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Michael Corleone
The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli
Cases and Materials on the Outfit
Godfather Part II by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
Influence of Michael Corleone's Personalities on His Relationship
2. the Godfather Returns.Pdf
Revisiting Violence in the Godfather: the Ambiguous Space of the Victimage Model
The Reflection of Successful American Dream Through the Character of Michael Corleone in Mark Winegardner’S the Godfather Returns
The Godfather Brando During the Shooting of Apocalypse Now (1979) and His Ambitious Attempt to Form His Own Studio/Distributor Conglomerate, Zoetrope Studios, in 1980
Mario Puzo's the Godfather As Business Allegory
The Godfather Part II John L
Mark Winegardner
THE GOD FATHER (Mario Puzo) CHAPTER ONE Wedding on Long
THE GODFATHER Screenplay by Mario Puzo Francis Ford Coppola
Diabetes on the Big Screen
The Godfather: Corleone's Empire Rulebook
The Godfather
Michael Corleone: [To Calo, in Sicilian] What's Wrong? [Calo Shrugs, and Fabrizio Returns to Collect His Things.] Fabrizio: [In Sicilian] Let's Go
The Influence of Don Vito Corleone Towards the Attitudes of His Men As Reflected in Mario Puzo’S the Godfather (A Social Psychological Approach)
Top View
The Godfather 4 5 by Mario Puzo 6
The Portrayal of Antihero in Mario Puzo's the Godfather (1969
Michael Corleone As Gangster Figure in Mario Puzo's and Francis Ford Coppola's the Godfather Texts / by Carmela Coccimiglio
A TRANSNATIONAL ITALIAN AMERICAN EXPERIENCE Cale
The Godfather of One of the Most Powerful and Richest Families in New York
The Godfather: the Art of Hard Choices
Offers They Can't Refuse: SEC and FINRA Enforcement Settlements
Caporegime ( Đầu Lĩnh/ Thủ Lĩnh)
Francis Ford Coppola's Godfather Trilogy