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For Immediate Release Contact: Jonathon [email protected] ARTIST CREATES NEW UNIVERSE from URANIUM and CHEWING GUM Novel Technique
For Immediate Release Contact: [email protected] ARTIST CREATES NEW UNIVERSE FROM URANIUM AND CHEWING GUM Novel Technique Puts Quantum Theory to Practical Use. Automated Universe Factories Planned for Government and Industry. San Francisco Gallery to Begin Selling $20 D.I.Y. Universe Kits on November 20th. Universes Provide Alternatives to Recession October 31, 2008 - Following decades of effort by engineers to build quantum supercomputers and to master quantum cryptography, today quantum physics has spawned a far more powerful technology. Applying theory developed by deceased Princeton physicist Hugh Everett III, and using little more than a piece of chewing gum, a plastic drinking straw, and a bit of uranium, San Francisco conceptual artist Jonathon Keats has constructed the first machine for fabricating all-inclusive universes. "It was a product of my anxiety," admits Mr. Keats. "I'd recently had a couple museum shows, yet I was feeling that no matter what I made, it was hardly comparable to the creation of the cosmos. And though no one talks about it, the same issue faced Picasso, Monet, even Michelangelo. The Big Bang has artists beat." Taking on the cosmos as a creative challenge, Mr. Keats began researching an aspect of quantum mechanics proposed by Dr. Everett in the 1950s and later refined by scientists including David Deutsch at Oxford and Wojciech Zurek at Los Alamos National Laboratory. Dr. Everett's theory addressed the question of how a subatomic particle can exist in a quantum superposition - for example being in two places at once - until someone observes it, at which point the observer finds it to be in only one place at a time. -
2013 Lyndenstoneleonardo46 5
G e n e r a l a r t I c l e Re-Visioning Reality: Quantum Superposition in Visual Art a b s t r a c t The counterintuitive phenom- enon of quantum superposition requires a radical review of our ideas of reality. The author Lynden Stone suggests that translations of quantum concepts into visual art may assist in provoking such a revision. This essay first introduces the concept n philosophy, the usual definition of conven- a radical departure from the clas- of quantum superposition and I points out its divergence from tional reality is that it is independent, objective, meaningful sical conception of the fabric of and, in principle, knowable [1]; I adopt this definition for the reality” [7], and Karen Barad states conventional perceptions of real- ity. The author then discusses purpose of this article. My experience of reality generally ac- that we need a “reassessment of how visual art might provide cords with this definition, insofar as I perceive objects to exist physical and metaphysical notions insight into quantum superposi- independently of me and that objects have predetermined that explicitly or implicitly rely on tion. Finally she discusses the characteristics that are independent of whatever observations old ideas about the physical world” visual representation of quantum or measurements I might perform on them. In particular, I can superposition by contemporary [8]. Trying to understand a world artists Jonathon Keats, Julian unobtrusively observe and measure objects without affecting described by quantum theory, says Voss-Andreae, Antony Gormley their state or the dynamics of the system within which they philosopher Lawrence Sklar, re- and Daniel Crooks; the problem- exist. -
Mccray CV Full Version
W. PATRICK MCCRAY DEPARTMENT OF HISTORY UNIVERSITY OF CALIFORNIA, SANTA BARBARA SANTA BARBARA, CA 93106-9410 CURRENT APPOINTMENTS Professor, Department of History, University of California at Santa Barbara Affiliate appointments at University of California at Santa Barbara: Global Studies Program; Media Arts and Technology Program EDUCATION University of Arizona, Ph.D. (December 1996), Materials Science and Engineering with Anthropology (minor), Dissertation topic – Glassmaking in Renaissance Venice. University of Pittsburgh, M.S. (1991), B.S. (1989), Materials Science and Engineering. SELECTED OTHER APPOINTMENTS 2015-2016 Lindbergh Chair, National Air & Space Museum, Smithsonian Institution. 