UNIVERSITY of CALIFORNIA, IRVINE Bringing The

Total Page:16

File Type:pdf, Size:1020Kb

UNIVERSITY of CALIFORNIA, IRVINE Bringing The UNIVERSITY OF CALIFORNIA, IRVINE Bringing the Beach to Los Angeles: The Politics and Environment of the Southern California Coast, 1880-1970 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Alexander Bartholomew Jacoby Dissertation Committee: Professor David Igler, Chair Professor Emily Rosenberg Professor Jon Wiener 2017 © 2017 Alexander Bartholomew Jacoby TABLE OF CONTENTS Page LIST OF FIGURES iii ACKNOWLEDGMENTS iv CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vii INTRODUCTION 1 CHAPTER 1. Dangers and Opportunities 22 CHAPTER 2. Beach Consciousness 65 CHAPTER 3. Building a Better Beach 116 CHAPTER 4. Before Disneyland 164 CHAPTER 5. Campaigning for the Beach 210 CONCLUSION 257 BIBLIOGRAPHY 263 ii LIST OF FIGURES Page Figure 1. Beach Comedians Pests of Life Line 25 Figure 2. First Bathhouse, Just North of Santa Monica Canyon 34 Figure 3. Daily Balloon Route Excursion Brochure 49 Figure 4. Huge Crowd on Windward Avenue 56 Figure 5. Map of 1912 Roads 72 Figure 6. Map of 1918 Roads 72 Figure 7. Map of 1923 Roads 77 Figure 8. Map of 1936 Roads 77 Figure 9. 1950 Census Data for Southern California 195 Figure 10. Assemblyman Paul Priolo Attacks CACI Billboards 212 Figure 11. Cover of “Saving Your Coast is Up to You.” 231 Figure 12. Inside of “Saving Your Coast is Up to You.” 232 Figure 13. Back of “Saving Your Coast is Up to You.” 234 iii ACKNOWLEDGMENTS I would like to express the deepest appreciation to everyone that supported me on this journey. First and foremost, I want to thank my advisor, Professor David Igler, for his patience and gentle nudges. You repeatedly changed my understandings of California and Pacific histories. I would also like to thank Professors Emily and Norm Rosenberg for their tireless support since my time at Macalester College. From Jackalopes to The Daily Show, you have pushed me as a historian. Professors of United States history including committee member Jon Wiener, as well as Jessica Millward and Allison Perlman, also provided important intellectual contributions in my studies. Finally, I owe a debt of gratitude to the John Rudolph Haynes and Dora Haynes Foundation for their financial support. I’d also like to thank my family and friends for putting up with me as social etiquette waned. To my parents and sister, you have been my lifeline throughout this process. To my friends at Anthill, you have kept me sane through this process. From my Ph.D. cohort, I have to thank Marlon Gruen, Andrea Milne, and Natasha Synycia to solidarity through seminars. This has been a long process and I would not have been able to finish without each and every one of you. Thank you. iv CURRICULUM VITAE Education Ph.D., United States History, University of California, Irvine 2017 Master of Arts, United States History , University of California, Irvine 2013 Bachelor of Arts, History and Political Science, Macalester College 2007 Funding Haynes Lindley Doctoral Dissertation Fellowship 2016 Research Grant, Humanities Commons, University of California, Irvine 2016 Graduate Grant, University of California, California Studies Consortium 2015 Regent’s Fellowship, University of California, Irvine 2010 Conferences and Presentations “From Choppy to Clean: Changing Midcentury Development on the Los Angeles Shoreline.” Pacific Coast Branch Society of the American Historical Association, 2017 (accepted). “Orange County Midcentury Beach Culture and Change,” Orange County Parks, 2016. “Just A Drive Away: Urban Transportation and “Beach Consciousness” in Los Angeles County,” Los Angeles History & Metro Studies Group, Huntington Library, 2015. “The Lunch Box Crowd: Transportation, Coastal Communities, and the Geographic Imaginary,” DEEP LA: A Graduate History Conference, Huntington Library, 2015. “Just A Drive Away: Urban Transportation and the Transformation of the Los Angeles County Coast, 1925-1935,” American Studies Association, 2014. “Building a Better Beach: Environmental Transformations of the Southern California Coastline, 1945-1965,” Pacific Coast Branch Society of the American Historical Association, 2014. “Selling the Urban Beach: Evolving Coastal Claims and the Passage of Proposition 20,” California American Studies Association, 2013. Teaching and Research Experience Instructor, University of California Irvine 2015-2017 History 12: Hacking the Humanities v History 144G: Southern California Beach History History 100W: Visions of Los Angeles History 40C: Twentieth-Century United States History Research Assistant, University of California Irvine 2013-2014 Teaching Assistant, University of California Irvine 2011–2015 History 40A: America: 1492-1790 History 40B: Nineteenth-Century U.S.: Crisis and Expansion