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Ocean of Sound
WHAT USE IS MUSIC in an OCEAN of SOUND? Towards an Object-Orientated Arts Practice
David Toop Ricocheting As a 1960S Teenager Between Blues Guitarist
The Aesthetics of Acid
The Smooth Space of Field Recording
Underwater Music: Tuning Composition to the Sounds of Science
The Sampler As Compositional Tool and Recording Dislocation
Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
Peter Church
MUSIC BEYOND AIRPORTS Appraising Ambient Music
American Functional Music and Environmental Imaginaries
David Toop Is a Musician, Writer and Sound Curator Based in London
SINISTER RESONANCE This Page Intentionally Left Blank SINISTER RESONANCE the Mediumship of the Listener
AMBIENT LISTENING and ITS QUESTIONS David Toop This
Studio Manoeuvres
The Complexities of an Afrofuturist Reading of Dub
Szabo Cleveland, Ohio
Space in the Ambience: : Is Ambient Music Socially Relevant?
Industrial Music for Industrial People: the History and Development of an Underground Genre Bret D
Top View
The Elephant in the Concert Hall; Searching for the Postmodern in Music Criticism
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