DOCSLIB.ORG

The Reflection of Successful American Dream Through the Character of Michael Corleone in Mark Winegardner’S the Godfather Returns

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

THE REFLECTION OF SUCCESSFUL AMERICAN DREAM THROUGH THE CHARACTER OF MICHAEL CORLEONE IN MARK WINEGARDNER’S THE GODFATHER RETURNS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By DODI ROSYID SAPUTRA Student Number: 034214064 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 THE REFLECTION OF SUCCESSFUL AMERICAN DREAM THROUGH THE CHARACTER OF MICHAEL CORLEONE IN MARK WINEGARDNER’S THE GODFATHER RETURNS AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By DODI ROSYID SAPUTRA Student Number: 034214064 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2008 i ACKNOWLEDGEMENTS My first and greatest gratitude goes to Allah SWT who has given me life, power, guidance and everything so I can stand still till this second and by his blessing and guidance I can finish my study and my thesis. This thesis is dedicated to my beloved mother and father who always pray for my success, encourage me and support me emotionally, spiritually, and financially. My gratitude also goes to my advisor Paulus Sarwoto, S.S., M.A. who has given me big help and support during the writing of my thesis. I would like to thank to J. Harris Hermansyah S., S.S., M.Hum. and Ni Luh Putu Rosiandani, S.S., M.Hum. for the critical corrections and suggestions. My warmest thanks go to my older sister Debie and my best friend Budi. Thanks to Mbak Debie for accompanying and supporting me during my hard time in writing this thesis and to Budi for the support and our friendship. Thanks to my friends, Damai, Tiox, Jati, Yery, Yabes, Tyas, Monic, Ichen. Thanks to my friends in Sahadewa boarding house for the support during my thesis writing. Thanks to my special one Wiyan for the new color in my life. At last, I would like to give thanks to all my friends who always give colors and inspirations in my life. You are all best I have ever had. Dodi Rosyid Saputra. v TABLE OF CONTENTS TITLE PAGE ………………………………………………………………... i APPROVAL PAGE …………………………………………………………. ii ACCEPTANCE PAGE ……………………………………………………... iii LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS...................................... iv ACKNOWLEDGEMENTS …………………………………………............ v TABLE OF CONTENTS …………………………………………………… vi ABSTRACT …………………………………………………………………. vii ABSTRAK ………………………………………………………………....... viii CHAPTER I: INTRODUCTION ………………………………………….. 1 A. Background of the Study ………………………………………… 1 B. Problem Formulation ……………………………………………. 4 C. Objectives of the Study ………………………………………….. 5 D. Definition of Terms ……………………………………………… 5 CHAPTER II: THEORETICAL REVIEW ……………………………… 7 A. Review of Related Studies ………………………………………. 7 B. Review of Related Theories ……………………………………... 9 a. Theory of Character and Characterization ………………. 9 b. The American Dream ……………………………………. 12 C. Theoretical Framework …………………………………………. 16 CHAPTER III: METHODOLOGY ……………………………………… 18 A. Object of the Study ……………………………………………… 18 B. Approach of the Study …………………………………………... 19 C. Method of the Study …………………………………………….. 20 CHAPTER IV: ANALYSIS ……………………………………………….. 22 A. The Characteristics of Michael Corleone ………………………... 22 a. Strong Determination …………………………………….. 22 b. Hard Worker ……………………………………………… 26 c. Brilliant and Creative …………………………………….. 28 d. Careful ……………………………………………………. 31 B. The Reflection of American Dream based on Michael’s Characteristics and his struggles ……………………………….... 36 CHAPTER V: CONCLUSION …………………………………………… 52 BIBLIOGRAPHY …………………………………………………………. 55 APPENDIX ………………………………………………………………… 57 vi ABSTRACT DODI ROSYID. The Reflection of Successful American Dream Through the Character of Michael Corleone in Mark Winegardner’s The Godfather Returns. Yogyakarta: Department of English Letters, Faculty of Letters, Sanata Dharma University, 2007. This thesis discusses on the successful American Dream reflected by the main character (Michael Corleone) in Mark Winegardner’s The Godfather Returns. As an American-born son and one of greatest mafia kingpins, Michael who lives in mafia world wants to achieve his dream that is to legalize his business and spread out his influence to gain more power and wealth. This thesis emphasizes on Michael’s characteristics and struggles as the reflection of American Dream. Two objectives are formulated dealing with this research. First is to show the depiction of Michael Corleone in the story. Second is to show how Michael’s characteristics and struggles can be the reflection of successful American Dream. The method used in this thesis is library research. The Socio-historical approach is used since the topic deals with the social issue that is American Dream