Provenance Determination of Archaeological Metal Objects
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Digital Preservation Workflows for Museum Imaging Environments
The 11th International Symposium on Virtual Reality, Archaeology and Cultural Heritage VAST (2010) A. Artusi, M. Joly, D. Pitzalis, G. Lucet, and A. Ribes (Editors) Digital preservation workflows for museum imaging environments Michael Ashley1 1 Cultural Heritage Imaging, San Francisco, California, USA From: Principles and Practices of Robust, Photography-based Digital Imaging Techniques for Museums. Contributors: Mark Mudge, Carla Schroer, Graeme Earl, Kirk Martinez, Hembo Pagi, Corey Toler-Franklin, Szymon Rusinkiewicz, Gianpaolo Palma, Melvin Wachowiak, Michael Ashley, Neffra Matthews, Tommy Noble, Matteo Dellepiane. Edited by Mark Mudge and Carla Schroer, Cultural Heritage Imaging. The 11th International Symposium on Virtual Reality, Archaeology and Cultural Heritage VAST (2010) A. Artusi, M. Joly, D. Pitzalis, G. Lucet, and A. Ribes (Editors) This is a pre-print copy of a paper that is currently under review. Please respect the intellectual property of the authors and the efforts of the publishers and reviewers until its publication. If you find any errors that need modification please contact the author at [email protected]. Meanwhile this pdf is distributed to interested readers under a Creative Commons 3.0 license. M. Ashley / Digital Preservation Workflows For Museum Imaging Environments Digital preservation workflows for museum imaging environments Michael Ashley1 1 Cultural Heritage Imaging, San Francisco, California, USA Abstract We discuss and demonstrate practical digital preservation frameworks that protect images throughout the entire production life-cycle. Using off the shelf and open source software coupled with a basic understanding of metadata, it is possible to produce and manage high value digital representations of physical objects that are born archive- ready and long-term sustainable. -
Introducticn Tc Ccnservoticn
introducticntc ccnservoticn UNITED NATTONSEDUCATIONA],, SCIEIilIIFTC AND CULTIJRALOROANIZATTOII AN INIRODUCTION TO CONSERYATIOI{ OF CULTURAT PROPMTY by Berr:ar"d M. Feilden Director of the Internatlonal Centre for the Preservatlon and Restoratlon of Cultural Property, Rome Aprll, L979 (cc-ig/ws/ttt+) - CONTENTS Page Preface 2 Acknowledgements Introduction 3 Chapter* I Introductory Concepts 6 Chapter II Cultural Property - Agents of Deterioration and Loss . 11 Chapter III The Principles of Conservation 21 Chapter IV The Conservation of Movable Property - Museums and Conservation . 29 Chapter V The Conservation of Historic Buildings and Urban Conservation 36 Conclusions ............... kk Appendix 1 Component Materials of Cultural Property . kj Appendix 2 Access of Water 53 Appendix 3 Intergovernmental and Non-Governmental International Agencies for Conservation 55 Appendix k The Conservator/Restorer: A Definition of the Profession .................. 6? Glossary 71 Selected Bibliography , 71*. AUTHOR'S PREFACE Some may say that the attempt to Introduce the whole subject of Conservation of Cultural Propety Is too ambitious, but actually someone has to undertake this task and it fell to my lot as Director of the International Centre for the Study of the Preservation and Restoration of Cxiltural Property (ICCROM). An introduction to conservation such as this has difficulties in striking the right balance between all the disciplines involved. The writer is an architect and, therefore, a generalist having contact with both the arts and sciences. In such a rapidly developing field as conservation no written statement can be regarded as definite. This booklet should only be taken as a basis for further discussions. ACKNOWLEDGEMENTS In writing anything with such a wide scope as this booklet, any author needs help and constructive comments. -
Selection in Web Archives: the Value of Archival Best Practices
WITTENBERG: SELECTION IN WEB ARCHIVES Selection in Web Archives: The Value of Archival Best Practices Jamie Wittenberg, University of Illinois at Urbana-Champaign, United States of America Abstract: The abundance of valuable material available online has mobilized the development of preservation initiatives at collecting institutions that aim to capture and contextualize web content. Web archiving selection criteria are driven by the limitations inherent in harvesting technologies. Observing core archival principles like provenance and original order when establishing collection development policies for web content will help to ensure that archives continue to assure the authenticity of the materials they steward. Keywords: Web Archives; Archival Theory; Digital Libraries; Internet Content; Selection and Appraisal Introduction The abundance of valuable material available online has mobilized the development of preservation initiatives at collecting institutions that aim to capture and contextualize web content. Methodologies for web collection practices are institution and collection-specific. Among institutions charged with preserving cultural heritage, web archiving has become commonplace. However, the disparity between institutional selection and appraisal criteria reveals the absence of standardization for web archive establishment. The Australian web archive, for example, accessions content that it evaluates as having long-term research value. The Library of Congress web archive, represented by its Minerva team, established a collection -
