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Nikolai Grinko
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Tarkovsky's Solaris
Andrei Tarkovsky: SOLARIS (1972, 167M) Spelling and Style—Use of Italics, Quotation Marks Or Nothing at All for Titles, E.G.—Follows the Form of the Sources
Cinema of Sergei Parajanov Parajanov Performs His Own Imprisonment for the Camera
Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I
Heterotopic Space in Andrei Tarkovsky's Solaris
What Is the Zone and Are We in It? Visions of the Anthropocene In
Opinions of Film Critics and Viewers
Solaris, Directed by Andrei Tarkovsky - Psychological and Philosophical
Andrei Rublev/Andrey Rublyov
Film Criticism
Bakhtin's Carnivalesque Signifier "The Infinite Interior" Which I Will Expound Upon Later in This Chapter
The Films of Andrei Tarkovsky; Elia Kazan
Solaris, Directed by Andrei Tarkovsky, Philosophy, Psychology
THE FILMS of ANDREI TARKOVSKY, May 2-11, Pages Three and Four
XIX:11) Andrei Tarkovsky SOLARIS (1972, 165 Min)
THE BIRTH of ART and GENIUS in ANDREI TARKOVSKY's ANDREI RUBLYOV by NATALIYA B. BRANT (Under the Direction of Katharina M. Wils
Andrei Tarkovsky
Top View
3088 a Review of Cinematic Structure and Elements Of
The Tension Between Created Time and Real Time in Andrei Tarkovsky’S Film Andrei Rubliov
Notes to the Introduction 1. Filmed Interview with Andrei Tarkovsky By
Sculpting in Time: Reflections on the Cinema
Record Holders of the Banned Soviet Cinema (1951-1991) in the Mirror of Film Criticism and Viewers' Opinions
Multimedia Library Feature Films: Russian, Ukrainian, Or Central Asian