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Pierre Schaeffer
Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol
The Sculpted Voice an Exploration of Voice in Sound Art
Experimental Sound & Radio
Holmes Electronic and Experimental Music
Electronic Music - Inquiry Description
Pierre Schaeffer an Interview with the Pioneer of Musique Concrete by Tim
Harpsichord and Its Discourses
Alarm/Will/Sound: Sound Design, Modelling, Perception and Composition Cross-Currents Alexander Sigman, Nicolas Misdariis
Electric Love Blueprint: a Brief History of Electronic Kunstmuseen Der Welt Auf
In Search of a Concrete Music
Περίληψη : a Music Composer of Greek Origin, Coming from a Family of the Greek Diaspora
BEAUTIFUL NOISE Directions in Electronic Music
Electronics in Music Ebook, Epub
1 HISTORY & AESTHETICS of ELECTRO-ACOUSTIC MUSIC
Krautrock and the West German Counterculture
Digital Cultures Listening Lists
Varese's Multimedia Conception of Deserts
Kompositionen Für Hörbaren Raum / Compositions for Audible Space
Top View
Pierre Schaeffer, the Sound Object, and the Acousmatic Reduction
Manuel Gottsching and Ash Ra Tempel Kraftwerk
The GRM: Landmarks on a Historic Route
How Do You Make Music a Body Without Organs? Gilles Deleuze
MUSIQUE CONCRETE & ELECTRONIC MUSIC of the 50S
Analysing the First Electroacoustic Music of Iannis Xenakis Makis Solomos
Strange Sounds Strange Sounds This Page Intentionally Left Blank Strange Sounds
Edgard Varese and the Electronic Medium
Morphological Segmentation
The Sounds of the Environment in Xenakis
What the GRM Brought to Music: from Musique Concre`Te to Acousmatic Music
Electroacoustic Music Pre-1960: Historicity and Ideology
Xenakis in America
Schaeffer Reconsidered: a Typological Space and Its Analytical Applications[1]
Musique Concrète, French New Wave Cinema, and Jean Cocteau's 'Le Testament D'orphée' (1960)
PHENOMENOLOGICAL LISTENING: Phe – Nom – E – ‘Nol – O – Gy
Sound Without Music
San Francisco Tape Music Festival