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Pentachord
Diatonic-Collection Disruption in the Melodic Material of Alban Berg‟S Op
Citymac 2018
Incantations Analytical Commentary Graham Waterhouse
Mild Dissonance Preferred Over Consonance in Single Chord
Stravinsky and the Octatonic: a Reconsideration
Romanian Folkloric Influences on George Enescu’S Artistic and Musical
An Explanation of Anomalous Hexachords in Four Serial Works by Igor Stravinsky
Divisions of the Tetrachord Are Potentially Infinite in Number
Tuning, Tonality, and 22-Tone Temperament
On Chords Generating Scales; Three Compositions for Orchestra
MTO 16.3: Jenkins, After the Harvest
Lecture Notes on Pitch-Class Set Theory Topic 1
Music Theory Contents
Journal of the American Viola Society Volume 17 No. 1, 2001
Set-Class Table1
Aural Analysis of Arabic Improvised Instrumental Music (Taqs¯ M)
East Meets West in Enescu's Second Sonata for Piano and Violin, Op. 6. Vladimir Laurentiu Hirsu Louisiana State University and Agricultural & Mechanical College
Analysis and Performance Suggestions for Witold Lutoslawski's Grave: Metamorphoses for Cello and Piano
Top View
A Structural Analysis of George Enescu's Piano
Maqam Analysis: a Primer
Zfwt Journal of World of Turks
XVI Nordic Musicological Congress Stockholm 2012
The Journal of the Viola Da Gamba Society
Bartók's Polymodality
Turkish & Arab Makams Music Theory For
The Roles of Invariance and Analogy in the Linear Design of Stravinskyâ
Pentachordal Configurations in Two Late Works by Leoš Janáček
A Primer for Atonal Set Theory
THE LOST ART of MAQĀM Amine Beyhom
Epic Time and Narrativity in Jean Sibelius's Lemminkäinen Suite
MTO 9.3: Kuusi, the Role of Set-Class Identity in the Estimation
A PRACTICAL GLOSSARY for Twentieth-Century Music
Millikin University School of Music Preparatory Department Learning Outcomes
The Pennsylvania State University Schreyer Honors College
Serialism and Neo-Riemannian Theory: Transformations and Hexatonic Cycles in Schoenberg’S Modern Psalm Op
The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use