DOCSLIB.ORG

The University of Chicago a Dissertation Submitted To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The University of Chicago a Dissertation Submitted To THE UNIVERSITY OF CHICAGO THE RISE AND FALL OF JEWISH REPRESENTATION AND COMMUNIST REFORM IN CZECHOSLOVAKIA, 1945-75 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE SOCIAL SCIENCES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF HISTORY BY ILANA R. MCQUINN CHICAGO, ILLINOIS DECEMBER 2019 Table of Contents List of Images…….…….…….…….…….……….…….…….…….……….…….…….…….…iii List of Figures…….…….…….…….……….…….…….…….……….…….…….…….………..v List of Tables…….…….…….…….……….…….…….…….……….…….…….…….………..vi List of Abbreviations…….…….…….…….……….…….…….…….……….…….…….……..vii Acknowledgements…….…….…….…….……….…….…….…….……….…….…….……...viii Introduction …….…….…….…….……….…….…….…….……….…….…….…….……….1 Chapter 1 Anatomy of a Trend: The Rise and Fall of Jewish Culture, 1945-1975...……....29 Chapter 2 Writing Jewish Experiences in Czechoslovakia, 1945-63….……………..…......59 Chapter 3 Homes, Heroines, and Countrymen: Living “Outside the Law” in Czechoslovak Literature and Film, 1959-1969……………………………………………….....97 Chapter 4 Co-Opting Tevye: Fiddler on the Roof Productions in Communist Czechoslovakia, 1968-69…….……….…….…….……………………..……..158 Chapter 5 Culture and Politics Collide: The ‘67 War, the anti-Zionist Campaign, and the Prague Spring ……………………………………………………………….....195 Conclusion …………………….…….…….…….……….…….…….………….…….……242 Appendix A: Literary Works Published About Jews in Czechoslovakia………...Available Online Appendix B: Feature Films about the Holocaust, 1945-1989…………………………………..254 Appendix C: Czechoslovak Feature Films about the Holocaust,1945-1969..…....Available Online Appendix D: Articles in the Czechoslovak Press, 1955-1971…………………...Available Online Appendix E: Biographical Data on Authors……………………………………………………262 Appendix F: Books Returned from Libraries, 1972-75………………………….Available Online Bibliography…….…….…….…….…….…….…….…….………………….…….…….…….267 ii List of Images Image 2.1. Cover of Elegy for 77,297 Victims…………………………………………………...71 Image 2.2. Illustration from Elegy for 77,297 Victims…………………………………………..71 Image 3.1. Hanka, heroine of Romeo, Juliet and Darkness…………………………………….107 Image 3.2. Kubiasová the collaborator, Romeo, Juliet and Darkness ………….…….………..108 Image 3.3. Pavel’s girlfriend Alena, Romeo, Juliet and Darkness……………………………..108 Image 3.4. Marta’s allure, Death is Called Engelchen…………………………………………115 Image 3.5. Marta’s despair, Death is Called Engelchen ……………………………………….116 Image 3.6. Hanka looking into the distance (1) ……………………………………….……….117 Image 3.7. Hanka looking into the distance (2) ……………………………………….……….117 Image 3.8. Marta looking into the distance (1) ……………………………………….…….….117 Image 3.9. Marta looking into the distance (2) ……………………………………….………..117 Image 3.10. Promotional material, Death is Called Engelchen…………………………….…..125 Image 3.11. Movie poster, Death is Called Engelchen…………………………….…….….…125 Image 3.12. Czech poster, The Shop on Main Street…………………………….…….….……125 Image 3.13. Hungarian poster, The Shop on Main Street…………………………….…….…..125 Image 3.14. German poster, The Shop on Main Street…………………………….…….….….125 Image 3.15. Staircase shot (1), Romeo, Juliet and Darkness……………….…….….…………131 Image 3.16. Staircase shot (2), Romeo, Juliet and Darkness……………….…….….…………131 Image 3.17. Pavel trapped by the house (1), Romeo, Juliet and Darkness……………….…….132 Image 3.18. Pavel trapped by the house (2), Romeo, Juliet and Darkness……………….…….132 Image 3.19. Braun’s flat, The Fifth Horseman is Fear……………….…….….…….….……...135 Image 3.20. Mrs. Šidlák, The Fifth Horseman is Fear……………….…….….…….….……...136 iii Image 3.21. The Veselý’s apartment, The Fifth Horseman is Fear……………….…….….….136 Image 3.22. The storeroom of Jewish property, musical instruments……………….…………137 Image 3.23. The storeroom of Jewish property, clocks……………….……………….……….137 Image 3.24. The storeroom of Jewish property, pianos……………….……………….…….....137 Image 3.25. Nazi posters, The Fifth Horseman is Fear.….....……………….…………………138 Image 3.26. Staircase shot, The Fifth Horseman is Fear……………….………………………139 Image 3.27. Covers of Romeo, Juliet and Darkness……………….…………………………...153 Image 4.1. The set of the Prague Romeo, Julie and Darkness opera…………………………...165 Image 4.2. Helena Tattermuschová as Esther, Romeo, Julie and Darkness opera………….….165 Image 4.3. Chagall’s The Dream (1939) ………………...