The Godfather
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Orario Autolinea Extraurbana: Altavilla - Termini Imerese Stazione FS (696)
Allegato "C" Assessorato Regionale delle Infrastrutture e della Mobilità - Dipartimento delle Infrastrutture, della Mobilità e dei Trasporti Servizio 1 "Autotrasporto Persone" Contratto di Affidamento Provvisorio dei servizi Extraurbani di T.P.L. in autobus già in concessione regionale Impresa: Azienda Siciliana Trasporti - A.S.T. S.p.A. Codice 64 Orario Autolinea Extraurbana: Altavilla - Termini Imerese Stazione FS (696) C O R S E C O R S E 1A 4A 2A 3A 1R 2R 3R 5R KM STAZIONAMENTI KM FERIALE FERIALE FERIALE FERIALE FERIALE FERIALE FERIALE FERIALE SCOLASTICA SCOLASTICA SCOLASTICA SCOLASTICA 7.10 0,0 Capolinea 18,7 9.25 14.55 Altavilla - via Loreto 7.25 10.15 12.45 I Fermata intermedia 10,5 9.10 10.10 12.40 14.40 S.Nicola l'Arena - corso Umberto 7.35 7.50 10.25 12.55 I Fermata intermedia 6,2 9.00 10.00 12.30 14.30 Trabia - via la Masa 8.05 8.20 10.55 13.25 18,7 Capolinea 0 8.30 9.30 12.00 14.00 Termini I. - Scalo F.S. Prescrizioni d'Esercizio Divieto di servizio locale fra Termini Alta-Termini stazione f.s. e viceversa. Allegato "C" Assessorato Regionale delle Infrastrutture e della Mobilità - Dipartimento delle Infrastrutture, della Mobilità e dei Trasporti Servizio 1 "Autotrasporto Persone" Contratto di Affidamento Provvisorio dei servizi Extraurbani di T.P.L. in autobus già in concessione regionale Impresa: Azienda Siciliana Trasporti - A.S.T. S.p.A. Codice 64 Orario Autolinea Extraurbana: BAGHERIA - ALTAVILLA (cod. 722) C O R S E C O R S E 1A 6A 2A 7A 3A 8A 9A 4A 5A 1R 10R 8R 7R 2R 11R 9R 3R 6R 4R 5R KM KM feriale feriale feriale feriale -
IO SONO STATO a CORLEONE Texto Y Fotos Miquel Silvestre La Silueta De Una Costa Abrupta Se Recorta En El Atardecer
12 PALERMO IO SONO STATO A CORLEONE Texto y fotos Miquel Silvestre La silueta de una costa abrupta se recorta en el atardecer. Destaca el gran cono truncado del Etna. Casi es de noche sobre el Estrecho de Messina, vía marítima a un territorio de alborotada historia, arraigadas costumbres e inquebrantables códigos de honor. No soy del todo extranjero. Hasta bien mediado el XIX, Sicilia fue España desde que en 1282 quedó bajo dominio del aragonés Pedro el Grande. La lengua sicilia- na mezcla latín, italiano, berebere, castellano y catalán. El nombre del pueblo de Barcellona recuerda ese legado. Como aquellos jóvenes influidos por Goethe que recorrían Europa durante el Siglo de las Luces, yo sigo mi periplo motociclista en este extremo del Mediterráneo hecho de lava y de sangre. Palermo huele a sal y a pescado asado. La ciudad vive de cara al mar. El monumental casco antiguo goza de la decadencia más bella que haya visto antes. Callejones, humedad y revueltas. Tras la monu- mental Porta Felice aparece un sinuoso y barroco laberinto urbano con sorpresas escondidas tras cada recodo. En una plazoleta encuentro una chica armada de un bote de pintura en spray. Está tachando el 13 “Beatrice ti amo” rubricado en la pared. The abrupt coastline forms a stark silhouette against the sunset. Mount Etna Italia está llena de estas declaraciones stands out; a cone shape, flattened off at the top. It is almost night-time on the de amor escritas en muros, quitamiedos Strait of Messina, the sea route to a land with an eventful history, deep-rooted o sábanas extendidas. -
Mafia Motifs in Andrea Camilleri's Detective
MAFIA MOTIFS IN ANDREA CAMILLERI’S DETECTIVE MONTALBANO NOVELS: FROM THE CULTURE AND BREAKDOWN OF OMERTÀ TO MAFIA AS A SCAPEGOAT FOR THE FAILURE OF STATE Adriana Nicole Cerami A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Romance Languages and Literatures (Italian). Chapel Hill 2015 Approved by: Dino S. Cervigni Amy Chambless Roberto Dainotto Federico Luisetti Ennio I. Rao © 2015 Adriana Nicole Cerami ALL RIGHTS RESERVED ii ABSTRACT Adriana Nicole Cerami: Mafia Motifs in Andrea Camilleri’s Detective Montalbano Novels: From the Culture and Breakdown of Omertà to Mafia as a Scapegoat for the Failure of State (Under the direction of Ennio I. Rao) Twenty out of twenty-six of Andrea Camilleri’s detective Montalbano novels feature three motifs related to the mafia. First, although the mafia is not necessarily the main subject of the narratives, mafioso behavior and communication are present in all novels through both mafia and non-mafia-affiliated characters and dialogue. Second, within the narratives there is a distinction between the old and the new generations of the mafia, and a preference for the old mafia ways. Last, the mafia is illustrated as the usual suspect in everyday crime, consequentially diverting attention and accountability away from government authorities. Few critics have focused on Camilleri’s representations of the mafia and their literary significance in mafia and detective fiction. The purpose of the present study is to cast light on these three motifs through a close reading and analysis of the detective Montalbano novels, lending a new twist to the genre of detective fiction. -
Italian Americans and the Mythology of Crime: “The Godfather Paradox”
Italian Americans and the Mythology of Crime: “The Godfather Paradox” STEFANO MARANZANA University of Arizona Proceeding of the AATI Conference in Cagliari [Italy], June 20-25, 2018. Section Cultural Studies. AATI Online Working Papers. ISSN: 2475-5427. All rights reserved by AATI. ABSTRACT: This article examines the portrayal of Italian Americans in American media. The Order Sons of Italy in America (OSIA), the largest and longest-established national organization for men and women of Italian heritage in the USA, denounces the entertainment industry for damaging the collective reputation of Italian Americans. Particularly, the OSIA charges Coppola’s trilogy The Godfather with being “the principal agent responsible” for promulgating a discriminatory ethnic stereotype that all Italians are criminals, while accusing the series The Sopranos of having reinforced this notion. Yet, the authors of these works of fiction, both Italian Americans, maintain that exploring their own ethnic identities led them to utilize the Mafia as a metaphor for American society. We will see that, not only it is unjust to accuse a movie trilogy to be the “the principal agent responsible” for such stereotype, but I would submit that The Godfather has helped to mitigate the negative image of the Mafioso existing in American cinema long before Coppola’s films, turning it into a liminal figure conveying a positive impression formerly missing. An examination of early American gangster movie stereotyping and scholarship on Italian American studies will substantiate the claim that neither The Godfather nor The Sopranos have truly damaged the image of Italians in America. Paradoxically, the Italian-as-a-gangster stereotype has helped Italian Americans to break out of the margins. -
The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli
Rewriting the Mafioso: The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli Author: Marissa Sangimino Persistent link: http://hdl.handle.net/2345/bc-ir:104214 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2015 Copyright is held by the author, with all rights reserved, unless otherwise noted. ! ! ! ! ! ! ! ! Rewriting the Mafioso: The Gangster Hero in the Work of Puzo, Coppola, and Rimanelli By Marissa M. Sangimino Advisor: Prof. Carlo Rotella English Department Honors Thesis Submitted: April 9, 2015 Boston College 2015 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ACKNOWLEDGMENTS!! ! ! I!would!like!to!thank!my!advisor,!Dr.!Carlo!Rotella!for!the!many!hours!(and!many!emails)!that!it! took!to!complete!this!thesis,!as!well!as!his!kind!support!and!brilliant!advice.! ! I!would!also!like!to!thank!the!many!professors!in!the!English!Department!who!have!also! inspired!me!over!the!years!to!continue!reading,!writing,!and!thinking,!especially!Professor!Bonnie! Rudner!and!Dr.!James!Smith.! ! Finally,!as!always,!I!must!thank!my!family!of!Mafiosi:!! Non!siamo!ricchi!di!denaro,!ma!siamo!ricchi!di!sangue.! TABLE OF CONTENTS Introduction.........................................................................................................................................1-3 CHAPTER ONE: The Hyphenate Individual ..............................................................................................................4-17 The -