History 40C: Twentieth-Century United States History History 70C: Popular Culture in United States History History 142B: American Politics: FDR to Obama History 144G: North American Revolution Asian American Studies 54: Asian American Stories Publications Review of Becoming Mexipino: Multiethnic Identities and Communities in San Diego, by Rudy Guevarra. Southern California Quarterly 94, no. 4, Winter 2012 vi ABSTRACT OF THE DISSERTATION Bringing Beach to Los Angeles: The Environment and Politics of the Southern California Coast, 1890-1970 By Alexander Bartholomew Jacoby Doctor of Philosophy in History University of California, Irvine, 2017 Professor David Igler, Chair This dissertation examines the historical development of the beaches of the Santa Monica Bay from the 1880s through the twentieth century within the context of the growth of metropolitan Los Angeles. While many see beaches and their popularity as timeless, the coast underwent dramatic transformations over much of the twentieth century. Residents and pleasure seekers embraced the once-unfamiliar landscape and shed perceptions of it as distant and dangerous. The urban shores are in fact the result of widespread cultural change and extensive physical transformations. Building the beach proved tremendously profitable for the principal agents of change, including developers, politicians, planners, and corporations. Coastal promoters and capitalist enterprises not only built recreational attractions and residential developments, but also cultivated a year-round lifestyle of coastal leisure. Residents across California eventually voted to protect the beaches and this lifestyle with environmental regulations and 1972’s Coastal Zone Conservation Act, finally halting decades of rapid change. Bridging urban, environmental, and cultural history, this study analyzes both the political economy of coastal development and changing ideas about leisure and recreation to explain the origins of this understudied landscape. This breadth required sources including government vii documents, corporate records, promotional literature and ephemera, oceanographic studies, and material culture. Beaches not only mirrored urban changes in Los Angeles, reflecting the rapidly growing metropolis’s desires, but also fabricated critical components of idealized regional identity. The popular vision of coastal idyll was rooted in a history of exclusions that championed the beachgoer as white and middle-class. The sands provided an important place in Southern California for public performances of identity, class, and race. Examining the growth of the beach reveals a largely unmapped feature in Los Angeles history and a pivotal force in the promotion of Southern California’s coastal lifestyle of leisure. viii Introduction: From Aliso to Zuma “The water off Malibu is neither as clear nor as tropically colored as the water off La Jolla. The beaches at Malibu are neither as white nor as wide as the beach at Carmel. The hills are scrubby and barren, infested with bikers and rattlesnakes, scarred with cuts and old burns and new R.V. parks. For these and other reasons Malibu tends to astonish and disappoint those who have never before seen it, and yet its very name remains, in the imagination of people all over the world, a kind of shorthand for the easy life.” -- Joan Didion1 The beaches near Los Angeles might not seem particularly unique. The topography and climate resembles coastal zones across the globe in Australia, South Africa, Chile, and the Levant. Even more countries possess shoreline devoted to leisure and recreation. Further, as Joan Didion describes above, the beauty of Los Angeles’ beaches pale in comparison to other stretches of California’s scenic shores. The risk of mudslides and wildfires is higher in Southern California. The Pacific Ocean’s waters in the Santa Monica Bay are often chilly for bathing while perilous riptides lurk beneath the waves. The wide sandy shores are home to sand fleas and sharks. Fog and cloudy marine layers often obscure sunshine. When the temperature cooperates, however, hordes of Angelenos quickly descend on the shore causing congestion, overcrowding, and pollution. The beaches deserve to be seen as a rather quotidian edge to the bustling metropolis. Few familiar with the beach actually described it with the negativity of Didion. For residents of Los Angeles and beyond, associations with this coastal landscape typically verge on the effusive. The beach became the premier outdoor space in the region for leisure and recreation along its wide sands. Cruising to the beach by bicycle, automobile, bus, or trolley invariably led 1 Joan Didion, “Quiet Days in Malibu,” in The White Album (New York: Simon and Schuster, 1979), 209. 1 to a fun-filled day in the sun. Some adults wistfully remember