………………...………………......172 Image 4.4. Chagall’s The Fiddler (1912) ………………...………………...………………......172 Image 4.5. Boris Aronson’s Fiddler on the Roof sets.………………...………………………..174 Image 4.6. Oldřich Smutný’s set designs for Prague Fiddler on the Roof……………………..175 Image 4.7. Smutný’s final set, The Inn……………………..……………………..……………176 Image 4.8. Smutný’s final set, Floating menorahs…..……………………..…………………...176 Image 4.9. Anatevkans in Bratislava…………………..…………………...………………..…178 Image 4.10. Yente and Golde in the Prague production…………………...………………...…178 Image 4.11. Scene in the Plzeň production…………………...………………..…………..…...178 Image 4.12. Anatevkans in Plzeň………………...………………..…………..…...……..…….179 Image 4.13. Perchik in Plzeň………………...………………..…………..…...……..………...181 Image 4.14. Hana Hegerová’s Noc………………...…………………………………………...190 Image 5.1. Poster in student dorm, Prague ………………...………………..…………..……..235 iv List of Figures Figure 1.1. Books about Jews Released by Year, 1945-1989 (Czech and Slovak Authors)…….35 Figure 1.2. Books about Jews Released by Year, 1945-1989 (Inclusive).………………………35 Figure 1.3. Global Releases of Films about Jews under Nazi Occupation………………………39 Figure 1.4. Authors’ Backgrounds, as a Percentage of Total Authors…………………………..42 Figure 1.5. Percentage of Total Titles, by Ethno-religious Background………………………...42 Figure 1.6. Authors’ Birthplaces and Ethno-Religious Background 1…………………………..44 Figure 1.7. Authors’ Birthplaces and Ethno-Religious Background 2…………………………..44 Figure 1.8. Correlations between Author Experiences and Number of Titles Written…………..48 Figure 1.9. Percentage of Total Author Group with Socialist Affiliation or Leaning…………...51 Figure 2.1. Books published about Jewish War Experiences…………...…………...…………..77 Figure 3.1. Global Distribution of Feature Films on Nazi Persecution of Jews……...………...156 Figure 5.1. Press dominance of Rudé právo, June – Dec 1967…...………...…...………...…...202 Figure 5.2. Press dominance of Pravda, June – Dec 1967……………………………………..202 Figure 5.3. Origin of Articles on the Middle East conflict, June – Dec 1967………………….203 Figure 5.4. Keyword markers in article titles…………………………………………………..204 Figure 5.5. Articles related to Israel and anti-Zionism in 1968………………………………...217 Figure 5.6. Origin of Articles on the Middle East Conflict, June ’67- Aug ‘68………………..219 Figure 5.7. Israel and anti-Zionism articles in 1968, Poland and the Slánský Trial.…………...224 Figure 6.1. Books Published about Jew, 1945-2010……………………………………………249 Figure 6.2. Books Published by Domestic Authors…………………………………………….249 v List of Tables Table 1.1. Average Number of Titles per Author………………………………………………..42 Table 1.2. Correlation between Author’s Dominant Experience and Number of Books………..46 Table 1.3. Correlation between Ethno-religious Background and War Experience……………..48 vi List of Abbreviations AAN – Archive of the Modern Era (Archiwum Akt Nowych) ABS – State Security Archives (Archív bezpečnostních složek) ČSF – Czechslovak Film (Československý film) FAMU – Film and TV School of the Academy of Performing Arts in Prague (Filmová a televizní fakulta Akademie múzických umění v Praze) FN – National Film Archives, Warsaw (Filmoteka Narodowa) KSČ – Communist Party of Czechoslovakia (Komunistická strana Československu) LA – Literary Archive (Literární archív) LS – Literary Script (Literární scénář) MK – City Library (Městská knihovna) MLK – Municipal People’s Library (Městská lidová knihovna) MV – Ministry of the Interior (Ministerstvo vnítra) NA – National Archive (Národní archív) ND – National Theater Archive (Národní divadlo) NK – National Library (Národní knihovna) OZF – Division of Special Funds (Oddělení zvláštních fondů) PNP – Museum of Czech Literature (Památník národního písemnictví) RFE/RL – Radio Free Europe / Radio Liberty ROH – Revolutionary Trade Union Movement (Revoluční odborové hnutí) SFU – Slovak Film Institute (Slovenský filmový ústav) SK – State Library (Státní knihovna) SSTS – Collection of Files on Confidential Informants (Sbírka Svazky tajných spolupracovníků) StB – State Security (Státní bezpečnost) TS – Technical Script (Technícký scénář) UK – Central Library (Ústřední knihovna) ÚPS – Central Publication Office (Ústřední publikační správa) ÚŘ – Central Directorate (Ústřední ředitelství) ŽNO – Jewish Religious Community (Židovská náboženská obec) vii Acknowledgements I'll start from the beginning. None of