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Ottoman music
How Was the Traditional Makam Theory Westernized for the Sake of Modernization?
Issues of Musical Identity During The
Ottoman Music Culture in the Balkans Through the Prism of the Travel Writer Evliya Celebi
A Collective Biography Study of Musicians: Patterns, Networks and Music As a “Profession” in the Late Ottoman Era and the Early Republican Years in Istanbul
Cultural Changes in the Turkic World
Ozgecan Karadagli
(1/2019). Turkish Yoke Or
Seth Boyce Thesis
Western Impact and Middle Eastern Response.Pdf
1 Turkish Classical Clarinet Repertoire
Zeszyty Naukowe Towarzystwa Doktorantów Uniwersytetu Jagiellońskiego
The Musical Relationship Between England and the Ottoman Empire, Rast Musicology Journal, 7(1), S.1959-1978
Ottoman Empire
Janissary Music in the Western Classical Idiom: 1775-1824
Traces of the Ottoman Musical Tradition in Early 20Th-Century Western-Style Turkish Art Music
The Royal Mawlid Ceremonies in the Ottoman Empire (1789-1908)
Ismail Hakki Bey Ve Osmanli Devleti'nde Ilk
From Sultan Mahmud Ii to Sultan Mehmed Vi Vahdeddn
Top View
ÇENGİS, KÖÇEKS, ÇÖÇEKS∗ Studies on Identity and Gender in Ethnomusicology, Have Drawn More A
Balkanologie, Vol. V, N° 1-2 | 2001 the Legacy of Forced Migrations in Modern Turkish Society : Remembrance of Th
Metamorphosis of the Performing Arts: Understandings of Sexuality and Nationalism in the 19 Th C
DOI Number: 10.14754/CEU.2016.07
The Musical-Artistic Dimension of the Mehterhane
Beyond the Songs: Women Performers of Ethnic Music In
980 Abstracty Tureckie.Indd
The Tangled Ends of an Empire: Ottoman Encounters with the West and Problems of Westernization—An Overview
The Renaissance and the Ottoman World M O .C Te a G H S .A W W W
European Cultural Appropriation of Percussion Instruments from the Ottoman Empire
Greek Modes and Turkish Sounds. Music As a Means of Intercultural Exchange Between Orthodox Christians and Muslims in the Ottoman Empire
The Emergence of Ottoman Music and Local Modernity
A Path to Restructure the Forgotten Ottoman Musical Instruments
Contents Martin Greve Introduction 7 1. Writing the History of Ottoman
The Past As Resource in the Turkic Speaking World
Music in the Ottoman Imperial Harem and the Life of Composer Leyla Saz (1850-1936)
Ottoman Influences on European Music
“Yphos” As Infrapolitical Resistance: Greek Liturgical Music in 19Th Century Ottoman Istanbul