The Hudson RIVER Valley Review a Journal of Regional Studies
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Women's History Is Everywhere: 10 Ideas for Celebrating in Communities
Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook Prepared by The President’s Commission on the Celebration of Women in American History “Just think of the ideas, the inventions, the social movements that have so dramatically altered our society. Now, many of those movements and ideas we can trace to our own founding, our founding documents: the Constitution and the Bill of Rights. And we can then follow those ideas as they move toward Seneca Falls, where 150 years ago, women struggled to articulate what their rights should be. From women’s struggle to gain the right to vote to gaining the access that we needed in the halls of academia, to pursuing the jobs and business opportunities we were qualified for, to competing on the field of sports, we have seen many breathtaking changes. Whether we know the names of the women who have done these acts because they stand in history, or we see them in the television or the newspaper coverage, we know that for everyone whose name we know there are countless women who are engaged every day in the ordinary, but remarkable, acts of citizenship.” —- Hillary Rodham Clinton, March 15, 1999 Women’s History is Everywhere: 10 Ideas for Celebrating In Communities A How-To Community Handbook prepared by the President’s Commission on the Celebration of Women in American History Commission Co-Chairs: Ann Lewis and Beth Newburger Commission Members: Dr. Johnnetta B. Cole, J. Michael Cook, Dr. Barbara Goldsmith, LaDonna Harris, Gloria Johnson, Dr. Elaine Kim, Dr. -
Plain, Ordinary Mrs. Roosevelt
First 1 Reading Instructions 1. As you read, mark a ? wherever you are confused or curious about something. 2. After reading, look at the places you marked. Write your questions in the margins. 3. Circle two questions to bring to the sharing questions activity: • A question about a part that confuses you the most. • A question about a part that interests you the most. Plain, Ordinary Mrs. Roosevelt Jodi Libretti The highlighted words n 1932 Americans elected Franklin Delano Roosevelt, will be important to know I as you work on this unit. also known as FDR, as their president. People were looking for someone who could lead the country out of the Great QUESTIONS Depression. Since 1929 the United States had been in terrible trouble. Banks went out of business, and millions of people lost all of their savings. One out of every five people lost their jobs. To make matters worse, terrible droughts were drying up America’s farmland. Land across the Great Plains turned to dust and was literally blowing away. People were scared and desperate. In his first speech as president, FDR brought hope to people when he said, “the only thing we have to fear is fear Great Depression: the period between 1929–1939 when the United States and many other countries faced major financial problems literally: actually 104 Nonfiction Inquiry 5 itself.” He also brought them his wife Eleanor. Americans didn’t know it yet, but she would be a First Lady like no other. Eleanor the Activist Eleanor Roosevelt stood nearly six feet tall and had buck teeth and a high voice. -
THBT Social Disgust Is Legitimate Grounds for Restriction of Artistic Expression
Published on idebate.org (http://idebate.org) Home > THBT social disgust is legitimate grounds for restriction of artistic expression THBT social disgust is legitimate grounds for restriction of artistic expression The history of art is full of pieces which, at various points in time, have caused controversy, or sparked social disgust. The works most likely to provoke disgust are those that break taboos surrounding death, religion and sexual norms. Often, the debate around whether a piece is too ‘disgusting’ is interwoven with debate about whether that piece actually constitutes a work of art: people seem more willing to accept taboo-breaking pieces if they are within a clearly ‘artistic’ context (compare, for example, reactions to Michelangelo’s David with reactions to nudity elsewhere in society). As a consequence, the debate on the acceptability of shocking pieces has been tied up, at least in recent times, with the debate surrounding the acceptability of ‘conceptual art’ as art at all. Conceptual art1 is that which places an idea or concept (rather than visual effect) at the centre of the work. Marchel Duchamp is ordinarily considered to have begun the march towards acceptance of conceptual art, with his most famous piece, Fountain, a urinal signed with the pseudonym “R. Mutt”. It is popularly associated with the Turner Prize and the Young British Artists. This debate has a degree of scope with regards to the extent of the restriction of artistic expression that might be being considered here. Possible restrictions include: limiting display of some pieces of art to private collections only; withdrawing public funding (e.g. -
Modern First Ladies: Their Documentary Legacy. INSTITUTION National Archives and Records Administration, Washington, DC