this would have come to pass if I hadn't taken an impromptu trip in Prague in 2007. Thank you to my parents for letting me tag along on that trip, and more importantly, for trusting me when I was lost and helping me to find my way. I am immensely grateful to Kasia Jerzak and John Morrow for providing ways for me to continue to explore my curiosity in Central Europe while at University of Georgia. Thomas Cerbu, too, influenced my interest in the act of processing the past through literature by introducing me to Sebald, and then agreeing to supervise a directed study in nearly all of Sebald's oeuvre. I am so appreciative of the two years I was able to spend at Indiana University. This project is particularly indebted to Padraic Kenney, who gave me the copy of Reportér that started this whole project; Jeff Veidlinger, who made me interested in Jewish history and was the first person to show me
Load more

Recommended publications
  • The Slansky Trial the Slansky Trial: the Slovak National Rising, and Was Elected CPC General Secretary the Following Year
    Workers' Liberty 3/36: The Slansky Trial The Slansky Trial: the Slovak National Rising, and was elected CPC General Secretary the following year. introduction Following the CPC putsch of 1948, in which the non- CPC parties were driven out of what had previously Author: been a coalition government, Slansky was the most Stan Crooke powerful person in the country, second only in name to President Klement Gottwald. 2012 marks the 60th anniversary of the so-called Trial of the Anti-State Conspiratorial Centre led by The official celebrations which marked Slansky’s Rudolf Slansky. 50th birthday, in July of 1951, appeared to underline his grip on power. He was awarded the The Slansky trial: contents. Order of Socialism (the highest state decoration). An avalanche of the obligatory laudatory articles appeared in the press and his collected works were The Slansky Trial was one of a series of Eastern published. European post-war Stalinist show-trials in which leading Communist Party members confessed — But it would not be long before Slansky was playing after prolonged physical and psychological torture the lead role in a Czech version of the show-trials — to being longstanding agents of American which swept through Eastern Europe in the years imperialism. following 1948. But the trial also broke new ground. It was the first In response to the onset of the Cold War and show-trial in which state-sponsored anti-semitism the rift with Tito’s Yugoslavia in June of that played a central role. As the New York Times, year, Stalin had clamped down on the satellite reporting under the headline “Tragi-Comedy in states’ Communist Parties.
    [Show full text]
  • It 2.007 Vc Italian Films On
    1 UW-Madison Learning Support Services Van Hise Hall - Room 274 rev. May 3, 2019 SET CALL NUMBER: IT 2.007 VC ITALIAN FILMS ON VIDEO, (Various distributors, 1986-1989) TYPE OF PROGRAM: Italian culture and civilization; Films DESCRIPTION: A series of classic Italian films either produced in Italy, directed by Italian directors, or on Italian subjects. Most are subtitled in English. Individual times are given for each videocassette. VIDEOTAPES ARE FOR RESERVE USE IN THE MEDIA LIBRARY ONLY -- Instructors may check them out for up to 24 hours for previewing purposes or to show them in class. See the Media Catalog for film series in other languages. AUDIENCE: Students of Italian, Italian literature, Italian film FORMAT: VHS; NTSC; DVD CONTENTS CALL NUMBER Il 7 e l’8 IT2.007.151 Italy. 90 min. DVD, requires region free player. In Italian. Ficarra & Picone. 8 1/2 IT2.007.013 1963. Italian with English subtitles. 138 min. B/W. VHS or DVD.Directed by Frederico Fellini, with Marcello Mastroianni. Fellini's semi- autobiographical masterpiece. Portrayal of a film director during the course of making a film and finding himself trapped by his fears and insecurities. 1900 (Novocento) IT2.007.131 1977. Italy. DVD. In Italian w/English subtitles. 315 min. Directed by Bernardo Bertolucci. With Robert De niro, Gerard Depardieu, Burt Lancaster and Donald Sutherland. Epic about friendship and war in Italy. Accattone IT2.007.053 Italy. 1961. Italian with English subtitles. 100 min. B/W. VHS or DVD. Directed by Pier Paolo Pasolini. Pasolini's first feature film. In the slums of Rome, Accattone "The Sponger" lives off the earnings of a prostitute.