2011-2012 Eleanor Searle Visiting Professor, California Institute of Technology 2005-2007 Associate Professor, History Department, UCSB. 2005-2007 Co-Director of Center for Nanotechnology in Society at UCSB 2003-2005 Assistant Professor, Department of History, UCSB 2000-2003 Associate Historian; Center for History of Physics, American Institute of Physics 1999-2000 Research Fellow, Department of History, The George Washington University 1997-1999 Postdoctoral Researcher, University of Arizona MAJOR AWARDS, AND HONORS Invited Faculty Expert, World Economic Forum (Davos, Switzerland), 2016. Watson Davis and Helen Miles Davis Prize, History of Science Society, 2014. Fellow, American Physical Society, elected 2013. Fellow, American Association for the Advancement of Science, elected 2011. BOOKS & EDITED VOLUMES Groovy Science: Knowledge, Innovation, and the American Counterculture, co-edited with David Kaiser (The University of Chicago Press, 2016). The Visioneers: How a Group of Elite Scientists Pursued Space Colonies, Nanotechnologies, and a Limitless Future (Princeton University Press, 2013). Winner: Watson Davis and Helen Miles Davis Prize, History of Science Society, 2014; Eugene M. Emme Astronautical Literature Award, American Astronautical Society, 2013. -
The Influence of the Los Angeles ``Oligarchy'' on the Governance Of
The influence of the Los Angeles “oligarchy” onthe governance of the municipal water department (1902-1930): a business like any other or a public service? Fionn Mackillop To cite this version: Fionn Mackillop. The influence of the Los Angeles “oligarchy” on the governance of the municipal wa- ter department (1902-1930): a business like any other or a public service?. Business History Conference Online, 2004, 2, http://www.thebhc.org/publications/BEHonline/2004/beh2004.html. hal-00195980 HAL Id: hal-00195980 https://hal.archives-ouvertes.fr/hal-00195980 Submitted on 11 Dec 2007 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. The Influence of the Los Angeles “Oligarchy” on the Governance of the Municipal Water Department, 1902- 1930: A Business Like Any Other or a Public Service? Fionn MacKillop The municipalization of the water service in Los Angeles (LA) in 1902 was the result of a (mostly implicit) compromise between the city’s political, social, and economic elites. The economic elite (the “oligarchy”) accepted municipalizing the water service, and helped Progressive politicians and citizens put an end to the private LA City Water Co., a corporation whose obsession with financial profitability led to under-investment and the construction of a network relatively modest in scope and efficiency. -
Los Angeles Bibliography
A HISTORICAL BIBLIOGRAPHY OF THE BUILT ENVIRONMENT IN THE LOS ANGELES METROPOLITAN AREA Compiled by Richard Longstreth 1998, revised 16 May 2018 This listing focuses on historical studies, with an emphasis is on scholarly work published during the past thirty years. I have also included a section on popular pictorial histories due to the wealth of information they afford. To keep the scope manageable, the geographic area covered is primarily limited to Los Angeles and Orange counties, except in cases where a community, such as Santa Barbara; a building, such as the Mission Inn; or an architect, such as Irving Gill, are of transcendent importance to the region. Thanks go to Kenneth Breisch, Dora Crouch, Thomas Hines, Greg Hise, Gail Ostergren, and Martin Schiesl for adding to the list. Additions, corrections, and updates are welcome. Please send them to me at [email protected]. G E N E R A L H I S T O R I E S A N D U R B A N I S M Abu-Lughod, Janet, New York, Chicago, Los Angeles: America's Global Cities, Minneapolis: University of Minnesota Press, 1999 Adler, Sy, "The Transformation of the Pacific Electric Railway: Bradford Snell, Roger Rabbit, and the Politics of Transportation in Los Angeles," Urban Affairs Quarterly 27 (September 1991): 51-86 Akimoto, Fukuo, “Charles H. Cheney of California,” Planning Perspectives 18 (July 2003): 253-75 Allen, James P., and Eugene Turner, The Ethnic Quilt: Population Diversity in Southern California Northridge: Center for Geographical Studies, California State University, Northridge, 1997 Avila, Eric, “The Folklore of the Freeway: Space, Culture, and Identity in Postwar Los Angeles,” Aztlan 23 (spring 1998): 15-31 _________, Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles, Berkeley: University of California Pres, 2004 Axelrod, Jeremiah B. -