DOCUMENT RESUME ED 412 562 CS 216 046 AUTHOR Smith, Nancy Kegan, Comp.; Ryan, Mary C., Comp. TITLE Modern First Ladies: Their Documentary Legacy. INSTITUTION National Archives and Records Administration, Washington, DC. ISBN ISBN-0-911333-73-8 PUB DATE 1989-00-00 NOTE 189p.; Foreword by Don W. Wilson (Archivist of the United States). Introduction and Afterword by Lewis L. Gould. Published for the National Archives Trust Fund Board. PUB TYPE Collected Works General (020) -- Historical Materials (060) EDRS PRICE MF01/PC08 Plus Postage. DESCRIPTORS *Archives; *Authors; *Females; Modern History; Presidents of the United States; Primary Sources; Resource Materials; Social History; *United States History IDENTIFIERS *First Ladies (United States); *Personal Writing; Public Records; Social Power; Twentieth Century; Womens History ABSTRACT This collection of essays about the Presidential wives of the 20th century through Nancy Reagan. An exploration of the records of first ladies will elicit diverse insights about the historical impact of these women in their times. Interpretive theories that explain modern first ladies are still tentative and exploratory. The contention in the essays, however, is that whatever direction historical writing on presidential wives may follow, there is little question that the future role of first ladies is more likely to expand than to recede to the days of relatively silent and passive helpmates. Following a foreword and an introduction, essays in the collection and their authors are, as follows: "Meeting a New Century: The Papers of Four Twentieth-Century First Ladies" (Mary M. Wolf skill); "Not One to Stay at Home: The Papers of Lou Henry Hoover" (Dale C. -
CVNA History1.Pdf
Historical Overview Summary The Catalina Vista Historic District is located in close proximity to the University of Arizona in Tucson. The district is located north and east of the University's main campus and directly east of its medical school. Catalina Vista takes its name from a single subdivision, first developed in 1940. The Catalina Vista Historic District is considered significant under National Register criterion "A" for is association with community development in Tucson. Community development significance is described by the historic context "Tucson Subdivisions in Transition, 1940-1955 ." The historic district is also considered significant under National Register criterion "C" as being representative of architectural styles dominant in Tucson during World War Two and.the post-WWII transitional era. Architectural significance is described by the historic context "Tucson Architectural Styles in Transition, 1940-1955," Although the transitional era of community and architectural development took place from 1940 to 1955, the period of significance for the Historic District starts in 1903 when suburban residential development first began in district area and ends in 1951 at the fifty-year limit for National Register significance. This period of significance allows for the inclusion of the "Potter Place" property under the historical context "Residential Subdivision Development in Tucson, 1903- 1940 ." The Catalina Vista neighborhood, of Tucson is located in' Section 5 of Township 14 South, Range 14 East, of the Crila and- Salt River Base and Meridian in Arizona. Section 5 originally consisted of four separate parcels of land granted by the US government . Calvert Wilson received the first of these grants, taking possession by cash payment of about 160 acres in the northwest corner of the section in 1891 . -
SUBJECT FILES, 1933-1964 153 Linear Feet, 2 Linear Inches (350 LGA-S Boxes) Herbert Hoover Presidential Library
Stanford HERBERT HOOVER PAPERS POST PRESIDENTIAL SUBJECT FILES, 1933-1964 153 linear feet, 2 linear inches (350 LGA-S boxes) Herbert Hoover Presidential Library FOLDER LIST Box Contents 1 A General (5 folders) Academy of American Poets, 1934-1959 Academy of Motion Picture Arts & Sciences, Hoover tribute to Ethel Barrymore, 1949 Acheson, Secretary of State Dean - Clippings, 1945-1951 Adams, John – letter to his son, Dec 17, 1800 (reproduction) Advertising Club of New York, 1939-1963 Advertising Council, 1961 Advertising Gold Medal Award of Printers' Ink Publishing Company, 1960-1963 Africa, 1957-1963 African-American Institute, 1958 2 Agricultural Hall of Fame, 1959 Agriculture General, 1934-1953 California Farm Debt Adjustment Committee, 1934-1935 Clippings, 1933-1936 (7 folders) 3 Clippings, 1936-1958, undated (7 folders) Comments and Suggestions, 1933-1935 (3 folders) 4 Comments and Suggestions, 1936-1951, undated (5 folders) Congressional Record, House and Senate Bills, 1917, 1933-1937, 1942-1943 Commodities Cotton, 1934-1943 Wheat, 1933-1943 Farmers' Independence Council of America, 1935-1936 International, 1933-1934 5 Printed Matter, 1934-1953 and undated (2 folders) Statistics, 1940-1944 Agriculture Department Agricultural Adjustment Administration (AAA) Expenditures for 1935 by state, 1936 Printed Material 1933-1941 (2 folders) Bureau of Agricultural Economics Agricultural Finance Review, 1942-1944 6 Agricultural Prices, 1943-1945 (3 folders) Agricultural Situation, 1943-1946 Cotton Situation, 1943 Crop Production, 1942-1946 (4 -
