Passaggio
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- The Cambridge Companion to Seventeenth-Century Opera Edited by Jacqueline Waeber Frontmatter More Information
- Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
- The Controversy Concerning the Timbre of the Countertenor
- A Study of Monteverdi's Three Genera from the Preface to Book Viii of Madrigals in Relation to Operatic Characters in Il
- 1 the Singing Horn Player
- Using Exercise Physiology and Motor Learning Principles in the Teaching Studio and the Practice Room
- Glottal Behavior in the High Soprano Range and the Transition to The
- “Female Voices in Male Bodies”: Castrati, Onnagata, and the Performance of Gender Through Ambiguous Bodies and Vocal Acts
- Head Voice to Young Men Prepared for Virginia Wesleyan College Dr
- Gender, Sexuality, and the Falsettist in Musical Comedy of Western Civilization
- Ornamentation of Italian Vocal Music of the Eighteenth Century According to Pietro Francesco Tosi and Giovanni Battista Mancini Beverly Ann Brandon
- Bach's Tenor, Modern Ideology and Historical
- The Development and Implementation of Coloratura Technique
- INFORMATION to USERS the Most Advanced Technology Has Been
- The Prevention of Vocal Hyperfunction in Singers
- The Interplay Between Glottis and Vocal Tract During the Male Passaggio
- Voice Classification and Fach: Recent, Historical and Conflicting Systems of Voice Categorization
- An Italianate Approach for a Modernized Baryton-Martin Fach Aaron D