [p. 226] century [p. 328–329] 16th century 128 Paolo Caliari (copy), Holy Family, Carlo Caliari, cat. no. 318 Gabriele Caliari [p. 227] Paolo Caliari (school of) Gabriele Caliari [p. 329] Paolo Caliari (school of) gall. no. 241 129 Venetian, ca. 1500, Portrait of Giovanni Antonio Fasolo, cat. Giovanni Antonio Fasolo [p. Giovanni Antonio Fasolo Giovanni Antonio Fasolo [p. Giovanni Antonio Fasolo Venetian Woman, gall. no. 249 no. 323 228] 330] 130 , Simson Defeats the Unknown, cat. no. 259 Paris Bordone [p. 225] Paris Bordone (manner of), Paris Bordone [p. 327] Jacopo Bassanon Philistines, gall. no. 252A gall. no. 206 131 , Portrait of a Lady in Titian, cat. no. 227 Titian [p. 203] Titian, gall. no. 174 Titian [p. 299] Tintorettoo Mourning, gall. no. 265A 132 [Collection Wettiner],p Saint Francis Girolamo Munziano, Bolognese [p. 228] Domenichino (school of) Bolognese [p. 330] Domenichino (school of) in the Hermitage, formerly gall. no. (supposedly), cat. no. 328 352 133 Venetian, 17th century, Portrait of a Venetian school, cat. no. 428 Pietro Longhi[p. 228] Pietro Longhi Pietro Longhi [p. 330–331] Pietro Longhi Lady, gall. no. 595 134 Alessandro Magnasco, Nuns in the Alessandro Magnasco, cat. no. Alessandro Magnasco [p. 231] Alessandro Magnasco Alessandro Magnasco [p. 335] Alessandro Magnasco Chorus, gall. no. 649 198 135 Alessandro Magnasco, Capuchin in the Alessandro Magnasco, cat. no. Alessandro Magnasco [p. 231] Alessandro Magnasco Alessandro Magnasco [p. 335] Alessandro Magnasco Refectory, gall. no. 650 KV 199 136 Alessandro Magnasco, Landscape with Rosa, Salvatore, cat. no. 2413 Alessandro Magnasco [p. 231] Alessandro Magnasco Alessandro Magnasco [p. 335– Alessandro Magnasco Saint Antony, gall. no. 651 KV 336] 137 Alessandro Magnasco, Landscape with Salvatore Rosa, cat. no. 2414 Alessandro Magnasco [p. 231] Alessandro Magnasco Alessandro Magnasco [p. 335– Alessandro Magnasco Saint Jerome, gall. no. 652 KV 36] 138 Antonis Mor, Portrait of a Gentleman, , cat. Giovanni Battista Moroni, gall. Giovanni Battista Moroni Flemish [p. 306] Antonis Mor gall. no. 847A no. 267 no. 207 [p. 207]

n Gustavo Frizzoni was the first to attribute the painting to Jacopo Bassano: Frizzoni, ‘Ricordi di un viaggio artistico oltralpe’, L’Arte, IV, 1901, 220–238, here 221 ff.

o Bernard Berenson attributed the painting to Tintoretto: Berenson, The Venetian Painters of the Renaissance with an Index to their Works, New York: G.P. Putnam’s Sons,

1894 (3rd ed.), 118.

p In 1923 the painting was consigned to the former Saxon dynasty, see ‘Gesetz über die Auseinandersetzung zwischen dem Freistaat Sachsen und dem vormaligen

Königshaus’, in Sächsisches Gesetzblatt 37, 21. Juli 1924, law (‘Gesetz’) no. 202.