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- Origin and Antitype: Medievalism in Nineteenth-Century Germany, 1806-1914
- The Annual Friendship Cull Mark Vernon
- The Effect of Richard Wagner's Music and Beliefs on Hitler's Ideology
- Humboldt, Mendelssohn, and Musical Unity R
- Ghali Shukri, Gibran Khalil Gibran
- Gesamtkunstwerk As Epistemic Space Kevin S
- Musical Romanticism and Anti-Romanticism
- Overture to Tannhäuser Richard Wagner (1813–1883) Written: 1845 Movements: One Style: Romantic Duration: Fourteen Minutes
- Article Full Text
- William Sterndale Bennett 1816-1875
- Mendelssohn, Berlioz, and Wagner As Conductors: the Origins of the Ideal of "Fidelity to the Composer" Jose Antonio Bowen
- Nietzsche's Unfashionable Observations
- Wouldn't You Just *Die* Without Mahler1
- William Sterndale Bennett 1816-1875
- Richard Wagner and the Legacy of the Leitmotif
- 'Jewish Dionysus': Heinrich Heine and the Politics of Literature by Alexander G. Soros a Dissertation Submitted in Partial S
- Richard Wagner:Themanand Themusic
- Wagner and Mendelssohn
- Giacomo Meyerbeer
- Chopin's Cantabile in Context
- Wagner, Nietzsche, and the Idea of Bayreuth in Relation to Organization and Management Theory Josef Chytry
- LESSON 1: War of the Romantics
- View on How Theater
- Paris and the Awakening of Wagner's Nationalism Jelisaveta Mojsilovic University of Arts in Belgrade
- The Romance of Individualism in Emerson and Nietzsche
- Hans Richter's Conducting Career in England, 1877-1911
- Mahler and Strauss Transcript
- Debussy's Paris: Art, Music, and Sounds of the City
- University of Cincinnati
- Novalis COLLEGE of ARTS and SCIENCES Imunci Germanic and Slavic Languages and Literatures
- Tristán E Isolda De Wagner Y La Filosofía Romántica. Novalis Y Schopenhauer En Wagner
- Richard Wagner and the Politics of Music-Drama Author(S): Mark Berry Source: the Historical Journal, Vol
- From Gesamtkunstwerk to Music Drama
- Prelims November 2007:Prelims May 2007.Qxd.Qxd
- Mahler the Enigma: Progressive Composer, Traditional Conductor Anna Gatdula Depauw University
- The Sense of Ending in Mahler's Das Lied Von Der Erde
- Judaism in Music
- Memory and Hypnotism in Wagner's Musical Discourse
- The Futurist Conception of Gesamtkunstwerk and Marinetti’S Total Theatre
- The Romantic Period (1830 – 1900)
- Tristan Und Isonre" in Der Richard Wagner Forschung Ist Die
- Meyerbeer and French Grand Opéra
- Symbiosis a Journal of Anglo-American Literary Relations Volume 14.1 (April 2010)
- LUDWIG VAN BEETHOVEN Born December 16, 1770 in Bonn; Died March 26, 1827 in Vienna
- Societally Marginalized Groups and Their Treatment Within Opera
- Ernest Bloch, Richard Wagner, and the Myth of Racial Essentialism
- Introduction 2
- PROGRAM NOTES Richard Wagner Overture to the Flying Dutchman
- The Musical World (1836-1865) Copyright © 1996 RIPM Consortium Ltd Répertoire International De La Presse Musicale (
- Louis Spohr and His Influence on American Orchestral Culture
- Richard Wagner Wagner’S Der Ring Des Nibelungen, and Isolde in Tristan Und Isolde