State of Immigrants in LA County
State of Immigrants, 1 Los Angeles County State of Immigrants in LA County January 2020 USC Center for the Study of Immigrant Integration and release of this report. Finally, thank you to CCF, State of Immigrants, 2 (CSII) would like to thank everyone involved in the James Irvine Foundation, Bank of America, and Los Angeles County producing the first annual State of Immigrants in Jonathan Woetzel for their support which made L.A. County (SOILA) report. The goal was to create a SOILA possible. resource for community-based organizations, local governments, and businesses in their immigrant We would also like to extend deep appreciations integration efforts. To that end, we sought the to the members of the CCF Council on Immigrant wisdom of a range of partners that have made this Integration for commissioning this report and for report what it is. their feedback and suggestions along the way. A special thank you to all organizations interviewed The work here—including data, charts, tables, for case studies that donated their time and Acknowledgments writing, and analysis—was prepared by Dalia expertise to further bolster our analysis. Gonzalez, Sabrina Kim, Cynthia Moreno, and Edward-Michael Muña at CSII. Graduate research assistants Thai Le, Sarah Balcha, Carlos Ibarra, and Blanca Ramirez heavily contributed to charts, writing, and analysis. Thank you to Manuel Pastor and Rhonda Ortiz at CSII, as well as Efrain Escobedo and Rosie Arroyo from the California Community Foundation (CCF) for their direction, feedback, and support that fundamentally shaped this report. Sincere appreciations to Justin Scoggins (CSII) for his thoughtful and thorough data checks. -
Understanding Artworlds. INSTITUTION Getty Center for Education in the Arts, Los Angeles, CA
DOCUMENT RESUME ED 445 980 SO 031 915 AUTHOR Erickson, Mary; Clover, Faith TITLE Understanding Artworlds. INSTITUTION Getty Center for Education in the Arts, Los Angeles, CA. PUB DATE 1999-00-00 NOTE 108p. AVAILABLE FROM Getty Center for Education in the Arts, 1875 Century Park East, Suite 2300, Los Angeles, CA 90067-2561; Web site: http://www.artsednet.getty.edu/ArtsEdNet/Resources. PUB TYPE Guides - Classroom Teacher (052) EDRS PRICE MF01/PC05 Plus Postage. DESCRIPTORS *Art Activities; *Art Education; *Art Expression; *Cultural Context; Inquiry; Interdisciplinary Approach; Secondary Education; Social Studies IDENTIFIERS *California (Los Angeles); Conceptual Frameworks; Web Sites ABSTRACT This curriculum unit consists of four lessons that are designed to broaden students' understanding of art and culture; each lesson can stand alone or be used in conjunction with the others. The introduction offers a conceptual framework of the Artworlds unit, which takes an inquiry-based approach. The unit's first lesson, "Worlds within Worlds," is an interdisciplinary art and social science lesson, an introduction to the concept of culture--an understanding of culture is necessary before students can understand artworlds, the key concept of this curriculum resource. The unit's second lesson, "Places in the LA Artworld," the key lesson in this unit, introduces and illustrates the defining characteristics of an artworld. The lesson has students make an artworld bulletin board. The unit's third lesson, "Cruising the LA Artworld," asks students to apply their understanding of the defining characteristics of artworlds from the "Places in the LA Artworld" lesson to their analysis of art-related Web sites on LA Culture Net and beyond. -
Mr. Edward F. Sproat III Director Office of Civilian Radioactive Waste Management United States Department of Energy Washington, DC 20585
