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Paul Wendkos
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
Narrative and Culture in Versions of the Lizzie Borden Story (A Performative Approach)
The Field Guide to Sponsored Films
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American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
Gidget Documentary a Hit at Maritime Museum
Representations of Adult Male Prisons by the Film Industry by Melissa E
Invisible City: Philadelphia and the Vernacular Avant-Garde NOTES on the UNDERGROUND
Watch Gidget Goes Hawaiian Free Onli
American Culture and Submarine Warfare in the Twentieth Century
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Columbia Pictures: Portrait of a Studio
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Addiction, Culture, and Narrative During the War on Drugs
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Ghosts – Or the (Nearly) Invisible
UC Santa Cruz UC Santa Cruz Electronic Theses and Dissertations
Top View
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Annual Report 2012
Endless Summer (1964): Consuming Waves and Surfing the Frontier
Your God Had His Chance and He Blew It
Surfers & ‘The Search’ in the American Oceanic Imaginary
The Rhetoric of Surf: a Lexical and Archetypal Migration of Los Angeles Counterculture Into Popular Culture
'Just the Lemon Next to the Pie': Apocalypse, History and the Limits of Myth in Big Wednesday (1978) Joan Ormrod, Manchester Metropolitan University, UK
UC Irvine UC Irvine Electronic Theses and Dissertations
The University of Chicago a Dissertation Submitted To
UNIVERSITY of CALIFORNIA, IRVINE Bringing The