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Santa Cruz County Coastal Climate Change Vulnerability Report
    Santa Cruz County Coastal Climate Change Vulnerability Report JUNE 2017 CENTRAL COAST WETLANDS GROUP MOSS LANDING MARINE LABS | 8272 MOSS LANDING RD, MOSS LANDING, CA Santa Cruz County Coastal Climate Change Vulnerability Report This page intentionally left blank Santa Cruz County Coastal Climate Change Vulnerability Report i Prepared by Central Coast Wetlands Group at Moss Landing Marine Labs Technical assistance provided by: ESA Revell Coastal The Nature Conservancy Center for Ocean Solutions Prepared for The County of Santa Cruz Funding Provided by: The California Ocean Protection Council Grant number C0300700 Santa Cruz County Coastal Climate Change Vulnerability Report ii Primary Authors: Central Coast Wetlands group Ross Clark Sarah Stoner-Duncan Jason Adelaars Sierra Tobin Kamille Hammerstrom Acknowledgements: California State Ocean Protection Council Abe Doherty Paige Berube Nick Sadrpour Santa Cruz County David Carlson City of Capitola Rich Grunow Coastal Conservation and Research Jim Oakden Science Team David Revell, Revell Coastal Bob Battalio, ESA James Gregory, ESA James Jackson, ESA GIS Layer support AMBAG Santa Cruz County Adapt Monterey Bay Kelly Leo, TNC Sarah Newkirk, TNC Eric Hartge, Center for Ocean Solution Santa Cruz County Coastal Climate Change Vulnerability Report iii Contents Contents Summary of Findings ........................................................................................................................ viii 1. Introduction ................................................................................................................................
    [Show full text]
  • Truman, Congress and the Struggle for War and Peace In
    TRUMAN, CONGRESS AND THE STRUGGLE FOR WAR AND PEACE IN KOREA A Dissertation by LARRY WAYNE BLOMSTEDT Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2008 Major Subject: History TRUMAN, CONGRESS AND THE STRUGGLE FOR WAR AND PEACE IN KOREA A Dissertation by LARRY WAYNE BLOMSTEDT Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Approved by: Chair of Committee, Terry H. Anderson Committee Members, Jon R. Bond H. W. Brands John H. Lenihan David Vaught Head of Department, Walter L. Buenger May 2008 Major Subject: History iii ABSTRACT Truman, Congress and the Struggle for War and Peace in Korea. (May 2008) Larry Wayne Blomstedt, B.S., Texas State University; M.S., Texas A&M University-Kingsville Chair of Advisory Committee: Dr. Terry H. Anderson This dissertation analyzes the roles of the Harry Truman administration and Congress in directing American policy regarding the Korean conflict. Using evidence from primary sources such as Truman’s presidential papers, communications of White House staffers, and correspondence from State Department operatives and key congressional figures, this study suggests that the legislative branch had an important role in Korean policy. Congress sometimes affected the war by what it did and, at other times, by what it did not do. Several themes are addressed in this project. One is how Truman and the congressional Democrats failed each other during the war. The president did not dedicate adequate attention to congressional relations early in his term, and was slow to react to charges of corruption within his administration, weakening his party politically.
    [Show full text]
  • Doggin' America's Beaches
    Doggin’ America’s Beaches A Traveler’s Guide To Dog-Friendly Beaches - (and those that aren’t) Doug Gelbert illustrations by Andrew Chesworth Cruden Bay Books There is always something for an active dog to look forward to at the beach... DOGGIN’ AMERICA’S BEACHES Copyright 2007 by Cruden Bay Books All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system without permission in writing from the Publisher. Cruden Bay Books PO Box 467 Montchanin, DE 19710 www.hikewithyourdog.com International Standard Book Number 978-0-9797074-4-5 “Dogs are our link to paradise...to sit with a dog on a hillside on a glorious afternoon is to be back in Eden, where doing nothing was not boring - it was peace.” - Milan Kundera Ahead On The Trail Your Dog On The Atlantic Ocean Beaches 7 Your Dog On The Gulf Of Mexico Beaches 6 Your Dog On The Pacific Ocean Beaches 7 Your Dog On The Great Lakes Beaches 0 Also... Tips For Taking Your Dog To The Beach 6 Doggin’ The Chesapeake Bay 4 Introduction It is hard to imagine any place a dog is happier than at a beach. Whether running around on the sand, jumping in the water or just lying in the sun, every dog deserves a day at the beach. But all too often dog owners stopping at a sandy stretch of beach are met with signs designed to make hearts - human and canine alike - droop: NO DOGS ON BEACH.