5.)6%23%35.,)-)4%$ v v 00-!+).'.%77/2,$33).#% Mr. Edward F. Sproat III Director Office of Civilian Radioactive Waste Management United States Department of Energy Washington, DC 20585 November 19, 2008 Dear Mr. Edward F. Sproat III, It has recently come to our attention that you’re planning to build the nation’s largest nuclear waste repository at Yucca Mountain in the State of Nevada. Please first allow us to extend our congratulations to you and your team. We are impressed by the scope of your ambition. It is clear that your governmental division, the Office of Civilian Radioactive Waste Management, United States Department of Energy, is particularly farsighted. Second, we want to offer our services, which we can state with confidence are uniquely suited to your special project. Universes Unlimited is the foremost purveyor of equipment for macrocosmic fabrication. Our quantum decoherence engine is the only machine purpose-built for all-encompassing creation. On behalf of government and industry, we design state-of-the-art factories to mass-produce full-scale universes. And we are pleased to inform you that the Yucca Mountain Nuclear Waste Repository is a premier site for the largest universe factory in the world. You should know that your planned facility need be modified only slightly to serve this valuable secondary purpose. Because our quantum decoherence engines are atomic, a universe factory can recycle your unwanted gamma rays, as well as your decaying alpha and beta particles. In other words, Mr. Edward F. Sproat III, your nuclear waste need not go to waste. -
Thegetty INSIDE This Issue
A WORLD OF ART, RESEARCH, CONSERVATION, AND PHILANTHROPY | Spring 2013 TheGetty INSIDE this issue The J. Paul Getty Trust is a cultural Table of CONTENTS and philanthropic institution dedicated to critical thinking in the presentation, conservation, and interpretation of the world’s artistic President’s Message 7 legacy. Through the collective and individual work of its constituent Pacific Standard Time Presents: 8 Programs—Getty Conservation Modern Architecture in L.A. Institute, Getty Foundation, J. Paul Getty Museum, and Getty Research Institute—it pursues its mission in Los Minding the Gap: The Role of Contemporary 11 Angeles and throughout the world, Architecture in the Historic Environment serving both the general interested public and a wide range of In Focus: Ed Ruscha 14 professional communities with the conviction that a greater and more Overdrive: L.A. Constructs the Future 16 profound sensitivity to and knowledge of the visual arts and their many histories is crucial to the promotion Sponsor Spotlight 18 of a vital and civil society. Behind the Scenes: Grantmaking 20 at the Getty New Acquisitions 25 FOR ADVERTISING INFORMATION From The Iris 26 Margaret Malone Cultural Media Inc 1001 W. Van Buren Street New from Getty Publications 28 Chicago, IL, 60607 [email protected] From the Vault 31 (312) 593-3355 On the cover, from left to right: Palms House (detail), Venice, California, 2011, Daly Genik Architects. Photograph Jason Schmidt. © Jason Schmidt; Samitaur Tower (detail), Culver City, California, 2008–10, Eric Owen Moss. Photo: Tom Bonner. © 2011 Tom Bonner; Formosa 1140 (detail), West Hollywood, California, Lorcan O’Herlihy, 2008, © 2009 Lawrence Anderson/Esto © 2013 Published by the J. -
Press Release: the New Look of Neuroscience
For Immediate Release contact: [email protected] NEW WEARABLE TECHNOLOGIES BIOCHEMICALLY OPTIMIZE WEARERS' PERSONALITIES Fashion-Forward 'Superego Suits' Developed By Jonathon Keats At The LACMA Art + Technology Lab Will Debut In San Francisco This March February 27, 2017 – Applying cutting-edge neuroscience to millennia of costume history, a multidisciplinary research initiative has achieved simultaneous breakthroughs in both fields, pioneering the next generation of wearable technology. Building on research from laboratories at Harvard and Florida State University, experimental philosopher Jonathon Keats will introduce 'Superego Suits' to the public in San Francisco next month. Fully modular and customizable to all body types, Superego Suits boast multiple features to alter self- perception, augmenting wearers' personalities for work and social life. "Today's wearables can supplement wearers' memories and knowledge and interactivity by connecting them to the internet," says Mr. Keats. "But psychologically you still remain your same old self. Glassholes will be Glassholes." Superego Suits get to the root of the problem by altering biochemistry and brain/body communication. They can make wearers more confident and enchanting, and even connect with other Superego Suits to manage interpersonal