Digital Reconstruction of an Archaeological Site Based on the Integration of 3D Data and Historical Sources
International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, Volume XL-5/W1, 2013 3D-ARCH 2013 - 3D Virtual Reconstruction and Visualization of Complex Architectures, 25 – 26 February 2013, Trento, Italy DIGITAL RECONSTRUCTION OF AN ARCHAEOLOGICAL SITE BASED ON THE INTEGRATION OF 3D DATA AND HISTORICAL SOURCES G. Guidi a, *, M. Russo b, D. Angheleddu a a Dept. of Mechanics, Politecnico di Milano, Italy (gabriele.guidi, davide.angheleddu)@polimi.it b Dept. of Design, Politecnico di Milano, Italy [email protected] Commission V, WG V/4 KEY WORDS: 3D survey, archaeological sites, reality based modeling, digital reconstruction, integration of methods, Cham Architecture ABSTRACT: The methodology proposed in this paper in based on an integrated approach for creating a 3D digital reconstruction of an archaeological site, using extensively the 3D documentation of the site in its current state, followed by an iterative interaction between archaeologists and digital modelers, leading to a progressive refinement of the reconstructive hypotheses. The starting point of the method is the reality-based model, which, together with ancient drawings and documents, is used for generating the first reconstructive step. Such rough approximation of a possible architectural structure can be annotated through archaeological considerations that has to be confronted with geometrical constraints, producing a reduction of the reconstructive hypotheses to a limited set, each one to be archaeologically evaluated. This refinement loop on the reconstructive choices is iterated until the result become convincing by both points of view, integrating in the best way all the available sources. The proposed method has been verified on the ruins of five temples in the My Son site, a wide archaeological area located in central Vietnam. -
2016 Technical Guidelines for Digitizing Cultural Heritage Materials
September 2016 Technical Guidelines for Digitizing Cultural Heritage Materials Creation of Raster Image Files i Document Information Title Editor Technical Guidelines for Digitizing Cultural Heritage Materials: Thomas Rieger Creation of Raster Image Files Document Type Technical Guidelines Publication Date September 2016 Source Documents Title Editors Technical Guidelines for Digitizing Cultural Heritage Materials: Don Williams and Michael Creation of Raster Image Master Files Stelmach http://www.digitizationguidelines.gov/guidelines/FADGI_Still_Image- Tech_Guidelines_2010-08-24.pdf Document Type Technical Guidelines Publication Date August 2010 Title Author s Technical Guidelines for Digitizing Archival Records for Electronic Steven Puglia, Jeffrey Reed, and Access: Creation of Production Master Files – Raster Images Erin Rhodes http://www.archives.gov/preservation/technical/guidelines.pdf U.S. National Archives and Records Administration Document Type Technical Guidelines Publication Date June 2004 This work is available for worldwide use and reuse under CC0 1.0 Universal. ii Table of Contents INTRODUCTION ........................................................................................................................................... 7 SCOPE .......................................................................................................................................................... 7 THE FADGI STAR SYSTEM ....................................................................................................................... -
Art Deaccessioning Policy
Deaccessioning Policy Document No. CUR 4.0 – Deaccessioning Policy Page 1 Approved: December 2020 Approved by: National Gallery of Australia Council next review due: December 2022 Summary Name of Policy Description of Policy Deaccessioning Policy Policy applies to ☒ NGA wide ☐ Specific (eg. Department) Policy Status ☐ New policy ☒ Revision of Existing Policy (previously Art Acquisition Policy) Approval Authority Director Responsible Officer Assistant Director, Artistic Programs Contact area Artistic Programs Date of Policy Review* October 2022 Related Policies, Procedures, National Gallery Act 1975 Guidelines and Local Protocols Public Governance, Performance and Accountability Act 2013 Council Instructions including Financial Delegations Aboriginal and Torres Strait Islander Cultural Rights and Engagement Policy Due Diligence and Provenance Policy Acquisitions Policy Research Library Collection Development Policy Research Archive Acquisition Policy The Copyright Act 1968 The Privacy Act 1988 Privacy Policy Australian Best Practice Guide to Collecting Cultural Material 2015 Collections Law: Legal issues for Australian Archives, Galleries, Libraries and Museums *Unless otherwise indicated, this policy will still apply beyond the review date. Approvals Position Name Endorsed Date Assistant Director Natasha Bullock Yes Director Nick Mitzevich Yes Council Ryan Stokes Yes Document No. CUR 4.0 – Deaccessioning Policy Page 2 Approved: December 2020 Approved by: National Gallery of Australia Council next review due: December 2022 Table of contents -