and the setting of the story is America in 1950s. At the end, this thesis concludes that overall Michael Corleone successfully achieve his dream in gaining more power and wealth. Although his ambition to legalize his family business is not achieved because of his own choice and he also loses his wife in divorce but at the end Michael Corleone manages to reunite his family as his father did. Moreover, Michael reflects the American Dream of wealth by his success in expanding his business in several fields such as in legal casino, hotels, restaurants and investment in other countries and the American Dream of power by becoming the most powerful mafia kingpin at his time. vii ABSTRAK DODI ROSYID. The Reflection of Successful American Dream Through the Character of Michael Corleone in Mark Winegardner’s The Godfather Returns. Yogyakarta: Jurusan Sastra Inggris, Fakultas Sastra, Universitas Sanata Dharma, 2007. Thesis ini membahas tentang kesuksesan American Dream yang tercermin oleh tokoh utama (Michael Corleone) di novel The Godfather Returns karya Mark Winegardner. Sebagai seorang anak yang terlahir di Amerika dan salah satu gembong mafia terbesar, Michael yang hidup dalam dunia mafia ingin mencapai impiannya yaitu untuk melegalkan bisnis and menyebarkan pengaruhnya untuk mendapatkan kekuasaan dan kekayaan yang lebih besar. Thesis ini menekankan pada karakteristik dan perjuangan Michael sebagai cerminan dari American Dream. Dua tujuan telah diformulasikan terkait dengan penelitian ini. Pertama adalah untuk menunjukan penggambaran Michael Corleone di dalam cerita. Kedua adalah untuk menunjukkan bagaimana karakteristik dan perjuangan Michael dapat menjadi cerminan kesuksesan American Dream. Metode yang digunakan dalam thesis ini adalah penelitian pustaka. Pendekatan secara sosio-historis digunakan karena topiknya terkait dengan persoalan sosial yaitu American Dream dan seting ceritanya adalah Amerika tahun 1950an. Pada bagian akhir, thesis ini menyimpulkan bahwa secara keseluruhan Michael Corleone sukses meraih impianya dalam mendapatkan kekuasaan dan kekayaan yang lebih besar. Walupun ambisinya untuk melegalkan bisnis kelurganya tidak tercapai karena pilihanya sendiri dan dia juga kehilangan istrinya karena perceraian akan tetapi di bagian akhir Michael Corleone berhasil mengumpulkan lagi seluruh kelurganya seperti yang pernah ayahnya lakukan. Selain itu, Michael mencerminkan American Dream dalam hal kekayaan dengan kesuksesanya dalam memperluas bisnisnya pada beberapa bidang contohnya kasino yang legal, hotel, restoran, dan investasi di negara-negara lain dan American Dream dalam hal kekuasaan dengan menjadi gembong mafia paling kuat pada saat itu. viii CHAPTER I INTRODUCTION A. Background of the Study Dream for some people is considered as a thing that could highly motivate them to do and achieve something, sometimes even several things which seem impossible to be done could be done just because a belief that people have in their dreams. During their lifetime, people could have countless dreams such as to be famous, to be rich, having good health, to be clever and so on and so forth, however to achieve it they need to have strong determination and hard work. In America, all the dreams made by the Americans to have better life conditions are called the American Dream. According to Wikipedia, an online encyclopedia, American Dream is generally understood as a dream for better life conditions, conditions here including material, financial, and family happiness. However, people today tend to understand American Dream only as financial security and material comfort. In other words, we may say that for today’s Americans, their happiness is measured with the possession of material. As quoted in www.hartford-hwp.com, James Truslow Adams in his book The Epic of America states clearly “fortuitous circumstances of birth or position should not stop someone if he/she has innate capability to achieve the dream”, it means although a person may come from low class position, he/she has the same opportunity to achieve the dream as the higher ones have. 1 2 The idea of American Dream has been for years used in many aspects of life such as in entertainment, politics, economy, etc. In literature, many authors pour the idea of American Dream in their novel as the main concern. The series novels of The Godfather (The Godfather part 1, 2, 3, The Godfather Returns, The Godfather’s Revenge) are the examples showing the idea of American Dream. The Godfather Returns written by Mark Winegardner, which is considered as one of Winegardner’s masterpieces, shows how complicated and dangerous the ways a person should take to achieve the dream that the person himself
Recommended publications
  • Mustang Daily, April 2, 1975