relationships. Four major innovations will be showcased at San Francisco's Modernism Gallery, where prototypes will be on view together with fashion photography by Elena Dorfman, featuring the Wilhelmina International model Anna Sophia Moltke. Mr. Keats has engineered sunglasses with irises designed to open and close in time with the wearer's breathing – augmenting her presence by increasing awareness of her internal state – a phenomenon known in neuroscience as interoception. He's also developed bracelets that can position the wearer in a 'power pose', causing the release of testosterone, a hormone associated with self-assurance. -
California Native Badge for Cadettes
Native to Greater LA Badge Cadettes GIRL SCOUTS of GREATER LOS ANGELES www.girlscoutsla.org Native to Greater LA Badge (Plants)- Cadettes “When we tug at a single thing in nature, we find it attached to the rest of the world.” ― John Muir Before the 405, the 101, the 5 or the 10, there were plants and animals. Before Hollywood, Los Angeles, Malibu, and Long Beach there were people that lived here for hundreds of years. There are unique plants and animals and people, native only to the region that we call home. Some have vanished in the mists of time, however if we listen to the stories told by the buzz of bees, the crashing of the sea and the voices in the wind, we might just be surprised to still find miracles native only to greater LA. Each level of Cadettes, Seniors and Ambassadors will learn about one of these elements; eventually tying it all together with the knowledge of Greater LA’s unique natural and cultural history. For Cadettes- Southern California is unique in that there are 5 microclimates: beach, valley, mountain, high desert and low desert. These microclimates are distinctively different and yet sometimes within a matter of miles from each other. As you look through these local regions you will notice some of the unique plant treasures that are found only in these areas. At the basis of almost every food web are plants and they are the same primary producers that provide us with oxygen, food, shelter, and medicine. Some of these plants have incredible adaptations for their environment and are sometimes only found in one place because of these special adaptations. -
Cathedral Thinking
Cathedral Thinking : Cathedral Wealth (/partner/future- ADDED 10 OCT 2016 • BY THE FUTURE LABORATORY (/PARTNER/FUTURE-LABS) labs) We are entering an era of Cathedral Wealth, where the most meaningful thing that you can hand down to the next generation is no longer a watch or family estate, but a grand challenge, a life’s work or a multi-generational task. Timmerhuis, by OMA architects, Rotterdam. Photograph by Sebastian van Damme, Courtesy of OMA (In this report, we examine the ways that Cathedral Wealth and long termism are beginning to permeate our society in three pivotal ways.¹) In the Middle Ages, building a cathedral to honour God was considered one of the greatest works that a community could undertake. Everyone from heads of state and religious leaders to architects, craftsmen and labourers joined together to create these monumental structures. Building a cathedral was an endeavour of such scale that they would often take decades or even centuries to finish. The people that laid the foundations would do so in the almost certain knowledge that they would never live to see the finished product. Today, at a time when the future of mankind has never looked more complex and uncertain, we are increasingly realising that our biggest questions may require multi-generational answers. ‘Modernity has pulled us into an era of short-termism and individualism,’ says Rachel Armstrong, senior TED fellow and founder of Black Sky Thinking. ‘However, the biggest issues facing humanity, such as climate change, over-population and energy and resource shortages, require us to think in terms of solutions that will span generations.’ Like the craftsmen that laid the first stones at St Paul’s, St Basil’s and Notre Dame, today’s leading scientists, business leaders and creative innovators are beginning to think in terms of a new kind of wealth – the handing down of purposeful and life-affirming projects that only their grandchildren, or even great-grandchildren, will see bear fruit.