Mitigating the Curation Crisis of the 21St Century
A California Case Study on Procedures to Reassemble and Reevaluate Archaeological Artifact Processing: Mitigating the Curation Crisis of the 21st Century By Allysha A. Leonard Senior Thesis Advisor: Tsim Schneider Submitted to the Department of Anthropology University of California Santa Cruz Santa Cruz, CA 95060 3/20/19 In partial fulfillment of the requirements for the degree of Bachelor’s in Anthropology Table of Contents Table of Contents ............................................................................................................................ 2 I. Abstract ........................................................................................................................................ 3 II. Introduction ................................................................................................................................ 6 Background in Under Processing: Lack of Analysis .................................................................. 8 Background in Over Processing: Artifact Hoarding and Lack of Ethical Deaccessioning ........ 9 Defining Waste and Defects in the Artifact Process ................................................................. 16 Defining Lean Systems and Kaizen Waste Improvement Strategies ........................................ 17 III. Methods and Case Studies ...................................................................................................... 21 A “A Reality Check” — Field Lab and CRM Experience: Sesnon House, Cabrillo College, Soquel, CA ............................................................................................................................... -
Provenance in Digital Collections, Margo Seltzer
Provenance in Digital Collections Margo Seltzer Harvard School of Engineering and Applied Sciences September 20, 2012 Provenance: Special Metadata • From the French word for “source” or “origin” • The complete history or lineage of a object • In the art world, provenance documents the chain of ownership of an artifact. • In the digital world, provenance records: – The process that created an artifact – The transformations applied to an artifact – The human and computational agents that operated upon an artifact – Open question: sufficient information to reproduce the artifact? Designing Storage Architectures: 9/20/12 2 Example: Art Designing Storage Architectures: 9/20/12 3 Example: Art with Provenance Provenance < 1662 Simon de Vos, Antwerp (possibly) by 1662 Guilliam I Forchoudt, Antwerp (possibly) to 1747 Jacques de Roore, The Hague 1747 - 1771 Anthonis de Groot and Stephanus de Groot, The Hague 1771 - ? Abelsz to 1779 Jacques Clemens to 1798 Supertini and Platina, Brussels to 1814 Pauwels, Brussels to 1822 Robert Saint-Victor, Paris 1822 - ? Roux to 1924 Marquise d'Aoust, France 1924 Galerie Georges Petit, Paris to 1940 Federico Gentili di Giuseppe, died 1940, Paris 1940 - 1950 Mrs. A. Salem, Boston (Mr. Gentili di Giuseppe's daughter ) 1950 - 1954 Frederick Mont and Newhouse Galleries, New York 1954 - 1961 Samuel H. Kress Foundation, New York 12/09/1961 Seattle Art Museum Designing Storage Architectures: 9/20/12 4 Example: Data with Provenance Meleana e From the Library of Congress National Jukebox From the page: Musical Group: Irene West Royal Hawaiians Label Name/Number: Victo 17864 Matrix Number/Take Number: B‐15530/2 Recording Date: 12/19/1914 Location: Camden, NJ Size: 10” From http://www.loc.gov/jukebox/about/making‐the‐jukebox: “A slip that provides the elements of the filename of the digital copy is inserted in the sleeve of each selected disc: institution/collection code, label name, label number, disc copy, matrix number, and take number are all noted on the slip. -
The Licit and the Illicit in Archaeological and Heritage Discourses
CHALLENGING THE DICHOTOMY EDIT ED BY LES FIELD CRISTÓBAL GNeccO JOE WATKINS CHALLENGING THE DICHOTOMY • The Licit and the Illicit in Archaeological and Heritage Discourses TUCSON The University of Arizona Press www.uapress.arizona.edu © 2016 by The Arizona Board of Regents Open-access edition published 2020 ISBN-13: 978-0-8165-3130-1 (cloth) ISBN-13: 978-0-8165-4169-0 (open-access e-book) The text of this book is licensed under the Creative Commons Atrribution- NonCommercial-NoDerivsatives 4.0 (CC BY-NC-ND 4.0), which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Cover designed by Leigh McDonald Publication of this book is made possible in part by the Wenner-Gren Foundation. Library of Congress Cataloging-in-Publication Data Names: Field, Les W., editor. | Gnecco, Cristóbal, editor. | Watkins, Joe, 1951– editor. Title: Challenging the dichotomy : the licit and the illicit in archaeological and heritage discourses / edited by Les Field, Cristóbal Gnecco, and Joe Watkins. Description: Tucson : The University of Arizona Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2016007488 | ISBN 9780816531301 (cloth : alk. paper) Subjects: LCSH: Archaeology. | Archaeology and state. | Cultural property—Protection. Classification: LCC CC65 .C47 2016 | DDC 930.1—dc23 LC record available at https:// lccn.loc.gov/2016007488 An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. -