    [Show full text]
  • Starring Hitler! Adolf Hitler As the Main Character in Twentieth-First Century French Fiction," Studies in 20Th & 21St Century Literature: Vol
    Studies in 20th & 21st Century Literature Volume 43 Issue 2 Article 44 October 2019 Starring Hitler! Adolf Hitler as the Main Character in Twentieth- First Century French Fiction Marion Duval The College of Wooster, [email protected] Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, Holocaust and Genocide Studies Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Duval, Marion (2019) "Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction," Studies in 20th & 21st Century Literature: Vol. 43: Iss. 2, Article 44. https://doi.org/10.4148/ 2334-4415.2076 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Starring Hitler! Adolf Hitler as the Main Character in Twentieth-First Century French Fiction Abstract Adolf Hitler has remained a prominent figure in popular culture, often portrayed as either the personification of evil or as an object of comedic ridicule. Although Hitler has never belonged solely to history books, testimonials, or documentaries, he has recently received a great deal of attention in French literary fiction. This article reviews three recent French novels by established authors: La part de l’autre (The Alternate Hypothesis) by Emmanuel Schmitt, Lui (Him) by Patrick Besson and La jeunesse mélancolique et très désabusée d’Adolf Hitler (Adolf Hitler’s Depressed and Very Disillusioned Youth) by Michel Folco; all of which belong to the Twenty-First Century French literary trend of focusing on Second World War perpetrators instead of their victims.
    [Show full text]
  • Feature Films
    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
    [Show full text]
  • Pour Qu'un Espace Public Parisien, Place Ou Rue, Établissement
    « Pour qu’un espace public parisien, place ou rue, établissement scolaire ou culturel, soit dédié à la mémoire de Lise et Artur LONDON. » Vœu présenté par Nicolas Bonnet, Président du groupe communiste et du parti de gauche, adopté à l’unanimité par le Conseil d’Arrondissement. Lundi 8 octobre 2012 à Paris 12e. Madame la Maire, Mes chèr-es collègues, C’est un honneur pour moi et avec beaucoup d’émotion que je vous présente ce vœu au nom des élus de la majorité pour qu’un espace public parisien, un établissement scolaire ou culturel, de surcroit dans le 12e arrondissement, soit dédié à la mémoire de Lise et Artur London. Il m’est impossible de retracer aujourd’hui le parcours exceptionnel de ces deux grands personnages qui ont traversé l’histoire de notre pays et l’histoire de l’Europe. De nombreux ouvrages y sont consacrés notamment l’autobiographie de Lise London en deux tomes « La mégère de la rue Daguerre » et « Le printemps des camarades » et bien entendu « L’aveu » d’Artur London, immortalisé en 1970 par le film de Costa Gavras, interprété par Yves Montand et scénarisé par Jorge Semprún, pour lequel nous avons décidé l’an passé l'attribution d’une voie dans le 12e arrondissement. A travers ce vœu, nous souhaitons rendre hommage à ce couple de militants communistes et inlassables combattants pour la liberté ; rendre hommage à leurs engagements, aux luttes historiques, tant dans la défense de la République espagnole que dans la Résistance contre l'occupation nazie ; mettre en lumière l’accusation monstrueuse dont ils ont étaient victimes par le stalinisme en Tchécoslovaquie, et leur témoignage unique dans le combat pour la justice.
