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New Hormones
New Potentials for “Independent” Music Social Networks, Old and New, and the Ongoing Struggles to Reshape the Music Industry
Punk Is Dead” Catalog Includes, the SST Records the Inventory Representing the “Punk Is Collection, C
Authenticity, Politics and Post-Punk in Thatcherite Britain
Downloaded From: Version: Accepted Version Publisher: Intellect DOI
Conclusion: Popular Music, Aesthetic Value, and Materiality
A Study to Understand Manchester's Emergence As
Smash Hits Volume 42
A Unique One-Off Evening with BUZZCOCKS, the SKIDS & PENETRATION at the Royal Albert Hall
1BZ OP NPSF UIBO B
Article Factory Records and the Situationist Influence on Urban Space
Chemikal Underground: “Post-Independent” Rock and Pop in Scotland? J. Mark Percival
Dossier D'accompagnement De La Conférence / Concert Du Samedi 6
Cambridge University Press 978-1-107-17689-8 — No Future Matthew Worley Index More Information
Traditions of Punk and the Politics of Empowerment
The Semi-Autonomous Rock Music of the Stones
The Movement. Analyzing British Punk Music As a Driver of Change in the 70’S Crisis
An Interview with Mekons 77
Martin Hannett Interview
Top View
Chapter 6 the Adaptive Musician: the Case of Peter Hook and Graham Massey Ewa Mazierska and Tony Rigg
Steve Waksman1 Smith College 1. Heavy Metal and Punk Rock Are
Mark Morrisroe: from This Moment on March 9 – May 1, 2011
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