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My Bed
THBT Social Disgust Is Legitimate Grounds for Restriction of Artistic Expression
Where's the Criticality, Tracey? a Performative Stance Towards
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
Sarah Lucas at the Hammer Museum
My Bed on the Market for the First Time Yba Icon Sold to Benefit the Saatchi Gallery’S Foundation
Young British Artists: the Legendary Group
The Hudson RIVER Valley Review a Journal of Regional Studies
Teachers Pack
Confessions Around Sexuality As a Form of Practice in the Artwork of Tracey Emin
Outsider Art & Grayson Perry
Interview June 2006 P. 102-109 TRACEY EMIN AS a GIRL
Maxlounaxlehtoxduo.Pdf (768.7Kb)
The Existence Or Non-Existence of a Contemporary Avant-Garde
Image, Text, Therapy and Vengeance in Art by Women
Pop Life: British and American Contemporary Art and Architecture (1960–2015)
Iconic Young British Artist Works from the Museum of Old and New Art, Tasmania
W Artcentre Ltd
Personal Sketches of His Own Times
Top View
The Bed As an Art Object
The Turner Prize • Summary
75458 Vol 20 No2 Version B2:Cambridgepaper
By Tracey Emin
The Confessional Art of Tracey Emin
Priseman Seabrook Collection of 21St Century British Painting
Modern Painters Autumn 2002 Pp. 112-117 Emin for Real What Does
Fisk, Jennifer Thesis 05-09-13
First-Ever Exhibition of British Pop
Tate Report 2016–2017
For You by Tracey Emin Transcript
Tracey Emin: Life Made Art, Art Made from Life
Divestment and the Social Bond in the Work of Howard Fried, John D
National Portrait Gallery Acquires Tracey Emin's 'Death Mask'
'What You See Is What I
Young British Artists 8
Making My Bed : Tracey Emin's Hysterical Confessions of the Abject Alicia Chantelle Vandeweghe Ryerson University
Turner Prize 2018: 10 Memorable Winners of the Controversial Contemporary Art Award
Resource Booklet