No Ordinary Time by Doris Kearns Goodwin About the Book…. This
No Ordinary Time by Doris Kearns Goodwin About the book…. This book presents a chronicle of a nation and its leaders during the period when modern America was created. Presenting an aspect of American history that has never been fully told, Doris Kearns Goodwin writes a narrative account of how the United States of 1940, an isolationist country divided along class lines, still suffering the ravages of a decade-long depression and woefully unprepared for war, was unified by a common threat and by the extraordinary leadership of Franklin Roosevelt to become, only five years later, the preeminent economic and military power in the world. At the center of the country's transformation was the complex partnership of Franklin and Eleanor Roosevelt. Franklin's main objective from the war's onset was victory, and he knew the war could not be won without focusing the energies of the American people and expanding his base of support - making his peace with conservative leaders and gaining the cooperation of big business. Eleanor, meanwhile, felt the war would not be worth winning if the old order of things at home prevailed and was often at odds with her husband in her efforts to preserve the gains of the New Deal and achieve reforms in civil rights, housing, and welfare programs. While Franklin manned the war room at the White House and held meetings with Winston Churchill, Joseph Stalin, Mackenzie King, and other world leaders to discuss strategy for the war abroad, Eleanor crisscrossed the country, visiting the American people, seeing how the war and policies her husband made in Washington affected them as individuals. -
Where's the Criticality, Tracey? a Performative Stance Towards
Where’s the Criticality, Tracey? A Performative Stance Towards Contemporary Art Practice Sarah Loggie 2018 Colab Faculty of Design and Creative Technologies An exegesis submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Creative Technologies Karakia Timatanga Tukua te wairua kia rere ki ngā taumata Hai ārahi i ā tātou mahi Me tā tātou whai i ngā tikanga a rātou ma Kia mau kia ita Kia kore ai e ngaro Kia pupuri Kia whakamaua Kia tina! TINA! Hui e! TAIKI E! Allow one’s spirit to exercise its potential To guide us in our work as well as in our pursuit of our ancestral traditions Take hold and preserve it Ensure it is never lost Hold fast. Secure it. Draw together! Affirm! 2 This content has been removed by the author due to copyright issues Figure A-1 My Bed, Tracey Emin, 1998, Photo: © Tracey Emin/Tate, London 2018 R 3 Figure B-1, 18-06-14, Sarah Loggie, 2014, Photo: © Sarah Loggie, 2018 4 Abstract Tracey Emin’s bed is in the Tate Museum. Flanked by two portraits by Francis Bacon, My Bed (1998) is almost inviting. Displayed on an angle, it gestures for us to climb under the covers, amongst stained sheets, used condoms and empty vodka bottles - detritus of Emin’s life. This is not the first time My Bed has been shown in the Tate. The 2015-17 exhibitions of this work are, in a sense, a homecoming, reminiscent of the work’s introduction to the British public. -
Herbert Hoover Subject Collection
http://oac.cdlib.org/findaid/ark:/13030/tf758005bj Online items available Register of the Herbert Hoover subject collection Finding aid prepared by Elena S. Danielson and Charles G. Palm Hoover Institution Library and Archives © 1999 434 Galvez Mall Stanford University Stanford, CA 94305-6003 [email protected] URL: http://www.hoover.org/library-and-archives Register of the Herbert Hoover 62008 1 subject collection Title: Herbert Hoover subject collection Date (inclusive): 1895-2006 Collection Number: 62008 Contributing Institution: Hoover Institution Library and Archives Language of Material: English Physical Description: 354 manuscript boxes, 10 oversize boxes, 31 card file boxes, 2 oversize folders, 91 envelopes, 8 microfilm reels, 3 videotape cassettes, 36 phonotape reels, 35 phonorecords, memorabilia(203.2 Linear Feet) Abstract: Correspondence, writings, printed matter, photographs, motion picture film, and sound recordings, relating to the career of Herbert Hoover as president of the United States and as relief administrator during World Wars I and II. Sound use copies of sound recordings available. Digital copies of select records also available at https://digitalcollections.hoover.org. Access Boxes 382, 384, and 391 closed. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights Published as: Hoover Institution on War, Revolution, and Peace. Herbert Hoover, a register of his papers in the Hoover Institution archives / compiled by Elena S. Danielson and Charles G. Palm. Stanford, Calif. : Hoover Institution Press, Stanford University, c1983 For copyright status, please contact Hoover Institution Library & Archives. Acquisition Information Acquired by the Hoover Institution Library & Archives in 1962. -
Fireside Chats”