    [Show full text]
  • The Meadow 2008 Literary and Art Journal
    MEADOW the 2008 TRUCKEE MEADOWS COMMUNITY COLLEGE Reno, Nevada The Meadow is the annual literary arts journal published every spring by Truckee Meadows Community College in Reno, Nevada. Students inter- ested in the literary arts, graphic design, and creative writing are encour- aged to participate on the Editorial Board. Visit www.tmcc.edu/meadow for information and submission guidelines. Look for notices around campus, in the Echo student newspaper, or contact the Editor-in-Chief at [email protected] or through the English department at (775) 673- 7092. See our website (listed above) for information on our annual Cover De- sign and Literary and Art Contests. Only TMCC students are eligible for prizes. At this time, the Meadow is not interested in acquiring rights to contribu- tors’ works. All rights revert to the author or artist upon publication, and we expect the Meadow to be acknowledged as original publisher in any future chapbooks or books. The Meadow is indexed in The International Directory of Little Magazines and Small Presses. Our address is Editor-in-Chief, the Meadow, Truckee Meadows Commu- nity College, English Department, Vista B300, 7000 Dandini Blvd., Reno, Nevada 89512. The views expressed in the Meadow are solely reflective of the authors’ perspectives. TMCC takes no responsibility for the creative expression contained herein. Congratulations to our award winners: Meadow Art Award: 1st place Stephanie Hogen, 2nd place J.V. Tabbada, 3rd place Gerad Davis Meadow Poetry Award: 1st place Chelsie Kern, 2nd place Arian Katsim- bras, 3rd place Allyson Stronach Meadow Non-Fiction Award: 1st place Caren Franklin, 2nd place Madison Jackson, 3rd place Cathy Clopitts www.tmcc.edu/meadow Editor-in-Chief Lindsay Wilson Poetry Editor Henry Sosnowski Fiction Editor Mark Maynard Non-Fiction Editor Rob Lively Art Editor Brad Summerhill Editorial Board Erika Bein Molly Bishop Mollie Booth Ashley Boswell Caren Franklin T.
    [Show full text]
  • Coastal Climate Change Hazards
    January 11, 2017 King Tide at Its Beach source: Visit Santa Cruz County City of Santa Cruz Beaches Urban Climate Adaptation Policy Implication & Response Strategy Evaluation Technical Report June 30, 2020 This page intentionally left blank for doodling City of Santa Cruz Beaches Climate Adaptation Policy Response Strategy Technical Report ii Report Prepared for the City of Santa Cruz Report prepared by the Central Coast Wetlands Group at Moss Landing Marine Labs and Integral Consulting Authors: Ross Clark, Sarah Stoner-Duncan, David Revell, Rachel Pausch, Andre Joseph-Witzig Funding Provided by the California Coastal Commission City of Santa Cruz Beaches Climate Adaptation Policy Response Strategy Technical Report iii Table of Contents 1. Introduction .............................................................................................................................................................................................. 1 Project Goals .......................................................................................................................................................................................................... 1 Planning Context .................................................................................................................................................................................................... 2 Project Process ......................................................................................................................................................................................................