    [Show full text]
  • A Career in Writing
    A Career in Writing Judah Waten and the Cultural Politics of a Literary Career David John Carter MA Dip Ed (Melb) Thesis submitted as total fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts, Deakin University, March 1993. Summary This thesis examines the literary career of Judah Waten (1911-1985) in order to focus on a series of issues in Australian cultural history and theory. The concept of the career is theorised as a means of bringing together the textual and institutional dimensions of writing and being a writer in a specific cultural economy. The guiding question of the argument which re-emerges in different ways in each chapter is: in what ways was it possible to write and to be a writer in a given time and place? Waten's career as a Russian-born, Jewish, Australian nationalist, communist and realist writer across the middle years of this century is, for the purposes of the argument, at once usefully exemplary and usefully marginal in relation to the literary establishment. His texts provide the central focus for individual chapters; at the same time each chapter considers a specific historical moment and a specific set of issues for Australian cultural history, and is to this extent self-contained. Recent work in narrative theory, literary sociology and Australian literary and cultural studies is brought together to revise accepted readings of Waten's texts and career, and to address significant absences or problems in Australian cultural history. The sequence of issues shaping Waten's career in
    [Show full text]
  • Egon Erwin Kisch – Biografie
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA BAKALÁŘSKÁ PRÁCE OLOMOUC 2013 RADKA BŘEZÍKOVÁ UNIVERZITA PALACKÉHO V OLOMOUCI FAKULTA PEDAGOGICKÁ KATEDRA NĚMECKÉHO JAZYKA Radka Březíková Humor und Satire in der Prager deutschen Literatur Bakalářská práce Německý jazyk se zaměřením na vzdělávání a přírodopis se zaměřením na vzdělávání Kombinované studium Vedoucí práce: Mgr. Jan Kubica, Ph.D. Olomouc 2013 Ich erkläre, dass ich meine Diplomarbeit selbstständig geschrieben habe und dass ich nur die im Literaturverzeichnis angeführte Literatur verwendet habe. Olomouc, am 20.11. 2013 ------------------------------- Unterschrift Inhaltsverzeichnis 1 VORWORT.................................................................................................................................................. 5 2 HUMOR UND SATIRE .............................................................................................................................. 6 3 PRAGER DEUTSCHE LITERATUR ....................................................................................................... 8 3.1 HISTORISCHER HINTERGRUND .............................................................................................................. 8 3.2 DEMOGRAPHISCHE STRUKTUR.............................................................................................................. 8 3.3 KULTURELLER HINTERGRUND .............................................................................................................. 9 3.4 PRAGER LITERARISCHE KREISE ..........................................................................................................
    [Show full text]
  • Aftermath: Accounting for the Holocaust in the Czech Republic
    Aftermath: Accounting for the Holocaust in the Czech Republic Krista Hegburg Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERISTY 2013 © 2013 Krista Hegburg All rights reserved Abstract Aftermath: Accounting for the Holocaust in the Czech Republic Krista Hegburg Reparations are often theorized in the vein of juridical accountability: victims of historical injustices call states to account for their suffering; states, in a gesture that marks a restoration of the rule of law, acknowledge and repair these wrongs via financial compensation. But as reparations projects intersect with a consolidation of liberalism that, in the postsocialist Czech Republic, increasingly hinges on a politics of recognition, reparations concomitantly interpellate minority subjects as such, instantiating their precarious inclusion into the body po litic in a way that vexes the both the historical justice and contemporary recognition reparatory projects seek. This dissertation analyzes claims made by Czech Romani Holocaust survivors in reparations programs, the social work apparatus through which they pursued their claims, and the often contradictory demands of the complex legal structures that have governed eligibility for reparations since the immediate aftermath of the war, and argues for an ethnographic examination of the forms of discrepant reciprocity and commensuration that underpin, and often foreclose, attempts to account for the Holocaust in contemporary Europe. Table of Contents Acknowledgments ii Introduction 1 Chapter 1 18 Recognitions Chapter 2 74 The Veracious Voice: Gypsiology, Historiography, and the Unknown Holocaust Chapter 3 121 Reparations Politics, Czech Style: Law, the Camp, Sovereignty Chapter 4 176 “The Law is Such as It Is” Conclusion 198 The Obligation to Receive Bibliography 202 Appendix I 221 i Acknowledgments I have acquired many debts over the course of researching and writing this dissertation.