Entrevista Gerardo López Vicedecano
año/urtea:18 2017/70 maiatza/mayo REVISTA DEL ILUSTRE COLEGIO DE ABOGADOS DE GIPUZKOA GIPUZKOAKO ABOKATUEN ELKARGO ABOKATUOK PRESTUAREN ALDIZKARIA Entrevista Gerardo López Vicedecano pg 16. Exposición “Refugiados 11 Entrega premios concurso infantil Partidos Judiciales: Bergara vidas en 11 maletas” Navidad 2016 Alicia Oteiza pg 8. pg 14. pg 20. ¿Qué jubilación quieres? De tí depende. 28/024149 - Domicilio Social: Serrano, 9 28001 Madrid Aseguradoras, Sec. Previsión Social con el nº 2131 - C.I.F.: V- Reg. de Entidades a. Inscrita en el COMPRUEBA LO QUE SE PUEDE INCREMENTAR TU JUBILACIÓN AUMENTANDO... 100 €1 150 €1 200 €1 EDAD CAPITAL ADICIONAL2 A SUMAR A TU JUBILACIÓN: e Previsión Social a Prima Fij 30 + 150.444 € + 225.666 € + 300.889 € 40 + 74.410 € + 111.615 € + 148.820 € 50 + 30.741 € + 46.111 € + 61.482 € Aumenta tus aportaciones periódicas. Cuanto antes mejor. www.mutualidadabogacia.com Para más información llama al 914 35 24 86 o envía un correo a [email protected] 1. Cuota mensual creciente un 3 % anual. 2. Capital adicional proyectado en base a una tasa de rentabilidad del 5 % y con fecha de jubilación a los 65 años. Anu-Apt-02/17 • MUTUALIDAD GENERAL DE LA ABOGACÍA, Mutualidad d Rentabilidad media del Plan Universal desde su creación en 2005, 5,45 %. Rentabilidades pasadas no presuponen rentabilidades futuras. año/urtea: 18 2017/70 maiatza/mayo ABOKATUOKREVISTA DEL ILUSTRE COLEGIO DE ABOGADOS DEcomisiones GIPUZKOA GIPUZKOAKObatzordeak entrevista/elkarrizketa ABOKATUEN ELKARGO ABOKATUOK PRESTUAREN ALDIZKARIA sumario Carta de la Decana. 04 Celebrada la Junta General de Icagi. 06 aurkibidea El Colegio despedirá Junio con varias 07 actividades. -
DISP. II GRADO PER GAE.Pdf
Disponibilità Disponibilità Residue su Residue su Cattedre Cattedre PR Codice Scuola Denominazione Scuola Denominazione Comune CDC Interne Esterne Completamento cattedre esterne PA PAIS01600G IS "MAJORANA" PALERMO A010 1 0 PA PAIS01400X DON CALOGERO DI VINCENTI BISACQUINO A011 1 1 12+6 DON COLLETTO CORLEONE PAIS00900C PA PAIS01700B "G. SALERNO" GANGI A011 1 0 PA PAIS018007 I.I.S. P. DOMINA PETRALIA SOTTANA PETRALIA SOTTANA A011 1 0 PA PAPS16000X I.C. DI II GRADO "SAVERIA PROFETA" USTICA A011 1 0 PA PAIS00900C IS DON G. COLLETTO CORLEONE A013 1 0 PA PAIS01100C I.I.S.S. LERCARA FRIDDI LERCARA FRIDDI A013 2 0 PA PAIS01100C I.I.S.S. LERCARA FRIDDI LERCARA FRIDDI A018 0 1 12+6 DON CALOGERO DI VINCENTI BISACQUINO PAIS01400X PA PAIS01700B "G. SALERNO" GANGI A018 1 0 PA PAIS00900C IS DON G. COLLETTO CORLEONE A019 0 1 14+4 DON CALOGERO DI VINCENTI BISACQUINO PAIS01400X PA PAIS01100C I.I.S.S. LERCARA FRIDDI LERCARA FRIDDI A019 2 0 PA PAIS039008 I.I.S. G. D'ALESSANDRO BAGHERIA A019 2 1 9+9 SCADUTO BAGHERIA PAPC01000V PA PAIS004009 UGO MURSIA CARINI A021 0 1 12+6 ABRUZZI - GRASSI PAIS02900N PA PARI010007 S.D'ACQUISTO BAGHERIA BAGHERIA A026 0 1 15+3 FERRARA PAIS02300P PA PARI02802E IPIA SEZ. CAR.PAGLIARELLI ASCIONE PALERMO A026 0 1 13+6 PIAZZA PARH02050Q PA PATF03050P I.T.I.V.E.III SERALE PALERMO A026 0 1 15+4 CASCINO PARH050006 PA PAIS021003 ISTITUTO SUPERIORE DANILO DOLCI PARTINICO A031 1 0 PA PAIS01600G IS "MAJORANA" PALERMO A037 1 0 PA PAIS02200V JACOPO DEL DUCA - DIEGO BIANCA AMATO CEFALU' A037 0 1 16+2 GIOENI TRABIA PAIS03600R PA PAIS01100C I.I.S.S. -
LA FAMIGLIA the Ideology of Sicilian Family Networks