    Mustang Daily, April 2, 1975

    CORE Metadata, citation and similar papers at core.ac.uk Provided by DigitalCommons@CalPoly Volume 39 Number 43 California Polytechnic State Unlverelty, San Lull Obispo Wednesday, April 2, 1975 Legal decision overrules SAC by FRED VULIN which Councilman T. Keith Gurnee was seeking M uiuni Daily stuff writer» have the right to re-election. endorte candidate» for public office, according to a In the Feb. 5 column Harvey wrote: legal opinion ittued by the Chancellor'» office. "Gal Poly students have an opportunity to The opinion, in effec t, nullifiet a Feb. 12 vote by show that they want a voice tn the decisions—a vote the Student Affair» Council, which called for an tyith some power—by voting for Keith Gurnee." immediate halt of such endortementi. Ronca saw the column as a violation of Title V The endowment», SAC held, were in violation and asked SAC to vote accordingly—which the of Title V (Sec. 42405) of the California Ad- legislative body did. The Ronca motion received miniitrative Code. The code prohibit» the u»e of only one dissenting vote—that of Mike Murdy of fund» of an auxiliary organization to: the School of Communicative Arts and "Support or oppo»e any i»»ue before the voter» of Humanities. thii »late or any »ubdiviiion thereof or any city, Mustang editor Marji Nieuwsma immediately munic ipality or local governmental entity of any requested the Chancellor's office to make a legal kind..." interpretation of Title V. The letter by Mayman HoweveV, Linda G. May man, an attorney work represents the official view of the California Suite ing for the Chancellor'» general counsel, informed University and Colleges on the subject.
  • Italian Americans and the Mythology of Crime: “The Godfather Paradox”

    Italian Americans and the Mythology of Crime: “The Godfather Paradox”

    Italian Americans and the Mythology of Crime: “The Godfather Paradox” STEFANO MARANZANA University of Arizona Proceeding of the AATI Conference in Cagliari [Italy], June 20-25, 2018. Section Cultural Studies. AATI Online Working Papers. ISSN: 2475-5427. All rights reserved by AATI. ABSTRACT: This article examines the portrayal of Italian Americans in American media. The Order Sons of Italy in America (OSIA), the largest and longest-established national organization for men and women of Italian heritage in the USA, denounces the entertainment industry for damaging the collective reputation of Italian Americans. Particularly, the OSIA charges Coppola’s trilogy The Godfather with being “the principal agent responsible” for promulgating a discriminatory ethnic stereotype that all Italians are criminals, while accusing the series The Sopranos of having reinforced this notion. Yet, the authors of these works of fiction, both Italian Americans, maintain that exploring their own ethnic identities led them to utilize the Mafia as a metaphor for American society. We will see that, not only it is unjust to accuse a movie trilogy to be the “the principal agent responsible” for such stereotype, but I would submit that The Godfather has helped to mitigate the negative image of the Mafioso existing in American cinema long before Coppola’s films, turning it into a liminal figure conveying a positive impression formerly missing. An examination of early American gangster movie stereotyping and scholarship on Italian American studies will substantiate the claim that neither The Godfather nor The Sopranos have truly damaged the image of Italians in America. Paradoxically, the Italian-as-a-gangster stereotype has helped Italian Americans to break out of the margins.
  • The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli

    The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli

    Rewriting the Mafioso: The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli Author: Marissa Sangimino Persistent link: http://hdl.handle.net/2345/bc-ir:104214 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2015 Copyright is held by the author, with all rights reserved, unless otherwise noted. ! ! ! ! ! ! ! ! Rewriting the Mafioso: The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli By Marissa M. Sangimino Advisor: Prof. Carlo Rotella English Department Honors Thesis Submitted: April 9, 2015 Boston College 2015 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ACKNOWLEDGMENTS!! ! ! I!would!like!to!thank!my!advisor,!Dr.!Carlo!Rotella!for!the!many!hours!(and!many!emails)!that!it! took!to!complete!this!thesis,!as!well!as!his!kind!support!and!brilliant!advice.! ! I!would!also!like!to!thank!the!many!professors!in!the!English!Department!who!have!also! inspired!me!over!the!years!to!continue!reading,!writing,!and!thinking,!especially!Professor!Bonnie! Rudner!and!Dr.!James!Smith.! ! Finally,!as!always,!I!must!thank!my!family!of!Mafiosi:!! Non!siamo!ricchi!di!denaro,!ma!siamo!ricchi!di!sangue.! TABLE OF CONTENTS Introduction.........................................................................................................................................1-3 CHAPTER ONE: The Hyphenate Individual ..............................................................................................................4-17 The
  • Cases and Materials on the Outfit

    Cases and Materials on the Outfit

    Rosen: Cases and Materials on The Outfit David Rosen Don Corleone to Sonny, in The Godfather The Don sighed. "Well, then I can't talk to you about how you should behave. Don't you want to finish school, don't you want to be a lawyer? Lawyers can steal more money with a briefcase than a thousand men with guns and masks. " Robert Warshow, in "The Gangster as Tragic Hero" Thus, the importance of the gangster film, and the nature and intensity of its emotional and esthetic impact, cannot be measured in terms of the place of the gangster himself or the importance of the problem of crime in American life. Those European movie-goers who think there is a gangster on every comer in New York are certainly deceived, but defenders of the "positive" side of American culture are equally deceived if they think it relevant to point out that most Cases and Materials Americans have never seen a gangster. What matters is that the experience of the gangster as an experience of on art is universal to Americans. There is almost nothing we understand better or react to more readily or with The Outfit quicker intelligence. This night, though, Pam had a different tale to tell. She announced that she and her friend Annie, the daughter of a prize-winning biologist, had gone to see "The Godfather," that they had been so deeply moved that, instead of going home, she'd gone tripping around town in search of the Mafia. I remember one night Pam showed up at the House at "The Mafia!" three in the morning.
  • The Godfather Part II Lay in Coppola ' S Eye for Detail and His Need for a Verisimilitude Transcending the Limits of Perfunctory Storytelling

    The Godfather Part II Lay in Coppola ' S Eye for Detail and His Need for a Verisimilitude Transcending the Limits of Perfunctory Storytelling