AAA2021 Session Themes V2
SESSION THEMES After Archaeology in Practice: Student Research in Archaeology and Cultural Heritage Management An extraordinary and excitingly diverse range of research topics are pursued by students in archaeology and cultural heritage management and with the advent of covid-19, students have engaged with history, science and culture in ways we haven’t even begun to fully explore. Disseminating your research results to an audience of archaeologists at Australia’s annual conference was a huge hit at the 2019 AAA Conference on the Gold Coast and by request we propose to run a student-led and focussed session for the 2021 AAA conference. This session focusses on student research and provides an opportunity to speak alongside a group of your peers in a safe moderated space. We support and encourage student researchers at all levels to present a paper on their research in any area of archaeology and cultural heritage management from national and international contexts. Presenting in this forum allows you to develop important skills at communicating your research results. Presentations will be a maximum of 10-15minutes with 5 minutes for questions. Archaeological Science Collaborations: The ARCAS Network Session Archaeological science has become an integral part of Australian archaeology, with advancements in technologies allowing new types of data and/or higher resolution data to be produced. These data underpin detailed and nuanced interpretations of past human behaviour and contribute to understanding how people lived on Country. Archaeological science, with its foundations in western science, can play an important role in reconciliation and truth telling, especially when combined with the traditional knowledges of First Nation people. -
Provenance: What Is It and Why Do We Care?
Provenance: What is it and why do we care? What is it? PROVENANCE: “The pedigree of a book’s previous ownership. This may be clearly marked by the owner’s name, arms, bookplate, or evidence in the book itself; or it may have to be pieced together from such outside sources as auction records or booksellers’ catalogues.” --John Carter, ABC for Book Collectors (Oak Knoll Press, 1998) Why do we care? “Recorded ownership in a particular book at a particular time can tell us something about both owner and text; it can allow us to make deductions about the tastes, intellectual abilities or financial means of the owner, and it can show the reception of the text at different periods of history. If the book is annotated, we can see further into that world of private relationship between reader and text, and the impact of books in their contemporary contexts.” --David Pearson, Books as History (British Library, 2008) What are the common types of provenance? “There are numerous ways in which people have left traces of their ownership in books; they have written their names on the title page, they have pasted in printed bookplates, they have put their names or arms on the binding, they have used codes and mottos.” --David Pearson, Books as History (British Library, 2008) How do we explore? Each copy of a particular title has its own history. If a book, such as Thomas Paine’s Common Sense, is published in 1776, then each surviving individual copy of that work has its own 240- plus year history. -
Curator: Provenance Management for Modern Distributed Systems
Curator: Provenance Management for Modern Distributed Systems∗† Warren Smith Thomas Moyer Charles Munson The Weather Company, an IBM MIT Lincoln Laboratory Business UNC Charlotte Secure Resilient Systems and Andover, MA, USA Software and Information Systems Technology Charlotte, NC, USA Lexington, MA, USA Abstract systems have focused on the collection and usage of prove- Data provenance is a valuable tool for protecting and trou- nance data, often with the analysis occurring on the same bleshooting distributed systems. Careful design of the prove- system that collected the provenance. While this works well nance components reduces the impact on the design, im- for applications running on a single host, it quickly breaks plementation, and operation of the distributed system. In down on distributed systems. this paper, we present Curator, a provenance management In systems that have considered provenance for distributed toolkit that can be easily integrated with microservice-based systems, the proposed architectures treat provenance as systems and other modern distributed systems. This paper unique from other sources of metadata, such as log and au- describes the design of Curator and discusses how we have dit data. This requires users of provenance to build entire used Curator to add provenance to distributed systems. We infrastructures to manage the provenance data, increasing find that our approach results in no changes to the design the complexity of the application and system. This increased of these distributed systems and minimal additional code complexity can also increase the attack surface of the appli- and dependencies to manage. In addition, Curator uses the cation, negating the security benefits of adding provenance same scalable infrastructure as the distributed system and to a system.