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Peter Raabe
The Story of the Olympic Hymn: the Poet and His Composer
Das ‚Hohe Kulturgut Deutscher Musik' Und Das ‚Entartete'
Performing for the Nazis: Foreign Musicians in Germany, 1933-1939
583 61. Tonkünstlerfest Bremen, 11. – 16. Mai 1931
Hitler's Happy People: Kraft Durch Freude's Everyday Production Of
Music and Politics in Hitler's Germany
An Uncrossable Rubicon: Liszt's Sardanapalo Revisited
Zur Geschichte Des Deutschen Tonkünstlerverbandes
From Holy German Art to Degenerate Art: Nazi Ideology and Opera
Die Meistersinger Through the Lens of the Third Reich
Opera by the Book: Defining Music Theater in the Third Reich
The Olympic Art Competitions Were Performed Seven Times Between
Erik Levi Resisting Nazism – Hartmann, Blacher and Von Einem
Notes and References
Beethoven in National Socialist Political Culture,” Paper for the “Musicology Colloquium Series"
623 67. Tonkünstlerversammlung Weimar, Jena, Wartburg, [Eisenach]
Ra C Sun Ra C SUNN RAH
Liszt As Kapellmeister: the Development of the Symphonic Poems on the Weimar Stage
Top View
3. – 7. Juni 1913
Most German of the Arts
Albrecht Dümling
„Europäischen Phänomens Franz Liszt“ Während Der Nationalsozialistischen Ara Oliver RATHKOLB (Wien)
A New Critical Approach to Performing Liszt's Sonata
Ernest Newman's the Man Liszt of 1934
Performing for the Nazis: Foreign Musicians in Germany, 1933-1939
[Cranz Bei Königsberg], 5. – 9. Juni 1930
Musicians in Nazi Germany Thomas G
Research Chronicle Is Published by the Royal Musical Association
Werner Egk and Joan Von Zarissa: Music As Politics and Propaganda Under National Socialism Jason P
Carl Orff CARMINA BURANA Live Recording