LA FAMIGLIA The Ideology of Sicilian Family Networks Eva Carlestål LA FAMIGLIA The Ideology of Sicilian Family Networks Dissertation for the degree of Doctor of Philosophy in Cultural Anthropology presented at Uppsala University in 2005 ABSTRACT Carlestål, Eva, 2005. La Famiglia – The Ideology of Sicilian Family Networks. DICA, Disser- tations in Cultural Anthropology, 3. 227 pp. Uppsala. ISSN 1651-7601, ISBN 91-506-1791-5. Anthropological data from fieldwork carried out among a fishing population in western Sicily show how related matrifocal nuclear families are tightly knit within larger, male-headed networks. The mother focus at the basic family level is thereby balanced and the system indi- cates that the mother-child unit does not function effectively on its own, as has often been argued for this type of family structure. As a result of dominating moral values which strong- ly emphasise the uniqueness of family and kin, people are brought up to depend heavily upon and to be loyal to their kin networks, to see themselves primarily as parts of these social units and less so as independent clearly bounded individuals, and to distinctly separate family members from non-family members. This dependence is further strengthened by matri- and/or patrivicinity being the dominant form of locality, by the traditional naming system as well as a continual use of kin terms, and by related people socialising and collaborating closely. The social and physical boundaries thus created around the family networks are further streng- thened by local architecture that symbolically communicates the closed family unit; by the woman, who embodies her family as well as their house, having her outdoor movements restric- ted in order to shield both herself and her family; by self-mastery when it comes to skilfully calculating one's actions and words as a means of controlling the impression one makes on others; and by local patriotism that separates one's co-villagers from foreigners. -
Cases and Materials on the Outfit
Rosen: Cases and Materials on The Outfit David Rosen Don Corleone to Sonny, in The Godfather The Don sighed. "Well, then I can't talk to you about how you should behave. Don't you want to finish school, don't you want to be a lawyer? Lawyers can steal more money with a briefcase than a thousand men with guns and masks. " Robert Warshow, in "The Gangster as Tragic Hero" Thus, the importance of the gangster film, and the nature and intensity of its emotional and esthetic impact, cannot be measured in terms of the place of the gangster himself or the importance of the problem of crime in American life. Those European movie-goers who think there is a gangster on every comer in New York are certainly deceived, but defenders of the "positive" side of American culture are equally deceived if they think it relevant to point out that most Cases and Materials Americans have never seen a gangster. What matters is that the experience of the gangster as an experience of on art is universal to Americans. There is almost nothing we understand better or react to more readily or with The Outfit quicker intelligence. This night, though, Pam had a different tale to tell. She announced that she and her friend Annie, the daughter of a prize-winning biologist, had gone to see "The Godfather," that they had been so deeply moved that, instead of going home, she'd gone tripping around town in search of the Mafia. I remember one night Pam showed up at the House at "The Mafia!" three in the morning. -
Curriculum Pignatellosalvatore.Pdf
CURRICULUM VITAE INFORMAZIONI PERSONALI Nome PIGNATELLO SALVATORE Data di nascita 14/01/1973 Qualifica Segretario comunale Amministrazione COMUNE DI CORLEONE Incarico attuale Responsabile - Segreteria Comunale Convenzionata tra i comuni di Corleone e Piana degli Albanesi Numero telefonico 09184524201 dell’ufficio Fax dell’ufficio 0918464453 E-mail istituzionale [email protected] TITOLI DI STUDIO E PROFESSIONALI ED ESPERIENZE LAVORATIVE Titolo di studio Laurea in Giurisprudenza Altri titoli di studio e - professionali 31.10.2002 Abilitazione all'esercizio della professione di Avvocato - Distretto di Corte di Appello di Messina - 22.06.2006 Abilitazione all'esercizio della professione di Segretario Comunale a seguito di superamento corso-concorso CO.A.II organizzato dalla SSPAL di Roma e tenutosi a Frascati dal Luglio 2004 al Giugno 2006 - 27.11.2009 Iscrizione in fascia B a seguito di superamento corso