    [Show full text]
  • Czechoslovak-Polish Relations 1918-1968: the Prospects for Mutual Support in the Case of Revolt
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1977 Czechoslovak-Polish relations 1918-1968: The prospects for mutual support in the case of revolt Stephen Edward Medvec The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Medvec, Stephen Edward, "Czechoslovak-Polish relations 1918-1968: The prospects for mutual support in the case of revolt" (1977). Graduate Student Theses, Dissertations, & Professional Papers. 5197. https://scholarworks.umt.edu/etd/5197 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. CZECHOSLOVAK-POLISH RELATIONS, 191(3-1968: THE PROSPECTS FOR MUTUAL SUPPORT IN THE CASE OF REVOLT By Stephen E. Medvec B. A. , University of Montana,. 1972. Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1977 Approved by: ^ .'■\4 i Chairman, Board of Examiners raduat'e School Date UMI Number: EP40661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Exploring Films About Ethical Leadership: Can Lessons Be Learned?
    EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging.
    [Show full text]
  • V.Choy Overrules Asuci Council on Reg Fee Firing
    UNIVERSITY OF IRVINE UniversityVOL. 7/NO. 2O/FRIDAY. JANUARY 10, 1975 NewCALIFORNIA. ■■B International Women'sYear 1975 by Lavon Gieselman The United Nations has proclaimed 1975 as International Women's Year. The three-fold theme of IWY is as follows: equality of the sexes,totalintegrationof womeninto the social and economic efforts of nations, and recogni- tion of women's contributions towards strengthening world peace. UN goalsare to promotetooliticalawareness of the plight of women They lace severe deprivationof basic opportunities. Thegrowth of women's potential will be seen as beneficial to the developmentof a country's potential. Women's Year came into being because despite decades of progress in eliminating discrimination against women, in no country have they attained lull equality. Growing global recognitionof the importance of women in nation building is another factor contri- buting to the initiation of Women's Year. A chief concern confronting women is the Student Power With Strings Attached? lack of opportunity and inadequate prepara- tion for the full participationof women intheir respective societies. The general tendency in most cultures is to place greater value on males than females: hence, among the 700 million illiterates in the world, the majority are women.In.some areas, ASUCI may high as 85 percent. HOY OVERRULES run as 80 to V.C that The UN's commission on the Status of Women promotes women's rights in the political, economic, civil and educational fields The commission correlates women's REG FEE FIRING on page 7 COUNCIL ON continued by Lance Robhins awesome responsibility, as Setting the Scene each member's votes affect NOBEL LAUREATE the very lives of people and de- The most powerful com- within mittee at UCI met last week partmental programs ses- Student Affairs.
    [Show full text]
  • Un 3011 De Cine L'oferta Cinematogràfica El Dia
    Suman Editorial Un 20 N, Crònica per Jordi Vidal Reynés 12 i 13 de Sitges, La pel-lícula de la historia, per Cristina Pujol 28 a 30 per RM. Rotger 4 Cinema i pintura, per José Tirado 14 a 19 Morts menors, Crepuscles roents a Fort Stark, per Toni Roca 31 Per Gabriel Genovart 5 Q 9 Crònica de cine, per M. Martorell 20 a 21 Bandes de so, L'artista per H. González 10 Els anys seixanta, al cinema 32 per M. López Crespi 22 a 24 Molt mes que un simple assassinat, Philip K. Dick, Cinema a Per J.C. Romaguera 11 per S. Sansó 25 a 27 "SA NOSTRA" 33 a 35 I TEMPS MODERNS I Papers de cinema Director Hssessors Fotos Edició mensual Jaumc Vidal Francisca Niell, Arxiu Centre de Cultura Novembre 2002. Num. 87 Antoni Figuera, Secretan íedacció ImprimsiH Andrcu Ramis, Miquel Pasqual Gráficas Planisi, S.A. Edita Joscp Caries Romaguera. Centre de Cultura RsseasBrament linguistic Dipòsit Legal: P.M. 648-1994 "SA NOSTRA" Jeroni Salom Carrer Conccpció, 12 07012 Palma Traductions Telèfon 971 72 52 10 Mancl-Claudi Santos Rix 971 71 37 57 [email protected] "Temps Modems" no comparteix, necessàriament, l'opinió dels seus coHaboradors. Podeu trobar "Temps Modems" al Centre de Cultura 'SA NOSTRA" de Mao, Eivissa, Ciutadclla i Palma, llibreria Embat, llibreria Ereso i als cines Chaplin, Portopí i Renoir, llibreria Espirafocs (Inca). Editorial BITTE EIN KINO Les páranles, com és sabut, son ment, aquells que venen de fora i estigui ubicada a la part forana per grans enemies de la realitat s'instablen al costat de nosaltres, allò de la descentralització.
    [Show full text]