    A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M TT HH EE GG OO DD FF AA TT HH EE RR PP AA RR TT II II Directed by Francis Ford Coppola Produced by Francis Ford Coppola Distributed by Paramount Pictures Released in 1974 mboldened by press accounts documenting the Apocalypse Now shoot as a self - destructive E odyssey, some c ritics confronting the film for the first time in 1979 tried to undermine Francis Ford Coppola ' s monumental achievement. Though its filming was as arduous as the war itself, they faulted him, a man who had never served in uniform, for promoting Apocalypse Now as the definitive statement on Viet Nam. To this day the film retains its primal angst and resolute daring, while film critics everywhere jealously disparage the pioneering work of yet another generation. Coppola is a keen observer, a progressive th inker who learns as much from talking to others as he does consulting his cherished collection of books. His early films find their genesis in childhood experiences — his mother ' s strange departure and subsequent return to the pressures of family became The Rain People (1969); a love of musicals nourished by his father led to Finian ' s Rainbow (1968); and his Manhattan misadventures as an AWOL military school cadet fostered You ' re A Big Boy Now (1967). Similarly, the ultimate triumph of The Godfather Part II lay in Coppola ' s eye for detail and his need for a verisimilitude transcending the limits of perfunctory storytelling.
  • The Godfather

    The Godfather

    THE GODFATHER Part Two Screenplay by Mario Puzo and Francis Ford Coppola SECOND DRAFT September 24, 1973 Script provided for educational purposes. More scripts can be found here: http://www.sellingyourscreenplay.com/library FADE IN: The Paramount Pictures logo is presented over a simple black background, as a single trumpet plays the familiar theme of a waltz. White lettering fades in: Mario Puzo's THE GODFATHER There is a pause, as the trumpet concludes, and there is the additional title: - Part Two - INT. DON CORLEONE'S OLD OFFICE - CLOSE VIEW ON MICHAEL CORLEONE - DAY standing impassively, like a young Prince, recently crowned King. CLOSE VIEW ON Michael's hand. ROCCO LAMPONE kisses his hand. Then it is taken away. We can SEE only the empty desk and chair of Michael's father, Vito Corleone. We HEAR, over this, very faintly a funeral dirge played in the distance, as THE VIEW MOVES SLOWLY CLOSER to the empty desk and chair. DISSOLVE TO: EXT. A SICILIAN LANDSCAPE - FULL VIEW - DAY We can barely make out the funeral procession passing over the burnt-brown of a dry river bed. The figures move slowly, seemingly from out of hundreds of years of the past. The MUSICIANS walking unsteadily on the rocky bed, their instruments harsh and blaring. They are followed by six young peasant men, carrying the crude wooden coffin on their shoulders. Then the widow, a strong large woman, dressed in black, and not accepting the arms of those walking with her. Behind her, not more than twenty relatives, few children and paisani continue alone behind the coffin.
  • Download the Sicilian Pdf Ebook by Mario Puzo

    Download the Sicilian Pdf Ebook by Mario Puzo

    Download The Sicilian pdf ebook by Mario Puzo You're readind a review The Sicilian book. To get able to download The Sicilian you need to fill in the form and provide your personal information. Ebook available on iOS, Android, PC & Mac. Gather your favorite books in your digital library. * *Please Note: We cannot guarantee the availability of this ebook on an database site. Book File Details: Original title: The Sicilian Paperback: Publisher: Arrow (2001) Language: English ISBN-10: 9780099580799 ISBN-13: 978-0099580799 ASIN: 0099580799 Product Dimensions:5.1 x 1 x 7.8 inches File Format: PDF File Size: 4284 kB Description: Michael Corleone is returning to the U.S. after the two-year exile to Sicily in which reader left him in The Godfather. But he is ordered to bring with him the young Sicilian bandit, Salvatore Guiliano, who is the unofficial ruler of northwestern Sicily. In his fight to make Sicilians free people, the young folk hero, based on the real-life Giuliano... Review: The Sicilian is a different storyline from The Godfather, but does intersect with Michael Corleone just before and just after his return to the US after that Sollozzo unpleasantness. There also is a surprising connection with Peter Clemenza. If you enjoyed The Godfather, then I believe you will enjoy The Sicilian.... Ebook File Tags: mario puzo pdf, michael corleone pdf, robin hood pdf, salvatore giuliano pdf, corleone family pdf, story line pdf, salvatore guiliano pdf, takes place pdf, good book pdf, better than the godfather pdf, great book pdf, main character pdf, read this book pdf, highly recommended pdf, turi giuliano pdf, sequel to the godfather pdf, puzo is probably best pdf, godfather series pdf, turi guiliano pdf, great story The Sicilian pdf book by Mario Puzo in pdf ebooks The Sicilian the sicilian book sicilian the fb2 sicilian the ebook the sicilian pdf The Sicilian I barely noticed any structural of sicilian issues.
  • The Family Is the Foundational Social Unit in Which Humans Participate