    [Show full text]
  • Download CV (PDF)
    Anuradha Vikram anu(at)curativeprojects(dot)net About Anuradha (Curative Projects) Independent curator and scholar working with museums, galleries, journals, and websites to develop original curatorial work including exhibitions, public programs, and artist-driven publications. Consultant for strategic planning, institutional vision, content strategy, and diversity, equity, and inclusion work. Current engagements include Craft Contemporary, LA Freewaves, MhZ Curationist, LACE, X-TRA, X Artists’ Books, and UCLA Art Sci Center. Education M.A., Curatorial Practice, California College of the Arts, San Francisco, CA, 2005 B.S., Studio Art, minor in Art History, New York University, New York, NY, 1997 Curated Exhibitions, Performances, and Public Art 2024 ▪ Co-curator, Atmosphere of Sound: Sonic Art in Times of Climate Disruption (with Victoria Vesna), UCLA Art Sci Center at Center for Art of Performance, Getty Pacific Standard Time: Art x Science x LA, dates TBC. 2023 ▪ Unmaking/Unmarking: Archival Poetics and Decolonial Monuments, LACE, Los Angeles, dates TBC. 2022 ▪ Jaishri Abichandani: Lotus-Headed Children, Craft Contemporary, Los Angeles, CA, January 30–May 8. ▪ Exa(men)ing Masculinities, with Marcus Kuiland-Nazario and Anne Bray, LA Freewaves, Los Angeles State Historic Park, dates TBC. 2021 ▪ Atmosphere of Sound: Sonic Art in Times of Climate Disruption, Ars Electronica 2021 Garden, September 8-12. ▪ Juror, FRESH 2021, SoLA Contemporary. August 28-October 9. 2020 ▪ Patty Chang: Milk Debt, 18th Street Arts Center, Santa Monica, CA, October 19-January 22, 2021. Traveled to PioneerWorks, Brooklyn, March 19-May 23, 2021. ▪ Co-curator, Drive-By-Art (with Warren Neidich, Renee Petropoulos, and Michael Slenske). Citywide exhibition, Los Angeles, May 23-31.
    [Show full text]
  • Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966).
    [Show full text]
  • 2020 Pacific Coast Winter Window Survey Results
    2020 Winter Window Survey for Snowy Plovers on U.S. Pacific Coast with 2013-2020 Results for Comparison. Note: blanks indicate no survey was conducted. REGION SITE OWNER 2017 2018 2019 2020 2020 Date Primary Observer(s) Gray's Harbor Copalis Spit State Parks 0 0 0 0 28-Jan C. Sundstrum Conner Creek State Parks 0 0 0 0 28-Jan C. Sundstrum, W. Michaelis Damon Point WDNR 0 0 0 0 30-Jan C. Sundstrum Oyhut Spit WDNR 0 0 0 0 30-Jan C. Sundstrum Ocean Shores to Ocean City 4 10 0 9 28-Jan C. Sundstrum, W. Michaelis County Total 4 10 0 9 Pacific Midway Beach Private, State Parks 22 28 58 66 27-Jan C. Sundstrum, W. Michaelis Graveyard Spit Shoalwater Indian Tribe 0 0 0 0 30-Jan C. Sundstrum, R. Ashley Leadbetter Point NWR USFWS, State Parks 34 3 15 0 11-Feb W. Ritchie South Long Beach Private 6 0 7 0 10-Feb W. Ritchie Benson Beach State Parks 0 0 0 0 20-Jan W. Ritchie County Total 62 31 80 66 Washington Total 66 41 80 75 Clatsop Fort Stevens State Park (Clatsop Spit) ACOE, OPRD 10 19 21 20-Jan T. Pyle, D. Osis DeLaura Beach OPRD No survey Camp Rilea DOD 0 0 0 No survey Sunset Beach OPRD 0 No survey Del Rio Beach OPRD 0 No survey Necanicum Spit OPRD 0 0 0 20-Jan J. Everett, S. Everett Gearhart Beach OPRD 0 No survey Columbia R-Necanicum R. OPRD No survey County Total 0 10 19 21 Tillamook Nehalem Spit OPRD 0 17 26 19-Jan D.