Becoming “The Great Arsenal of Democracy”: A Rhetorical Analysis of Franklin D. Roosevelt’s Pre-War “Fireside Chats” A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Allison M. Prasch IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Under the direction of Dr. Karlyn Kohrs Campbell December 2011 © Allison M. Prasch 2011 ACKNOWLEDGEMENTS We are like dwarfs standing upon the shoulders of giants, and so able to see more and see further . - Bernard of Chartres My parents, Ben and Rochelle Platter, encouraged a love of learning and intellectual curiosity from an early age. They enthusiastically supported my goals and dreams, whether that meant driving to Hillsdale, Michigan, in the dead of winter or moving me to Washington, D.C., during my junior year of college. They have continued to show this same encouragement and support during graduate school, and I am blessed to be their daughter. My in-laws, Greg and Sue Prasch, have welcomed me into their family as their own daughter. I am grateful to call them friends. During my undergraduate education, Dr. Brad Birzer was a terrific advisor, mentor, and friend. Dr. Kirstin Kiledal challenged me to pursue my interest in rhetoric and cheered me on through the graduate school application process. Without their example and encouragement, this project would not exist. The University of Minnesota Department of Communication Studies and the Council of Graduate Students provided generous funding for a summer research trip to the Franklin D. Roosevelt Presidential Library in Hyde Park, New York. -
Copyright and Use of This Thesis This Thesis Must Be Used in Accordance with the Provisions of the Copyright Act 1968
COPYRIGHT AND USE OF THIS THESIS This thesis must be used in accordance with the provisions of the Copyright Act 1968. Reproduction of material protected by copyright may be an infringement of copyright and copyright owners may be entitled to take legal action against persons who infringe their copyright. Section 51 (2) of the Copyright Act permits an authorized officer of a university library or archives to provide a copy (by communication or otherwise) of an unpublished thesis kept in the library or archives, to a person who satisfies the authorized officer that he or she requires the reproduction for the purposes of research or study. The Copyright Act grants the creator of a work a number of moral rights, specifically the right of attribution, the right against false attribution and the right of integrity. You may infringe the author’s moral rights if you: - fail to acknowledge the author of this thesis if you quote sections from the work - attribute this thesis to another author - subject this thesis to derogatory treatment which may prejudice the author’s reputation For further information contact the University’s Copyright Service. sydney.edu.au/copyright 1 Sydney College of the Arts The University of Sydney MASTER OF FINE ARTS 2014 RESEARCH PAPER SECRETIONS AND CONFESSIONS - SURVEYING THE BED AS A SITE OF DISCLOSURE. by Lionel Bawden December 8th, 2014 This volume is presented as a record of the work undertaken for the degree of Master of Visual Arts at Sydney College of the Arts, University of Sydney. 2 TABLE OF CONTENTS Acknowledgements -
Doris Kearns Goodwin Resource Document
E. N. Thompson Forum on World Issues Regeneration: Leadership and Hope for a Changing Planet September 22 | Doris Kearns Goodwin | Presidential Historian and Author The 25th Annual Governor's Lecture in the Humanities presented by Humanities Nebraska Goodwin is a world-renowned presidential historian, public speaker and Pulitzer Prize-winning, New York Times #1 best-selling author. Her seventh and most recent book, Leadership in Turbulent Times, was published in September 2018 to critical and popular acclaim. This volume is the culmination of Goodwin’s five-decade career focused on the study of the American presidency and provides an accessible roadmap to leadership. • https://doriskearnsgoodwin.com/about-doris/ • https://go.unl.edu/ent2020-goodwin (20min) Books: Leadership In Turbulent Times In Leadership in Turbulent Times, Goodwin draws upon four of the presidents she has studied most closely—Abraham Lincoln, Theodore Roosevelt, Franklin D. Roosevelt, and Lyndon B. Johnson (in civil rights)—to show how they first recognized leadership qualities within themselves, and were recognized by others as leaders. The Bully Pulpit: Theodore Roosevelt, William Howard Taft, and The Golden Age of Journalism The prize-winning biography of Theodore Roosevelt—a dynamic history of the first decade of the Progressive era when the nation was coming unseamed and reform was in the air. Told through the friendship of Roosevelt and William Howard Taft, Goodwin captures an epic moment in history. Team of Rivals: The Political Genius of Abraham Lincoln The landmark biography of Abraham Lincoln, adapted by Steven Spielberg into the Academy Award- winning film Lincoln, and winner of the prestigious Lincoln Prize, illuminates Lincoln’s political genius as he brought disgruntled opponents together and marshaled their talents to the task of preserving the Union.