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Provenance

  • Digital Preservation Workflows for Museum Imaging Environments

    Digital Preservation Workflows for Museum Imaging Environments

  • Introducticn Tc Ccnservoticn

    Introducticn Tc Ccnservoticn

  • Selection in Web Archives: the Value of Archival Best Practices

    Selection in Web Archives: the Value of Archival Best Practices

  • 2016 Technical Guidelines for Digitizing Cultural Heritage Materials

    2016 Technical Guidelines for Digitizing Cultural Heritage Materials

  • Art Deaccessioning Policy

    Art Deaccessioning Policy

  • Provenance in Digital Collections, Margo Seltzer

    Provenance in Digital Collections, Margo Seltzer

  • Provenance: What Is It and Why Do We Care?

    Provenance: What Is It and Why Do We Care?

  • Curator: Provenance Management for Modern Distributed Systems

    Curator: Provenance Management for Modern Distributed Systems

  • Archaeology 1

    Archaeology 1

  • Studying and Documenting Web Archives Provenance Emily Maemura, Phd Candidate Faculty of Information, University of Toronto Netlab Forum February 27, 2018 the Team

    Studying and Documenting Web Archives Provenance Emily Maemura, Phd Candidate Faculty of Information, University of Toronto Netlab Forum February 27, 2018 the Team

  • A Manifesto for an Introspective Digital Archaeology

    A Manifesto for an Introspective Digital Archaeology

  • Preservation Metadata (2Nd Edition)

    Preservation Metadata (2Nd Edition)

  • 3D Printing: Cultural Property As Intellectual Property, 39 Colum

    3D Printing: Cultural Property As Intellectual Property, 39 Colum

  • Provenience and Provenance Intersecting with International Law in the Market for Antiquities

    Provenience and Provenance Intersecting with International Law in the Market for Antiquities

  • Neutron Activation Analysis and Provenance Research in Archaeology

    Neutron Activation Analysis and Provenance Research in Archaeology

  • Heritage Program Management Handbook

    Heritage Program Management Handbook

  • Terms of Art (New York, 1-2 Dec 20)

    Terms of Art (New York, 1-2 Dec 20)

  • Human Bioarchaeology: a Case Study for Standards in Data Collection & Curation, with a Particular Focus on the Museum of Lo

    Human Bioarchaeology: a Case Study for Standards in Data Collection & Curation, with a Particular Focus on the Museum of Lo

Top View
  • Curator: Provenance Management for Modern Distributed Systems
  • Provenance Capture and Use: a Practical Guide
  • Dutch Guideline for Deaccessioning of Museum Objects
  • PREP Talks: Interdisciplinary and Comparative Approaches/Case Studies on Provenance Research
  • Repatriation of Cultural Property–Who Owns the Past? an Introduction to Approaches and to Selected Statutory Instruments Carol A
  • Provenance Determination of Archaeological Metal Objects
  • Advances in Digital Imaging for Fine Art and Cultural Heritage
  • Mutually-Beneficial Repatriation Agreements: Returning Cultural Patrimony, Perpetuating the Illicit Antiquities Market Stacey Falkoff
  • Protection of Cultural Property Military Manual
  • Documentary Provenance and Digitized Collections: Concepts and Problems
  • Crmdig: a Generic Digital Provenance Model for Scientific Observation
  • The Importance of Provenance Documentation in the Market for Ancient Art and Artifacts: the Future of the Market May Depend on Documenting the Past
  • Structure and Lining: a Review from the Executive Director, 5
  • NPS Office of Policy: NPS-28, Cultural Resource Management (Contents)
  • Provenance Unknownrevised
  • If These Crawls Could Talk: Studying and Documenting Web Archives Provenance
  • Personal Viewpoints: Thoughts About Paintings Conservation
  • A Metadata Framework to Support the Preservation of Digital Objects


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