    [Show full text]
  • L a County Sheriff Jim Mcdonnell Public Safety Challenges for 2018: *Crime *Counter-Terrorism *Mental Illness *Opioids *Recruitment of Officers
    L A County Sheriff Jim McDonnell Public Safety Challenges for 2018: *Crime *Counter-Terrorism *Mental Illness *Opioids *Recruitment of Officers COMMUNITY MEETING WEDNESDAY, OCTOBER 18, 2017 - 7:15 PM NOTRE DAME HIGH SCHOOL • RIVERSIDE & WOODMAN, SHERMAN OAKS Los Angeles County Sheriff Jim McDonnell will be our guest speaker on Wednesday evening October 18, 2017. Many of us are very familiar with Sheriff McDonnell because he has spoken at previous Meetings as the second in command to Los Angeles Police Chief William Bratton. In 2010, he left the Los Angeles Police Department to become Chief of Police in the City of Long Beach. In 2014, he was elected as Los Angeles County Sheriff. Chief McDonnell brings decades of experience and expertise to the Los Angeles Sheriff’s Department. He is well-respected within the community and among law enforcement agencies. McDonnell has served as President of the Los Angeles County Police Chiefs’ Association as well as California Peace Officers’ Association. He is committed to keeping our streets safe while being transparent and proactively addressing the root causes of all crimes. Learn how Chief McDonnell deals with the challenges of overseeing 18,000 employees and what is being done to solve admitted problems within the Sheriff’s Department. Chief McDonnell will also discuss the controversy over the Sheriff’s Department’s use of drones. He will explain how the Sheriff’s Department is prepared if a Las Vegas shooting were to occur in Los Angeles. How will immigration rules from Washington, D.C. impact policing in our communities? Jules Feir announces that Poquito Mas will be our Restaurant of the Month.
    [Show full text]
  • City of West Hollywood Appendix J
    R2, R3, R4 Multi-Family Survey Report City of West Hollywood Appendix J: 1986-87 Survey Context, prepared by Johnson Heumann Research Associates Appendices November 2008 ARCHITECTURAL RESOURCES GROUP Architects, Planners & Conservators, Inc. when a small group of citizens formed the West Hollywood Incorporation Committee. By November of that year, studies by the Local Agency Formation Commission confirmed that incorporation was indeed economically feasible. Tenants led by the Coalition for Economic Survival, homeowners concerned with planning issues and the gay community were among the leading advocates of cityhoog. Formal application was made on April 4, 1984. On November 4, 1984, by a 4:1 favorable margin, the voters approved incorporation . One of the new city's first tasks was to begin to draft a General Plan , the land use policy document for the municipality required· by State law. In January of 1985, the city began the process of preparing the Plan, noting that the physical environment, social character and quality of life within the City would be influenced by the General Plan. It was a stated goal to link land use and urban design, emphasizing the relationship between parcels and uses throughout the city. A reduction of density from those outlined in the West Hollywood Community Plan, .---- prepared before incorporated by the County of Los Angeles, was planned. As an i ntegral part of this planning process. the city of West Hollywood applied for c survey grant from the State Off ice of Historic Preservation in November of 1985 . 1.2 DEVELOPMENT HISTORY The area now known as West Hollywood has played a key role in t h e development of Los Angeles County west of Los Angeles .
    [Show full text]
  • The Green Sheet and Opposition to American Motion Picture Classification in the 1960S
    The Green Sheet and Opposition to American Motion Picture Classification in the 1960s By Zachary Saltz University of Kansas, Copyright 2011 Submitted to the graduate degree program in Film and Media Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. John Tibbetts ________________________________ Dr. Michael Baskett ________________________________ Dr. Chuck Berg Date Defended: 19 April 2011 ii The Thesis Committee for Zachary Saltz certifies that this is the approved version of the following thesis: The Green Sheet and Opposition to American Motion Picture Classification in the 1960s ________________________________ Chairperson Dr. John Tibbetts Date approved: 19 April 2011 iii ABSTRACT The Green Sheet was a bulletin created by the Film Estimate Board of National Organizations, and featured the composite movie ratings of its ten member organizations, largely Protestant and represented by women. Between 1933 and 1969, the Green Sheet was offered as a service to civic, educational, and religious centers informing patrons which motion pictures contained potentially offensive and prurient content for younger viewers and families. When the Motion Picture Association of America began underwriting its costs of publication, the Green Sheet was used as a bartering device by the film industry to root out municipal censorship boards and legislative bills mandating state classification measures. The Green Sheet underscored tensions between film industry executives such as Eric Johnston and Jack Valenti, movie theater owners, politicians, and patrons demanding more integrity in monitoring changing film content in the rapidly progressive era of the 1960s. Using a system of symbolic advisory ratings, the Green Sheet set an early precedent for the age-based types of ratings the motion picture industry would adopt in its own rating system of 1968.
    [Show full text]