    The Family Is the Foundational Social Unit in Which Humans Participate

    Safavi: Of Earls, Kings, and Dons Safavi 1 Of Earls, Kings, and Dons: Examining the Interplay between Individual and Collective Interests in Families Amir Safavi, Columbia University The family is the foundational social unit in which humans participate. While a family may have fewer constituents than other social units, such as nations, the family may be more complex, as personal boundaries are blurred by intimacy. The needs and values of individual family members come into conflict not only with each other, but also with the necessities and conventions of the family as a collective entity. Authors and artists have regularly examined the issues and values of their respective societies through the lens of the family dynamic and its associated tensions. In turn, the topics addressed by these authors have served as a lens through which audiences can better understand the complexity of the bonds that bind a family together. William Shakespeare's King Lear and Francis Ford Coppola's film adaptation of Mario Puzo's The Godfather are examples of such texts. Shakespeare's play addresses the dialectic between the natural and the unnatural, with regard to human nature and political legitimacy. Coppola's film sheds light on the immigrant experience in early twentieth century America, the tensions between old world traditions and those of the new country, and the underground Mafia culture of the United States. King Lear presents the Gloucester and Lear families, while The Godfather tells the story of the Corleone family. An analysis of these families suggests that personal interests cannot coexist with conflicting interests of the family.
  • Godfather Part II by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002

    Godfather Part II by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002

    The Godfather and The Godfather Part II By Michael Sragow “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Although Francis Ford Coppola has often been depicted president.” — and loves to depict himself — as primarily an emotion- Kay re- al and intuitive director, “The Godfather” is a film filled sponds, with correct choices, painstakingly thought out and pas- “You know sionately carried through. Part of what made it a break- how naïve through as a crime move is that it’s about gangsters who you sound? make choices too and aren’t propelled simply by blood- Senators lust and greed. They’re battling for position in New York’s and presi- Five Families, circa 1945-1946. If Don Vito Corleone dents don’t (Marlon Brando) and his successor Michael (Al Pacino) have men come off looking better than all the others, it’s because killed.” In a they play the power game the cleverest and best — and line that Marlon Brando as Don Vito Corleone. the game is sordidly exciting. marked a Courtesy Library of Congress breakthrough For all the movie’s warmth, you could never confuse the for mainstream political awareness when the film premi- Corleones or their allies and competitors for fun-loving ered in 1972, Michael wearily answers, “Who’s being ethnic types. The first scene shows the Don exacting naïve, Kay?” deadly patronage, coercing an undertaker named Bonasera into vows of love and pledges of unmitigated But when Michael says his father’s way of doing things is loyalty in exchange for a feudal bond than can’t be bro- finished, he is being naïve.
  • Cover Skripsi Jadi

    Cover Skripsi Jadi

    THE REPRESENTATION OF MARIO PUZO'S LIFE BACKGROUND IN THE SETTING OF THE GODFATHER AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By DEBIE KHARISMAWATI Student Number: 054214055 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2010 THE REPRESENTATION OF MARIO PUZO'S LIFE BACKGROUND IN THE SETTING OF THE GODFATHER AN UNDERGRADUATE THESIS Presented as Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English Letters By DEBIE KHARISMAWATI Student Number: 054214055 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS FACULTY OF LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2010 i ii iii What am I to you.... tell me darling true To me you are the sea.... fast as you can be And deep the shade of blue When you're feeling low.... to whom else do you go See I cry if you hurt.... I'd give you my last shirt Because I love you so If my sky should fall.... would you even call Opened up my heart.... I never want to part I'm giving you the ball When I look in your eyes..... I can feel butterflies I love you when you're blue.... tell me darling true What am I to you..... (What Am I To You by. Norah Jones) iv For My Beloved Parents v ACKNOWLEDGEMENTS I am so excited that finally I can finish my thesis and my four years' education in Sanata Dharma University. I can not go through all of those years without the help from all of the people who supported me.
  • Influence of Michael Corleone's Personalities on His Relationship