di specializzazione (SPE.S. IX) per il conseguimento dell'idoneità a segretario generale, ex art.14, comma I, DPR n.465/1997 Esperienze professionali - (incarichi ricoperti) Collaboratore Amministrativo c/o Unità Operativa Affari Generali, cat.D CCNL Sanità - CEFPAS di Caltanissetta: Ente Regionale istituito con L.R. della regione Sicilia n.30/93. - Assistente Amministrativo c/o Settore Fiscale della Divisione Trattamento Economico - UNIVERSITA' DEGLI STUDI DI PAVIA - Segretario Comunale Titolare - COMUNE DI SANTA CRISTINA GELA - Segretario Comunale Titolare Sede Convenzionata con il Comune di Aliminusa (associato) -
The Godfather Part II Lay in Coppola ' S Eye for Detail and His Need for a Verisimilitude Transcending the Limits of Perfunctory Storytelling
A N I L L U M I N E D I L L U S I O N S E S S A Y B Y I A N C . B L O O M TT HH EE GG OO DD FF AA TT HH EE RR PP AA RR TT II II Directed by Francis Ford Coppola Produced by Francis Ford Coppola Distributed by Paramount Pictures Released in 1974 mboldened by press accounts documenting the Apocalypse Now shoot as a self - destructive E odyssey, some c ritics confronting the film for the first time in 1979 tried to undermine Francis Ford Coppola ' s monumental achievement. Though its filming was as arduous as the war itself, they faulted him, a man who had never served in uniform, for promoting Apocalypse Now as the definitive statement on Viet Nam. To this day the film retains its primal angst and resolute daring, while film critics everywhere jealously disparage the pioneering work of yet another generation. Coppola is a keen observer, a progressive th inker who learns as much from talking to others as he does consulting his cherished collection of books. His early films find their genesis in childhood experiences — his mother ' s strange departure and subsequent return to the pressures of family became The Rain People (1969); a love of musicals nourished by his father led to Finian ' s Rainbow (1968); and his Manhattan misadventures as an AWOL military school cadet fostered You ' re A Big Boy Now (1967). Similarly, the ultimate triumph of The Godfather Part II lay in Coppola ' s eye for detail and his need for a verisimilitude transcending the limits of perfunctory storytelling. -
Nomi E Storie Delle Vittime Innocenti Delle Mafie
Nomi e storie delle vittime innocenti delle mafie a cura di Marcello Scaglione e dei ragazzi del Presidio “Francesca Morvillo” di Libera Genova Realizzato in occasione della mostra “900 Nomi vittime di mafia dal 1893 ad oggi” inaugurata ad Imperia il 21 Marzo 2016 in occasione della XXI Giornata della memoria e dell’impegno - ”Ponti di memoria, luoghi di impegno”. I nomi presenti nella mostra sono quelli accertati fino all'anno 2015, ed in particolare quelli letti a Bologna durante la XX Giornata della Memoria e dell'Impegno in ricordo delle vittime innocenti delle mafie (21 marzo 2015). Il lavoro di ricerca, inizialmente limitato a quell'elenco, è stato poi implementato e aggiornato, comprendendo quindi le storie delle vittime innocenti i cui nomi sono stati letti durante la XXI Giornata della Memoria e dell'Impegno (21 marzo 2016). Sarà nostro impegno e cura eseguire successivamente gli aggiornamenti necessari. Siamo inoltre disponibili a intervenire sulle singole storie, laddove dovessero essere ravvisati errori e/o imprecisioni. EMANUELE NOTABARTOLO, 01/02/1893 Nato in una famiglia aristocratica palermitana, presto rimane orfano di entrambi i genitori. Cresciuto in Sicilia, nel 1857 si trasferisce prima a Parigi, poi in Inghilterra, dove conosce Michele Amari e Mariano Stabile, due esuli siciliani che lo influenzeranno molto. Avvicinatosi all'economia e alla storia, diventa sostenitore del liberalismo conservatore (quindi vicino alla Destra storica). Dal 1862 Emanuele Notarbartolo diventa prima reggente, poi titolare, del Banco di Sicilia, al quale si dedica a tempo pieno a partire dal 1876, salvandolo dal fallimento in seguito all'Unità d'Italia. Il suo lavoro al Banco di Sicilia inizia a inimicargli molta gente.