Opera
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- Voice Classification in Opera and the German Fach System
- Criticism of Italian Opera in Eighteenth Century England
- SAVORING FRENCH OPERA Kip Cranna, Dramaturg Emeritus, San Francisco Opera Summer 2021, Wednesdays, 2:30-4:00Pm
- Gesamtkunstwerk As Epistemic Space Kevin S
- Music 160: Romantic Opera: Verdi and Wagner [Keri Mccarthy]: Today
- Bridging the Gap Between Opera and Musical Theatre
- Opera in English: Class and Culture in America, 1878–1910
- Zwischenfach – a Distinct Voice Type: a Study of Fach Through Specific Roles in the Orksw of Richard Wagner and Richard Strauss
- Four Recent Productions of Dido and Aeneas
- MEDIA SCORES a Framework for Composing the Modern-Day Gesamtkunstwerk
- The Struggle to Create Soviet Opera
- The Dramaturgy of Italian Opera
- Voice Types of Opera Villains: Collaborative Study of Vocal Tessituras of Villains and Heroes in Opera Michael Cantrell University of Nebraska at Kearney
- Dream Melody Intermezzo: Naughty Marietta”-- Victor Herbert and His Orchestra (1911) Added to the National Registry: 2017 Essay by Alyce Mott (Guest Post)*
- Roles for MHS Phantom of the Opera
- A Short Introduction to Western Opera an Opera, Like a Play, Is a Dramatic Form of Theatre That Inclu
- French Opera and the French Revolution, Etienne Nicolas Mehul Savannah J
- The Sicilian Tenors Aaron Caruso | Elio Scaccio | Sam Vitale