    Influence of Michael Corleone's Personalities on His Relationship

    Advances in Social Science, Education and Humanities Research, volume 497 Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020) Influence of Michael Corleone’s Personalities on His Relationship With Other Characters in Trilogy of The Godfather Longhe Cao Shenzhen Middle School, Shenzhen, Guangdong 518034, China *Corresponding author. Email: [email protected] ABSTRACT Analyzing the personalities and relationship of the characters is an effective method for both the professionals and the ordinary audience to comprehend movies. By discovering and explaining how Michael Corleone in The Godfather influences his relationship with other characters, this dissertation is aimed at assisting readers to fully comprehend the essence of movies in detail. This paper utilizes the method which extracts a variety of conflicts and major transitions between Michael and other characters to reflect how Michael’s personalities work on these relationships. Based on the facts in the movie, Michael demonstrates different attitudes to his family members and the outsiders of his family. It will be helpful for the audience if there are researches which can deeply analyze a more well-rounded image of Michael’s Corleone, besides analyzing his relationship and personalities appears in the future. This paper finally concludes that Michael’s personalities cause him to have completely different relationships with two types of character, as the family members and the outsiders. Keywords: Personalities, relationship, influence, gangster, Godfather 1. INTRODUCTION 2. OVERVIEW OF MICHAEL CORLEONE’S PERSONALITIES The Godfather, as a classic and representative Italian gangster movie, reflects the conflicts between Corleone Overall, Michael has two types of personalities, including family and other forces in United States as well as the stable personalities and the variational personalities.
  • 2. the Godfather Returns.Pdf

    2. the Godfather Returns.Pdf

    The Godfather Returns Mark Winegardner alla mia famiglia "Whoever forsakes the old way for the new knows what he is losing, but not what he will find. " Sicilian proverb "They were killing my friends." AUDIE MURPHY, most decorated U.S. soldier of World War II, when asked how he had found the courage to fight an entire German infantry company *The Godfather II also covers the early life of Vito Corleone (1910-1939) in flashback scenes. **The second half of The Godfather Returns also covers the early life of Michael Corleone (1920-1945) in flashback scenes. THE CORLEONE FAMILY Vito Corleone, the first godfather of New York's most powerful crime family Carmela Corleone, Vito Corleone's wife and mother of their four children Sonny Corleone, Vito and Carmela Corleone's oldest son Sandra Corleone, Sonny's wife, now living in Florida Francesca, Kathy, Frankie, and Chip Corleone, Sonny and Sandra Corleone's children Tom Hagen, consigliere and unofficially adopted son Theresa Hagen, Tom's wife and mother of their three children Andrew, Frank, and Gianna Frederico "Fredo" Corleone, Vito and Carmela's second-born son (underboss 1955-1959) Deanna Dunn, Oscar-winning actress and Fredo's wife Michael Corleone, Vito's youngest son and the reigning Don of the Corleone Family Kay Adams Corleone, Michael's second wife Anthony and Mary Corleone, children of Michael and Kay Corleone Connie Corleone, Vito and Carmela's daughter Carlo Rizzi, Connie Corleone's deceased husband Ed Federici, Connie Corleone's second husband THE CORLEONE FAMILY ORGANIZATION Cosimo "Momo the Roach" Barone, soldato under Geraci and nephew of Sally Tessio Pete Clemenza, caporegime Fausto Dominick "Nick" Geraci, Jr.